You see, if it were not a palace, but a hen-house, I might creep into it to avoid getting wet, and yet I would not call the hen-house a palace out of gratitude to it for keeping me dry. You laugh and say that in such circumstances a hen-house is as good as a mansion. Yes, I answer, if one had to live simply to keep out of the rain.
But what is to be done if I have taken it into my head that that is not the only object in life, and that if one must live one had better live in a mansion. That is my choice, my desire. You will only eradicate it when you have changed my preference. Well, do change it, allure me with something else, give me another ideal. But meanwhile I will not take a hen-house for a mansion. The palace of crystal may be an idle dream, it may be that it is inconsistent with the laws of nature and that I have invented it only through my own stupidity, through the old-fashioned irrational habits of my generation. But what does it matter to me that it is inconsistent? That makes no difference since it exists in my desires, or rather exists as long as my desires exist. Perhaps you are laughing again? Laugh away; I will put up with any mockery rather than pretend that I am satisfied when I am hungry. I know, anyway, that I will not be put off with a compromise, with a recurring zero, simply because it is consistent with the laws of nature and actually exists. I will not accept as the crown of my desires a block of buildings with tenements for the poor on a lease of a thousand years, and perhaps with a sign-board of a dentist hanging out. Destroy my desires, eradicate my ideals, show me something better, and I will follow you. You will say, perhaps, that it is not worth your trouble; but in that case I can give you the same answer. We are discussing things seriously; but if you won't deign to give me your attention, I will drop your acquaintance. I can retreat into my underground hole.
But while I am alive and have desires I would rather my hand were withered off than bring one brick to such a building! Don't remind me that I have just rejected the palace of crystal for the sole reason that one cannot put out one's tongue at it. I did not say because I am so fond of putting my tongue out. Perhaps the thing I resented was, that of all your edifices there has not been one at which one could not put out one's tongue. On the contrary, I would let my tongue be cut off out of gratitude if things could be so arranged that I should lose all desire to put it out. It is not my fault that things cannot be so arranged, and that one must be satisfied with model flats. Then why am I made with such desires? Can I have been constructed simply in order to come to the conclusion that all my construction is a cheat? Can this be my whole purpose? I do not believe it.
But do you know what: I am convinced that we underground folk ought to be kept on a curb. Though we may sit forty years underground without speaking, when we do come out into the light of day and break out we talk and talk and talk....
XI
The long and the short of it is, gentlemen, that it is better to do nothing! Better conscious inertia! And so hurrah for underground! Though I have said that I envy the normal man to the last drop of my bile, yet I should not care to be in his place such as he is now (though I shall not cease envying him). No, no; anyway the underground life is more advantageous. There, at any rate, one can.... Oh, but even now I am lying! I am lying because I know myself that it is not underground that is better, but something different, quite different, for which I am thirsting, but which I cannot find! Damn underground!
I will tell you another thing that would be better, and that is, if I myself believed in anything of what I have just written. I swear to you, gentlemen, there is not one thing, not one word of what I have written that I really believe. That is, I believe it, perhaps, but at the same time I feel and suspect that I am lying like a cobbler.
"Then why have you written all this?" you will say to me.
"I ought to put you underground for forty years without anything to do and then come to you in your cellar, to find out what stage you have reached! How can a man be left with nothing to do for forty years?"
"Isn't that shameful, isn't that humiliating?" you will say, perhaps, wagging your heads contemptuously. "You thirst for life and try to settle the problems of life by a logical tangle. And how persistent, how insolent are your sallies, and at the same time what a scare you are in! You talk nonsense and are pleased with it; you say impudent things and are in continual alarm and apologizing for them. You declare that you are afraid of nothing and at the same time try to ingratiate yourself in our good opinion. You declare that you are gnashing your teeth and at the same time you try to be witty so as to amuse us. You know that your witticisms are not witty, but you are evidently well satisfied with their literary value. You may, perhaps, have really suffered, but you have no respect for your own suffering. You may have sincerity, but you have no modesty; out of the pettiest vanity you expose your sincerity to publicity and ignominy. You doubtlessly mean to say something, but hide your last word through fear, because you have not the resolution to utter it, and only have a cowardly impudence. You boast of consciousness, but you are not sure of your ground, for though your mind works, yet your heart is darkened and corrupt, and you cannot have a full, genuine consciousness without a pure heart. And how intrusive you are, how you insist and grimace! Lies, lies, lies!"
Of course I have myself made up all the things you say. That, too, is from underground. I have been for forty years listening to you through a crack under the floor. I have invented them myself, there was nothing else I could invent. It is no wonder that I have learned it by heart and it has taken a literary form....
But can you really be so credulous as to think that I will print all this and give it to you to read too? And another problem: why do I call you "gentlemen," why do I address you as though you really were my readers? Such confessions as I intend to make are never printed nor given to other people to read. Anyway, I am not strong-minded enough for that, and I don't see why I should be. But you see a fancy has occurred to me and I want to realize it at all costs. Let me explain.
Every man has reminiscences which he would not tell to every one, but only to his friends. He has other matters in his mind which he would not reveal even to his friends, but only to himself, and that in secret. But there are other things which a man is afraid to tell even to himself, and every decent man has a number of such things stored away in his mind. The more decent he is, the greater the number of such things in his mind. Anyway, I have only lately determined to remember some of my early adventures. Till now I have always avoided them, even with a certain uneasiness. Now, when I am not only recalling them, but have actually decided to write an account of them, I want to try the experiment whether one can, even with oneself, be perfectly open and not take fright at the whole truth. I will observe, in parenthesis, that Heine says that a true autobiography is almost an impossibility, and that man is bound to lie about himself. He considers that Rousseau certainly told lies about himself in his confessions, and even intentionally lied, out of vanity. I am convinced that Heine is right; I quite understand how sometimes one may, out of sheer vanity, attribute regular crimes to oneself, and indeed I can very well conceive that kind of vanity. But Heine judged of people who made their confessions to the public. I write only for myself, and I wish to declare once and for all that if I write as though I were addressing readers, that is simply because it is easier for me to write in that form. It is a form, an empty form—I shall never have readers. I have made this plain already....
I don't wish to be hampered by any restrictions in the compilation of my notes. I shall not attempt any system or method. I will jot things down as I remember them.
But here, perhaps, some one will catch at the word and ask me: if you really don't reckon on readers, why do you make such compacts with yourself—and on paper too—that is, that you won't attempt any system or method, that you jot things down as you remember them, and so on, and so on? Why are you explaining? Why do you apologize?
Well, there it is, I answer.
There is a whole psychology in all this, though. Perhaps it is simply that I am a c
oward. And perhaps that I purposely imagine an audience before me in order that I may be more dignified while I write. There are perhaps thousands of reasons. Again, what is my object precisely in writing? If it is not for the benefit of the public why should I not simply recall these incidents in my own mind without putting them on paper?
Quite so; but yet it is more imposing on paper. There is something more impressive in it; I shall be better able to criticize myself and improve my style. Besides, I shall perhaps obtain actual relief from writing. To-day, for instance, I am particularly oppressed by one memory of a distant past. It came back vividly to my mind a few days ago, and has remained haunting me like an annoying tune that one cannot get rid of. And yet I must get rid of it somehow. I have hundreds of such reminiscences; but at times some one stands out from the hundred and oppresses me. For some reason I believe that if I write it down I should get rid of it. Why not try?
Besides, I am bored, and I never have anything to do. Writing will be a sort of work. They say work makes man kind-hearted and honest. Well, here is a chance for me, anyway.
Snow is falling to-day, yellow and dingy. It fell yesterday, too, and a few days ago. I fancy it is the wet snow that has reminded me of that incident which I cannot shake off now. And so let it be a story à propos of the falling snow.
PART II
à propos of the wet snow When from dark error's subjugation My words of passionate exhortation Had wrenched thy fainting spirit free; And writhing prone in thine affliction Thou didst recall with malediction The vice that had encompassed thee: And when thy slumbering conscience, fretting By recollection's torturing flame, Thou didst reveal the hideous setting Of thy life's current ere I came: When suddenly I saw thee sicken, And weeping, hide thine anguished face, Revolted, maddened, horror-stricken, At memories of foul disgrace. Nekrassov (translated by Juliet Soskice).
I
At that time I was only twenty-four. My life was even then gloomy, ill-regulated, and as solitary as that of a savage. I made friends with no one and positively avoided talking, and buried myself more and more in my hole. At work in the office I never looked at any one, and I was perfectly well aware that my companions looked upon me, not only as a queer fellow, but even looked upon me—I always fancied this—with a sort of loathing. I sometimes wondered why it was that nobody except me fancied that he was looked upon with aversion? One of the clerks had a most repulsive, pock-marked face, which looked positively villainous. I believe I should not have dared to look at any one with such an unsightly countenance. Another had such a very dirty old uniform that there was an unpleasant odour in his proximity. Yet not one of these gentlemen showed the slightest self-consciousness—either about their clothes or their countenance or their character in any way. Neither of them ever imagined that they were looked at with repulsion; if they had imagined it they would not have minded—so long as their superiors did not look at them in that way. It is clear to me now that, owing to my unbounded vanity and to the high standard I set for myself, I often looked at myself with furious discontent, which verged on loathing, and so I inwardly attributed the same feeling to every one. I hated my face, for instance: I thought it disgusting, and even suspected that there was something base in my expression, and so every day when I turned up at the office I tried to behave as independently as possible, and to assume a lofty expression, so that I might not be suspected of being abject. "My face may be ugly," I thought, "but let it be lofty, expressive, and, above all, extremely intelligent." But I was positively and painfully certain that it was impossible for my countenance ever to express those qualities. And what was worst of all, I thought it actually stupid looking, and I would have been quite satisfied if I could have looked intelligent. In fact, I would even have put up with looking base if, at the same time, my face could have been thought strikingly intelligent.
Of course, I hated my fellow clerks one and all, and I despised them all, yet at the same time I was, as it were, afraid of them. In fact, it happened at times that I thought more highly of them than of myself. It somehow happened quite suddenly that I alternated between despising them and thinking them superior to myself. A cultivated and decent man cannot be vain without setting a fearfully high standard for himself, and without despising and almost hating himself at certain moments. But whether I despised them or thought them superior I dropped my eyes almost every time I met any one. I even made experiments whether I could face so and so's looking at me, and I was always the first to drop my eyes. This worried me to distraction. I had a sickly dread, too, of being ridiculous, and so had a slavish passion for the conventional in everything external. I loved to fall into the common rut, and had a whole-hearted terror of any kind of eccentricity in myself. But how could I live up to it? I was morbidly sensitive, as a man of our age should be. They were all stupid, and as like one another as so many sheep. Perhaps I was the only one in the office who fancied that I was a coward and a slave, and I fancied it just because I was more highly developed. But it was not only that I fancied it, it really was so. I was a coward and a slave. I say this without the slightest embarrassment. Every decent man of our age must be a coward and a slave. That is his normal condition. Of that I am firmly persuaded. He is made and constructed to that very end. And not only at the present time owing to some casual circumstances, but always, at all times, a decent man is bound to be a coward and a slave. It is the law of nature for all decent people all over the earth. If any one of them happens to be valiant about something, he need not be comforted nor carried away by that; he would show the white feather just the same before something else. That is how it invariably and inevitably ends. Only donkeys and mules are valiant, and they only till they are pushed up to the wall. It is not worth while to pay attention to them for they really are of no consequence.
Another circumstance, too, worried me in those days: that there was no one like me and I was unlike any one else. "I am alone and they are every one," I thought—and pondered.
From that it is evident that I was still a youngster.
The very opposite sometimes happened. It was loathsome sometimes to go to the office; things reached such a point that I often came home ill. But all at once, à propos of nothing, there would come a phase of scepticism and indifference (everything happened in phases to me), and I would laugh myself at my intolerance and fastidiousness, I would reproach myself with being romantic. At one time I was unwilling to speak to any one, while at other times I would not only talk, but go to the length of contemplating making friends with them. All my fastidiousness would suddenly, for no rhyme or reason, vanish. Who knows, perhaps I never had really had it, and it had simply been affected, and got out of books. I have not decided that question even now. Once I quite made friends with them, visited their homes, played preference, drank vodka, talked of promotions.... But here let me make a digression.
We Russians, speaking generally, have never had those foolish transcendental "romantics"—German, and still more French—on whom nothing produces any effect; if there were an earthquake, if all France perished at the barricades, they would still be the same, they would not even have the decency to affect a change, but would still go on singing their transcendental songs to the hour of their death, because they are fools. We, in Russia, have no fools; that is well known. That is what distinguishes us from foreign lands. Consequently these transcendental natures are not found amongst us in their pure form. The idea that they are is due to our "realistic" journalists and critics of that day, always on the look out for Kostanzhoglos and Uncle Pyotr Ivanitchs and foolishly accepting them as our ideal; they have slandered our romantics, taking them for the same transcendental sort as in Germany or France. On the contrary, the characteristics of our "romantics" are absolutely and directly opposed to the transcendental European type, and no European standard can be applied to them. (Allow me to make use of this word "romantic"—an old-fashioned and much respected word which has done good service and is familiar to all). The characteristics of our romantic a
re to understand everything, to see everything and to see it often incomparably more clearly than our most realistic minds see it; to refuse to accept anyone or anything, but at the same time not to despise anything; to give way, to yield, from policy; never to lose sight of a useful practical object (such as rent-free quarters at the government expense, pensions, decorations), to keep their eye on that object through all the enthusiasms and volumes of lyrical poems, and at the same time to preserve "the good and the beautiful" inviolate within them to the hour of their death, and to preserve themselves also, incidentally, like some precious jewel wrapped in cotton wool if only for the benefit of "the good and the beautiful." Our "romantic" is a man of great breadth and the greatest rogue of all our rogues, I assure you.... I can assure you from experience, indeed. Of course, that is, if he is intelligent. But what am I saying! The romantic is always intelligent, and I only meant to observe that although we have had foolish romantics they don't count, and they were only so because in the flower of their youth they degenerated into Germans, and to preserve their precious jewel more comfortably, settled somewhere out there—by preference in Weimar or the Black Forest.
I, for instance, genuinely despised my official work and did not openly abuse it simply because I was in it myself and got a salary for it. Anyway, take note, I did not openly abuse it. Our romantic would rather go out of his mind—a thing, however, which very rarely happens—than take to open abuse, unless he had some other career in view; and he is never kicked out. At most, they would take him to the lunatic asylum as "the King of Spain" if he should go very mad. But it is only the thin, fair people who go out of their minds in Russia. Innumerable "romantics" attain later in life to considerable rank in the service. Their many-sidedness is remarkable! And what a faculty they have for the most contradictory sensations! I was comforted by this thought even in those days, and I am of the same opinion now. That is why there are so many "broad natures" among us who never lose their ideal even in the depths of degradation; and though they never stir a finger for their ideal, though they are arrant thieves and knaves, yet they tearfully cherish their first ideal and are extraordinarily honest at heart. Yes, it is only among us that the most incorrigible rogue can be absolutely and loftily honest at heart without in the least ceasing to be a rogue. I repeat, our romantics, frequently, become such accomplished rascals (I use the term "rascals" affectionately), suddenly display such a sense of reality and practical knowledge that their bewildered superiors and the public generally can only ejaculate in amazement.
White Nights and Other Stories / The Novels of Fyodor Dostoevsky, Volume X Page 10