The Complete Works of Henry James

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by Henry James


  The white elephants, as one may best call them, all cry and no wool, all house and no garden, make now, for three or four miles, a barely interrupted chain, and I dare say I think of them best, and of the distressful, inevitable waste they represent, as I recall the impression of a divine little drive, roundabout them and pretty well everywhere, taken, for renewal of acquaintance, while November was still mild. I sought another renewal, as I have intimated, in the vacant splendour of June, but the interesting evidence then only refined on that already gathered. The place itself, as man—and often, no doubt, alas, as woman, with her love of the immediate and contiguous—had taken it over, was more than ever, to the fancy, like some dim, simplified ghost of a small Greek island, where the clear walls of some pillared portico or pavilion, perched afar, looked like those of temples of the gods, and where Nature, deprived of that ease in merely massing herself on which “American scenery,” as we lump it together, is too apt to depend for its effect, might have shown a piping shepherd on any hillside or attached a mythic image to any point of rocks. What an idea, originally, to have seen this miniature spot of earth, where the sea-nymphs on the curved sands, at the worst, might have chanted back to the shepherds, as a mere breeding-ground for white elephants! They look queer and conscious and lumpish—some of them, as with an air of the brandished proboscis, really grotesque—while their averted owners, roused from a witless dream, wonder what in the world is to be done with them. The answer to which, I think, can only be that there is absolutely nothing to be done; nothing but to let them stand there always, vast and blank, for reminder to those concerned of the prohibited degrees of witlessness, and of the peculiarly awkward vengeances of affronted proportion and discretion.

  VII

  BOSTON

  IT sometimes uncomfortably happens for a writer, consulting his remembrance, that he remembers too much and finds himself knowing his subject too well; which is but the case of the bottle too full for the wine to start. There has to be room for the air to circulate between one’s impressions, between the parts of one’s knowledge, since it is the air, or call it the intervals on the sea of one’s ignorance, of one’s indifference, that sets these floating fragments into motion. This is more or less what I feel in presence of the invitation—even the invitation written on the very face of the place itself, of its actual aspects and appearances—to register my “impression” of Boston. Can one have, in the conditions, an impression of Boston, any that has not been for long years as inappreciable as a “sunk” picture?—that dead state of surface which requires a fresh application of varnish. The situation I speak of is the consciousness of “old” knowledge, knowledge so compacted by the years as to be unable, like the bottled wine, to flow. The answer to such questions as these, no doubt, however, is the practical one of trying a shake of the bottle or a brushful of the varnish. My “sunk” sense of Boston found itself vigorously varnished by mere renewal of vision at the end of long years; though I confess that under this favouring influence I ask myself why I should have had, after all, the notion of overlaid deposits of experience. The experience had anciently been small—so far as smallness may be imputed to any of our prime initiations; yet it had left consequences out of proportion to its limited seeming self. Early contacts had been brief and few, and the slight bridge had long ago collapsed; wherefore the impressed condition that acquired again, on the spot, an intensity, struck me as but half explained by the inordinate power of assimilation of the imaginative young. I should have had none the less to content myself with this evidence of the magic of past sensibilities had not the question suddenly been lighted for me as by a sudden flicker of the torch—and for my special benefit—carried in the hand of history. This light, waving for an instant over the scene, gave me the measure of my relation to it, both as to immense little extent and to quite subjective character.

  I

  It was in strictness only a matter of noting the harshness of change—since I scarce know what else to call it—on the part of the approaches to a particular spot I had wished to revisit. I made out, after a little, the entrance to Ashburton Place; but I missed on that spacious summit of Beacon Hill more than I can say the pleasant little complexity of the other time, marked with its share of the famous old-world “crookedness” of Boston, that element of the mildly tortuous which did duty, for the story-seeker, as an ancient and romantic note, and was half envied, half derided by the merely rectangular criticism. Didn’t one remember the day when New Yorkers, when Philadelphians, when pilgrims from the West, sated with their eternal equidistances, with the quadrilateral scheme of life, “raved” about Cornhill and appeared to find in the rear of the State House a recall of one of the topographical, the architectural jumbles of Europe or Asia? And did not indeed the small happy accidents of the disappearing Boston exhale in a comparatively sensible manner the warm breath of history, the history of something as against the history of nothing?—so that, being gone, or generally going, they enabled one at last to feel and almost to talk about them as one had found one’s self feeling and talking about the sacrificed relics of old Paris and old London. In this immediate neighbourhood of the enlarged State House, where a great raw clearance has been made, memory met that pang of loss, knew itself sufficiently bereft to see the vanished objects, a scant but adequate cluster of “nooks,” of such odds and ends as parochial schemes of improvement sweep away, positively overgrown, within one’s own spirit, by a wealth of legend. There was at least the gain, at any rate, that one was now going to be free to picture them, to embroider them, at one’s ease—to tangle them up in retrospect and make the real romantic claim for them. This accordingly is what I am doing, but I am doing it in particular for the sacrificed end of Ashburton Place, the Ashburton Place that I anciently knew. This eminently respectable by-way, on my return to question it, opened its short vista for me honestly enough, though looking rather exposed and undermined, since the mouth of the passage to the west, formerly measured and narrow, had begun to yawn into space, a space peopled in fact, for the eye of appreciation, with the horrific glazed perpendiculars of the future. But the pair of ancient houses I was in quest of kept their tryst; a pleasant individual pair, mated with nothing else in the street, yet looking at that hour as if their old still faces had lengthened, their shuttered, lidded eyes had closed, their brick complexions had paled, above the good granite basements, to a fainter red—all as with the cold consciousness of a possible doom.

  That possibility, on the spot, was not present to me, occupied as I was with reading into one of them a short page of history that I had my own reasons for finding of supreme interest, the history of two years of far-away youth spent there at a period—the closing-time of the War—full both of public and of intimate vibrations. The two years had been those of a young man’s, a very young man’s earliest fond confidence in a “literary career,” and the effort of actual attention was to recover on the spot some echo of ghostly footsteps—the sound as of taps on the window-pane heard in the dim dawn. The place itself was meanwhile, at all events, a conscious memento, with old secrets to keep and old stories to witness for, a saturation of life as closed together and preserved in it as the scent lingering in a folded pocket-handkerchief. But when, a month later, I returned again (a justly-rebuked mistake) to see if another whiff of the fragrance were not to be caught, I found but a gaping void, the brutal effacement, at a stroke, of every related object, of the whole precious past. Both the houses had been levelled and the space to the corner cleared; hammer and pickaxe had evidently begun to swing on the very morrow of my previous visit—which had moreover been precisely the imminent doom announced, without my understanding it, in the poor scared faces. I had been present, by the oddest hazard, at the very last moments of the victim in whom I was most interested; the act of obliteration had been breathlessly swift, and if I had often seen how fast history could be made I had doubtless never so felt that it could be unmade still faster. It was as if the bottom had fallen out of one’s own bi
ography, and one plunged backward into space without meeting anything. That, however, seemed just to give me, as I have hinted, the whole figure of my connection with everything about, a connection that had been sharp, in spite of brevity, and then had broken short off. Thus it was the sense of the rupture, more than of anything else, that I was, and for a still much briefer time, to carry with me. It seemed to leave me with my early impression of the place on my hands, inapt, as might be, for use; so that I could only try, rather vainly, to fit it to present conditions, among which it tended to shrink and stray.

  It was on two or three such loitering occasions, wondering and invoking pauses that had, a little vaguely and helplessly perhaps, the changed crest of Beacon Hill for their field—it was at certain of these moments of charged, yet rather chilled, contemplation that I felt my small cluster of early associations shrivel to a scarce discernible point. I recall a Sunday afternoon in particular when I hung about on the now vaster platform of the State House for a near view of the military monuments erected there, the statues of Generals Hooker and Devens, and for the charm at once and the pang of feeling the whole backward vista, with all its features, fall from that eminence into grey perspective. The top of Beacon Hill quite rakes, with a but slightly shifting range, the old more definite Boston; for there seemed no item, nor any number, of that remarkable sum that it would not anciently have helped one to distinguish or divine. There all these things essentially were at the moment I speak of, but only again as something ghostly and dim, something overlaid and smothered by the mere modern thickness. I lingered half-an-hour, much of the new disposition of the elements here involved being duly impressive, and the old uplifted front of the State House, surely, in its spare and austere, its ruled and pencilled kind, a thing of beauty, more delightful and harmonious even than I had remembered it; one of the inestimable values again, in the eye of the town, for taste and temperance, as the perfectly felicitous “Park Street” Church hard by, was another. The irresistible spell, however, I think, was something sharper yet—the coercion, positively, of feeling one’s case, the case of one’s deeper discomfiture, completely made out. The day itself, toward the winter’s end, was all benignant, like the immense majority of the days of the American year, and there went forward across the top of the hill a continuous passage of men and women, in couples and talkative companies, who struck me as labouring wage-earners, of the simpler sort, arrayed, very comfortably, in their Sunday best and decently enjoying their leisure. They came up as from over the Common, they passed or they paused, exchanging remarks on the beauty of the scene, but rapidly presenting themselves to me as of more interest, for the moment, than anything it contained.

  For no sound of English, in a single instance, escaped their lips; the greater number spoke a rude form of Italian, the others some outland dialect unknown to me—though I waited and waited to catch an echo of antique refrains. No note of any shade of American speech struck my ear, save in so far as the sounds in question represent to-day so much of the substance of that idiom. The types and faces bore them out; the people before me were gross aliens to a man, and they were in serene and triumphant possession. Nothing, as I say, could have been more effective for figuring the hitherward bars of a grating through which I might make out, far-off in space, “my” small homogeneous Boston of the more interesting time. It was not of course that our gross little aliens were immediate “social” figures in the narrower sense of the term, or that any personal commerce of which there might be question could colour itself, to its detriment, from their presence; but simply that they expressed, as everywhere and always, the great cost at which every place on my list had become braver and louder, and that they gave the measure of the distance by which the general movement was away—away, always and everywhere, from the old presumptions and conceivabilities. Boston, the bigger, braver, louder Boston, was “away,” and it was quite, at that hour, as if each figure in my procession were there on purpose to leave me no doubt of it. Therefore had I the vision, as filling the sky, no longer of the great Puritan “whip,” the whip for the conscience and the nerves, of the local legend, but that of a huge applied sponge, a sponge saturated with the foreign mixture and passed over almost everything I remembered and might still have recovered. The detail of this obliteration would take me too far, but I had even then (on a previous day as well as only half-an-hour before) caught at something that might stand for a vivid symbol of the general effect of it. To come up from School Street into Beacon was to approach the Athenaeum—exquisite institution, to fond memory, joy of the aspiring prime; yet to approach theAthenaeumm only to find all disposition to enter it drop as dead as if from quick poison, what did that denote but the dreadful chill of change, and of the change in especial that was most completely dreadful? For had not this honoured haunt of all the most civilized—library, gallery, temple of culture, the place that was to Boston at large as Boston at large was to the rest of New England—had it not with peculiar intensity had a “value,” the most charming of its kind, no doubt, in all the huge country, and had not this value now, evidently, been brought so low that one shrank, in delicacy, from putting it to the test?

  It was a case of the detestable “tall building” again, and of its instant destruction of quality in everything it overtowers. Put completely out of countenance by the mere masses of brute ugliness beside it, the temple of culture looked only rueful and snubbed, hopelessly down in the world; so that, far from being moved to hover or to penetrate, one’s instinct was to pass by on the other side, averting one’s head from an humiliation one could do nothing to make less. And this indeed though one would have liked to do something; the brute masses, above the comparatively small refined facade (one saw how happy one had always thought it) having for the inner ear the voice of a pair of school-bullies who hustle and pummel some studious little boy. “‘Exquisite” was what they called you, eh? We’ll teach you, then, little sneak, to be exquisite! We allow none of that rot round here.” It was heart-breaking, this presentation of a Boston practically void of an Athenaeum; though perhaps not without interest as showing how much one’s own sense of the small city of the earlier time had been dependent on that institution. I found it of no use, at any rate, to think, for a compensatory sign of the new order, of the present Public Library; the present Public Library, however remarkable in its pomp and circumstance, and of which I had at that hour received my severe impression, being neither exquisite nor on the way to become so—a difficult, an impassable way, no doubt, for Public Libraries. Nor did I cast about, in fact, very earnestly, for consolation—so much more was I held by the vision of the closed order which shaped itself, continually, in the light of the differing present; an order gaining an interest for this backward view precisely as one felt that all the parts and tokens of it, while it lasted, had hung intimately together. Missing those parts and tokens, or as many of them as one could, became thus a constant slightly painful joy: it made them fall so into their place as items of the old character, or proofs, positively, as one might say, of the old distinction. It was impossible not to see Park Street itself, for instance—while I kept looking at the matter from my more “swagger” hilltop as violently vulgarized; and it was incontestable that, whatever might be said, there had anciently not been, on the whole continent, taking everything together, an equal animated space more exempt from vulgarity. There had probably been comparable spaces—impressions, in New York, in Philadelphia, in Baltimore, almost as good; but only almost, by reason of their lacking (which was just the point) the indefinable perfection of Park Street.

  It seems odd to have to borrow from the French the right word in this association—or would seem so, rather, had it been less often indicated that that people have better names than ours even for the qualities we are apt to suppose ourselves more in possession of than they. Park Street, in any case, had been magnificently honnete—the very type and model, for a pleasant street-view, of the character. The aspects that might elsewhere have competed were honne
tes and weak, whereas Park Street was honnete and strong—strong as founded on all the moral, material, social solidities, instead of on some of them only; which made again all the difference. Personal names, as notes of that large emanation, need scarcely be invoked—they might even have a weakening effect; the force of the statement was in its collective, cumulative look, as if each member of the row, from the church at the Tremont Street angle to the amplest, squarest, most purple presence at the Beacon Street corner (where it always had a little the air of a sturdy proprietor with back to the fire, legs apart and thumbs in the armholes of an expanse of high-coloured plush waistcoat), was but a syllable in the word Respectable several times repeated. One had somehow never heard it uttered with so convincing an emphasis. But the shops, up and down, are making all this as if it had never been, pleasant “premises” as they have themselves acquired; and it was to strike me from city to city, I fear, that the American shop in general pleads but meagrely—whether on its outer face or by any more intimate art—for indulgence to its tendency to swarm, to bristle, to vociferate. The shop-front, observed at random, produced on me from the first, and almost everywhere alike, a singular, a sinister impression, which left me uneasy till I had found a name for it: the sense of an economic law of which one had not for years known the unholy rigour, the vision of “protected” production and of commodities requiring certainly, in many cases, every advantage Protection could give them. They looked to me always, these exhibitions, consciously and defiantly protected—insolently safe, able to be with impunity anything they would; and when once that lurid light had settled on them I could see them, I confess, in none other; so that the objects composing them fell, throughout, into a vicious and villainous category—quite as if audibly saying: “Oh come; don’t look among us for what you won’t, for what you shan’t find, the best quality attainable; but only for that quite other matter, the best value we allow you. You must take us or go without, and if you feel your nose thus held to the grindstone by the hard fiscal hand, it’s no more than you deserve for harbouring treasonable thoughts.”

 

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