Kornel Esti

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by Kosztolányi, Deszö


  Everyone was chattering at the same time. What they were saying he couldn’t make out. The noise was a babble, fearsomely swelling, roaring like a thunderstorm.

  While he was thus musing, someone—a grown-up whom he didn’t know—picked him up and put him in the classroom. There he stood, his little cap crooked on his head.

  He expected some miracle to happen. He expected all those children to jump up and shout his name. Expected them to greet him, waving their handkerchiefs. Only the miracle didn’t happen. No one took any notice of him.

  He took his cap off , greeting them politely. They didn’t return the greeting.

  It was a room, not like other rooms where there were sofas and curtains, but frigid, official, bare. Daylight poured in through three large curtainless windows. A table stood guard on the dais. Behind that a blackboard, yellow sponge, white chalk. In front of it the abacus stood erect and haughty, like a mad thing. All around on the whitewashed walls were colored pictures of animals, a lion, a fox, and sheets of cardboard on which things could be read: man, animal, toy, work. In his agitation he read them all. He had been able to read from the age of four.

  His classmates were now all sitting down. He too would have liked to sit somewhere.

  The front benches, almost inevitably, were occupied by the children of the “gentry”—the sons of landowners, town councillors. These good-humored, fair-haired, chubby-cheeked little boys were wearing sailor suits, starched collars, silk ties. Their faces were like roses dipped in milk. They surrounded the dais politely but selfconsciously, as the government supporting a Party edict surrounds the prime minister’s velvet chair. He likewise considered himself a “gentry” child. He therefore forced onto his lips a stupid smile and approached them to take his seat on the front row. Only almost every seat there was already taken. They didn’t exactly hurry to make room for him. They muttered among themselves like close friends, and looked with cold civility and some surprise at this timid latecomer. Some even smiled, enjoying his discomfiture.

  Ashamed and offended, he made his way toward the rear. If he couldn’t be first on the front bench—he thought—at least he would be last on the last. There at the back of the class the peasant children had taken their places, muscular, powerful lads, some barefoot, some in boots. They had unpacked their food from their red handkerchiefs. They were eating black bread and fat bacon with jackknives, and watermelon. He looked here and there. The stale smell that rose from their boots and clothes turned his stomach. But he would gladly have sat among them. He begged with his eyes to be accepted by them at least. He watched for a word to be spoken, a sign given. But these boys were otherwise engaged. They were throwing paper pellets and balls of paper filled with rinds of bacon and melon, and one such paper ball hit him on the forehead. The shock was greater than the damage, but he staggered against the wall. At that everyone laughed out loud, lower and upper houses alike, without distinction of party.

  With rage and irritation in his heart he withdrew from there too. He didn’t know where to go, where he belonged. And so he went and stood alone by the stove. He felt ashamed at being so cowardly and gauche. From the stove he assessed the whole illiterate company with infinite disdain. If they only knew what he knew! He knew, for example, that the average temperature of a human was 98 degrees, and that anyone that had a temperature of 104 degrees was all but past saving. He knew that there was ordinary writing and shorthand. He knew that quinine was bitter and ipecacuanha sweet. He also knew that just then it was evening in America. But they didn’t know that he knew all that.

  The little bell of the Red Ox tinkled melodiously in the little wooden tower on the roof, indicating that it was eight o’clock and lessons were about to start. While the bell was ringing, on and on, heartbreakingly, like the bell that mourns the dead, he took leave of everything that was dear, the rooms at home, the garden, and all his individual toys too, the soap bubbles and the balloons. Close to fainting, he clung to the cold tinplate stove.

  Silence fell. The teacher had appeared in the doorway, a stout man with cropped dark gray hair and a very ample light gray suit. He took great strides, like an elephant. He rolled onto the dais.

  The teacher asked the children one by one if they had slates and pencils, and then spoke of all the fine, noble, useful things that they were going to learn there. But then he suddenly stopped speaking. He had caught sight of the boy lurking beside the stove.

  “Now then, what’re you doing there?” he asked, turning his great face in his direction. “Who put you there? Come over here.”

  The little boy hurried, almost ran, to the dais. In terror, almost beside himself, he gabbled:

  “Please let me go home.”

  “Why?” inquired the teacher.

  “I don’t want to come to school anymore.”

  The class roared with laughter.

  “Silence!” said the teacher. “Why don’t you want to come to school?”

  “Because nobody likes me here.”

  “Has anybody hurt you?”

  “No.”

  “Then why’re you talking such nonsense? Aren’t you ashamed of yourself, you little sissy? Just understand, you’re the same as everyone else here. No exceptions here, everybody’s equal. Understand?”

  The class nodded in approval.

  The teacher looked again at the frightened little boy. This time he saw that his face was quite green.

  “Are you feeling ill?” he asked, in a kinder tone.

  “No.”

  “Got a pain anywhere?”

  “No.”

  “All right,” he said, “go back to your place. Where is your place?”

  “Nowhere.”

  “Nowhere?” The teacher was puzzled. “ Well, sit down somewhere.”

  The little boy turned toward the class. Faces grinned at him, lots and lots of little faces, which blended into a single huge, frightening idol-face. He stumbled unsteadily this way and that. Once more he had to pass the first bench, where there was no room for him. He found a tiny place somewhere in the middle, on the very end of a bench. He could only get one leg onto the seat, the other dangled in space. Anyway, it was better to sit there away from the eyes, to vanish into the crowd.

  “Children,” said the teacher, “take your slates and pencils. We’ll do some writing. We’ll write the letter i.”

  Slates rattled. He too tried to place his slate on the desk but the surly, swarthy boy at his side pushed it off in an unfriendly fashion. The boy didn’t let him write.

  At that he burst loudly and bitterly into tears.

  “What’s going on?” asked the teacher.

  “He’s crying,” reported the surly, swarthy boy.

  “Who is?”

  “This boy here.”

  All the children looked in his direction. Many stood up to get a better view.

  “He’s giving the mice a drink,” they exclaimed.

  “Be quiet!” the teacher exploded, striking the table with his cane.

  He came down from the dais and went and stood by the little boy. He stroked his face with his warm, tobacco-scented hand.

  “Don’t cry,” he calmed him. “Sit properly on the bench, square on. Why don’t you move over for him? There’s plenty of room. There you are, now. Put the slate in front of you, get hold of your pencil. Wipe your nose. Now, we’re going to learn to write. Or don’t you want to learn to write?”

  “Yes, I do,” sniveled the little boy.

  “Right, then,” said the teacher approvingly.

  He went and wrote a letter i on the blackboard.

  “Up,” he showed them, “stop, back down and a little hook.”

  Slate pencils squealed like little pigs.

  The teacher came down from the dais once more. He walked around the room, scrutinizing the squiggles on the slates. He looked at the little boy’s i too. He had written a nice, fine letter. He praised him for it. Now the child wasn’t crying.

  “What’s your name?” he asked.


  The little boy stood up. He mumbled something very quietly.

  “I don’t understand,” said the teacher. “Always speak up and answer so that I can hear what you say. What’s your name?” he asked again.

  “Kornél Esti,” said the little boy, firmly and distinctly.

  III

  In which, at night on a train, shortly after leaving school in 1903, a girl kisses him on the lips for the first time

  WHEN, IN 1903, KORNÉL ESTI WAS DECLARED PRAECLARE maturus in his school leaving examination, his father laid before him a choice: either he would buy him that splendid bicycle for which he had long yearned, or he would give him the money—a hundred and twenty koronas—and with that he could travel wherever his fancy took him.

  He decided on the latter. Though not without a little hesitation and soul-searching.

  It was hard to be parted from his mother’s skirts. He had grown up in Sárszeg,* among books and bottles of medicine. In the evening, before going to bed, he had always had to convince himself that his mother, father, brother and sister were in bed, in the usual place, and only then could he go to sleep to the tick-tock of the wall-clock. If, however, any of them had gone to visit in the country and happened not to be spending the night at home, he would rather stay awake and wait for their return, which would once more tip everything back into the old, happy balance. The family was for him the refuge from everything that he feared. It surrounded him like a dovecote, stuff y, dimly lit, tacky with rubbish.

  On the other hand, he also longed to get away. He had never yet left that Alföld nest where there was neither river nor hills, the streets and the people were all alike, and days and years brought little change. Here were stifling, dusty afternoons and long, dark evenings. Exercise books and calendars filled the windows of the bookshops. His mind was waking, his tastes developing, but second-rate plays were put on in the theater and for want of better entertainment he watched these from a student seat in the rafters. He would have liked to see the world. Most of all, he would have loved to see the sea. He had imagined it while still in primary school, when he had for the first time looked at that smooth, endless blueness on the wall map. So, with an heroic decision, he proposed that come what may he would go to Italy,* and alone.

  One dull, hectic day in July he set off. The whole household was up and about at three in the morning. His worn and battered traveling basket had been brought down from the attic and a futile attempt made at mending its lock. He said good-bye with a smile, but his heart sank. He didn’t believe that he would ever return. Everyone went with him to catch the slow train for Budapest. They waved their handkerchiefs, while his mother turned away in tears.

  After five hours’ rattling he reached Budapest without mishap. He immediately informed his parents of that fact by postcard. He took a room in a third-rate hotel near the station. There he spent only a single night.

  That evening he used to get to know Budapest. Happy, electrified, he set out into the city, this modern Babylon, as he described it in another postcard to his parents. His self-esteem rose because he was going about all by himself. In the National Museum he looked at the antiquities, at the balcony from which Petőfi had spoken, at the stufffed animals. Later he got lost on Andrássy út. A policeman kindly put him on the right road. Map of Budapest in hand, he found the Danube and Gellérthegy. The Danube was big, Gellérthegy high. Both were splendid. Budapest was altogether splendid.

  What interested him most of all were the people of Budapest. Everybody going along the street, sitting in a coffeehouse or on a tram, shopping in the shops, was a “Budapest person.” He could tell at a glance that they were very different from the people of Sárszeg, and as like one another in clothes, attitudes, and manners as members of a single family. In his eyes, therefore, a High Court judge, a horse-trader, the wife of a landowner, and a nursemaid were “Budapest people.” This statement—from a higher point of view—is undeniable.

  The “Budapest person” was in a hurry and took no notice of him. He found that out immediately upon arrival. The porter who carried his luggage up to the third floor of the hotel likewise belonged to the people of Budapest. He didn’t say a single word to him, expect it though he might, but ill-humoredly deposited his basket on a trestle, muttered something, and simply left. Kornél found this behavior hard to bear, but it filled him with great admiration. He wrote to his parents—a third postcard—that the people here aren’t coarse, in deed, in a certain respect they’re more refined, more attentive than people in Sárszeg. Sometimes, however, they did seem cold, even heartless. No one asked him what at home everyone from the fôispán* down would certainly have done: “Well, Kornél, isn’t Budapest splendid?” “Isn’t the Danube big?” “Isn’t Gellérthegy high?” And then, neither did they look him in the face, so open, so yearning for affection, which at first—for the first few hours—he raised to everyone with such boundless confidence that some involuntarily smiled and laughed together behind his back at the sight of such naïveté and youth until—hours later—he learned that one should keep one’s face straight if one didn’t want to seem ridiculous. At this point the broad, convivial world ceased to be—that sugary toy world, that doll’s dinner party—which he had been so accustomed to in the provinces. Things were quite different from then on: both more and less.

  Confused by these novelties, brought low in all situations and repeatedly cut to the quick, he sauntered hither and thither and, like someone flayed, things stuck to his flesh; he painfully tore off the healing scabs and became unhealthily receptive to every impression, his every sense became sharpened and refined, and a word that struck his ear, the smell of mash from a brewery, or a glass of unfamiliar shape—a “Budapest glass”—became, in the dingy back room of his hotel, a symbol, an unforgettable memory, and when at length, dazed from the comings and goings of the day, he took refuge in bed—the “Budapest bed,” among the “Budapest pillows”—there welled up in his heart a nostalgia for the old things, the old people, and in despair he yearned for home. Nor did sleep come to his eyes. He propped himself up on the pillows in his dark room and pondered.

  Next afternoon he boarded the express for Fiume.* He quickly found a seat. There were not many traveling. In the second-class compartment where he first opened the door there were only two: a woman and her daughter. He greeted them. The woman received that with a wordless nod, good-natured but reserved, as if to inform him that she occupied a position of friendly neutrality. He crammed his basket onto the luggage rack and settled down by the window. The lady sat across from him, her daughter beside her, obliquely opposite him.

  Esti fanned himself. An African temperature prevailed. The sweltering carriages, which had been baking all day in the blazing sun, were now oozing their poison, fuming and dusty, and the seats exuded the stench of some animal hide. The dark patches in the clouds of steam swirled drunkenly before his eyes in that yellow waxwork light.

  He spared his traveling companions scarcely a glance. He didn’t even wish to know who they were. Schooled by bitter lessons, he feigned indifference. He could by then dissimulate better than those who had devoted their whole lives to it. He opened his book, Edmondo de Amicis’ Il Cuore.* It amused him that even with his patchy knowledge of Italian he could understand it perfectly and read it almost fluently on the basis of his Latin.

  The train ran out of the glass cage of the station. The woman made the sign of the cross. That surprised him. It wasn’t customary in his family. But it made an impression on him. What beautiful, womanly humility. “We are all in the hand of God.” Indeed, traveling impairs our life expectancy. It isn’t a deadly danger, only about as bad as a quinsy from which can develop—perhaps—blood poisoning or heart failure. That journey, furthermore, was no trifling matter. It lasted twelve hours without a break: part of the afternoon, then the whole of the night until eight the next morning. When they arrived the sun would be shining again—who knew what might happen during that time?

  He delighte
d in that uncertainty. He was also pleased that no other passenger had come into their compartment, so that he would probably have a comfortable journey all the way with only that woman and her daughter, who, if not actually friendly, were not hostile.

  They rattled through the marshaling yards. Now they were out of Budapest, among the fields. The sticky heat had cooled, been diluted. There was even a slight breeze. He felt that he had become free, had left behind him all sorts of things, that all sorts of things no longer restricted him as they had previously, and that the young man who was sitting there with the Italian book in his hand was really him and not him, could be anyone he wished, because with the constant change of place he was entering an infinite variation of possible situations, a kind of spiritual masked ball.

  The woman adjusted her ash-blonde hair, fiddled with the chignon at the back and her tortoiseshell hairpins. She had a calm face and an uncomplicated, clear forehead. Esti now discovered for the first time what intellectually fertile soil a railway compartment is. Here the lives of strangers appear before us in, as it were, cross section—suddenly and condensed—as in a novel opened haphazardly in the middle. Our curiosity, which otherwise we conceal by false modesty, can be satisfied under the constraint of our being enclosed together in a moving room, and we can peep into those lives and speculate on what the beginning of the novel must have been and how it will end. Esti had already, in his school literary circle, produced some decent work as both poet and novelist. Here too he could practice that craft. However gauche he was otherwise, he could cloak his intentions and give himself over completely to creative inquisitiveness, his eyes sliding more and more frequently from the guileless sentences of Il Cuore to the woman.

  She must have been thirty-nine or forty, the same age as his mother. Straightaway, in the first moment, he felt an extraordinary warmth toward her. She had ivy-green eyes. She, however, looked at neither Esti nor her daughter, but stared into space—tired, sad, and perhaps even a little disinterested. She was looking into herself. She wouldn’t allow anyone else to look there.

 

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