White Nights and Other Stories / The Novels of Fyodor Dostoevsky, Volume X

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White Nights and Other Stories / The Novels of Fyodor Dostoevsky, Volume X Page 32

by Fyodor Dostoyevsky


  As soon as the landlady knew that Semyon Ivanovitch was alive and well, and that there was no need to hunt for his passport, she promptly left off grieving and was pacified. Meanwhile some of the lodgers determined to give the runaway a triumphal reception; they broke the bolt and moved away the screen from Mr. Prohartchin's bed, rumpled up the bed a little, took the famous box, put it at the foot of the bed; and on the bed laid the sister-in-law, that is, a dummy made up of an old kerchief, a cap and a mantle of the landlady's, such an exact counterfeit of a sister-in-law that it might have been mistaken for one. Having finished their work they waited for Semyon Ivanovitch to return, meaning to tell him that his sister-in-law had arrived from the country and was there behind his screen, poor thing! But they waited and waited.

  Already, while they waited, Mark Ivanovitch had staked and lost half a month's salary to Prepolovenko and Kantarev; already Okeanov's nose had grown red and swollen playing "flips on the nose" and "three cards;" already Avdotya the servant had almost had her sleep out and had twice been on the point of getting up to fetch the wood and light the stove, and Zinovy Prokofyevitch, who kept running out every minute to see whether Semyon Ivanovitch were coming, was wet to the skin; but there was no sign of any one yet—neither Semyon Ivanovitch nor the drunken cadger. At last every one went to bed, leaving the sister-in-law behind the screen in readiness for any emergency; and it was not till four o'clock that a knock was heard at the gate, but when it did come it was so loud that it quite made up to the expectant lodgers for all the wearisome trouble they had been through. It was he—he himself—Semyon Ivanovitch, Mr. Prohartchin, but in such a condition that they all cried out in dismay, and no one thought about the sister-in-law. The lost man was unconscious. He was brought in, or more correctly carried in, by a sopping and tattered night-cabman. To the landlady's question where the poor dear man had got so groggy, the cabman answered: "Why, he is not drunk and has not had a drop, that I can tell you, for sure; but seemingly a faintness has come over him, or some sort of a fit, or maybe he's been knocked down by a blow."

  They began examining him, propping the culprit against the stove to do so more conveniently, and saw that it really was not a case of drunkenness, nor had he had a blow, but that something else was wrong, for Semyon Ivanovitch could not utter a word, but seemed twitching in a sort of convulsion, and only blinked, fixing his eyes in bewilderment first on one and then on another of the spectators, who were all attired in night array. Then they began questioning the cabman, asking where he had got him from. "Why, from folks out Kolomna way," he answered. "Deuce knows what they are, not exactly gentry, but merry, rollicking gentlemen; so he was like this when they gave him to me; whether they had been fighting, or whether he was in some sort of a fit, goodness knows what it was; but they were nice, jolly gentlemen!"

  Semyon Ivanovitch was taken, lifted high on the shoulders of two or three sturdy fellows, and carried to his bed. When Semyon Ivanovitch on being put in bed felt the sister-in-law, and put his feet on his sacred box, he cried out at the top of his voice, squatted up almost on his heels, and trembling and shaking all over, with his hands and his body he cleared a space as far as he could in his bed, while gazing with a tremulous but strangely resolute look at those present, he seemed as it were to protest that he would sooner die than give up the hundredth part of his poor belongings to any one....

  Semyon Ivanovitch lay for two or three days closely barricaded by the screen, and so cut off from all the world and all its vain anxieties. Next morning, of course, every one had forgotten about him; time, meanwhile, flew by as usual, hour followed hour and day followed day. The sick man's heavy, feverish brain was plunged in something between sleep and delirium; but he lay quietly and did not moan or complain; on the contrary he kept still and silent and controlled himself, lying low in his bed, just as the hare lies close to the earth when it hears the hunter. At times a long depressing stillness prevailed in the flat, a sign that the lodgers had all gone to the office, and Semyon Ivanovitch, waking up, could relieve his depression by listening to the bustle in the kitchen, where the landlady was busy close by; or to the regular flop of Avdotya's down-trodden slippers as, sighing and moaning, she cleared away, rubbed and polished, tidying all the rooms in the flat. Whole hours passed by in that way, drowsy, languid, sleepy, wearisome, like the water that dripped with a regular sound from the locker into the basin in the kitchen. At last the lodgers would arrive, one by one or in groups, and Semyon Ivanovitch could very conveniently hear them abusing the weather, saying they were hungry, making a noise, smoking, quarrelling, and making friends, playing cards, and clattering the cups as they got ready for tea. Semyon Ivanovitch mechanically made an effort to get up and join them, as he had a right to do at tea; but he at once sank back into drowsiness, and dreamed that he had been sitting a long time at the tea-table, having tea with them and talking, and that Zinovy Prokofyevitch had already seized the opportunity to introduce into the conversation some scheme concerning sisters-in-law and the moral relation of various worthy people to them. At this point Semyon Ivanovitch was in haste to defend himself and reply. But the mighty formula that flew from every tongue—"It has more than once been observed"—cut short all his objections, and Semyon Ivanovitch could do nothing better than begin dreaming again that to-day was the first of the month and that he was receiving money in his office.

  Undoing the paper round it on the stairs, he looked about him quickly, and made haste as fast as he could to subtract half of the lawful wages he had received and conceal it in his boot. Then on the spot, on the stairs, quite regardless of the fact that he was in bed and asleep, he made up his mind when he reached home to give his landlady what was due for board and lodging; then to buy certain necessities, and to show any one it might concern, as it were casually and unintentionally, that some of his salary had been deducted, that now he had nothing left to send his sister-in-law; then to speak with commiseration of his sister-in-law, to say a great deal about her the next day and the day after, and ten days later to say something casually again about her poverty, that his companions might not forget. Making this determination he observed that Andrey Efimovitch, that everlastingly silent, bald little man who sat in the office three rooms from where Semyon Ivanovitch sat, and hadn't said a word to him for twenty years, was standing on the stairs, that he, too, was counting his silver roubles, and shaking his head, he said to him: "Money!" "If there's no money there will be no porridge," he added grimly as he went down the stairs, and just at the door he ended: "And I have seven children, sir." Then the little bald man, probably equally unconscious that he was acting as a phantom and not as a substantial reality, held up his hand about thirty inches from the floor, and waving it vertically, muttered that the eldest was going to school, then glancing with indignation at Semyon Ivanovitch, as though it were Mr. Prohartchin's fault that he was the father of seven, pulled his old hat down over his eyes, and with a whisk of his overcoat he turned to the left and disappeared. Semyon Ivanovitch was quite frightened, and though he was fully convinced of his own innocence in regard to the unpleasant accumulation of seven under one roof, yet it seemed to appear that in fact no one else was to blame but Semyon Ivanovitch. Panic-stricken he set off running, for it seemed to him that the bald gentleman had turned back, was running after him, and meant to search him and take away all his salary, insisting upon the indisputable number seven, and resolutely denying any possible claim of any sort of sisters-in-law upon Semyon Ivanovitch. Prohartchin ran and ran, gasping for breath.... Beside him was running, too, an immense number of people, and all of them were jingling their money in the tailpockets of their skimpy little dress-coats; at last every one ran up, there was the noise of fire engines, and whole masses of people carried him almost on their shoulders up to that same house on fire which he had watched last time in company with the drunken cadger. The drunken cadger—alias Mr. Zimoveykin—was there now, too, he met Semyon Ivanovitch, made a fearful fuss, took him by the arm, and led him into the
thickest part of the crowd. Just as then in reality, all about them was the noise and uproar of an immense crowd of people, flooding the whole of Fontanka Embankment between the two bridges, as well as all the surrounding streets and alleys; just as then, Semyon Ivanovitch, in company with the drunken cadger, was carried along behind a fence, where they were squeezed as though in pincers in a huge timber-yard full of spectators who had gathered from the street, from Tolkutchy Market and from all the surrounding houses, taverns, and restaurants. Semyon Ivanovitch saw all this and felt as he had done at the time; in the whirl of fever and delirium all sorts of strange figures began flitting before him. He remembered some of them. One of them was a gentleman who had impressed every one extremely, a man seven feet high, with whiskers half a yard long, who had been standing behind Semyon Ivanovitch's back during the fire, and had given him encouragement from behind, when our hero had felt something like ecstasy and had stamped as though intending thereby to applaud the gallant work of the firemen, from which he had an excellent view from his elevated position. Another was the sturdy lad from whom our hero had received a shove by way of a lift on to another fence, when he had been disposed to climb over it, possibly to save some one. He had a glimpse, too, of the figure of the old man with a sickly face, in an old wadded dressing-gown, tied round the waist, who had made his appearance before the fire in a little shop buying sugar and tobacco for his lodger, and who now, with a milk-can and a quart pot in his hands, made his way through the crowd to the house in which his wife and daughter were burning together with thirteen and a half roubles in the corner under the bed. But most distinct of all was the poor, sinful woman of whom he had dreamed more than once during his illness—she stood before him now as she had done then, in wretched bark shoes and rags, with a crutch and a wicker-basket on her back. She was shouting more loudly than the firemen or the crowd, waving her crutch and her arms, saying that her own children had turned her out and that she had lost two coppers in consequence. The children and the coppers, the coppers and the children, were mingled together in an utterly incomprehensible muddle, from which every one withdrew baffled, after vain efforts to understand. But the woman would not desist, she kept wailing, shouting, and waving her arms, seeming to pay no attention either to the fire up to which she had been carried by the crowd from the street or to the people about her, or to the misfortune of strangers, or even to the sparks and red-hot embers which were beginning to fall in showers on the crowd standing near. At last Mr. Prohartchin felt that a feeling of terror was coming upon him; for he saw clearly that all this was not, so to say, an accident, and that he would not get off scot-free. And, indeed, upon the woodstack, close to him, was a peasant, in a torn smock that hung loose about him, with his hair and beard singed, and he began stirring up all the people against Semyon Ivanovitch. The crowd pressed closer and closer, the peasant shouted, and foaming at the mouth with horror, Mr. Prohartchin suddenly realized that this peasant was a cabman whom he had cheated five years before in the most inhuman way, slipping away from him without paying through a side gate and jerking up his heels as he ran as though he were barefoot on hot bricks. In despair Mr. Prohartchin tried to speak, to scream, but his voice failed him. He felt that the infuriated crowd was twining round him like a many-coloured snake, strangling him, crushing him. He made an incredible effort and awoke. Then he saw that he was on fire, that all his corner was on fire, that his screen was on fire, that the whole flat was on fire, together with Ustinya Fyodorovna and all her lodgers, that his bed was burning, his pillow, his quilt, his box, and last of all, his precious mattress. Semyon Ivanovitch jumped up, clutched at the mattress and ran dragging it after him. But in the landlady's room into which, regardless of decorum, our hero ran just as he was, barefoot and in his shirt, he was seized, held tight, and triumphantly carried back behind the screen, which meanwhile was not on fire—it seemed that it was rather Semyon Ivanovitch's head that was on fire—and was put back to bed. It was just as some tattered, unshaven, ill-humoured organ-grinder puts away in his travelling box the Punch who has been making an upset, drubbing all the other puppets, selling his soul to the devil, and who at last ends his existence, till the next performance, in the same box with the devil, the negroes, the Pierrot, and Mademoiselle Katerina with her fortunate lover, the captain.

  Immediately every one, old and young, surrounded Semyon Ivanovitch, standing in a row round his bed and fastening eyes full of expectation on the invalid. Meantime he had come to himself, but from shame or some other feeling, began pulling up the quilt over him, apparently wishing to hide himself under it from the attention of his sympathetic friends. At last Mark Ivanovitch was the first to break silence, and as a sensible man he began saying in a very friendly way that Semyon Ivanovitch must keep calm, that it was too bad and a shame to be ill, that only little children behaved like that, that he must get well and go to the office. Mark Ivanovitch ended by a little joke, saying that no regular salary had yet been fixed for invalids, and as he knew for a fact that their grade would be very low in the service, to his thinking anyway, their calling or condition did not promise great and substantial advantages. In fact, it was evident that they were all taking genuine interest in Semyon Ivanovitch's fate and were very sympathetic. But with incomprehensible rudeness, Semyon Ivanovitch persisted in lying in bed in silence, and obstinately pulling the quilt higher and higher over his head. Mark Ivanovitch, however, would not be gainsaid, and restraining his feelings, said something very honeyed to Semyon Ivanovitch again, knowing that that was how he ought to treat a sick man. But Semyon Ivanovitch would not feel this: on the contrary he muttered something between his teeth with the most distrustful air, and suddenly began glancing askance from right to left in a hostile way, as though he would have reduced his sympathetic friends to ashes with his eyes. It was no use letting it stop there. Mark Ivanovitch lost patience, and seeing that the man was offended and completely exasperated, and had simply made up his mind to be obstinate, told him straight out, without any softening suavity, that it was time to get up, that it was no use lying there, that shouting day and night about houses on fire, sisters-in-law, drunken cadgers, locks, boxes and goodness knows what, was all stupid, improper, and degrading, for if Semyon Ivanovitch did not want to sleep himself he should not hinder other people, and please would he bear it in mind.

  This speech produced its effects, for Semyon Ivanovitch, turning promptly to the orator, articulated firmly, though in a hoarse voice, "You hold your tongue, puppy! You idle speaker, you foul-mouthed man! Do you hear, young dandy? Are you a prince, eh? Do you understand what I say?"

 

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