The Complete Works of Henry James

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by Henry James


  Yet was it after all that those monsters of the mere market, as I have called them, had more to say, on the question of “effect,” than I had at first allowed?—since they are the element that looms largest for me through a particular impression, with remembered parts and pieces melting together rather richly now, of “downtown” seen and felt from the inside. “Felt”—I use that word, I dare say, all presumptuously, for a relation to matters of magnitude and mystery that I could begin neither to measure nor to penetrate, hovering about them only in magnanimous wonder, staring at them as at a world of immovably-closed doors behind which immense “material” lurked, material for the artist, the painter of life, as we say, who shouldn’t have begun so early and so fatally to fall away from possible initiations. This sense of a baffled curiosity, an intellectual adventure forever renounced, was surely enough a state of feeling, and indeed in presence of the different half-hours, as memory presents them, at which I gave myself up both to the thrill of Wall Street (by which I mean that of the whole wide edge of the whirlpool), and the too accepted, too irredeemable ignorance, I am at a loss to see what intensity of response was wanting. The imagination might have responded more if there had been a slightly less settled inability to understand what every one, what any one, was really doing; but the picture, as it comes back to me, is, for all this foolish subjective poverty, so crowded with its features that I rejoice, I confess, in not having more of them to handle. No open apprehension, even if it be as open as a public vehicle plying for hire, can carry more than a certain amount of life, of a kind; and there was nothing at play in the outer air, at least, of the scene, during these glimpses, that didn’t scramble for admission into mine very much as I had seen the mob seeking entrance to an up-town or a down-town electric car fight for life at one of the apertures. If it had been the final function of the Bay to make one feel one’s age, so, assuredly, the mouth of Wall Street proclaimed it, for one’s private ear, distinctly enough; the breath of existence being taken, wherever one turned, as that of youth on the run and with the prize of the race in sight, and the new landmarks crushing the old quite as violent children stamp on snails and caterpillars.

  The hour I first recall was a morning of winter drizzle and mist, of dense fog in the Bay, one of the strangest sights of which I was on my way to enjoy; and I had stopped in the heart of the business quarter to pick up a friend who was to be my companion. The weather, such as it was, worked wonders for the upper reaches of the buildings, round which it drifted and hung very much as about the flanks and summits of emergent mountain-masses—for, to be just all round, there was some evidence of their having a message for the eyes. Let me parenthesize, once for all, that there are other glimpses of this message, up and down the city, frequently to be caught; lights and shades of winter and summer air, of the literally “finishing” afternoon in particular, when refinement of modelling descends from the skies and lends the white towers, all new and crude and commercial and over-windowed as they are, a fleeting distinction. The morning I speak of offered me my first chance of seeing one of them from the inside—which was an opportunity I sought again, repeatedly, in respect to others; and I became conscious of the force with which this vision of their prodigious working, and of the multitudinous life, as if each were a swarming city in itself, that they are capable of housing, may beget, on the part of the free observer, in other words of the restless analyst, the impulse to describe and present the facts and express the sense of them. Each of these huge constructed and compressed communities, throbbing, through its myriad arteries and pores, with a single passion, even as a complicated watch throbs with the one purpose of telling you the hour and the minute, testified overwhelmingly to the character of New York—and the passion of the restless analyst, on his side, is for the extraction of character. But there would be too much to say, just here, were this incurable eccentric to let himself go; the impression in question, fed by however brief an experience, kept overflowing the cup and spreading in a wide waste of speculation. I must dip into these depths, if it prove possible, later on; let me content myself for the moment with remembering how from the first, on all such ground, my thought went straight to poor great wonder-working Emile Zola and his love of the human aggregation, the artificial microcosm, which had to spend itself on great shops, great businesses, great “apartment-houses,” of inferior, of mere Parisian scale. His image, it seemed to me, really asked for compassion—in the presence of this material that his energy of evocation, his alone, would have been of a stature to meddle with. What if Le Ventre de Paris, what if Au Bonheur des Dames, what if Pot-Bouille and L’Argent, could but have come into being under the New York inspiration?

  The answer to that, however, for the hour, was that, in all probability, New York was not going (as it turns such remarks) to produce both the maximum of “business” spectacle and the maximum of ironic reflection of it. Zola’s huge reflector got itself formed, after all, in a far other air; it had hung there, in essence, awaiting the scene that was to play over it, long before the scene really approached it in scale. The reflecting surfaces, of the ironic, of the epic order, suspended in the New York atmosphere, have yet to show symptoms of shining out, and the monstrous phenomena themselves, meanwhile, strike me as having, with their immense momentum, got the start, got ahead of, in proper parlance, any possibility of poetic, of dramatic capture. That conviction came to me most perhaps while I gazed across at the special sky-scraper that overhangs poor old Trinity to the north—a south face as high and wide as the mountain-wall that drops the Alpine avalanche, from time to time, upon the village, and the village spire, at its foot; the interest of this case being above all, as I learned, to my stupefaction, in the fact that the very creators of the extinguisher are the churchwardens themselves, or at least the trustees of the church property. What was the case but magnificent for pitiless ferocity?—that inexorable law of the growing invisibility of churches, their everywhere reduced or abolished presence, which is nine-tenths of their virtue, receiving thus, at such hands, its supreme consecration. This consecration was positively the greater that just then, as I have said, the vast money-making structure quite horribly, quite romantically justified itself, looming through the weather with an insolent cliff-like sublimity. The weather, for all that experience, mixes intimately with the fulness of my impression; speaking not least, for instance, of the way “the state of the streets” and the assault of the turbid air seemed all one with the look, the tramp, the whole quality and allure, the consummate monotonous commonness, of the pushing male crowd, moving in its dense mass—with the confusion carried to chaos for any intelligence, any perception; a welter of objects and sounds in which relief, detachment, dignity, meaning, perished utterly and lost all rights. It appeared, the muddy medium, all one with every other element and note as well, all the signs of the heaped industrial battle-field, all the sounds and silences, grim, pushing, trudging silences too, of the universal will to move—to move, move, move, as an end in itself, an appetite at any price.

  In the Bay, the rest of the morning, the dense raw fog that delayed the big boat, allowing sight but of the immediate ice-masses through which it thumped its way, was not less of the essence. Anything blander, as a medium, would have seemed a mockery of the facts of the terrible little Ellis Island, the first harbour of refuge and stage of patience for the million or so of immigrants annually knocking at our official door. Before this door, which opens to them there only with a hundred forms and ceremonies, grindings and grumblings of the key, they stand appealing and waiting, marshalled, herded, divided, subdivided, sorted, sifted, searched, fumigated, for longer or shorter periods—the effect of all which prodigious process, an intendedly “scientific” feeding of the mill, is again to give the earnest observer a thousand more things to think of than he can pretend to retail. The impression of Ellis Island, in fine, would be—as I was to find throughout that so many of my impressions would be—a chapter by itself; and with a particular page for recognition of
the degree in which the liberal hospitality of the eminent Commissioner of this wonderful service, to whom I had been introduced, helped to make the interest of the whole watched drama poignant and unforgettable. It is a drama that goes on, without a pause, day by day and year by year, this visible act of ingurgitation on the part of our body politic and social, and constituting really an appeal to amazement beyond that of any sword-swallowing or fire-swallowing of the circus. The wonder that one couldn’t keep down was the thought that these two or three hours of one’s own chance vision of the business were but as a tick or two of the mighty clock, the clock that never, never stops—least of all when it strikes, for a sign of so much winding-up, some louder hour of our national fate than usual. I think indeed that the simplest account of the action of Ellis Island on the spirit of any sensitive citizen who may have happened to “look in” is that he comes back from his visit not at all the same person that he went. He has eaten of the tree of knowledge, and the taste will be for ever in his mouth. He had thought he knew before, thought he had the sense of the degree in which it is his American fate to share the sanctity of his American consciousness, the intimacy of his American patriotism, with the inconceivable alien; but the truth had never come home to him with any such force. In the lurid light projected upon it by those courts of dismay it shakes him—or I like at least to imagine it shakes him—to the depths of his being; I like to think of him, I positively have to think of him, as going about ever afterwards with a new look, for those who can see it, in his face, the outward sign of the new chill in his heart. So is stamped, for detection, the questionably privileged person who has had an apparition, seen a ghost in his supposedly safe old house. Let not the unwary, therefore, visit Ellis Island.

  The after-sense of that acute experience, however, I myself found, was by no means to be brushed away; I felt it grow and grow, on the contrary, wherever I turned: other impressions might come and go, but this affirmed claim of the alien, however immeasurably alien, to share in one’s supreme relation was everywhere the fixed clement, the reminder not to be dodged. One’s supreme relation, as one had always put it, was one’s relation to one’s country—a conception made up so largely of one’s countrymen and one’s countrywomen. Thus it was as if, all the while, with such a fond tradition of what these products predominantly were, the idea of the country itself underwent something of that profane overhauling through which it appears to suffer the indignity of change. Is not our instinct in this matter, in general, essentially the safe one—that of keeping the idea simple and strong and continuous, so that it shall be perfectly sound? To touch it overmuch, to pull it about, is to put it in peril of weakening; yet on this free assault upon it, this readjustment of it in their monstrous, presumptuous interest, the aliens, in New York, seemed perpetually to insist. The combination there of their quantity and their quality—that loud primary stage of alienism which New York most offers to sight—operates, for the native, as their note of settled possession, something they have nobody to thank for; so that unsettled possession is what we, on our side, seem reduced to—the implication of which, in its turn, is that, to recover confidence and regain lost ground, we, not they, must make the surrender and accept the orientation. We must go, in other words, more than half-way to meet them; which is all the difference, for us, between possession and dispossession. This sense of dispossession, to be brief about it, haunted me so, I was to feel, in the New York streets and in the packed trajectiles to which one clingingly appeals from the streets, just as one tumbles back into the streets in appalled reaction from them, that the art of beguiling or duping it became an art to be cultivated—though the fond alternative vision was never long to be obscured, the imagination, exasperated to envy, of the ideal, in the order in question; of the luxury of some such close and sweet and whole national consciousness as that of the Switzer and the Scot.

  II

  My recovery of impressions, after a short interval, yet with their flush a little faded, may have been judged to involve itself with excursions of memory—memory directed to the antecedent time—reckless almost to extravagance. But I recall them to-day, none the less, for that value in them which ministered, at happy moments, to an artful evasion of the actual. There was no escape from the ubiquitous alien into the future, or even into the present; there was an escape but into the past. I count as quite a triumph in this interest an unbroken ease of frequentation of that ancient end of Fifth Avenue to the whole neighbourhood of which one’s earlier vibrations, a very far-away matter now, were attuned. The precious stretch of space between Washington Square and Fourteenth Street had a value, had even a charm, for the revisiting spirit—a mild and melancholy glamour which I am conscious of the difficulty of “rendering” for new and heedless generations. Here again the assault of suggestion is too great; too large, I mean, the number of hares started, before the pursuing imagination, the quickened memory, by this fact of the felt moral and social value of this comparatively unimpaired morsel of the Fifth Avenue heritage. Its reference to a pleasanter, easier, hazier past is absolutely comparative, just as the past in question itself enjoys as such the merest courtesy-title. It is all recent history enough, by the measure of the whole, and there are flaws and defacements enough, surely, even in its appearance of decency of duration. The tall building, grossly tall and grossly ugly, has failed of an admirable chance of distinguished consideration for it, and the dignity of many of its peaceful fronts has succumbed to the presence of those industries whose foremost need is to make “a good thing” of them. The good thing is doubtless being made, and yet this lower end of the once agreeable street still just escapes being a wholly bad thing. What held the fancy in thrall, however, as I say, was the admonition, proceeding from all the facts, that values of this romantic order are at best, anywhere, strangely relative. It was an extraordinary statement on the subject of New York that the space between Fourteenth Street and Washington Square should count for “tone,” figure as the old ivory of an overscored tablet.

  True wisdom, I found, was to let it, to make it, so count and figure as much as it would, and charming assistance came for this, I also found, from the young good-nature of May and June. There had been neither assistance nor good-nature during the grim weeks of mid-winter; there had been but the meagre fact of a discomfort and an ugliness less formidable here than elsewhere. When, toward the top of the town, circulation, alimentation, recreation, every art of existence, gave way before the full onset of winter, when the upper avenues had become as so many congested bottle-necks, through which the wine of life simply refused to be decanted, getting back to these latitudes resembled really a return from the North Pole to the Temperate Zone: it was as if the wine of life had been poured for you, in advance, into some pleasant old punch-bowl that would support you through the temporary stress. Your condition was not reduced to the endless vista of a clogged tube, of a thoroughfare occupied as to the narrow central ridge with trolley-cars stuffed to suffocation, and as to the mere margin, on either side, with snow-banks resulting from the cleared rails and offering themselves as a field for all remaining action. Free existence and good manners, in New York, are too much brought down to a bare rigour of marginal relation to the endless electric coil, the monstrous chain that winds round the general neck and body, the general middle and legs, very much as the boa-constrictor winds round the group of the Laocoon. It struck me that when these folds are tightened in the terrible stricture of the snow-smothered months of the year, the New York predicament leaves far behind the anguish represented in the Vatican figures. To come and go where East Eleventh Street, where West Tenth, opened their kind short arms was at least to keep clear of the awful hug of the serpent. And this was a grace that grew large, as I have hinted, with the approach of summer, and that made in the afternoons of May and of the first half of June, above all, an insidious appeal. There, I repeat, was the delicacy, there the mystery, there the wonder, in especial, of the unquenchable intensity of the impressions received in childhood
. They are made then once for all, be their intrinsic beauty, interest, importance, small or great; the stamp is indelible and never wholly fades. This in fact gives it an importance when a lifetime has intervened. I found myself intimately recognizing every house my officious tenth year had, in the way of imagined adventure, introduced to me—incomparable master of ceremonies after all; the privilege had been offered since to millions of other objects that had made nothing of it, that had gone as they came; so that here were Fifth Avenue corners with which one’s connection was fairly exquisite. The lowered light of the days’ ends of early summer became them, moreover, exceedingly, and they fell, for the quiet northward perspective, into a dozen delicacies of composition and tone.

  One could talk of “quietness” now, for the shrinkage of life so marked, in the higher latitudes of the town, after Easter, the visible early flight of that “society” which, by the old custom, used never to budge before June or July, had almost the effect of clearing some of the streets, and indeed of suggesting that a truly clear New York might have an unsuspected charm or two to put forth. An approach to peace and harmony might have been, in a manner, promised, and the sense of other days took advantage of it to steal abroad with a ghostly tread. It kept meeting, half the time, to its discomfiture, the lamentable little Arch of Triumph which bestrides these beginnings of Washington Square—lamentable because of its poor and lonely and unsupported and unaffiliated state. With this melancholy monument it could make no terms at all, but turned its back to the strange sight as often as possible, helping itself thereby, moreover, to do a little of the pretending required, no doubt, by the fond theory that nothing hereabouts was changed. Nothing was, it could occasionally appear to me—there was no new note in the picture, not one, for instance, when I paused before a low house in a small row on the south side of Waverley Place and lived again into the queer medieval costume (preserved by the daguerreotypist’s art) of the very little boy for whom the scene had once embodied the pangs and pleasures of a dame’s small school. The dame must have been Irish, by her name, and the Irish tradition, only intensified and coarsened, seemed still to possess the place, the fact of survival, the sturdy sameness, of which arrested me, again and again, to fascination. The shabby red house, with its mere two storeys, its lowly “stoop,” its dislocated ironwork of the forties, the early fifties, the record, in its face, of blistering summers and of the long stages of the loss of self-respect, made it as consummate a morsel of the old liquor-scented, heated-looking city, the city of no pavements, but of such a plenty of politics, as I could have desired. And neighbouring Sixth Avenue, overstraddled though it might be with feats of engineering unknown to the primitive age that otherwise so persisted, wanted only, to carry off the illusion, the warm smell of the bakery on the corner of Eighth Street, a blessed repository of doughnuts, cookies, cream-cakes and pies, the slow passing by which, on returns from school, must have had much in common with the experience of the shipmen of old who came, in long voyages, while they tacked and hung back, upon those belts of ocean that are haunted with the balm and spice of tropic islands.

 

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