‘Mum. I haven’t told you everything, you know.’
‘I know, hen,’ Hayley says, ‘and I’d like to think you – made the most of things. That’s not what I mean. I mean, you’ve been quite sheltered. People treat you differently, whether you know it or not. You didnae get to grow up and make the mistakes that other people learn from. You were too – precious.’
‘I’m trying not to be.’
Hayley replaces cup into saucer, takes a deep breath. ‘What I’m trying to say is that you’re maybe a bit naive about things. Men.’
‘Please, Mum,’ Ailsa says, and she’s tired now, not just because of the time she’s spent on her feet today, but also because she doesn’t need to hum along to this tune, again. ‘I know you think all men are bastards. I know where you’re coming from. I know my biological father let you down, and you haven’t given anyone else a chance since—’ She stops, because that’s too far, even for someone with all the get-out-of-jail-free cards she has. Used to have. But Hayley doesn’t shout, or walk out. She just looks her daughter straight in the eye, the way she did that night in the hospital last year when finally she told Ailsa the full story about her father, and how he got cold feet before she was born.
‘Ailsa . . .’ She’s almost wistful, and there’s something between them now – the possibility of a different truth, perhaps, or at least a different way of living this new life.
‘What? Talk to me, Mum. Tell me,’ she’s pleading. She can hear it. But Hayley looks away, out of the window again, the way she used to look towards the door of Ailsa’s hospital room all the time, waiting for someone to come and save them. She doesn’t have that excuse now.
‘You’re right. I don’t know what your life is. But do you think it’s easy maintaining any relationship outside of having a sick child? Do you think anyone’s going to be up for a partner who spends every fucking minute of every fucking day praying for someone else to die so that her kid gets a heart? Do you think that’s nice to be around?’
‘No. I don’t.’ The words have found their target; even though Apple doesn’t know Ailsa and Hayley’s history, she still buckles, and tears are hot in the corners of Ailsa’s eyes. She and Lennox always thought they were careful with their parents, protective of them. She remembers sitting with him in his last days, holding his hand, talking about being frightened, and then Ruthie would arrive, ask how he was, and Lennox would raise a hand and smile, as though drifting past on a boat on a sunny day. With Ailsa, he cried. She could never tell anyone that now, because his history is written: Lennox Was Brave. But, of course, their parents weren’t protected. Not really.
‘I’m sorry. I really am, Mum. I can see that I’ve – stolen – your life.’
Hayley looks at her, a long look, as though she’s deciding. She shakes her head. ‘I just – I didnae get you this far for you to become a fucking – WAG.’
Although Hayley said it gently, this is so startlingly unfair that Ailsa could cry. But she won’t. ‘Seriously? That’s what you think of me? And anyway – you can’t say in one breath that I shouldn’t let the blog make decisions for me, and then in the next that I can’t be a WAG. Because that’s you making decisions for me. Like making it hard for me to find my father.’
‘Don’t be clever with me, Ailsa.’
‘Why not? I thought you wanted me to be clever? And you see what you just did? I mention my father, it’s like I haven’t spoken. You did the same thing just now.’
People are starting to look around. ‘Aye, well, you’ve got Emily to talk to about that, haven’t you? I’ve nothing else to say about him.’
‘I’ve nothing else to say about my blog.’
There’s a breath, a heartbeat, another. The waitress comes to clear their plates.
Hayley says, ‘You’re sure they said it’s OK? At the clinic.’
‘They said it was a terrible idea and I’d likely be dead within the week.’
‘Sarcasm isn’t pretty, Ailsa.’
‘Oh, it’s my life goal to be pretty, now?’
Hayley looks down at the remains of her coffee in the cup, looks up, straightening her shoulders. Her voice is deliberately gentle. ‘I think we’re both tired, aye?’
Ailsa takes a breath, nods. They are both tired, and they are both learning. She makes her mouth smile. ‘I’ll be careful, I promise.’
She remembers the morning of the transplant, and Hayley sitting quietly next to her bed, stroking her hand, saying, ‘After today, your life will be your own.’ She’d thought about those words as the anaesthetic pulled her under. It had seemed simple. It wasn’t.
Hayley nods. ‘I’ll be all moved out when you get back. You’ll have what you want, and we’ll just have tae see how we get on.’
‘Yes,’ Ailsa says, and her words come out right, for once: not an accusation, but a memory. ‘I remember you saying that, after the transplant, my life would be my own.’
‘And it is. As much as anyone’s life is, hen. But this is still a big change. Things will never be the same. We need to be prepared for that.’
Ailsa thinks about how she’s never lived on her own, and how she might not like it. How often, after Lennox died, she had made her way to her mother’s bed in the middle of the night, and, without waking, Hayley’s body made a space for Ailsa to fit into. Ailsa had been an injured bird, and her mother was the cupped hands that protected her. It might not be as easy as she thinks to fly.
www.myblueblueheart.blogspot.co.uk
18 May, 2018
Apple in the City
Apple and I really cannot thank you enough for sending us to London. We’ve done a whole ten thousand steps just inside the British Museum, and we’ve been to the theatre, because my friend here was horrified that when I used to be dying, I didn’t put ‘See Les Miserables’ at the top of my to-do list, which apparently is what all right-minded dying people do. I said I had enough Miserables of my own going on, which was true, but I have to say, it would have been a shame to have died without seeing it. I’ve been on the London Eye, which was fun (and fulfilled my pre-Apple desire for queuing – we’re over that now). And we’ve been on an open-topped bus, of course, though I think London is better on foot. We’ve been working very hard on The Thing most days. In the evenings we’ve meandered between restaurants and landmarks, parks and old streets, and I can see what he means. Above the street-level twenty-first-century stuff, there are gargoyles and fancy brickwork, hidden right in front of you. I think I’d got out of the habit of looking up.
It’s like Edinburgh, but it’s not: here things are more hodgepodge. I suppose Edinburgh has themes – sandstone, tallness, Georgian proportions, red-brick Victorian baronial architecture. London’s more like: ‘Oh, let’s just leave this wee terrace here for now, next to a museum and a warehouse.’
London smells of exhaust fumes and lemonade. It’s busy and bustling and you have to get busy and bustling too. But people smile if you smile, and there are wee bits of kindness everywhere, if you look for them. (I gave up my seat on the tube for a pregnant lady. She offered me a sherbet lemon.)
And I’ve a flat to myself while I’m here. This is my first time living on my own. The first night I was so shattered that I barely noticed. The second, I lay awake for hours and listened to the city noises – they are the same but different to home – and when morning came I got up, because I had a job to go to, and I thought: This is what people do. Get up, go to work. And I’m doing it. It’s so exciting. (Apple was less impressed. I think she’s maybe lived on her own, and had a job, before.)
When I get back to Edinburgh, I’ll be home alone. It’s a big deal. It’s what I want – but it’s a big change, too. This temporary home in London is showing me that. I’m having a practice at being in my own world. So far, I love it.
How do I manage this change?
You’ve got until I get home. Polls close Friday the 25th.
PLAN – make sure you always have things to do and places to go, and be prepared
that this change is going to bring the sort of discomfort that these things always do.
PAINT – make the place your own. Decorate, move things around. A new era calls for new cushions. You might not have a lot of money but you walk past charity shops every day, and you know there’s treasure to be had if you look for it.
PARTY – you’ve never had your own place. You might be a graduate but that doesn’t make you old. Make the most of it.
3 shares
17 comments
Results:
PLAN
47%
PAINT
39%
PARTY
14%
24 May, 2018
Belsize Park
‘Come up and see me,’ Seb says, and the intercom buzzes. Ailsa waits for the click of the lock pulling back, pushes the door of the smart block of flats and takes the lift to the third floor. His flat door is open, and he’s stepping back to let her in.
‘Hey,’ he says. He kisses her, one cheek then the other, and she is almost used to this, almost able to not be startled by the way he looks up close, the stubble on his cheek a shade darker than his hair, the slope of his temples. ‘How are you this morning? And Apple?’
‘I’m fine,’ Ailsa says, ‘and Apple’s behaving nicely.’ It’s just shy of ten. Seb keeps the curtains half drawn, so his flat is cool and dusky.
‘ “. . . for my mind misgives. Some consequence, yet hanging in the stars”,’ she says.
‘ “Shall bitterly begin his fearful date”,’ Seb adds, and they look at each other, smile.
‘Twentieth time in a row. Nailed it,’ Ailsa says. Their first stumbling point had been that line, Seb saying, ‘fearfully begin his bitter fate’. They’ve practised, practised, practised it.
‘Are you glad you came?’
She looks up, surprised. ‘Of course. Why?’ She thinks about her silences, the moments when she’s been tired. She turned down going into town last night in favour of a takeaway and being back in her flat by nine. She thought he understood.
Now he’s the one who’s looking away, flicking through the post on the table near the door. ‘Well, you only came because of the blog vote, didn’t you?’
‘If I’d known how it would be, I wouldn’t even have asked.’
‘Right.’ Seb turns, looks at her, his face hard to read, or it could just be the way the shadows fall in the hallway. ‘But if you knew what everything was going to be like before you decided whether to do it . . .’ He shakes his head, steps past her into the kitchen, re-emerges a few seconds later. ‘I picked you up a smoothie on my way back from the gym,’ he says. ‘Spinach, kiwi and almond milk. I turned down the spirulina because I didn’t know whether it was an established part of the caveman diet.’
Ailsa laughs, and takes the domed plastic cup, blue straw sticking out of the top. ‘I’ll have to consult my caveman book,’ she says. ‘I don’t know what spirulina is.’ But she thanks it for changing the subject. She doesn’t need to have the conversations she has with her mother with Seb too.
‘Me neither, but I didn’t want to admit that and look stupid in front of you. I’ll be honest, I didn’t even know cavemen had access to smoothie makers. This diet of yours has really showed up my ignorance.’
‘Thank you.’ One of the lovely things about Seb – and in these eleven days, Ailsa has made quite a long list – is that he’s very unselfconscious when it comes to talking about anything that relates to physical health. Ailsa is the same: years of check-ups and meetings about what’s starting to fail and what blood tests are telling her doctors have made her able to see her body, in almost every respect, as something that she cannot afford to be precious or embarrassed about. But she’s noticed, in talking to others, those who have had more steady health, that this is not the norm. (After posting about gaining weight, she’d been amazed how many comments commended her bravery for saying so. She’s been amused – it’s not as though she could hide an extra thirty pounds. And being coy about it wasn’t going to miraculously turn it into twenty pounds.) Whether it’s because Seb is an actor, or whether he was like that anyway, she doesn’t know. But he is as aware of the minutiae of his body as Ailsa is, listening to its clicks and whirrs, and trying to work out what they might mean. He’s looking at her now. ‘I think you’ve lost weight. Since you’ve been here.’
Ailsa nods. ‘I think another couple of pounds. From here.’ She puts her hands at the top of her waist, above her ribs. It is good, to feel a waist emerging. But not a patch on the joy it is to have a body that can walk, easily; breath and strength and beating heart and balance, all together. It’s as though she used to be a flicker and now she’s a flame.
‘Yes,’ Seb says, ‘that’s what I thought. You’re getting more . . . hourglass.’ He’s turned away as he’s said it, checking his phone and then switching it to silent, so he misses the blush.
She says to herself: Hourglass is not a compliment; it’s an observation, Ailsa, for heaven’s sake. Although she appreciates that he’s gone for ‘more hourglass’ rather than ‘less round’.
He puts down his phone, looks up at her again. ‘And your glasses are getting bigger. Or your face is smaller. Not sure which.’
‘Ah, I always wear my bigger glasses on a Thursday. It’s a Scottish thing.’
Seb laughs and stretches his arms upwards, lets them drop, shakes them. ‘OK. Let’s get going.’
‘Good idea. Romeo wasn’t built in a day.’
‘Still not funny,’ Seb says.
‘Still beg to differ.’ And they laugh, and then they begin.
Here’s how it works. Ailsa sits in the armchair near the floor-to-ceiling windows that form the front of the flat, trusty turquoise satchel on the floor, notebook, pen and play text on her lap, feet tucked around to her side, and reads the couplet before Romeo’s line. Seb recites Romeo’s speech. Ailsa waits until he either gets stuck or gets to the end of it, or they get to the end of the scene, and then, when he looks at her, waiting, she tells him what he’s missed or goes over where he’s stumbled. He is mobile as they work, sometimes sitting on the sofa at right angles to her, sometimes pacing, clicking his fingers, sometimes – her favourite – sitting on the floor with his back against the arm of her chair. Close enough to touch. Not touching.
It was arm-chewingly embarrassing at first, but now it feels normal, in the way that Ailsa had thought that waking up without a heaviness in her chest and an ache in her arms would feel normal. It doesn’t, yet. Neither does a pink skin or the way a rosy lipstick looks on her mouth. But a grid in a notebook, with scenes and speeches written down the left side, dates across the top, circles for having practised, a tick for every perfect run-through – this she is used to.
They begin with the scenes that Seb already knows; he chatters through them, words as train-trucks, rapid and rattling, and Ailsa struggles to keep up on the page, although the lines are becoming familiar to her, too, and it’s her ear rather than her eye that tells him when he misspeaks.
Ailsa consults her list. ‘Right,’ she says, ‘let’s start with the nurse coming to see you. Ready? “I pray you, sir, what saucy merchant was this that was so full of his ropery?” ’
Seb sighs. They’ve struggled with the prose: the rhythm of the pentameter gives footholds, stepping stones, but the prose is – well, it’s unmeasured. It’s the difference, Ailsa thinks, between the routine of hospital life, and waking up in your own bed and having a day full of your own choices ahead of you. The one that looks as though it’s easiest isn’t.
He squares his shoulders, closes his eyes, opens them, looks at her and beyond her. ‘ “A gentleman, Nurse, that loves to hear himself talk and will speak more in a minute than he will stand to in a month.” ’
*
They work for three hours, then break for lunch. This afternoon, they’re going to tackle Romeo and Juliet’s parting. As usual, Seb has shopped at the deli on the way back from the gym, and brought
in salads and cold meat for them to share, bread and cheese for him, fresh fruit and nut-stuffed dates for her. He lays them out on the kitchen island, along with the hand sanitiser Ailsa brought to leave here. They sit on high stools at either side of the island and eat. Their mealtimes have been quiet, and this last lunch is no different. Ailsa checks her blog stats and emails, Seb keeps an eye on his messages, on Facebook and Twitter. Then he makes phone calls while Ailsa takes a walk, twenty minutes or so around the leafy streets of Belsize Park. They are broader than home and quieter, the houses just as grand as those in Edinburgh, but squat-seeming rather than stretching for the sky. The air is heavy with May, the sky always soothing, whether it’s blue or grey, close to her or high above. Ailsa brings coffee back in with her – an iced latte for Seb and a black Americano for her – and they work for another three hours or so in the afternoon.
Seb sits on the floor at Ailsa’s feet, looks into her eyes; she reminds herself that he’s not looking at her. He’s looking at Juliet, Or rather, Meredith Katz.
‘You’re going to have to read all the speeches,’ he says, after another stumble. When they’re running through a scene, Ailsa usually reads the first two lines of a speech, rolls her hand, reads the last two.
‘Oh, no,’ Ailsa says, ‘there was nothing about acting in the contract.’ She half laughs but she’s squirming inside; it’s school play and waiting-room, all in one, and no way to look away, because when she drops her chin, Seb reaches out and tilts her face towards him, smiles.
The Curious Heart of Ailsa Rae Page 14