Winter set in, and the short days passed, and the long nights, one by one; and she heard nothing of Herve de Lanrivain. It might be that her husband had killed him; or merely that he had been robbed of the necklet. Day after day by the hearth among the spinning maids, night after night alone on her bed, she wondered and trembled. Sometimes at table her husband looked across at her and smiled; and then she felt sure that Lanrivain was dead. She dared not try to get news of him, for she was sure her husband would find out if she did: she had an idea that he could find out anything. Even when a witch-woman who was a noted seer, and could show you the whole world in her crystal, came to the castle for a night’s shelter, and the maids flocked to her, Anne held back. The winter was long and black and rainy. One day, in Yves de Cornault’s absence, some gypsies came to Kerfol with a troop of performing dogs. Anne bought the smallest and cleverest, a white dog with a feathery coat and one blue and one brown eye. It seemed to have been ill-treated by the gypsies, and clung to her plaintively when she took it from them. That evening her husband came back, and when she went to bed she found the dog strangled on her pillow.
After that she said to herself that she would never have another dog; but one bitter cold evening a poor lean greyhound was found whining at the castle-gate, and she took him in and forbade the maids to speak of him to her husband. She hid him in a room that no one went to, smuggled food to him from her own plate, made him a warm bed to lie on and petted him like a child.
Yves de Cornault came home, and the next day she found the greyhound strangled on her pillow. She wept in secret, but said nothing, and resolved that even if she met a dog dying of hunger she would never bring him into the castle; but one day she found a young sheep-dog, a brindled puppy with good blue eyes, lying with a broken leg in the snow of the park. Yves de Cornault was at Rennes, and she brought the dog in, warmed and fed it, tied up its leg and hid it in the castle till her husband’s return. The day before, she gave it to a peasant woman who lived a long way off, and paid her handsomely to care for it and say nothing; but that night she heard a whining and scratching at her door, and when she opened it the lame puppy, drenched and shivering, jumped up on her with little sobbing barks. She hid him in her bed, and the next morning was about to have him taken back to the peasant woman when she heard her husband ride into the court. She shut the dog in a chest and went down to receive him. An hour or two later, when she returned to her room, the puppy lay strangled on her pillow…
After that she dared not make a pet of any other dog; and her loneliness became almost unendurable. Sometimes, when she crossed the court of the castle, and thought no one was looking, she stopped to pat the old pointer at the gate. But one day as she was caressing him her husband came out of the chapel; and the next day the old dog was gone…
This curious narrative was not told in one sitting of the court, or received without impatience and incredulous comment. It was plain that the Judges were surprised by its puerility, and that it did not help the accused in the eyes of the public. It was an odd tale, certainly; but what did it prove? That Yves de Cornault disliked dogs, and that his wife, to gratify her own fancy, persistently ignored this dislike. As for pleading this trivial disagreement as an excuse for her relations—whatever their nature—with her supposed accomplice, the argument was so absurd that her own lawyer manifestly regretted having let her make use of it, and tried several times to cut short her story. But she went on to the end, with a kind of hypnotized insistence, as though the scenes she evoked were so real to her that she had forgotten where she was and imagined herself to be re-living them.
At length the Judge who had previously shown a certain kindness to her said (leaning forward a little, one may suppose, from his row of dozing colleagues): “Then you would have us believe that you murdered your husband because he would not let you keep a pet dog?”
“I did not murder my husband.”
“Who did, then? Herve de Lanrivain?”
“No.”
“Who then? Can you tell us?”
“Yes, I can tell you. The dogs—” At that point she was carried out of the court in a swoon.
… … . .
It was evident that her lawyer tried to get her to abandon this line of defense. Possibly her explanation, whatever it was, had seemed convincing when she poured it out to him in the heat of their first private colloquy; but now that it was exposed to the cold daylight of judicial scrutiny, and the banter of the town, he was thoroughly ashamed of it, and would have sacrificed her without a scruple to save his professional reputation. But the obstinate Judge—who perhaps, after all, was more inquisitive than kindly—evidently wanted to hear the story out, and she was ordered, the next day, to continue her deposition.
She said that after the disappearance of the old watch-dog nothing particular happened for a month or two. Her husband was much as usual: she did not remember any special incident. But one evening a pedlar woman came to the castle and was selling trinkets to the maids. She had no heart for trinkets, but she stood looking on while the women made their choice. And then, she did not know how, but the pedlar coaxed her into buying for herself an odd pear-shaped pomander with a strong scent in it—she had once seen something of the kind on a gypsy woman. She had no desire for the pomander, and did not know why she had bought it. The pedlar said that whoever wore it had the power to read the future; but she did not really believe that, or care much either. However, she bought the thing and took it up to her room, where she sat turning it about in her hand. Then the strange scent attracted her and she began to wonder what kind of spice was in the box. She opened it and found a grey bean rolled in a strip of paper; and on the paper she saw a sign she knew, and a message from Herve de Lanrivain, saying that he was at home again and would be at the door in the court that night after the moon had set…
She burned the paper and then sat down to think. It was nightfall, and her husband was at home… She had no way of warning Lanrivain, and there was nothing to do but to wait…
At this point I fancy the drowsy courtroom beginning to wake up. Even to the oldest hand on the bench there must have been a certain aesthetic relish in picturing the feelings of a woman on receiving such a message at nightfall from a man living twenty miles away, to whom she had no means of sending a warning…
She was not a clever woman, I imagine; and as the first result of her cogitation she appears to have made the mistake of being, that evening, too kind to her husband. She could not ply him with wine, according to the traditional expedient, for though he drank heavily at times he had a strong head; and when he drank beyond its strength it was because he chose to, and not because a woman coaxed him. Not his wife, at any rate—she was an old story by now. As I read the case, I fancy there was no feeling for her left in him but the hatred occasioned by his supposed dishonour.
At any rate, she tried to call up her old graces; but early in the evening he complained of pains and fever, and left the hall to go up to his room. His servant carried him a cup of hot wine, and brought back word that he was sleeping and not to be disturbed; and an hour later, when Anne lifted the tapestry and listened at his door, she heard his loud regular breathing. She thought it might be a feint, and stayed a long time barefooted in the cold passage, her ear to the crack; but the breathing went on too steadily and naturally to be other than that of a man in a sound sleep. She crept back to her room reassured, and stood in the window watching the moon set through the trees of the park. The sky was misty and starless, and after the moon went down the night was pitch black. She knew the time had come, and stole along the passage, past her husband’s door—where she stopped again to listen to his breathing—to the top of the stairs. There she paused a moment, and assured herself that no one was following her; then she began to go down the stairs in the darkness. They were so steep and winding that she had to go very slowly, for fear of stumbling. Her one thought was to get the door unbolted, tell Lanrivain to make his escape, and hasten back to her room. She had tried
the bolt earlier in the evening, and managed to put a little grease on it; but nevertheless, when she drew it, it gave a squeak… not loud, but it made her heart stop; and the next minute, overhead, she heard a noise…
“What noise?” the prosecution interposed.
“My husband’s voice calling out my name and cursing me.”
“What did you hear after that?”
“A terrible scream and a fall.”
“Where was Herve de Lanrivain at this time?”
“He was standing outside in the court. I just made him out in the darkness. I told him for God’s sake to go, and then I pushed the door shut.”
“What did you do next?”
“I stood at the foot of the stairs and listened.”
“What did you hear?”
“I heard dogs snarling and panting.” (Visible discouragement of the bench, boredom of the public, and exasperation of the lawyer for the defense. Dogs again—! But the inquisitive Judge insisted.)
“What dogs?”
She bent her head and spoke so low that she had to be told to repeat her answer: “I don’t know.”
“How do you mean—you don’t know?”
“I don’t know what dogs…”
The Judge again intervened: “Try to tell us exactly what happened. How long did you remain at the foot of the stairs?”
“Only a few minutes.”
“And what was going on meanwhile overhead?”
“The dogs kept on snarling and panting. Once or twice he cried out. I think he moaned once. Then he was quiet.”
“Then what happened?”
“Then I heard a sound like the noise of a pack when the wolf is thrown to them—gulping and lapping.”
(There was a groan of disgust and repulsion through the court, and another attempted intervention by the distracted lawyer. But the inquisitive Judge was still inquisitive.)
“And all the while you did not go up?”
“Yes—I went up then—to drive them off.”
“The dogs?”
“Yes.”
“Well—?”
“When I got there it was quite dark. I found my husband’s flint and steel and struck a spark. I saw him lying there. He was dead.”
“And the dogs?”
“The dogs were gone.”
“Gone—where to?”
“I don’t know. There was no way out—and there were no dogs at Kerfol.”
She straightened herself to her full height, threw her arms above her head, and fell down on the stone floor with a long scream. There was a moment of confusion in the courtroom. Some one on the bench was heard to say: “This is clearly a case for the ecclesiastical authorities”—and the prisoner’s lawyer doubtless jumped at the suggestion.
After this, the trial loses itself in a maze of cross-questioning and squabbling. Every witness who was called corroborated Anne de Cornault’s statement that there were no dogs at Kerfol: had been none for several months. The master of the house had taken a dislike to dogs, there was no denying it. But, on the other hand, at the inquest, there had been long and bitter discussion as to the nature of the dead man’s wounds. One of the surgeons called in had spoken of marks that looked like bites. The suggestion of witchcraft was revived, and the opposing lawyers hurled tomes of necromancy at each other.
At last Anne de Cornault was brought back into court—at the instance of the same Judge—and asked if she knew where the dogs she spoke of could have come from. On the body of her Redeemer she swore that she did not. Then the Judge put his final question: “If the dogs you think you heard had been known to you, do you think you would have recognized them by their barking?”
“Yes.”
“Did you recognize them?”
“Yes.”
“What dogs do you take them to have been?”
“My dead dogs,” she said in a whisper… She was taken out of court, not to reappear there again. There was some kind of ecclesiastical investigation, and the end of the business was that the Judges disagreed with each other, and with the ecclesiastical committee, and that Anne de Cornault was finally handed over to the keeping of her husband’s family, who shut her up in the keep of Kerfol, where she is said to have died many years later, a harmless madwoman.
So ends her story. As for that of Herve de Lanrivain, I had only to apply to his collateral descendant for its subsequent details. The evidence against the young man being insufficient, and his family influence in the duchy considerable, he was set free, and left soon afterward for Paris. He was probably in no mood for a worldly life, and he appears to have come almost immediately under the influence of the famous M. Arnauld d’Andilly and the gentlemen of Port Royal. A year or two later he was received into their Order, and without achieving any particular distinction he followed its good and evil fortunes till his death some twenty years later. Lanrivain showed me a portrait of him by a pupil of Philippe de Champaigne: sad eyes, an impulsive mouth and a narrow brow. Poor Herve de Lanrivain: it was a grey ending. Yet as I looked at his stiff and sallow effigy, in the dark dress of the Jansenists, I almost found myself envying his fate. After all, in the course of his life two great things had happened to him: he had loved romantically, and he must have talked with Pascal…
The End
MRS. MANSTEY’S VIEW
As first published in Scribner’s Magazine, July, 1891
The view from Mrs. Manstey’s window was not a striking one, but to her at least it was full of interest and beauty. Mrs. Manstey occupied the back room on the third floor of a New York boarding-house, in a street where the ash-barrels lingered late on the sidewalk and the gaps in the pavement would have staggered a Quintus Curtius. She was the widow of a clerk in a large wholesale house, and his death had left her alone, for her only daughter had married in California, and could not afford the long journey to New York to see her mother. Mrs. Manstey, perhaps, might have joined her daughter in the West, but they had now been so many years apart that they had ceased to feel any need of each other’s society, and their intercourse had long been limited to the exchange of a few perfunctory letters, written with indifference by the daughter, and with difficulty by Mrs. Manstey, whose right hand was growing stiff with gout. Even had she felt a stronger desire for her daughter’s companionship, Mrs. Manstey’s increasing infirmity, which caused her to dread the three flights of stairs between her room and the street, would have given her pause on the eve of undertaking so long a journey; and without perhaps, formulating these reasons she had long since accepted as a matter of course her solitary life in New York.
She was, indeed, not quite lonely, for a few friends still toiled up now and then to her room; but their visits grew rare as the years went by. Mrs. Manstey had never been a sociable woman, and during her husband’s lifetime his companionship had been all-sufficient to her. For many years she had cherished a desire to live in the country, to have a hen-house and a garden; but this longing had faded with age, leaving only in the breast of the uncommunicative old woman a vague tenderness for plants and animals. It was, perhaps, this tenderness which made her cling so fervently to her view from her window, a view in which the most optimistic eye would at first have failed to discover anything admirable.
Mrs. Manstey, from her coign of vantage (a slightly projecting bow-window where she nursed an ivy and a succession of unwholesome-looking bulbs), looked out first upon the yard of her own dwelling, of which, however, she could get but a restricted glimpse. Still, her gaze took in the topmost boughs of the ailanthus below her window, and she knew how early each year the clump of dicentra strung its bending stalk with hearts of pink.
But of greater interest were the yards beyond. Being for the most part attached to boarding-houses they were in a state of chronic untidiness and fluttering, on certain days of the week, with miscellaneous garments and frayed table-cloths. In spite of this Mrs. Manstey found much to admire in the long vista which she commanded. Some of the yards were, indeed, but stony wastes, with grass in
the cracks of the pavement and no shade in spring save that afforded by the intermittent leafage of the clothes-lines. These yards Mrs. Manstey disapproved of, but the others, the green ones, she loved. She had grown used to their disorder; the broken barrels, the empty bottles and paths unswept no longer annoyed her; hers was the happy faculty of dwelling on the pleasanter side of the prospect before her.
In the very next enclosure did not a magnolia open its hard white flowers against the watery blue of April? And was there not, a little way down the line, a fence foamed over every May be lilac waves of wistaria? Farther still, a horse-chestnut lifted its candelabra of buff and pink blossoms above broad fans of foliage; while in the opposite yard June was sweet with the breath of a neglected syringa, which persisted in growing in spite of the countless obstacles opposed to its welfare.
But if nature occupied the front rank in Mrs. Manstey’s view, there was much of a more personal character to interest her in the aspect of the houses and their inmates. She deeply disapproved of the mustard-colored curtains which had lately been hung in the doctor’s window opposite; but she glowed with pleasure when the house farther down had its old bricks washed with a coat of paint. The occupants of the houses did not often show themselves at the back windows, but the servants were always in sight. Noisy slatterns, Mrs. Manstey pronounced the greater number; she knew their ways and hated them. But to the quiet cook in the newly painted house, whose mistress bullied her, and who secretly fed the stray cats at nightfall, Mrs. Manstey’s warmest sympathies were given. On one occasion her feelings were racked by the neglect of a housemaid, who for two days forgot to feed the parrot committed to her care. On the third day, Mrs. Manstey, in spite of her gouty hand, had just penned a letter, beginning: “Madam, it is now three days since your parrot has been fed,” when the forgetful maid appeared at the window with a cup of seed in her hand.
But in Mrs. Manstey’s more meditative moods it was the narrowing perspective of far-off yards which pleased her best. She loved, at twilight, when the distant brown-stone spire seemed melting in the fluid yellow of the west, to lose herself in vague memories of a trip to Europe, made years ago, and now reduced in her mind’s eye to a pale phantasmagoria of indistinct steeples and dreamy skies. Perhaps at heart Mrs. Manstey was an artist; at all events she was sensible of many changes of color unnoticed by the average eye, and dear to her as the green of early spring was the black lattice of branches against a cold sulphur sky at the close of a snowy day. She enjoyed, also, the sunny thaws of March, when patches of earth showed through the snow, like ink-spots spreading on a sheet of white blotting-paper; and, better still, the haze of boughs, leafless but swollen, which replaced the clear-cut tracery of winter. She even watched with a certain interest the trail of smoke from a far-off factory chimney, and missed a detail in the landscape when the factory was closed and the smoke disappeared.
Early Short Stories Vol. 1 Page 3