Below, someone made a remarkable noise, half-gurgle, half-squeak. Looking down, Jame saw Tubain at the rail outside Taniscent's room, staring up at her. There was so much horror in his expression that she promptly slithered down the tiles, jumped to the second story roof and, catching the eaves, swung down to the gallery floor beside him.
"What's wrong?" she demanded, sudden eagerness sharpening her voice. Was he at last going to take her into his confidence?
"You could have broken your neck!" the innkeeper said, almost incoherent with agitation. "What were you doing up there?"
"Oh." Damn. "I was looking at the city. Why would anyone have laid out the streets in such an insane jumble?"
"Well," said Tubain, making an obvious attempt to regain his composure, "it's partly intentional and partly not. You see, we're rather prone to disasters here, natural and otherwise. Old buildings are always getting knocked down, washed away, or trampled flat, and new ones rise wherever there's room. But that's the least of it. Ever since Tai-tastigon was built back in the days of the Old Empire, folks in these parts have loved puzzles. Once their whole culture was built on them, social conventions and all, and the highest form of art was the labyrinth. Of course, things have changed a lot here since then, but some folk still hold to the old ways. For example, when the Sirdan Theocandi of the Thieves' Guild came to power, he reconstructed part of the Palace into a perfect maze; and old Penari lives in the heart of one so complex that its own architect lost his way trying to get out and was never seen again."
That latter name made Jame start. "This Penari. . . who is he?"
"Why," said Tubain, surprised, "the greatest thief in the history of Tai-tastigon, which is as much as to say in the world, and the only man ever to know all the streets of the city. The Temple District is his manor, but he's not very active or much seen these days. Where did you hear of him?"
Jame hesitated, then told the innkeeper about the incident in the alley. Tubain's eyes grew wide as he listened.
"For fifty-six years," he said at last, "ever since that man stole the Eye of Abarraden under circumstances that weren't just difficult, mind you, but physically impossible, every thief in the guild has dreamed of becoming his apprentice. For fifty-six years! And on your first night in the city, he makes you the offer. By all the gods, that will make some faces red at the Palace, the Sirdan's not the least."
"Do you mean to say," said Jame, quite horrified, "that he was offering to teach me how to steal?"
"Why, what else, and why not? Nearly everyone in Tai-tastigon does or has or wants to. It's fine work, I hear, if you can get a good master and, of course, don't get caught." At that moment Cleppetty called him from the kitchen door. He excused himself and trotted off, saying, "Penari, eh?" out loud to himself. "Just think of that!"
Jame did, long and seriously over the following days.
Meanwhile, she continued to room with Taniscent, but began to find this arrangement increasingly unpleasant. Soon after her arrival, Cleppetty had wrung a promise out of the dancer never to use Dragon's Blood again. This was a relief of sorts, but it didn't save Jame from the days of brittle smiles that followed nor the nights of hysterical weeping when it became clear with the wearing off of the drug that Tanis had paid all too heavily for those brief returns to her lost youth. On the other hand, Jame was keenly aware that she herself was not the most desirable of chamber-fellows; her own sleep still brought her dreadful shapes, and she would often wake with a start, unsure if the voice she had heard cry out was her own. On such nights she would take a blanket and go up to the fourth story solar to sleep, if she could, and often to wake in the cold dawn with Boo snuggled warmly against her.
This large, empty loft soon became her refuge from the tensions of life at the inn. As a rule, no one bothered her there, since the whole area was much too open to serve either for storage or guests. Here she at last found a hiding place for her pack, behind some loose stones in one corner, and also the necessary open space to experiment with the Senethar training patterns.
She often wondered who had taught them to her. When her brother Tori had first begun to learn the arts of war all those years ago at the keep, she had begged to be taught them, too. Her plea had been flatly refused. And yet now the knowledge was there, as she had discovered in the Haunted Lands. It was wonderful suddenly to have the benefit of such training, but frightening too not to know where it had come from or what other skills she might have brought out of those lost years.
The incident with the bread had shaken her badly. She was different, she always had been, Jame thought, staring blindly at her hands, and her father had not been able to accept it. Shanir, god-spawn, unclean, unclean . . . words out of the past, shouted at her from the keep gate. That had been soon after her nails had first worked their way to the surface. How her fingertips had itched, and what a relief it had been (as well as a surprise) when the sharp points at last broke through the skin. Nail-less until then, unlike everyone else at the keep, she had been proud of her new acquisitions. The horror and disgust of the others had bewildered her. Jane realized now that they had been afraid, frightened of what she was, of what she might become, although no one had ever made it clear to her exactly what that was. Would her people always react to her this way? If so, what sort of a fool was she too long for them, for the unhappy home she had lost? A Kencyr fool. Well, now she had six months to learn if she could make a life for herself apart from the Kencyrath.
But days passed, and Jame remained an outsider at the Res aB'tyrr although virtually a prisoner within its walls. As this confinement became more and more burdensome, she spent longer periods in the loft, working eventually with the Senetha dance patterns that corresponded to the four Senethar types of combat, discovering as she went which ones she knew. Earth moving, fire leaping, water flowing, wind blowing . . . the second was still almost beyond her in her weakened state, and the fourth (assuming she knew it all) quite impossible, but it pleased her to at least have made a start. So she kept pushing at the limits of her knowledge and endurance, both to expand them and, often, simply to wear herself out. Exhaustion made sleep easier and certain thoughts less gnawing.
One morning a few days after Winter's Eve, she was doing the kantirs of a fourth-level water flowing pattern when she saw Ghillie, upside down from her position at that moment, staring at her open-mouthed around the newel of the spiral stair.
"Ee!" he said when she stopped rather suddenly, her back arched in a curve that from his position must have looked almost impossible. "Why didn't you say you were a dancer?"
Jame straightened, grinning, and turned. " 'Ee' yourself," she said. "I didn't because, strictly speaking, I'm not.
This is a kind of fighting practice. But what are you doing up here at this hour? I didn't expect to see you until afternoon after last night's debauch."
"Aunt Cleppetty got me up," said the boy ruefully, "and gave me a fine lecture on disappearing before all the guests were in bed. She also told me to tell you that she's going marketing just now and wants you to go with h—hey, watch out!"
But Jame was already past him, boots in hand, ricocheting down first one stair and then the other toward the front door where Cleppetty waited impatiently, a shopping basket on her bony arm.
* * *
THEY CROSSED the square with Jame hopping on one foot, trying to get herself shod without falling down, too excited even to notice the derisive hoot from the door of the Skyrrman that greeted this performance. At the southwestern corner of that inn, piles of bricks, dressed stone and timber—all waiting to be hoisted up to the unfinished fourth story— were spread out on the pavement, partly obstructing the side street. Cleppetty marched straight through these, looking neither right nor left nor—more to the point—up, where a heavily laden sling swung creaking in the breeze. It was typical of Marplet sen Tenko's attitude toward the general public that he should permit such a thing to hang there apparently unattended, and typical of the widow's attitude toward Marplet that
she should completely ignore it. As for Jame, only stubborn pride carried her after Cleppetty through that sinister shadow as a gust of wind made it shift on the ground and set the supports high above to groaning.
Then it was behind them, and they had turned onto the small street called the Way of Tears, which ran along the west side of the Skyrrman, past the gate to its inner court and the back wing that housed the servants' quarters. Here a slim, black-haired girl leaned out of a window to stare down at them. Jame, her mind still on falling objects, almost shied before she saw that the other's hands were empty and her expression showed only curiosity. For a moment their eyes met. Then the road twisted away behind the inn, and the brief contact was broken.
Tai-tastigon by daylight proved to be a much different place from the one Jame remembered seeing on her first night. Now, instead of dark, empty ways, the streets were full of life. Men hurried past, intent on their own business. Women leaned out of upper windows to gossip with neighbors across the way, while lines of wet laundry flapped languidly between them. Children, playing in the gutter, stopped to watch and giggle as a stray dog urinated on someone's pet geraniums. All that was mysterious or menacing seemed to have vanished or to have grown as pale as the moon set high against a bright, late morning sky.
Then they passed under the arch of an old gate into a tangle of backways. The main streets had been confusing enough, but here even the residents seemed to rely heavily on members of the Pathfinders' Guild, who hawked their expertise at every crossroad. Those who weren't willing to pay a guide's fee had scrawled directions to themselves all over the walls. One had even anchored himself to his own front doorknob with a string, which stretched along the pavement for five blocks before ending suddenly in the middle of an intersection, the victim, perhaps, of some indignant guide.
Jame was just thinking that their route couldn't possibly get any more complex when the widow dove into yet another maze-within-a-maze composed of dank, rapidly narrowing lanes. Caught between claustrophobia and wall-slugs, Jame was almost ready to retreat the way they had come (assuming she could find it) when they suddenly emerged from a crack between two buildings into a small square bustling with people: the vegetable market, reached by some arcane shortcut.
While Cleppetty shopped, Jame wandered around the stalls and carts, admiring the great piles of produce. She noticed that two municipal guards armed with the usual iron-headed truncheons were also on the prowl, presumably looking for thieves. It didn't occur to her that they might actually find one until a boy suddenly winked at her across a stand and made a potato disappear into his pocket as if by sorcery. Jame thought of those iron-bound clubs and went on to the next stall without a word.
Barring that incident, nothing disturbed the general air of normalcy about the market; and even the theft, in an odd way, seemed a natural part of the scene. Sitting on the edge of the central fountain with her fingers dipped in the cool water, Jame wondered if the exotic image she had built up of Tai-tastigon had anything to do with the true life of the city. Once a year, perhaps, the very stones went mad, but was the rest of the time passed like this, in steady industry spiced with nocturnal revels for those who desired them?
She was still wondering when someone shrieked.
Jame's head snapped up. She saw a gnarled farmer drop the turnips that he had been showing to a customer and snatch a broken scythe out of his cart. God of her ancestors, he was coming straight at her. The end of a blue ribbon curled over his arm as his blade leaped up. But surely that first wild cry had come from behind her, Jame thought in confusion, springing to her feet; yes, there it was again not ten feet away, mixed now with a great splashing. She twisted about and saw a heavyset man festooned with blue ribbons charging at her through the fountain. He was brandishing a short, sharp sword.
For a whole second, Jame simply froze, paralyzed with amazement. Then she dove for cover under the bed of a tomato cart and came up again on the far side. Cleppetty, who had taken refuge in a doorway, reached out and pulled her into the recess. Together, they watched the fight.
The two men met almost on the spot where Jame had been standing, but they did not remain there long. Step by step, the older man with the scythe was forced backward. He used his improvised weapon well, swinging in tight, vicious arcs that hissed and flashed in the sun, but he was at a disadvantage: his adversary, while a hopeless swordsman, had the dubious fortune to be completely berserk.
The farmer's ramshackle cart was close behind him now. Beyond both men and wagon, Jame saw the guards watching with interest.
Then the older man's foot came down on one of the turnips he had dropped, and he went over backward, crashing into the cart with such force that the near wheel fell off. A torrent of vegetables cascaded to the pavement. The swordsman sprang forward with a triumphant shriek, only to stagger and fall himself on the treacherous footing. He tried to get up again and again, foam dribbling down his chin, too deep in madness to remember his weapon or look where he put his hands or feet.
The farmer rose slowly, carefully, and picked up his scythe. He touched the edge once as though to be sure of its keenness, then stepped toward the fallen man through the field of squashed vegetables. The latter rose to his knees, his voice a squeal of frustrated rage. The sound stopped abruptly as the blade caught him under the chin. Something went flying through the air and landed wetly on top of the pile of tomatoes before Jame. She stared at it. The eyelids were still fluttering. Then the farmer stalked over, grabbed the thing by the hair, and walked off with it.
Cleppetty left the doorway, muttering savagely to herself, and half dragged Jame through the wagons toward the fissure by which they had entered the square. Looking back, Jame saw the tomato-seller examine his produce, throw two into the gutter, and carry several others over to the fountain. He was washing them when the wall cut off her view. The murmur of renewed business followed them for several turnings into the dank nest of lanes.
"Cleppetty. . ."
". . . think they'd have more self-respect than to do it in public," the widow was saying to herself in tones of profound disgust and unusual distinctness. "Some people have no sense of propriety. And what a mess . . ."
"Cleppetty. . ."
". . . no consideration for others, either. At least I got the salad makings before . . ."
"CLEPPETTY!"
Jerked to a halt by Jame's sudden stop, the widow turned and glared at her. "Now what's the matter?"
"Cleppetty, what happened back there?"
"If I tell you, will you stop yelping at me and get a move on? We've lost enough time already. Besides, you're standing in a puddle."
And so she was. Boots squelching loudly, Jame followed the widow out of the tangled maze, several times treading on the older woman's heels in her impatience. Cleppetty, however, said nothing until the road widened and they were walking side by side again.
"Those men!" she said, beginning with a sort of explosion. "Their sects are involved in a temple war. The ribbons prove it's a legal one, and so, having paid for it, they've the right to do whatever they want or can to each other, anywhere, anytime."
"Legal? Paid? To whom?"
"Why, to the Five, our governing council." She gave Jame a sharp, sidelong look. "Surely you've at least heard of that."
Jame nodded. Ghillie had mentioned it several times, but never this business of warfare in the streets, which was odd, given his taste for the sensational. "It's made up of King Sellik's representative, the Skyrr Archiem's, and three that the city guilds choose themselves, isn't it?"
"Of course," said the widow, "and they need money to pay for the guards, themselves, and especially the city charter. Tai-tastigon is half in Metalondar and half in Skyrr because of the River Tone, you know (or do you?), and must pay for the privilege of belonging to neither. So the Five levy taxes and license violence. As for the wars, there are four kinds." The basket handle slid down to the crook of her elbow as she brandished a knobby finger in Jame's face. "One: private,
for individuals and families. Two: trade, for merchants. Three: temple, for religious fanatics like those two oafs back there. Four: guild, and very messy those can get, too. You may yet see one for yourself if the Sirdan Theocandi of the Thieves' Guild loses any more of his people to that Tai-abendran upstart, Men-dalis. Praise be that my sister's daughter's son is well out of it back in Emmis."
"Your—uh—grand-nephew is a thief?"
"Oh aye, and a good one too, I'm told . . . and we shall never get home if you keep stopping like that."
"S-sorry," said Jame, making a fast recovery. "But why do the citizens put up with it, I mean with madmen lopping heads off in the streets and ruining merchandise? Those two back there might have killed anyone, including me."
"That," said the widow, "was because you were unlucky enough to get caught between them and fool enough to stand there gaping until they nearly ran you down. You seem to have a knack for that sort of situation, by the way, which I hope you will in future try to control. As for the rest of us, the more wars there are, the less we have to pay in taxes. So we take an occasional risk. There are worse systems."
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