1001 Books: You Must Read Before You Die

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1001 Books: You Must Read Before You Die Page 27

by Boxall, Peter


  Although now considered by some critics to be Svevo’s great masterpiece and often regarded as being a more consummate and balanced work than The Confessions of Zeno, this novel was a failure when it was first published. Written in a simple, sometimes clumsy language that is a mixture of old-fashioned vocabulary and dialect expressions (Svevo learned Italian as his second language), it passed almost completely unnoticed before its “rediscovery” decades later. Characterized by a deep humanity, as well as by its humor, and profound psychological insight, As a Man Grows Older (the English title was the suggestion of Svevo’s friend and admirer James Joyce) is a brilliant study of hopeless love and hapless indecision. LB

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  1800s

  Dom Casmurro

  Joaquim Maria Machado de Assis

  Lifespan | b. 1839 (Brazil), d. 1908

  First Published | 1899

  First Published by | H. Garnier (Rio de Janeiro)

  Founder of | Brazilian Academy of Letters

  By the time Machado de Assis wrote Dom Casmurro, he was the acknowledged master of Brazilian literature, who had been teasing his respectable public with a subtly hostile depiction of their vices and hypocrisies for more than three decades. This funny, innovative, disturbing novel is the consummation of his idiosyncratic art.

  The novel’s eponymous hero and narrator is an elderly man telling his life story. He is building a house like the one in which he grew up, and his narrative has a similar function: to join the beginning of his life satisfyingly to its end. But the reader becomes aware that the missing middle of his existence poses some serious problems. The focus of the story is supposedly the narrator’s love for Capitu, the adored childhood sweetheart whom he marries and who bears his son. Gradually, though, Capitu begins to appear as a monster of infidelity, the focus of her husband’s jealousy.

  Dom Casmurro is the most unreliable of narrators. Insinuating and confiding, he addresses his readers directly at every turn, at one moment begging them to believe his every word, at the next admitting to yawning lapses of memory. At times, Dom Casmurro imagines his reader tossing the book away in boredom or disgust. But Machado knows the hypnotic power of his own creation. Hooked by that sly, elusive conversational voice, readers may throw the book down, but they will always pick it up again. RegG

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  1800s

  The Awakening

  Kate Chopin

  Lifespan | b. 1851 (U.S.), d. 1904

  First Published | 1899

  First Published by | H. S. Stone & Co. (Chicago)

  Given Name | Katherine O’Flaherty

  The Awakening was initially met with condemnation and outrage, forcing its author into financial crisis and literary obscurity. Coming back from this apparent literary death-at-birth, the effects of this novel live on, inveterate and relentless. Now widely read, The Awakening is critically acclaimed as an American version of Madame Bovary. When Edna Pontellier finds her position as young wife and mother in New Orleans unbearably stifling, her refusal to go by the laws and mores of society drives her up against a world at once disapproving and uncannily precognizant of her struggles, in a provoking and often progressive critique of marriage and motherhood in Creole society.

  Chopin provides a startling account of what it might mean to “awaken” into a better understanding of one’s position. The novel invites us to wonder if it might not be better to carry on “sleeping” through life, as well as dealing with the complicated ways in which different kinds of “production” and “destruction” merge with one another. Chopin’s subject matter and observations are engrossing and, in many respects, ahead of their time. But what is most remarkable about The Awakening is the way in which it forces us to think about the very notion of time, of being ahead or outside of one’s time, and of the time of reading. Reading, like awakening, is identified with a strange present; here the reader is left uncertain whether the awakening is still happening or, perhaps, has not yet begun. JLSJ

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  1800s

  The Stechlin

  Theodor Fontane

  Lifespan | b. 1819 (Germany), d. 1898

  First Published | 1899

  First Published by | F. Fontane & Co. (Berlin)

  Original Title | Der Stechlin

  “Books have a sense of honor. If they are lent out, they will not come back.”

  Theodor Fontane, 1895

  “In the end, an old person dies, and two young people get married; that’s about all that happens over five hundred pages”. This is Theodor Fontane’s own laconic comment on the novel of his old age. In contrast to Effi Briest’s intricate psychological motivation, there is a new type of realism, where a technique of extensive dialogue is used to characterize a society on the brink of profound changes.

  The old person is Major Dubslav, called “the Stechlin,” owner of a castle as well as lake Stechlin—the latter is, according to myth, said to boil whenever a major catastrophic event occurs anywhere in the world. The two young people are Woldemar, the Stechlin’s son, and Armgard, the slightly colorless sister of the brilliant and lively Melusine. The Stechlin, warm, humane, and skeptical toward radicalism of any kind, is persuaded to stand as Conservative candidate for the Reichstag, though his phlegmatic approach to politics means that he is easily defeated by his Social Democrat rival. As the crumbling of the old elites, makes it necessary for the relationship between individual and society to be redefined, the Stechlin welcomes the changing times, even though the approach of democracy will do away with the privilege of those such as himself. It is left to Melusine, who shares the name of the seductive water fairy of legend, to point out the connection between the lake, so mysteriously linked to the rest of the world, and the importance of keeping in touch with a changing world. MM

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  1800s

  Eclipse of the Crescent Moon

  Géza Gárdonyi

  Lifespan | b. 1863 (Hungary), d. 1922

  First Published | 1899

  First Published by | Légrády (Budapest)

  Original Title | Egri csillagok

  A compulsory text in Hungarian high schools until this day and re-read by many throughout adulthood, Eclipse of the Crescent Moon was voted the nation’s favorite book in a 2005 survey. Set in the years following the Hungarians’ defeat by the Turks at the Battle of Mohács (1526), the novel interweaves meticulously researched historical detail with romance, adventure, and skullduggery, not to mention fictionalized events from the author’s life, into a masterpiece of patriotic prose.

  The novel opens in 1533 with our heroes Gergely Bornemissza, an orphan boy, and Éva Cecey, the daughter of a wealthy family, frolicking in a stream. Kidnapped by Yumurdjak, a one-eyed Turk, they escape capture and return to defend their village. Gergely’s strategic command and skill with explosive devices bring him under the wing of the nobleman Bálint Török but later land him in jail, while his love for Éva takes them both to Constantinople incognito, to free Török from the Sultan’s imprisonment. Following the siege of Eger in 1552, in which the people of the city successfully fought off the numerically far superior Turks, Gergely and Éva are reunited together with their son.

  Gárdonyi’s research took him from Vienna to Constantinople. His grave lies inside the fortress of Eger, honored for his unforgettable narrative of one of Hungary’s battles to remain free. GJ

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  1800s

  Some Experiences of an Irish R. M.

  Somerville and Ross

  Lifespan (Somerville) | b. 1858 (Greece), d. 1949 (Ire)

  Lifespan (Ross) | b. 1862 (Ireland), d. 1915

  First Published | 1899

  First Published by | Longmans & Co. (London)

  A series of comic tales of late nineteenth-century Anglo-Irish life, dealing largely with hunting, shooting, and horse riding, might seem unlikely to have many attractions for readers t
oday. The poorer characters play minor roles, while the foreground is occupied by the elite and their hangers-on. The authors were members of the landowning “Ascendancy,” and the artifices and conventions of the storytelling reflect the angle, and the limits, of their vision. The fictitious narrator, Major Sinclair Yeates, is resident magistrate at Skebawn. Being “of Irish extraction,” Yeates is not quite English—but he is certainly not Irish. We hear the wit and music of English as it was spoken in rural Ireland, and west Cork is pleasantly evoked in descriptions of rivers, coasts, bogs, and fields.

  One of the best stories among these witty, well-observed tales, “Lisheen Races, Second-hand,” recounts the visit to Skebawn of Yeates’s college friend Leigh Kelway, an Englishman and a well-intentioned bore. When Yeates takes him to some “typical country races,” Kelway (much to the reader’s delight) endures countless indignities and disasters, culminating in a collision with a mail coach. Yeates will always remain an outsider in Cork, but he knows and loves it as a foreigner in a way that Kelway never can. MR

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  1900s

  Contents

  Sandokan: The Tigers of Mompracem

  Sister Carrie

  None but the Brave

  Kim

  Buddenbrooks

  The Hound of the Baskervilles

  Heart of Darkness

  The Wings of the Dove

  The Immoralist

  The Ambassadors

  The Riddle of the Sands

  The Call of the Wild

  Memoirs of my Nervous Illness

  The Way of All Flesh

  Hadrian the Seventh

  Nostromo

  The House of Mirth

  Professor Unrat

  Solitude

  Young Törless

  The Forsyte Saga

  The Jungle

  The Secret Agent

  Mother

  The House on the Borderland

  The Old Wives’ Tale

  The Inferno

  A Room with a View

  Strait is the Gate

  The Notebooks of Malte Laurids Brigge

  Howards End

  Impressions of Africa

  Fantômas

  Ethan Frome

  The Charwoman’s Daughter

  Death in Venice

  Sons and Lovers

  The Ragged Trousered Philanthropists

  Platero and I

  Tarzan of the Apes

  Locus Solus

  Kokoro

  The Thirty-Nine Steps

  The Rainbow

  Of Human Bondage

  The Good Soldier

  Rashomon

  Under Fire

  A Portrait of the Artist as a Young Man

  The Underdogs

  Pallieter

  Home and the World

  Growth of the Soil

  The Return of the Soldier

  Tarr

  The Storm of Steel

  Women in Love

  Main Street

  The Age of Innocence

  Crome Yellow

  Life of Christ

  Ulysses

  Babbitt

  Claudine’s House

  Life and Death of Harriett Frean

  The Forest of the Hanged

  Siddhartha

  The Enormous Room

  Kristin Lavransdatter

  Amok

  The Devil in the Flesh

  Zeno’s Conscience

  A Passage to India

  We

  The Magic Mountain

  The Green Hat

  The New World

  The Professor’s House

  The Artamonov Business

  The Trial

  The Counterfeiters

  The Great Gatsby

  Mrs. Dalloway

  Chaka the Zulu

  The Making of Americans

  The Murder of Roger Ackroyd

  One, None and a Hundred Thousand

  Under Satan’s Sun

  The Good Soldier Švejk

  Alberta and Jacob

  The Castle

  Blindness

  The Sun Also Rises

  Amerika

  The Case of Sergeant Grischa

  Tarka the Otter

  To the Lighthouse

  Remembrance of Things Past

  Steppenwolf

  Nadja

  Quicksand

  Decline and Fall

  Some Prefer Nettles

  Parade’s End

  The Well of Loneliness

  Lady Chatterley’s Lover

  Orlando

  Story of the Eye

  Retreat Without Song

  Les Enfants Terribles

  Berlin Alexanderplatz

  All Quiet on the Western Front

  The Time of Indifference

  Living

  I Thought of Daisy

  A Farewell to Arms

  Passing

  Look Homeward, Angel

  The Maltese Falcon

  Her Privates We

  The Apes of God

  Monica

  Insatiability

  The Waves

  To the North

  The Thin Man

  Journey to the End of the Night

  The Return of Philip Latinowicz

  The Radetzky March

  The Forbidden Realm

  Cold Comfort Farm

  Brave New World

  Vipers’ Tangle

  The Man Without Qualities

  Cheese

  Man’s Fate

  A Day Off

  Testament of Youth

  The Autobiography of Alice B. Toklas

  Murder Must Advertise

  Miss Lonelyhearts

  Call it Sleep

  The Street of Crocodiles

  Thank You, Jeeves

  Tender is the Night

  Tropic of Cancer

  The Postman Always Rings Twice

  On the Heights of Despair

  The Bells of Basel

  The Nine Tailors

  Auto-da-Fé

  They Shoot Horses, Don’t They?

  The Last of Mr. Norris

  Untouchable

  Independent People

  Nightwood

  At the Mountains of Madness

  Absalom, Absalom!

  War with the Newts

  Keep the Aspidistra Flying

  Gone with the Wind

  The Thinking Reed

  Eyeless in Gaza

  Summer Will Show

  Rickshaw Boy

  Out of Africa

  In Parenthesis

  Ferdydurke

  The Blind Owl

  The Hobbit

  Their Eyes Were Watching God

  Of Mice and Men

  Murphy

  U.S.A.

  Brighton Rock

  Cause for Alarm

  Alamut

  Rebecca

  Nausea

  Miss Pettigrew Lives for a Day

  On the Edge of Reason

  The Big Sleep

  Goodbye to Berlin

  The Grapes of Wrath

  Good Morning, Midnight

  At Swim-Two-Birds

  Finnegans Wake

  Native Son

  The Tartar Steppe

  The Power and the Glory

  For Whom the Bell Tolls

  The Man Who Loved Children

  Broad and Alien is the World

  The Living and the Dead

  The Harvesters

  Conversations in Sicily

  The Outsider

  Embers

  Chess Story

  The Glass Bead Game

  Joseph and His Brothers

  The Little Prince

  Dangling Man

  The Razor’s Edge

  Transit

  Pippi Longstocking

  Loving

  Animal Farm

  The Bridge on the Drina

  Christ Stopped at Eboli


  Arcanum 17

  Brideshead Revisited

  Bosnian Chronicle

  The Tin Flute

  Andrea

  The Death of Virgil

  Titus Groan

  Zorba the Greek

  Back

  House in the Uplands

  The Path to the Nest of Spiders

  Under the Volcano

  If This Is a Man

  Exercises in Style

  The Plague

  Doctor Faustus

  Midaq Alley

  Froth on the Daydream

  Journey to the Alcarria

  Ashes and Diamonds

  Disobedience

  All About H. Hatterr

  Cry, the Beloved Country

  In the Heart of the Seas

  This Way for the Gas, Ladies and Gentlemen

  Death Sentence

  Nineteen Eighty-Four

  The Man with the Golden Arm

  Kingdom of This World

  The Heat of the Day

  Love in a Cold Climate

  The Case of Comrade Tulayev

  The Garden Where the Brass Band Played

  I, Robot

  The Grass is Singing

  A Town Like Alice

  The Moon and the Bonfires

  Gormenghast

  The 13 Clocks

  The Labyrinth of Solitude

  The Abbot C

  The Guiltless

  Barabbas

  The End of the Affair

  Molloy

  The Rebel

  The Catcher in the Rye

  The Opposing Shore

  Foundation

  Malone Dies

  Day of the Triffids

  Memoirs of Hadrian

  The Hive

  Wise Blood

  The Old Man and the Sea

  Invisible Man

  The Judge and His Hangman

  Excellent Women

 

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