'Get it?' Carmel asked.
'Got a tape,' Rinker said. She pushed it into the VCR. The picture came up immediately: and Carmel came to watch.
'Good light,' Rinker grunted.
'He had all the windows open. That's another thing I should have noticed. He's not an open-windows guy.'
'Boy…' Rinker said, as the tape wound out. 'You were gone, if the cops got this.'
"That's why I had to get it back.,' Carmel said.
'You think this is it?' Rinker asked.
'I don't know. I could go drill him some more,' Carmel said.
Rinker looked toward the bedroom. 'He looked pretty rough in there
… I don't think he could take any more, and I don't think we'll get any more out of him.
More'n what we've got.'
'So we gotta call it,' Carmel said.
'It's your face on the tape.'
Carmel looked at the bedroom door for a moment, then said. 'All right. We're done. If there's a copy, we'll have to deal with it later. But I think we're still gonna have to kill him. After the drill, he might be so pissed he'd go to the cops,' Carmel said.
'You wanna do it?' Rinker asked. 'I mean, you yourself?'
'Sure. If you want,' Carmel said.
'Not if you'd feel bad,' Rinker said.
'No, no, I don't think I would, not really,' Carmel said. "What do I do?'
Rinker explained as they went back into the kitchen. Rolo saw them coming with the gun and didn't bother to struggle. 'See you in hell,' he said.
'There's nothing as silly as hell,' Carmel said. 'Don't you know that yet?' And then to Rinker, 'What, I just put it at his head, and pull the trigger?'
'Easy as that.'
Rolo turned his head away, and Carmel put the muzzle of the pistol at his temple and then waited a few seconds.
'Do it,' Rolo said.
'Made you sweat, didn't I?' Carmel asked. Rolo started to turn his head back; a little hope? She could see it in his eyes.
Carmel shot him six times; then the bullets ran out.
Rinker and Carmel spent another ten minutes in the house, closing up, obscuring anything that might even theoretically provide evidence against them.
'We can drop the guns in the Mississippi – I know a good spot down by the dam,'
Carmel said.
'And burn the tape,' Rinker said.
'As soon as we get back to my place. We oughta go back to my place and change, and get rid of these clothes, and get showered off and everything.'
'Maybe we could go out someplace tonight,' Rinker said. 'My plane isn't until the day after tomorrow.'
'That'd be fun,' Carmel said. 'Maybe we could rent a movie or…"
She stopped in mid-sentence, looking back at the kitchen. 'What?' Rinker asked.
Without answering, Carmel went back to the kitchen, squatted next to the video camera that Rinker had tossed on the floor. Touched it, turned it over.
'What?' Rinker asked again.
'That fuckin' Rolo. This camera is a VHS-C. This tape…' She held up the tape they'd found. '… this tape is a full-sized VHS tape. If you were making a copy using your cheap-ass VCR and the camera, this is what you'd use to pick up the copy. So there's another tape – aVHS-C
'You're sure?' Rinker asked.
'Look,' Carmel said. She picked up the camera, turned it over, opened the cartridge compartment. The tape they had was at least twice as big as the compartment.
'Bad news,' Rinker said.
Carmel glanced at her, sideways and quickly: if Rinker were to shoot her now, at least all of Rinker's troubles would be over. She could walk away and not have to worry at all.
'You worry too much,' Rinker said.
'I anticipate,' Carmel said. She looked at Rinker. 'Let's get back to my place.
Do you still have those address books?'
'Yeah.'
'And let's get his wallet and the phone book and whatever else that might have names in it… I've got to think about this.'
'You don't think it's in a safe-deposit box?'
'He's a drug dealer. He'd never have a safe-deposit box, not under his own name, anyway. We didn't find any fake IDs that he could use to get to a box under a different name, and we didn't find any keys… I suspect he did what drug dealers usually do: he left it with somebody he trusts.'
'Like who?'
'Like a lawyer. Except that I'm his lawyer. He could have another one, I suppose; I can find out. But he's a spic, so it's probably a relative. Anyway, we've got to do some research. In a hurry…'
'I'll cancel my plane ticket,' Rinker said. 'I guess we keep the guns.'
On the way back to Carmel's, Rinker glanced at her and asked, 'How much did you enjoy that? Back there?'
Carmel started to answer, then changed directions and asked a question of her own: 'Have you been to school? To college?'
'Well, yeah.'
'Really? I didn't think… you know'
'Professional killer and all,' Rinker said.
'Yeah.' Carmel nodded. 'What'd you major in?'
'Psychology. Actually, I'm about eight credits away from my B.A. I should have it finished next spring.'
'Good school?'
'Okay school.'
'But you're not going to tell me which.'
'Well…'
'That's okay,' Carmel said. 'Anyway, I did sort of enjoy it, just a little bit, maybe. Whether I did or not, he had to go.'
'You enjoyed it just a little bit? Maybe?'
'Didn't you?' Carmel asked.
'No. I couldn't stand that sound he was making. That smell when he
… you know.
I didn't like it at all.'
Now Carmel took her eyes off the road for a moment, to look at Rinker. 'Don't worry, I'm just a sociopath. Like you. I'm not a psychopath or anything.'
'How do you know I'm not a psychopath?'
'From what Rolo told me – what he'd heard about you. Quiet, professional, clean.
You do it because you can, and because you can make money at it, and because you're good at it; not because you have some slobbering lust to kill people.'
'Slobbering lust?'
'Listen, I've handled a couple of cases…'
Carmel had Rinker laughing by the time they got back to her place. And as they got out of the car, Rinker looked at her over the roof and said, 'Wichita
State.'
'What?'
'That's where I go to school.'
Carmel had the sense that Rinker had told her something important. After a few moments, realized that she had. She'd told Carmel where she could be found.
Where home was.
Chapter Six
Three St. Paul cop cars and a crime-scene van were parked outside the Frogtown house when Lucas arrived. Up and down the street, people sat on their short wooden stoops, looking down at Rolo's house, watching the cops come and go.
Lucas parked, climbed out of the Porsche, and started toward the house. A St.
Paul uniformed cop saw him coming and squared off to stop him, but a plainclothes cop stuck his head out the door and yelled, 'Hey, Dick. Let that guy in.'
'You're in,' Dick said, and Lucas nodded and went up the steps. Sherrill was standing just inside the door. She was a dark-haired, dark-eyed madonna in a crisp yellow blouse, with a grey skirt in place of her usual slacks, and a black silk jacket to cover the. 357 she carried under her arm.
'AH dressed up,' Lucas said.
'A girl's gotta do what she can, if she wants to catch a guy,' Sherrill said, batting her eyes at him.
'Too early in the morning for bullshit,' Lucas muttered. He looked past her into the house, which had been ransacked. 'What's going on?'
'Come look. You'll like it.'
'Too early,' Lucas said again. But he went to look.
A St. Paul homicide cop named LeMaster showed him the body on the bed, chain around the neck, ankles and hands, pants pulled down around the thighs: 'One of the neighborhood junkies
found him. About two hours ago – he came by looking for a wake-me-up. The dead guy used to be a big-time dealer.'
'No more?'
'LeMaster shook his head: 'He got his nose in it. Lately, he's been down to selling eight-balls.'
'Ain't that the way of the world,' Lucas said. 'One day it's kilos, the next day, it's one toot at a time.' He kept his hands in his pockets as he squatted next to the bed: 'Bunch of. 22s in the head.'
'Yup. Could be your Barbara Allen killer. Or could be somebody who read about it in the paper and liked the sound of it.'
'Lucas nodded and stood up, scratched his nose and looked at the still-damp pools of blood around the body's feet and knees. 'What's all the blood from? And what's his name?'
'Rolando D'Aquila was his name; everybody called him Rolo. And the blood comes from some drill holes in his kneecaps and his heels. And his leg was bleeding from what might be a gunshot wound…'
'Drill holes in his heels?'
'Yeah – look at this.'The drill was lying on the floor at the end of the bed, three inches of stainless-steel drill bit sticking out of the chuck. Dried blood mottled the steel bit.
'Jesus Christ,' Lucas said. He looked back at the body. 'They drilled him?'
'Looks like. Gotta get his pants and socks off to know for sure, and the ME's guy hasn't been here yet… but that's what it looks like.'
'Bet that hurt,' Lucas said, looking at Rolo's face. His face looked compressed, leathery, like a shrunken head Lucas had seen on television. He looked hurt.
'See the pieces of duct tape on the floor? You can still see what look like chew marks on some of it. They probably taped up his mouth while they drilled him.'
'And the house was all torn up, so they were probably looking for something,'
Lucas said. 'Like cocaine.'
'Yeah, but, boy – the gunshots in the head, all together like that, just like in the Allen case. None of the neighbors heard anything – and there are a lot of windows open these hot nights. Just like nobody heard anything with Allen. And the way they tortured him, it all looks professional. They had the tape and the chains and the padlocks and the drill – they knew what they were gonna do before they got here. It looks professional; like Allen.'
'You keep saying they,' Lucas said.
'I can't figure out how one guy could get him on the bed and get him all locked up like that. Had to be awkward. The way I see it, there had to be one to hold a gun on him, and at least one more to do the chains.'
'Get the slugs to the lab – they need to do a metallurgical analysis. If they're like the slugs in the Allen shooting, they'll be so bent up that they're just about useless for trying to match by the land marks.'
'We'll push it through,' LeMaster cop said. 'If they're the same. ..'
'Gonna be trouble,' Lucas said.
Sherrill was thumbing through a mens' magazine when Lucas picked his way through the trashed living room. 'What do you think?' he asked.
'I think this magazine is gay,' she said. 'It's basically a gear catalog, overlaid with pictures of guys who are gay-'
'You can tell from a picture?'
'Sure. Look at this guy.' She showed him a photo of a slender, shirtless, sweat covered biker with a shock of dark hair falling carefully over his moody black eyes. 'He's either gay, or he wants you to think he is. They're all like that.
Mountain climbers, canoeists… and look at the clothes. You see a guy walking along the street dressed like this and you say…'
'I coulda looked like that when I was a kid,' Lucas said.
She made a face, rolled her eyes up: 'Lucas, believe me, you did not look like this. He looks like he's been hurt by somebody. They all look like they've been hurt by somebody. Look at the bruised lips. You, on the other hand, always look like you just got back from hurting somebody else. Like a woman.'
'Thanks,' he said.
'No charge.'
'I just don't think you can make that judgment based on a picture
…'
She looked at him closely, then smiled and said, 'Ah. I get it. You've been reading the Wholeness Report, or the Wellness Thing, or whatever it is. The
Otherness Report. You gotta stop reading that shit, it's putting holes in your brain.'
'Yeah, it's… I don't know. But listen, what do you think about this?' He gestured over his shoulder with his thumb. 'Copycat? Coincidence? I haven't been that much on top of it.'
'Not a copycat, I don't think. We didn't give the details to the papers – we didn't tell them it was a. 22, we didn't tell them that the shots were all grouped like that, we didn't tell them how close it was. You see the same tattooing on the scalp. And it was cold.'
'Nobody colder'n a wholesaler who's trying to make a point,' Lucas said. 'Maybe he held out on somebody, was trying to get back into the big deals.'
'Sure, but it's not just the coldness. It's all the other stuff that goes with it. It just doesn't seem like a copycat.'
'Could be a coincidence,' Lucas said, then admitted, 'But it'd be a pretty amazing coincidence.'
'You know the rule on coincidences.'
'Yeah: It's probably a coincidence unless it can't be.'
'You gonna jump in, now?' She grinned at him. 'Come on. We haven't worked together since old
Audrey McDonald tried to take us off.'
'We have spoken a few times, though.'
'Is that what you call it?' She was teasing him.
'I'm thinking of getting in, if you and Black don't mind,' Lucas said. 'The
Otherness Commission is driving me nuts. This would give me an excuse…'
'Glad to have you,' Sherrill said. 'That's why I invited you over.'
'The first thing we gotta do,' Lucas said, 'Is we gotta get that lawyer in -
Allen – and bust his balls a little. Does he know Rolando whatever-his-name is?
Does he use cocaine? Has he ever?'
'His attorney'll be on us like a chicken on a June bug.'
'Like a what?'
'A chicken on a June bug,' Sherrill said.
'Jesus, I'd almost forgotten about talking to you, 'Lucas said. 'Anyway, don't worry about Carmel. I can handle Carmel.'
'The question,' Carmel said, as Rinker bent over a display case at Neiman
Marcus, and peered at the Hermes scarves, 'Is whether whoever has it will look at it, and if he looks at it, if he'll come to me, or go to the cops.'
A sales clerk was drifting toward them and Rinker said, 'Whoever it is, I'll bet the name is in his address book.'
'Unless he knew him so well that he didn't have to write down a number,' Carmel said.
The clerk asked, 'Can I help you, ladies?' Rinker tapped the case: 'Let me look at the gold-and-black one, please. With the eggs.'
They spent five minutes looking at scarves, and then Rinker took the gold-and black one, and paid with a Neiman credit card. 'You shop at Neiman's often enough to have a credit card?' Carmel asked, while the clerk went to wrap the scarf.
'I hit one of the stores once or twice a year, spend a few hundred,' Rinker said. 'The name on the card's not really mine, but I have all the rest of the ID to back it up, and I keep the card active and always pay it on time. Just in case. I've got a couple of Visas and Mastercards the same way. Just in case.'
'Just in case?'
'In case I ever have to run for it.'
'I never thought of doing that,' Carmel said. 'Running.'
'I'd run before I'd stand and fight. If a cop ever got close enough to look at me, I'd be screwed anyway.'
'Do you think / could run?'
Rinker looked at her carefully, and after a minute, nodded: 'Physically, it wouldn't be a problem. The question is whether you could handle it psychologically.'
The clerk came back with the wrapped scarf and the credit card: 'Thanks very much, Mrs. Blake.'
'Thank you,' Rinker said. She tucked the card away in her purse.
'Physically, I'd be okay? But psychologically…' Carmel was inter
ested.
'Sure. You've got a hot image. Bright clothes, blonde hair, good makeup and perfume, great shoes.' Rinker took a step back and took a long look. 'If you dressed way down – got some stuff from a secondhand shop, you know, stuff that didn't go together that well, some kind of scuzzy dark plaid, drab. And if you grew out your hair, and colored it some middle-brown color, and slumped your shoulders and shuffled, maybe got some breast prosthetics so you'd have big floopy boobs…'
'My God,' Carmel said, starting to laugh. But Rinker was serious. 'If you did that, your best friends wouldn't recognize you from two feet. You could get a cleaning lady job at your law firm, and nobody would know you. But I don't know if you could stand it. I think you like attention; you need it.' 'Maybe,' Carmel said. 'Maybe everybody does.' 'I don't. I don't want people to look at me.
That's one reason why I'm good at what I do.'
'I really don't understand that,' Carmel said. 'I was a nude dancer for three and-a-half years, from the time I was sixteen until I was twenty. You get pretty goddamned tired of people staring at you. You want privacy.'
Carmel was fascinated now. 'You were a…' Her beeper went off, a discreet low
Japanese tone from her purse. 'Uh-oh.'
She glanced at the beeper, dropped it back in her purse, took out a cell phone and dialed. 'Maybe a problem,' she said. 'My secretary only uses the beeper if there's some pressure.' And to the phone:
'Marcia -you beeped me? Uh-huh. Uh-huh. Okay. Give me the number. Okay.'
She clicked off and said, 'Cop called. He wants to talk to one of my clients.'
'Doesn't it make you nervous, talking to cops all the time?'
'Why should it?' Carmel asked. 'I'm not guilty of anything, I'm just doing my job.'
'We've gotta spend some time looking for the tape, we can't go running around.. .'
'Actually, my client's name is Hale Allen,' Carmel said.
Rinker frowned: 'Any relation to Barbara Allen?'
'Her husband.'
'Jesus.' Rinker was impressed. 'How'd that happen?'
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