Early Short Stories Vol. 1

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Early Short Stories Vol. 1 Page 9

by Edith Wharton


  Thus viewed, the situation became so monstrous that he lost his last shred of self-restraint in contemplating it. What if he were really the victim of some mocking experiment, the centre of a ring of holiday-makers jeering at a poor creature in its blind dashes against the solid walls of consciousness? But, no—men were not so uniformly cruel: there were flaws in the close surface of their indifference, cracks of weakness and pity here and there…

  Granice began to think that his mistake lay in having appealed to persons more or less familiar with his past, and to whom the visible conformities of his life seemed a final disproof of its one fierce secret deviation. The general tendency was to take for the whole of life the slit seen between the blinders of habit: and in his walk down that narrow vista Granice cut a correct enough figure. To a vision free to follow his whole orbit his story would be more intelligible: it would be easier to convince a chance idler in the street than the trained intelligence hampered by a sense of his antecedents. This idea shot up in him with the tropic luxuriance of each new seed of thought, and he began to walk the streets, and to frequent out-of-the-way chop-houses and bars in his search for the impartial stranger to whom he should disclose himself.

  At first every face looked encouragement; but at the crucial moment he always held back. So much was at stake, and it was so essential that his first choice should be decisive. He dreaded stupidity, timidity, intolerance. The imaginative eye, the furrowed brow, were what he sought. He must reveal himself only to a heart versed in the tortuous motions of the human will; and he began to hate the dull benevolence of the average face. Once or twice, obscurely, allusively, he made a beginning—once sitting down at a man’s side in a basement chop-house, another day approaching a lounger on an east-side wharf. But in both cases the premonition of failure checked him on the brink of avowal. His dread of being taken for a man in the clutch of a fixed idea gave him an unnatural keenness in reading the expression of his interlocutors, and he had provided himself in advance with a series of verbal alternatives, trap-doors of evasion from the first dart of ridicule or suspicion.

  He passed the greater part of the day in the streets, coming home at irregular hours, dreading the silence and orderliness of his apartment, and the critical scrutiny of Flint. His real life was spent in a world so remote from this familiar setting that he sometimes had the mysterious sense of a living metempsychosis, a furtive passage from one identity to another—yet the other as unescapably himself!

  One humiliation he was spared: the desire to live never revived in him. Not for a moment was he tempted to a shabby pact with existing conditions. He wanted to die, wanted it with the fixed unwavering desire which alone attains its end. And still the end eluded him! It would not always, of course—he had full faith in the dark star of his destiny. And he could prove it best by repeating his story, persistently and indefatigably, pouring it into indifferent ears, hammering it into dull brains, till at last it kindled a spark, and some one of the careless millions paused, listened, believed…

  It was a mild March day, and he had been loitering on the west-side docks, looking at faces. He was becoming an expert in physiognomies: his eagerness no longer made rash darts and awkward recoils. He knew now the face he needed, as clearly as if it had come to him in a vision; and not till he found it would he speak. As he walked eastward through the shabby reeking streets he had a premonition that he should find it that morning. Perhaps it was the promise of spring in the air—certainly he felt calmer than for many days…

  He turned into Washington Square, struck across it obliquely, and walked up University Place. Its heterogeneous passers always allured him—they were less hurried than in Broadway, less enclosed and classified than in Fifth Avenue. He walked slowly, watching for his face.

  At Union Square he felt a sudden relapse into discouragement, like a votary who has watched too long for a sign from the altar. Perhaps, after all, he should never find his face… The air was languid, and he felt tired. He walked between the bald grass-plots and the twisted trees, making for an empty seat. Presently he passed a bench on which a girl sat alone, and something as definite as the twitch of a cord made him stop before her. He had never dreamed of telling his story to a girl, had hardly looked at the women’s faces as they passed. His case was man’s work: how could a woman help him? But this girl’s face was extraordinary—quiet and wide as a clear evening sky. It suggested a hundred images of space, distance, mystery, like ships he had seen, as a boy, quietly berthed by a familiar wharf, but with the breath of far seas and strange harbours in their shrouds… Certainly this girl would understand. He went up to her quietly, lifting his hat, observing the forms—wishing her to see at once that he was “a gentleman.”

  “I am a stranger to you,” he began, sitting down beside her, “but your face is so extremely intelligent that I feel… I feel it is the face I’ve waited for… looked for everywhere; and I want to tell you—”

  The girl’s eyes widened: she rose to her feet. She was escaping him!

  In his dismay he ran a few steps after her, and caught her roughly by the arm.

  “Here—wait—listen! Oh, don’t scream, you fool!” he shouted out.

  He felt a hand on his own arm; turned and confronted a policeman. Instantly he understood that he was being arrested, and something hard within him was loosened and ran to tears.

  “Ah, you know—you KNOW I’m guilty!”

  He was conscious that a crowd was forming, and that the girl’s frightened face had disappeared. But what did he care about her face? It was the policeman who had really understood him. He turned and followed, the crowd at his heels…

  VII

  In the charming place in which he found himself there were so many sympathetic faces that he felt more than ever convinced of the certainty of making himself heard.

  It was a bad blow, at first, to find that he had not been arrested for murder; but Ascham, who had come to him at once, explained that he needed rest, and the time to “review” his statements; it appeared that reiteration had made them a little confused and contradictory. To this end he had willingly acquiesced in his removal to a large quiet establishment, with an open space and trees about it, where he had found a number of intelligent companions, some, like himself, engaged in preparing or reviewing statements of their cases, and others ready to lend an interested ear to his own recital.

  For a time he was content to let himself go on the tranquil current of this existence; but although his auditors gave him for the most part an encouraging attention, which, in some, went the length of really brilliant and helpful suggestion, he gradually felt a recurrence of his old doubts. Either his hearers were not sincere, or else they had less power to aid him than they boasted. His interminable conferences resulted in nothing, and as the benefit of the long rest made itself felt, it produced an increased mental lucidity which rendered inaction more and more unbearable. At length he discovered that on certain days visitors from the outer world were admitted to his retreat; and he wrote out long and logically constructed relations of his crime, and furtively slipped them into the hands of these messengers of hope.

  This occupation gave him a fresh lease of patience, and he now lived only to watch for the visitors’ days, and scan the faces that swept by him like stars seen and lost in the rifts of a hurrying sky.

  Mostly, these faces were strange and less intelligent than those of his companions. But they represented his last means of access to the world, a kind of subterranean channel on which he could set his “statements” afloat, like paper boats which the mysterious current might sweep out into the open seas of life.

  One day, however, his attention was arrested by a familiar contour, a pair of bright prominent eyes, and a chin insufficiently shaved. He sprang up and stood in the path of Peter McCarren.

  The journalist looked at him doubtfully, then held out his hand with a startled deprecating, “WHY—?”

  “You didn’t know me? I’m so changed?” Granice faltered, feelin
g the rebound of the other’s wonder.

  “Why, no; but you’re looking quieter—smoothed out,” McCarren smiled.

  “Yes: that’s what I’m here for—to rest. And I’ve taken the opportunity to write out a clearer statement—”

  Granice’s hand shook so that he could hardly draw the folded paper from his pocket. As he did so he noticed that the reporter was accompanied by a tall man with grave compassionate eyes. It came to Granice in a wild thrill of conviction that this was the face he had waited for…

  “Perhaps your friend—he IS your friend?—would glance over it—or I could put the case in a few words if you have time?” Granice’s voice shook like his hand. If this chance escaped him he felt that his last hope was gone. McCarren and the stranger looked at each other, and the former glanced at his watch.

  “I’m sorry we can’t stay and talk it over now, Mr. Granice; but my friend has an engagement, and we’re rather pressed—”

  Granice continued to proffer the paper. “I’m sorry—I think I could have explained. But you’ll take this, at any rate?”

  The stranger looked at him gently. “Certainly—I’ll take it.” He had his hand out. “Good-bye.”

  “Good-bye,” Granice echoed.

  He stood watching the two men move away from him through the long light hall; and as he watched them a tear ran down his face. But as soon as they were out of sight he turned and walked hastily toward his room, beginning to hope again, already planning a new statement.

  Outside the building the two men stood still, and the journalist’s companion looked up curiously at the long monotonous rows of barred windows.

  “So that was Granice?”

  “Yes—that was Granice, poor devil,” said McCarren.

  “Strange case! I suppose there’s never been one just like it? He’s still absolutely convinced that he committed that murder?”

  “Absolutely. Yes.”

  The stranger reflected. “And there was no conceivable ground for the idea? No one could make out how it started? A quiet conventional sort of fellow like that—where do you suppose he got such a delusion? Did you ever get the least clue to it?”

  McCarren stood still, his hands in his pockets, his head cocked up in contemplation of the barred windows. Then he turned his bright hard gaze on his companion.

  “That was the queer part of it. I’ve never spoken of it—but I DID get a clue.”

  “By Jove! That’s interesting. What was it?”

  McCarren formed his red lips into a whistle. “Why—that it wasn’t a delusion.”

  He produced his effect—the other turned on him with a pallid stare.

  “He murdered the man all right. I tumbled on the truth by the merest accident, when I’d pretty nearly chucked the whole job.”

  “He murdered him—murdered his cousin?”

  “Sure as you live. Only don’t split on me. It’s about the queerest business I ever ran into… DO ABOUT IT? Why, what was I to do? I couldn’t hang the poor devil, could I? Lord, but I was glad when they collared him, and had him stowed away safe in there!”

  The tall man listened with a grave face, grasping Granice’s statement in his hand.

  “Here—take this; it makes me sick,” he said abruptly, thrusting the paper at the reporter; and the two men turned and walked in silence to the gates.

  The End

  THE DILETTANTE

  As first published in Harper’s Monthly, December 1903

  It was on an impulse hardly needing the arguments he found himself advancing in its favor, that Thursdale, on his way to the club, turned as usual into Mrs. Vervain’s street.

  The “as usual” was his own qualification of the act; a convenient way of bridging the interval—in days and other sequences—that lay between this visit and the last. It was characteristic of him that he instinctively excluded his call two days earlier, with Ruth Gaynor, from the list of his visits to Mrs. Vervain: the special conditions attending it had made it no more like a visit to Mrs. Vervain than an engraved dinner invitation is like a personal letter. Yet it was to talk over his call with Miss Gaynor that he was now returning to the scene of that episode; and it was because Mrs. Vervain could be trusted to handle the talking over as skilfully as the interview itself that, at her corner, he had felt the dilettante’s irresistible craving to take a last look at a work of art that was passing out of his possession.

  On the whole, he knew no one better fitted to deal with the unexpected than Mrs. Vervain. She excelled in the rare art of taking things for granted, and Thursdale felt a pardonable pride in the thought that she owed her excellence to his training. Early in his career Thursdale had made the mistake, at the outset of his acquaintance with a lady, of telling her that he loved her and exacting the same avowal in return. The latter part of that episode had been like the long walk back from a picnic, when one has to carry all the crockery one has finished using: it was the last time Thursdale ever allowed himself to be encumbered with the debris of a feast. He thus incidentally learned that the privilege of loving her is one of the least favors that a charming woman can accord; and in seeking to avoid the pitfalls of sentiment he had developed a science of evasion in which the woman of the moment became a mere implement of the game. He owed a great deal of delicate enjoyment to the cultivation of this art. The perils from which it had been his refuge became naively harmless: was it possible that he who now took his easy way along the levels had once preferred to gasp on the raw heights of emotion? Youth is a high-colored season; but he had the satisfaction of feeling that he had entered earlier than most into that chiar’oscuro of sensation where every half-tone has its value.

  As a promoter of this pleasure no one he had known was comparable to Mrs. Vervain. He had taught a good many women not to betray their feelings, but he had never before had such fine material to work in. She had been surprisingly crude when he first knew her; capable of making the most awkward inferences, of plunging through thin ice, of recklessly undressing her emotions; but she had acquired, under the discipline of his reticences and evasions, a skill almost equal to his own, and perhaps more remarkable in that it involved keeping time with any tune he played and reading at sight some uncommonly difficult passages.

  It had taken Thursdale seven years to form this fine talent; but the result justified the effort. At the crucial moment she had been perfect: her way of greeting Miss Gaynor had made him regret that he had announced his engagement by letter. It was an evasion that confessed a difficulty; a deviation implying an obstacle, where, by common consent, it was agreed to see none; it betrayed, in short, a lack of confidence in the completeness of his method. It had been his pride never to put himself in a position which had to be quitted, as it were, by the back door; but here, as he perceived, the main portals would have opened for him of their own accord. All this, and much more, he read in the finished naturalness with which Mrs. Vervain had met Miss Gaynor. He had never seen a better piece of work: there was no over-eagerness, no suspicious warmth, above all (and this gave her art the grace of a natural quality) there were none of those damnable implications whereby a woman, in welcoming her friend’s betrothed, may keep him on pins and needles while she laps the lady in complacency. So masterly a performance, indeed, hardly needed the offset of Miss Gaynor’s doorstep words—“To be so kind to me, how she must have liked you!”—though he caught himself wishing it lay within the bounds of fitness to transmit them, as a final tribute, to the one woman he knew who was unfailingly certain to enjoy a good thing. It was perhaps the one drawback to his new situation that it might develop good things which it would be impossible to hand on to Margaret Vervain.

  The fact that he had made the mistake of underrating his friend’s powers, the consciousness that his writing must have betrayed his distrust of her efficiency, seemed an added reason for turning down her street instead of going on to the club. He would show her that he knew how to value her; he would ask her to achieve with him a feat infinitely rarer and more delicate
than the one he had appeared to avoid. Incidentally, he would also dispose of the interval of time before dinner: ever since he had seen Miss Gaynor off, an hour earlier, on her return journey to Buffalo, he had been wondering how he should put in the rest of the afternoon. It was absurd, how he missed the girl…. Yes, that was it; the desire to talk about her was, after all, at the bottom of his impulse to call on Mrs. Vervain! It was absurd, if you like—but it was delightfully rejuvenating. He could recall the time when he had been afraid of being obvious: now he felt that this return to the primitive emotions might be as restorative as a holiday in the Canadian woods. And it was precisely by the girl’s candor, her directness, her lack of complications, that he was taken. The sense that she might say something rash at any moment was positively exhilarating: if she had thrown her arms about him at the station he would not have given a thought to his crumpled dignity. It surprised Thursdale to find what freshness of heart he brought to the adventure; and though his sense of irony prevented his ascribing his intactness to any conscious purpose, he could but rejoice in the fact that his sentimental economies had left him such a large surplus to draw upon.

  Mrs. Vervain was at home—as usual. When one visits the cemetery one expects to find the angel on the tombstone, and it struck Thursdale as another proof of his friend’s good taste that she had been in no undue haste to change her habits. The whole house appeared to count on his coming; the footman took his hat and overcoat as naturally as though there had been no lapse in his visits; and the drawing-room at once enveloped him in that atmosphere of tacit intelligence which Mrs. Vervain imparted to her very furniture.

  It was a surprise that, in this general harmony of circumstances, Mrs. Vervain should herself sound the first false note.

 

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