by Henry James
M. de Mauves, as if hating to seem preoccupied, took up the evening paper to help himself to seem indifferent. As he glanced over it he threw off some perfunctory allusion to the crisis—the political—which enabled Longmore to reply with perfect veracity that, with other things to think about, he had had no attention to spare for it. And yet our hero was in truth far from secure against rueful reflexion. The Count’s ruffled state was a comfort so far as it pointed to the possibility that the lady in the coupe might be proving too many for him; but it ministered to no vindictive sweetness for Longmore so far as it should perhaps represent rising jealousy. It passed through his mind that jealousy is a passion with a double face and that on one of its sides it may sometimes almost look generous. It glimmered upon him odiously M. de Mauves might grow ashamed of his political compact with his wife, and he felt how far more tolerable it would be in future to think of him as always impertinent than to think of him as occasionally contrite. The two men pretended meanwhile for half an hour to outsit each other conveniently; and the end—at that rate—might have been distant had not the tension in some degree yielded to the arrival of a friend of M. de Mauves—a tall pale consumptive-looking dandy who filled the air with the odour of heliotrope. He looked up and down the boulevard wearily, examined the Count’s garments in some detail, then appeared to refer restlessly to his own, and at last announced resignedly that the Duchess was in town. M. de Mauves must come with him to call; she had abused him dreadfully a couple of evenings before—a sure sign she wanted to see him. “I depend on you,” said with an infantine drawl this specimen of an order Longmore felt he had never had occasion so intimately to appreciate, “to put her en train.”
M. de Mauves resisted, he protested that he was d’une humeur massacrante; but at last he allowed himself to be drawn to his feet and stood looking awkwardly—awkwardly for M. de Mauves—at Longmore. “You’ll excuse me,” he appeared to find some difficulty in saying; “you too probably have occupation for the evening?”
“None but to catch my train.” And our friend looked at his watch.
“Ah you go back to Saint-Germain?”
“In half an hour.”
M. de Mauves seemed on the point of disengaging himself from his companion’s arm, which was locked in his own; but on the latter’s uttering some persuasive murmur he lifted his hat stiffly and turned away.
Longmore the next day wandered off to the terrace to try and beguile the restlessness with which he waited for the evening; he wished to see Madame de Mauves for the last time at the hour of long shadows and pale reflected amber lights, as he had almost always seen her. Destiny, however, took no account of this humble plea for poetic justice; it was appointed him to meet her seated by the great walk under a tree and alone. The hour made the place almost empty; the day was warm, but as he took his place beside her a light breeze stirred the leafy edges of their broad circle of shadow. She looked at him almost with no pretence of not having believed herself already rid of him, and he at once told her that he should leave Saint-Germain that evening, but must first bid her farewell. Her face lighted a moment, he fancied, as he spoke; but she said nothing, only turning it off to far Paris which lay twinkling and flashing through hot exhalations. “I’ve a request to make of you,” he added. “That you think of me as a man who has felt much and claimed little.”
She drew a long breath which almost suggested pain. “I can’t think of you as unhappy. That’s impossible. You’ve a life to lead, you’ve duties, talents, inspirations, interests. I shall hear of your career. And then,” she pursued after a pause, though as if it had before this quite been settled between them, “one can’t be unhappy through having a better opinion of a friend instead of a worse.”
For a moment he failed to understand her. “Do you mean that there can be varying degrees in my opinion of you?”
She rose and pushed away her chair. “I mean,” she said quickly, “that it’s better to have done nothing in bitterness—nothing in passion.” And she began to walk.
Longmore followed her without answering at first. But he took off his hat and with his pocket-handkerchief wiped his forehead. “Where shall you go? what shall you do?” he simply asked at last.
“Do? I shall do as I’ve always done—except perhaps that I shall go for a while to my husband’s old home.”
“I shall go to MY old one. I’ve done with Europe for the present,” the young man added.
She glanced at him as he walked beside her, after he had spoken these words, and then bent her eyes for a long time on the ground. But suddenly, as if aware of her going too far she stopped and put out her hand. “Good-bye. May you have all the happiness you deserve!”
He took her hand with his eyes on her, but something was at work in him that made it impossible to deal in the easy way with her touch. Something of infinite value was floating past him, and he had taken an oath, with which any such case interfered, not to raise a finger to stop it. It was borne by the strong current of the world’s great life and not of his own small one. Madame de Mauves disengaged herself, gathered in her long scarf and smiled at him almost as you would do at a child you should wish to encourage. Several moments later he was still there watching her leave him and leave him. When she was out of sight he shook himself, walked at once back to his hotel and, without waiting for the evening train, paid his bill and departed.
Later in the day M. de Mauves came into his wife’s drawing-room, where she sat waiting to be summoned to dinner. He had dressed as he usually didn’t dress for dining at home. He walked up and down for some moments in silence, then rang the bell for a servant and went out into the hall to meet him. He ordered the carriage to take him to the station, paused a moment with his hand on the knob of the door, dismissed the servant angrily as the latter lingered observing him, re-entered the drawing- room, resumed his restless walk and at last stopped abruptly before his wife, who had taken up a book. “May I ask the favour,” he said with evident effort, in spite of a forced smile as of allusion to a large past exercise of the very best taste, “of having a question answered?”
“It’s a favour I never refused,” she replied.
“Very true. Do you expect this evening a visit from Mr. Longmore?”
“Mr. Longmore,” said his wife, “has left Saint-Germain.” M. de Mauves waited, but his smile expired. “Mr. Longmore,” his wife continued, “has gone to America.”
M. de Mauves took it—a rare thing for him—with confessed, if momentary, intellectual indigence. But he raised, as it were, the wind. “Has anything happened?” he asked, “Had he a sudden call?” But his question received no answer. At the same moment the servant threw open the door and announced dinner; Madame Clairin rustled in, rubbing her white hands, Madame de Mauves passed silently into the dining-room, but he remained outside—outside of more things, clearly, than his mere salle-a-manger. Before long he went forth to the terrace and continued his uneasy walk. At the end of a quarter of an hour the servant came to let him know that his carriage was at the door. “Send it away,” he said without hesitation. “I shan’t use it.” When the ladies had half-finished dinner he returned and joined them, with a formal apology to his wife for his inconsequence.
The dishes were brought back, but he hardly tasted them; he drank on the other hand more wine than usual. There was little talk, scarcely a convivial sound save the occasional expressive appreciative “M-m-m!” of Madame Clairin over the succulence of some dish. Twice this lady saw her brother’s eyes, fixed on her own over his wineglass, put to her a question she knew she should have to irritate him later on by not being able to answer. She replied, for the present at least, by an elevation of the eyebrows that resembled even to her own humour the vain raising of an umbrella in anticipation of a storm. M. de Mauves was left alone to finish his wine; he sat over it for more than an hour and let the darkness gather about him. At last the servant came in with a letter and lighted a candle. The letter was a telegram, which M. de Mauves, when he had re
ad it, burnt at the candle. After five minutes’ meditation he wrote a message on the back of a visiting-card and gave it to the servant to carry to the office. The man knew quite as much as his master suspected about the lady to whom the telegram was addressed; but its contents puzzled him; they consisted of the single word “Impossible.” As the evening passed without her brother’s reappearing in the drawing-room Madame Clairin came to him where he sat by his solitary candle. He took no notice of her presence for some time, but this affected her as unexpected indulgence. At last, however, he spoke with a particular harshness. “Ce jeune mufle has gone home at an hour’s notice. What the devil does it mean?”
Madame Clairin now felt thankful for her umbrella. “It means that I’ve a sister-in-law whom I’ve not the honour to understand.”
He said nothing more and silently allowed her, after a little, to depart. It had been her duty to provide him with an explanation, and he was disgusted with her blankness; but she was—if there was no more to come—getting off easily. When she had gone he went into the garden and walked up and down with his cigar. He saw his wife seated alone on the terrace, but remained below, wandering, turning, pausing, lingering. He remained a long time. It grew late and Madame de Mauves disappeared. Toward midnight he dropped upon a bench, tired, with a long vague exhalation of unrest. It was sinking into his spirit that he too didn’t understand Madame Clairin’s sister-in-law.
Longmore was obliged to wait a week in London for a ship. It was very hot, and he went out one day to Richmond. In the garden of the hotel at which he dined he met his friend Mrs. Draper, who was staying there. She made eager enquiry about Madame de Mauves; but Longmore at first, as they sat looking out at the famous view of the Thames, parried her questions and confined himself to other topics. At last she said she was afraid he had something to conceal; whereupon, after a pause, he asked her if she remembered recommending him, in the letter she had addressed him at Saint-Germain, to draw the sadness from her friend’s smile. “The last I saw of her was her smile,” he said—”when I bade her good-bye.”
“I remember urging you to ‘console’ her,” Mrs. Draper returned, “and I wondered afterwards whether—model of discretion as you are—I hadn’t cut you out work for which you wouldn’t thank me.”
“She has her consolation in herself,” the young man said; “she needs none that any one else can offer her. That’s for troubles for which—be it more, be it less—our own folly has to answer. Madame de Mauves hasn’t a grain of folly left.”
“Ah don’t say that!”—Mrs. Draper knowingly protested. “Just a little folly’s often very graceful.”
Longmore rose to go—she somehow annoyed him. “Don’t talk of grace,” he said, “till you’ve measured her reason!”
For two years after his return to America he heard nothing of Madame de Mauves. That he thought of her intently, constantly, I need hardly say; most people wondered why such a clever young man shouldn’t “devote” himself to something; but to himself he seemed absorbingly occupied. He never wrote to her; he believed she wouldn’t have “liked” it. At last he heard that Mrs. Draper had come home and he immediately called on her. “Of course,” she said after the first greetings, “you’re dying for news of Madame de Mauves. Prepare yourself for something strange. I heard from her two or three times during the year after your seeing her. She left Saint-Germain and went to live in the country on some old property of her husband’s. She wrote me very kind little notes, but I felt somehow that—in spite of what you said about ‘consolation’—they were the notes of a wretched woman. The only advice I could have given her was to leave her scamp of a husband and come back to her own land and her own people. But this I didn’t feel free to do, and yet it made me so miserable not to be able to help her that I preferred to let our correspondence die a natural death. I had no news of her for a year. Last summer, however, I met at Vichy a clever young Frenchman whom I accidentally learned to be a friend of that charming sister of the Count’s, Madame Clairin. I lost no time in asking him what he knew about Madame de Mauves—a countrywoman of mine and an old friend. ‘I congratulate you on the friendship of such a person,’ he answered. ‘That’s the terrible little woman who killed her husband.’ You may imagine I promptly asked for an explanation, and he told me—from his point of view—what he called the whole story. M. de Mauves had fait quelques folies which his wife had taken absurdly to heart. He had repented and asked her forgiveness, which she had inexorably refused. She was very pretty, and severity must have suited her style; for, whether or no her husband had been in love with her before, he fell madly in love with her now. He was the proudest man in France, but he had begged her on his knees to be re-admitted to favour. All in vain! She was stone, she was ice, she was outraged virtue. People noticed a great change in him; he gave up society, ceased to care for anything, looked shockingly. One fine day they discovered he had blown out his brains. My friend had the story of course from Madame Clairin.”
Longmore was strongly moved, and his first impulse after he had recovered his composure was to return immediately to Europe. But several years have passed, and he still lingers at home. The truth is that, in the midst of all the ardent tenderness of his memory of Madame de Mauves, he has become conscious of a singular feeling—a feeling of wonder, of uncertainty, of awe.
The Madonna of the Future
We had been talking about the masters who had achieved but a single masterpiece—the artists and poets who but once in their lives had known the divine afflatus and touched the high level of perfection. Our host had been showing us a charming little cabinet picture by a painter whose name we had never heard, and who, after this single spasmodic bid for fame, had apparently relapsed into obscurity and mediocrity. There was some discussion as to the frequency of this phenomenon; during which, I observed, H- sat silent, finishing his cigar with a meditative air, and looking at the picture which was being handed round the table. “I don’t know how common a case it is,” he said at last, “but I have seen it. I have known a poor fellow who painted his one masterpiece, and”—he added with a smile— “he didn’t even paint that. He made his bid for fame and missed it.” We all knew H- for a clever man who had seen much of men and manners, and had a great stock of reminiscences. Some one immediately questioned him further, and while I was engrossed with the raptures of my neighbour over the little picture, he was induced to tell his tale. If I were to doubt whether it would bear repeating, I should only have to remember how that charming woman, our hostess, who had left the table, ventured back in rustling rose-colour to pronounce our lingering a want of gallantry, and, finding us a listening circle, sank into her chair in spite of our cigars, and heard the story out so graciously that, when the catastrophe was reached, she glanced across at me and showed me a tear in each of her beautiful eyes.
It relates to my youth, and to Italy: two fine things! (H- began). I had arrived late in the evening at Florence, and while I finished my bottle of wine at supper, had fancied that, tired traveller though I was, I might pay the city a finer compliment than by going vulgarly to bed. A narrow passage wandered darkly away out of the little square before my hotel, and looked as if it bored into the heart of Florence. I followed it, and at the end of ten minutes emerged upon a great piazza, filled only with the mild autumn moonlight. Opposite rose the Palazzo Vecchio, like some huge civic fortress, with the great bell-tower springing from its embattled verge as a mountain- pine from the edge of a cliff. At its base, in its projected shadow, gleamed certain dim sculptures which I wonderingly approached. One of the images, on the left of the palace door, was a magnificent colossus, shining through the dusky air like a sentinel who has taken the alarm. In a moment I recognised him as Michael Angelo’s David. I turned with a certain relief from his sinister strength to a slender figure in bronze, stationed beneath the high light loggia, which opposes the free and elegant span of its arches to the dead masonry of the palace; a figure supremely shapely and graceful; gentle, almost, in spite o
f his holding out with his light nervous arm the snaky head of the slaughtered Gorgon. His name is Perseus, and you may read his story, not in the Greek mythology, but in the memoirs of Benvenuto Cellini. Glancing from one of these fine fellows to the other, I probably uttered some irrepressible commonplace of praise, for, as if provoked by my voice, a man rose from the steps of the loggia, where he had been sitting in the shadow, and addressed me in good English—a small, slim personage, clad in a sort of black velvet tunic (as it seemed), and with a mass of auburn hair, which gleamed in the moonlight, escaping from a little mediaeval birretta. In a tone of the most insinuating deference he asked me for my “impressions.” He seemed picturesque, fantastic, slightly unreal. Hovering there in this consecrated neighbourhood, he might have passed for the genius of aesthetic hospitality—if the genius of aesthetic hospitality were not commonly some shabby little custode, flourishing a calico pocket-handkerchief and openly resentful of the divided franc. This analogy was made none the less complete by the brilliant tirade with which he greeted my embarrassed silence.