INTRODUCTION
All characters in this book are fictitious. Any
resemblance to
actual persons, living
or dead, is purely
coincidental.
A PRIVATE COSMOS
A Berkley Book / published by arrangement with the author
PRINTING HISTORY
Previously published by Ace Books. Berkley edition / November 1984
Alt rights reserved.
Copyright © 1968 by Philip Jos£ farmer.
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ISBN: 0-425-07299-1
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PRINTED IN THE UNITED STATES OF AMERICA
IT ALL GOES BACK to my childhood of about a year ago, when I read The Maker of Universes. I recall it to have been a sunny Saturday in Baltimore and its morning, when I picked up Philip Jose Farmer's book with the green Gaughan sky and the gray Gaughan harpy (Podarge) on the front, to read a page or two before beginning work on a story of my own. I didn't do any writing that day.
I finished reading the book and immediately dashed off to my local purveyor of paperbacks, to locate the sequel which I knew existed, The Gates of Creation. When I'd finished reading it, the sunny morning in Saturday and its Baltimore had gone away and night filled the day all the way up to the top of the sky. The next thing that I wrote was not my story, but a fan letter to Philip Jose Farmer.
My intention was not to tell the man who had written The Lovers and Fire and the Night and A Woman A Day that I thought these two new ones were the best things he had ever done. If he'd done a painting, composed a piece of music, I couldn't
compare them to his stories or even to each other. The two books I had just then finished reading were of the adventure-romance sort, and I felt they were exceedingly good examples of the type. They are different from his other stories, styles, themes, different even from each other, and hence, as always, incomparable. I had hoped there would be a third one, and I was very pleased to learn that he was working on it.
In other words, I looked forward for over a year to the book you are presently holding in your hands.
In considering my own feelings, to determine precisely what it was that caused me to be so taken by the first two books, I found that there are several reasons for the appeal they hold for me:
1) I am fascinated by the concept of physical immortality and the ills and benefits attendant thereto. This theme runs through the books like an highly polished strand of copper wire. 2) The concept of pocket universes—a thing quite distinct, as I see it, from various parallel worlds notions—the idea of such universes, specifically created to serve the ends of powerful and intelligent beings, is a neat one. Here it allows for, among other things, the fascinating structure of the World of Tiers.
To go along with these concepts, Philip Farmer assembled a cast of characters of the sort I enjoy. Kickaha is a roguish fellow; heroic, tricky and very engaging. Also, he almost steals the first book from Wolff. The second book is packed with miserable, scheming, wretched, base, lowdown, mean and nasty individuals who would cut one
another's throats for the fun of it, but unfortunately have their lots cast together for a time. Being devilish fond of the Elizabethan theater, I was very happy to learn early in the story that they were all of them close relatives.
A sacred being may be attractive or repulsive—a swan or an octopus—beautiful or ugly—a toothless hag or a fair young child— good or evil—a Beatrice or a Belle Dame Sans Merci—historical fact or fiction—a person met on the road or an image encountered in a story or a dream—it may be noble or something unmentionable in a drawing room, it may be anything it likes on condition, but this condition is absolute, that it arouse awe. . —Making, Knowing and Understanding
W. H. Auden
Philip Jos6 Fanner lives West of the Sun at the other end of the world from me in a place called California. We have never met, save in the pages of his stories. I admire his sense of humor and his facility for selecting the perfect final sentence for everything he writes. He can be stark, dark, smoky, bright, and any color of the emotional spectrum. He has a fascinating sense of the Sacred and the Profane. Put quite simply, he arouses awe. He has the talent and the skill to handle the sacred objects every writer must touch in order to convert the reader, in that timeless, spaceless place called Imagination.
Since I've invoked Auden, I must go on to agree with his observation that a writer cannot read
another author's things without comparing them to his own. I do this constantly. I almost always come out feeling weak as well as awed whenever I read the works of three people who write science fiction: Sturgeon, Farmer and Bradbury. They know what's sacred, in that very special trans-subjective way where personal specifics suddenly give way and become universals and light up the human condition like a neon-lined Christmas tree. And Philip Jose Farmer is special in a very unusual way . . .
Everything he says is something / would like to say, but for some reason or other, cannot. He exercises that thing Henry James called an "angle of vision" which, while different from my own a.v., invariably jibes with the way I feel about things. But I can't do it his way. This means that somebody can do what I love most better than I can, which makes me chew my beard and think of George London as Mephistopheles, back at the old Metropolitan Opera, in Gounoud's Faust, when Marguerita ascended to heaven: he reached out and an iron gate descended before him; he grasped a bar, looked On High for a moment, averted his face, sank slowly to his knees, his hand sliding down the bar: curtain then: that's how I feel. / can't do it, but it can be done.
Beyond this, what can I say about a particular Philip Jose Farmer story?
Shakespeare said it better, in Antony and Cleopatra:
Lepidus. What manner o' thing is your crocodile?
Antony. It is shaped, sir, like itself; and it is as broad as it hath breadth. It is just so high as it is, and moves with its own organs. It lives by that which nourisheth it; and the elements once out of it, it transmigrates,
Lepidus. What color is it of?
Antony. Of its own color, too.
Lepidus. 'Tis a strange serpent.
Antony. 'Tis so. And the tears of it are wet.
(Act II, Scene VII.)
Indeed, Sir, they are. It is the skill that goes with the talent that makes them so. Each of its products are different, complete, unique, and this one is no exception. I rejoice that such a man as Philip Jose Farmer walks among us, writes there, too. There aren't many like him. None, I'd say.
But read his story and see what I mean.
Now it is a cold, gray day in February and its Baltimore. But it doesn't matter. Philip Jose Farmer, out there somewhere West of the Sun, if by your writing you ever intended to give joy to another human being, know by this that you have succeeded and brightened many a cold, gray day in the seasons of my world, as well as having enhanced the lighter ones with something I'll just call splendor and let go at that.
The colors of this one are its own and the tears of it are wet. Philip Jose Farmer wrote it. There is nothing more to say.
ROGER ZELAZNY
Baltimore, Md.
UNDER A GREEN SKY and a yeliow sun
, on a black stallion with a crimson-dyed mane and blue-dyed tail, Kickaha rode for his life.
One hundred days ago, a thousand miles ago, he had left the village of the Hrowakas, the Bear People. Weary of hunting and of the simple life, Kickaha suddenly longed for a taste—more than a taste—of civilization. Moreover, his intellectual knife needed sharpening, and there was much about the Tishquetmoac, the only civilized people on this level, that he did'not know.
So he put saddles and equipment on two horses, said goodbye to the chiefs and warriors, and kissed his two wives farewell. He gave them permission to take new husbands if he didn't return in six months. They said they would wait forever, at which Kickaha smiled, because they had said the same thing to their former husbands before these rode out on the warpath and never came back.
Some of the warriors wanted to escort him through the mountains to the Great Plains. He said no and rode out alone. He took five days to get out of the mountains. One day was lost because two young warriors of the Wakangishush tribe stalked him. They may have been waiting for months in the Black Weasel Pass, knowing that some day Kickaha would ride through it. Of all the greatly
2 A PRIVATE COSMOS
desired scalps of the hundred great warriors of the fifty Nations of the Great Plains and bordering mountain ranges, the scalp of Kickaha was the most valued. At least two hundred braves had made individual efforts to waylay him, and none - had returned alive. Many war parties had come up into the mountains to attack the Hrowakas' stockaded fort on the high hill, hoping to catch the Bear People unawares and lift Kickaha's scalp—or head—during the fighting. Of these, only the great raid of the Oshangstawa tribe of the Half-Horses had come near to succeeding. The story of the raid and of the destruction of the terrible Half-Horses spread through the 129 Plains tribes and was sung in their council halls and chiefs' tepees during the Blood Festivals.
The two Wakangishush kept a respectable distance behind their quarry. They were waiting for Kickaha to camp when night came. They may have succeeded where so many others had failed, so careful and quiet were they, but a red raven, eagle-sized, flew down over Kickaha at dusk and cawed loudly twice.
Then it flew above one hidden brave, circled twice, flew above the tree behind which the other crouched, and circled twice. Kickaha, glad that he had taken the trouble to train the intelligent bird, smiled while he watched it. That night, he put an arrow into the first to approach his camp and a knife into the other three minutes later.
He was tempted to go fifty miles out of his way to hurl a spear, to which the braves' scalps would be attached, into the middle of the Wakangishush encampment. Feats such as this had given him the name of Kickaha, that is, Trickster, and he liked to keep up his reputation. This time, however, it did
A PRIVATE COSMOS 3
not seem worthwhile. The image of Talanac, The City That Is A Mountain, glowed in his mind like a jewel above a fire.
And so Kickaha contented himself with hanging the two seal pie ss corpses upside down from a branch. He turned his stallion's head eastward and thereby saved some Wakangishush lives and, possibly, his own. Kickaha bragged a lot about his cunning and speed and strength, but he admitted to himself that he was not invincible or immortal.
Kickaha had been born Paul Janus Finnegan in Terre Haute, Indiana, U. S. A., Earth, in a universe next door to this one. (All universes were next door to each other.) He was a muscular broad-shouldered youth six feet one inch tall and weighing 190 pounds. His skin was deeply tanned with slightly copper spots, freckles, here and there, and more than three dozen scars, varying from light to deep, on parts of his body and face. His reddish-bronze hair was thick, wavy, and shoulder-length, braided into two pigtails at this time. His face was usually merry with its bright green eyes, snub nose, long upper lip, and cleft
chin.
The lionskin band around his head was edged with bear teeth pointing upward, and a long black-and-red feather from the tail of a hawk stuck up from the right side of the headband. He was unclothed from, the waist up; around his neck was a string of bear teeth. A belt of turquoise-beaded bearskin supported dappled fawnskin trousers, and his moccasins were lionskin. The belt held a sheath on each side. One held a large steel knife; the other, a smaller knife perfectly balanced for throwing.
The saddle was the light type which the Plains
4 A PRIVATE COSMOS
tribes had recently adopted in place of blankets, Kickaha held a spear in one hand and the reins in the other, and his feet were in stirrups. Quivers and sheaths of leather hanging from the saddle held various weapons. A small round shield on which was painted a snarling bear's head was suspended from a wooden hook attached to the saddle. Behind the saddle was a bearskin robe rolled to contain some light cooking equipment. A bottle of water in a clay wicker basket hung from another saddle hook.
The second horse, which trotted along behind, carried a saddle, some weapons, and light equipment.
Kickaha took his time getting down out of the mountains. Though he softly whistled tunes of this world, and of his native Earth, he was not carefree. His eyes scanned everything before him, and he frequently looked backward.
Overhead, the yellow sun arced slowly in the cloudless light green sky. The air was sweet with the odors of white flowers blooming, with pine needles, and an occasional whiff of a purpleberry bush. A hawk screamed once, and twice he heard bears grunting in the woods.
The horses pricked up their ears at this but they did not become nervous. They had grown up with the tame bears that the Hrowakas kept within the village walls.
And so, alertly but pleasantly, Kickaha came down off the mountains onto the Great Plains. At this point, he could see far over the country because this was the zenith of a 160 mile gentle curve of a section. His way would be so subtly downhill for eighty miles that he would be almost unaware of it. Then there would be a river or lake to cross,
A PRIVATE COSMOS 5
and he would go almost imperceptibly up. To his left, seeming only fifty miles away, but actually a thousand, was the monolith of Abharhploonta. It towered a hundred thousand feet upward, and on its top was another land and another monolith. Up there was Dracheland, where Kickaha was known as Baron Horst von Horstmann. He had not been there for two years, and if he were to return, he would be a baron without a castle. His wife on that level had decided not to put up with his long absences and so had divorced him and married his best friend there, the Baron Siegfried von Listbat. Kickaha had given his castle to the two and had left for the Amerind level, which, of all levels, he loved the most.
His horses pulling the ground along at a canter, Kickaha watched for signs of enemies. He also watched the animal life, comprised of those still known on Earth, of those that had died off there, and of animals from other universes. All of these had been brought into this universe by the Lord, Wolff, when he was known as Jadawin. A few had been created in the biolabs of the palace on top of the highest monolith.
There were vast herds of buffalo, the small kind stiH known in North America, and the giants that had perished some ten thousand years ago on the American plains. The great gray bulks of curving-tusked mammoths and mastodons bulked in the distance. Some gigantic creatures, their big heads weighted down with many knobby horns and down-curving teeth projecting from horny lips, browsed on the grass. Dire wolves, tall as Kicka-ha's chest, trotted along the edge of a buffalo herd and waited for a calf to stray away from its mother. Further on, Kickaha saw a tan-and-black striped
6 A PRIVATE COSMOS
body slinking along behind a clump of tall grass and knew that Felis Atrox, the great maneless nine hundred pound lion that had once roamed the grassy plains of Arizona, was hoping to catch a mammoth calf away from its mother. Or perhaps it had some faint hopes of killing one of the multitude of antelope that was grazing nearby.
Above, hawks and buzzards circled. Once, a faint V of ducks passed overhead and a honking floated down. They were on their way to the rice swamps up in the mountain
s.
A herd of gawky long-necked creatures, looking like distant cousins of the camel, which they were, lurched by him. There were several skinny-legged foals with them, and these were what a pack of dire wolves hoped to pull down if the elders became careless.
Life and the promise of death was everywhere. The air was sweet; not a human being was in sight. A herd of wild horses galloped off in the distance, led by a magnificent roan stallion. Everywhere were the beasts of the plains. Kickaha loved it. It was dangerous, but it was exciting, and he thought of it as his world—his despite the fact that it had been created and was still owned by Wolff, the Lord, and he, Kickaha, had been an intruder. But this world was, in a sense, more his than WolfFs, since he certainly took more advantage of it than Wolff, who usually kept to the palace on top of the highest monolith.
The fiftieth day, Kickaha came to the Tishquet-moac Great Trade Path. There was no trail in the customary sense, since the grass was no less dense than the surrounding grass. But every mile of it was marked by two wooden posts the upper part of which had been carved in the likeness of
A PRIVATE COSMOS 7
Ishquettlammu, the Tishquetmoac god of commerce and of boundaries. The trail ran for a thousand miles from the border of the empire of Tishquetmoac, curving over the Great Plains to touch various semipermanent trading places of the Plains and mountain tribes. Over the trail went huge wagons of Tishquetmoac goods to exchange for furs, skins, herbs, ivory, bones, captured animals, and human captives. The trail was treaty-immune from attack; anyone on it was safe in theory, at least, but if he went outside the narrow path marked off by the carved poles, he was fair prey for anybody.
Kickaha rode on the trail for several days because he wanted to find a trade-caravan and get news of Talanac. He did not come across any and so left the trail because it was taking him away from the direct route to Talanac. A hundred days after he had left the Hworakas village, he encountered the trail again. Since it led straight to Talanac, he decided to stay on it.
An hour after dawn, the Half-Horses appeared.
Kickaha did not know what they were doing so close to the Tishquetmoac border. Perhaps they had been making a raid, because, although they did not attack anybody on The Great TradePath, they did attack Tishquetmoac outside it.
World of Tiers 03 - A Private Cosmos Page 1