by Henry James
There tags itself at any rate to the impression a flutter as of some faint, some recaptured, grimace for another of his kindly offices (which I associate somehow with the deck of a steamboat:) his production for our vague benefit of a literary classic, the Confessions, as he called our attention to them, of the celebrated “Rosseau” I catch again the echo of the mirth excited, to my surprise, by this communication, and recover as well my responsive advance toward a work that seemed so to promise; but especially have I it before me that some play of light criticism mostly attended, on the part of any circle, this speaker’s more ambitious remarks. For all that, and in spite of oddities of appearance and type, it was Augustus James who spread widest, in default of towering highest, to my wistful view of the larger life, and who covered definite and accessible ground. This ground, the house and precincts of Linwood, at Rhinebeck, harboured our tender years, I surmise, but at few and brief moments; but it hadn’t taken many of these to make it the image of an hospitality liberal as I supposed great social situations were liberal; suppositions on this score having in childhood (or at least they had in mine) as little as possible to do with dry data. Didn’t Linwood bristle with great views and other glories, with gardens and graperies and black ponies, to say nothing of gardeners and grooms who were notoriously and quotedly droll; to say nothing, in particular, of our aunt Elizabeth, who had been Miss Bay of Albany, who was the mother of the fair and free young waltzing-women in New York, and who floats back to me through the Rhinebeck picture, aquiline but easy, with an effect of handsome highbrowed, high-nosed looseness, of dressing-gowns or streaming shawls (the dowdy, the delightful shawl of the period;) and of claws of bright benevolent steel that kept nipping for our charmed advantage: roses and grapes and peaches and currant-clusters, together with turns of phrase and scraps of remark that fell as by quite a like flash of shears. These are mere scrapings of gold-dust, but my mind owes her a vibration that, however tiny, was to insist all these years on marking—on figuring in a whole complex of picture and drama, the clearest note of which was that of worry and woe: a crisis prolonged, in deep-roofed outer galleries, through hot August evenings and amid the dim flare of open windows, to the hum of domesticated insects. All but inexpressible the part played, in the young mind naturally even though perversely, even though inordinately, arranged as a stage for the procession and exhibition of appearances, by matters all of a usual cast, contacts and impressions not arriving at the dignity of shocks, but happening to be to the taste, as one may say, of the little intelligence, happening to be such as the fond fancy could assimilate. One’s record becomes, under memories of this order—and that is the only trouble—a tale of assimilations small and fine; out of which refuse, directly interesting to the subject-victim only, the most branching vegetations may be conceived as having sprung. Such are the absurdities of the poor dear inward life—when translated, that is, and perhaps ineffectually translated, into terms of the outward and trying at all to flourish on the lines of the outward; a reflection that might stay me here weren’t it that I somehow feel morally affiliated, tied as by knotted fibres, to the elements involved.
One of these was assuredly that my father had again, characteristically, suffered me to dangle; he having been called to Linwood by the dire trouble of his sister, Mrs. Temple, and brought me with him from Staten Island—I make the matter out as of the summer of ‘54. We had come up, he and I, to New York; but our doings there, with the journey following, are a blank to me; I recover but my sense, on our arrival, of being for the first time in the presence of tragedy, which the shining scene, roundabout, made more sinister—sharpened even to the point of my feeling abashed and irrelevant, wondering why I had come. My aunt, under her brother’s roof, had left her husband, wasted with consumption, near death at Albany; gravely ill herself—she had taken the disease from him as it was taken in those days, and was in the event very scantly to survive him—she had been ordered away in her own interest, for which she cared no scrap, and my father, the person in all his family most justly appealed and most anxiously listened to, had been urged to come and support her in a separation that she passionately rejected. Vivid to me still, as floating across verandahs into the hot afternoon stillness, is the wail of her protest and her grief; I remember being scared and hushed by it and stealing away beyond its reach. I remember not less what resources of high control the whole case imputed, for my imagination, to my father; and how, creeping off to the edge of the eminence above the Hudson, I somehow felt the great bright harmonies of air and space becoming one with my rather proud assurance and confidence, that of my own connection, for life, for interest, with such sources of light. The great impression, however, the one that has brought me so far, was another matter: only that of the close, lamp-tempered, outer evening aforesaid, with my parent again, somewhere deep within, yet not too far to make us hold our breath for it, tenderly opposing his sister’s purpose of flight, and the presence at my side of my young cousin Marie, youngest daughter of the house, exactly of my own age, and named in honour of her having been born in Paris, to the influence of which fact her shining black eyes, her small quickness and brownness, marking sharply her difference from her sisters, so oddly, so almost extravagantly testified. It had come home to me by some voice of the air that she was “spoiled,” and it made her in the highest degree interesting; we ourselves had been so associated, at home, without being in the least spoiled (I think we even rather missed it:) so that I knew about these subjects of invidious reflection only by literature—mainly, no doubt, that of the nursery—in which they formed, quite by themselves, a romantic class; and, the fond fancy always predominant, I prized even while a little dreading the chance to see the condition at work. This chance was given me, it was clear—though I risk in my record of it a final anticlimax—by a remark from my uncle Augustus to his daughter: seated duskily in our group, which included two or three dim dependent forms, he expressed the strong opinion that Marie should go to bed—expressed it, that is, with the casual cursory humour that was to strike me as the main expressional resource of outstanding members of the family and that would perhaps have had under analysis the defect of making judgment very personal without quite making authority so. Authority they hadn’t, of a truth, these all so human outstanding ones; they made shift but with light appreciation, sudden suggestion, a peculiar variety of happy remark in the air. It had been remarked but in the air, I feel sure, that Marie should seek her couch—a truth by the dark wing of which I ruefully felt myself brushed; and the words seemed therefore to fall with a certain ironic weight. What I have retained of their effect, at any rate, is the vague fact of some objection raised by my cousin and some sharper point to his sentence supplied by her father; promptly merged in a visible commotion, a flutter of my young companion across the gallery as for refuge in the maternal arms, a protest and an appeal in short which drew from my aunt the simple phrase that was from that moment so preposterously to “count” for me. “Come now, my dear; don’t make a scene—I insist on your not making a scene!” That was all the witchcraft the occasion used, but the note was none the less epoch-making. The expression, so vivid, so portentous, was one I had never heard—it had never been addressed to us at home; and who should say now what a world one mightn’t at once read into it? It seemed freighted to sail so far; it told me so much about life. Life at these intensities clearly became “scenes”; but the great thing, the immense illumination, was that we could make them or not as we chose. It was a long time of course before I began to distinguish between those within our compass more particularly as spoiled and those producible on a different basis and which should involve detachment, involve presence of mind; just the qualities in which Marie’s possible output was apparently deficient. It didn’t in the least matter accordingly whether or no a scene was then proceeded to—and I have lost all count of what immediately happened. The mark had been made for me and the door flung open; the passage, gathering up all the elements of the troubled time, had been
itself a scene, quite enough of one, and I had become aware with it of a rich accession of possibilities.
XIV
It must have been after the Sing-Sing episode that Gussy came to us, in New York, for Sundays and holidays, from scarce further off than round the corner—his foreign Institution flourishing, I seem to remember, in West Tenth Street or wherever—and yet as floated by exotic airs and with the scent of the spice-islands hanging about him. He was being educated largely with Cubans and Mexicans, in those New York days more than half the little flock of the foreign Institutions in general; over whom his easy triumphs, while he wagged his little red head for them, were abundantly credible; reinforced as my special sense of them was moreover by the similar situation of his sister, older than he but also steeped in the exotic medium and also sometimes bringing us queer echoes of the tongues. I remember being deputed by my mother to go and converse with her, on some question of her coming to us, at the establishment of Madame Reichhardt (pronounced, à la française, Réchard,) where I felt that I had crossed, for the hour, the very threshold of “Europe”; it being impressed on me by my cousin, who was tall and handsome and happy, with a laugh of more beautiful sound than any laugh we were to know again, that French only was speakable on the premises. I sniffed it up aromatically, the superior language, in passage and parlour—it took the form of some strong savoury soup, an educational potage Réchard that must excellently have formed the taste: that was again, I felt as I came away, a part of the rich experience of being thrown in tender juvenile form upon the world. This genial girl, like her brother, was in the grand situation of having no home and of carrying on life, such a splendid kind of life, by successive visits to relations; though neither she nor Gussy quite achieved the range of their elder brother, “Bob” of that ilk, a handsome young man, a just blurred, attractive, illusive presence, who hovered a bit beyond our real reach and apparently displayed the undomesticated character at its highest. He seemed exposed, for his pleasure—if pleasure it was!—and my wonder, to every assault of experience; his very name took on, from these imputations, a browner glow; and it was all in the right key that, a few years later, he should, after “showing some talent for sculpture,” have gone the hapless way of most of the Albany youth, have become a theme for sad vague headshakes (kind and very pitying in his case) and died prematurely and pointlessly, or in other words, by my conception, picturesquely. The headshakes were heavier and the sighs sharper for another slim shade, one of the younger and I believe quite the most hapless of those I have called the outstanding ones; he too, several years older than we again, a tormenting hoverer and vanisher; he too charmingly sister’d, though sister’d only, and succumbing to monstrous early trouble after having “shown some talent” for music. The ghostliness of these æsthetic manifestations, as I allude to them, is the thinnest conceivable chip of stray marble, the faintest far-off twang of old chords; I ask myself, for the odd obscurity of it, under what inspiration music and sculpture may have tinkled and glimmered to the Albany ear and eye (as we at least knew those organs) and with what queer and weak delusions our unfortunates may have played. Quite ineffably quaint and falot this proposition of that sort of resource for the battle of life as it then and there opened; and above all beautifully suggestive of our sudden collective disconnectedness (ours as the whole kinship’s) from the American resource of those days, Albanian or other. That precious light was the light of “business” only; and we, by a common instinct, artlessly joining hands, went forth into the wilderness without so much as a twinkling taper.
Our consensus, on all this ground, was amazing—it brooked no exception; the word had been passed, all round, that we didn’t, that we couldn’t and shouldn’t, understand these things, questions of arithmetic and of fond calculation, questions of the counting-house and the market; and we appear to have held to our agreement as loyally and to have accepted our doom as serenely as if our faith had been mutually pledged. The rupture with my grandfather’s tradition and attitude was complete; we were never in a single case, I think, for two generations, guilty of a stroke of business; the most that could be said of us was that, though about equally wanting, all round, in any faculty of acquisition, we happened to pay for the amiable weakness less in some connections than in others. The point was that we moved so oddly and consistently—as it was our only form of consistency—over our limited pasture, never straying to nibble in the strange or the steep places. What was the matter with us under this spell, and what the moral might have been for our case, are issues of small moment, after all, in face of the fact of our mainly so brief duration. It was given to but few of us to be taught by the event, to be made to wonder with the last intensity what had been the matter. This it would be interesting to worry out, might I take the time; for the story wouldn’t be told, I conceive, by any mere rueful glance at other avidities, the preference for ease, the play of the passions, the appetite for pleasure. These things have often accompanied the business imagination; just as the love of life and the love of other persons, and of many of the things of the world, just as quickness of soul and sense, have again and again not excluded it. However, it comes back, as I have already hinted, to the manner in which the “things of the world” could but present themselves; there were not enough of these, and they were not fine and fair enough, to engage happily so much unapplied, so much loose and crude attention. We hadn’t doubtless at all a complete play of intelligence—if I may not so far discriminate as to say they hadn’t; or our lack of the instinct of the market needn’t have been so much worth speaking of: other curiosities, other sympathies might have redressed the balance. I make out our young cousin J. J. as dimly aware of this while composing the light melodies that preluded to his extinction, and which that catastrophe so tried to admonish us to think of as promising; but his image is more present to me still as the great incitement, during the few previous years, to our constant dream of “educational” relief, of some finer kind of social issue, through Europe.
It was to Europe J. J. had been committed; he was over there forging the small apologetic arms that were so little to avail him, but it was quite enough for us that he pointed the way to the Pension Sillig, at Vevey, which shone at us, from afar, as our own more particular solution. It was true that the Pension Sillig figured mainly as the solution in cases of recognised wildness; there long flourished among New York parents whose view of such resources had the proper range a faith in it for that complaint; and it was as an act of faith that, failing other remedies, our young wifeless uncle, conscious himself of no gift for control or for edification, had placed there his difficult son. He returned with delight from this judicious course and there was an hour when we invoked, to intensity, a similar one in our own interest and when the air of home did little but reflect from afar the glitter of blue Swiss lakes, the tinkle of cattle-bells in Alpine pastures, the rich bonhomie that M. Sillig, dispensing an education all of milk and honey and edelweiss and ranz-des-vaches, combined with his celebrated firmness for tough subjects. Poor J. J. came back, I fear, much the same subject that he went; but he had verily performed his scant office on earth, that of having brought our then prospect, our apparent possibility, a trifle nearer. He seemed to have been wild even beyond M. Sillig’s measure—which was highly disappointing; but if we might on the other hand be open to the reproach of falling too short of it there were establishments adapted to every phase of the American predicament; so that our general direction could but gain in vividness. I think with compassion, altogether, of the comparative obscurity to which our eventual success in gathering the fruits, few and scant though they might be, thus relegates those to whom it was given but to toy so briefly with the flowers. They make collectively their tragic trio: J. J. the elder, most loved, most beautiful, most sacrificed of the Albany uncles; J. J. the younger—they were young together, they were luckless together, and the combination was as strange as the disaster was sweeping; and the daughter and sister, amplest of the “natural,” easiest o
f the idle, who lived on to dress their memory with every thread and patch of her own perfect temper and then confirm the tradition, after all, by too early and woeful an end.