The dwarf was stuck in the harness. He writhed about. 'Bolt the doors one of you, or it's the end of us!'He got free and addressed himself feverishly to the machine. Sparks came up from it; it gave up slow yellow fireflies to join the flow of blue light from the broken window. A smell like burnt horsehair filled the air. As for Cellur and the Queen:
neither of them seemed to be able to move. Their faces were waxy with despair, their eyes like lemurs'. For Tomb it was only a physical disaster, it was only another war; for them it was a disaster of meaning. They murmured in low, slurred voices to one another, like old intelligent animals – 'Saint Elmo Buffin'; 'a fatal chance'. Tomb broke his nails on the ancient machinery. He was a dwarf not a philosopher; it was just another war: and he thought he still had time to win it…
He strapped himself back into the harness. The mechanical wife lifted itself from the flagstones with a groan and an ungainly lurch, like an overloaded camel. It was worn out, like all the other machinery in Viriconium. No-one knew what it had been used for all those centuries ago in the doomed Afternoon Kingdoms. It flailed clumsily about, smashing pieces of furniture in its efforts to stay upright. It fumbled on the floor until it came up with the dwarf's power-axe, which it proceeded to swing in dangerous, humming arcs. 'Ha ha,'laughed the dwarf. He pulled the skull-piece down over his head. His old eyes blinked redly. He felt alive. He only had to stamp his feet and the walls shook. He moved his levers. Trailing creamy white motes like cabbage moths, the mechanical wife shambled over to the doors, one enormous hand reaching triumphantly for the upper bolts…
Outside in a victorious gloom, the remnants of the palace guard bubbling to death at their feet, were gathered the devotees of the Sign. Since the murder on the Pleasure Canal they had lost touch with their ruling echelon in the fluorescing windy mazes of the Artists'Quarter; their ideological priorities had become unfathomable, even to themselves; and their very flesh had suffered violent and useless evolutions. In their endless quartering of the Low City they had uprooted railings, constructed wooden clubs studded with bits of broken glass, helped themselves to butchers'cleavers and old kitchen knives black with corrosion; gathering an army fit for the mutated, the motivationally-bankrupt and the burst. The pain of their transformation had caused them to loosen or unwind the bandages which had previously disguised their humps and tumours, and these now flapped about them in crusty strips as they hopped and sprang erratically along the palace corridors on their strong, bent legs.
Their eyes were puzzled and full of agony. They could not become insects. The flesh, ultimately, resists: there is a conservatism of cell and marrow. But they would never again be human – From wounds like women's lips had bloomed a fantastic, irrelevant anatomy: drooping feathery antennae, trembling multi-jointed legs, a thousand mosaic eyes, vibrating palps and purposeless plates of chitin. Where these new deformed organs merged into the original flesh was a transitional substance, pinkish grey, weeping like an unsuccessful graft. None of them were in the right place. From a mutilated torso sprang six thin legs, rattling like dry sticks in a wind. (They seemed to be beckoning. The man from whom they had grown screamed involuntarily whenever he caught sight of himself.) Here rubbery, saw-edged mandibles had burst from flower-like lesions at knee or nape and were now speaking unknown languages in reedy, creaking voices, there a gristly membrane flapped like a mantle, dotted with the abortive stumps of wings. For the genitals of a magistrate from Alves had been substituted a coiled mothlike tongue. which poked out uncontrollably at intervals. Some of them leapt and sprang about unpredictably, like grasshoppers on a sunny day; others had lost completely the power of upright locomotion and dragged themselves round in circles like crippled blowflies. This degradation was not wholly their own: behind the desperate murmurs that escaped them could be sensed the rustling whisper of some crippled demiurge: the pain of the Idea striving to clothe itself.
Propelled by a black horror of their own state, dimly but bitterly aware of the humanity they had willingly discarded, they broke down the doors and bore the mechanical wife of Tomb the Dwarf back across the throne-room, beating at it with their old shovels and broken swords. Hung up there among its gleaming limbs he swung his axe; tottered; retreated. While behind him Cellur the birdmaker woke from a dream of dissolution and found it to be real.
10: All the Wounds of the Earth
Galen Hornwrack came down into the mysterious City like some legendary failed conquistador. (Fever and magic have defeated his skills. The waste lands he set out to cross in his youth have shown him no enemy but his own ambition. All wells were poisoned; sand has swallowed his troops and his hopes. He lurches back alone into the country of his birth only to find that it too has become shifting, unreliable, changed forever… ) The scars left by his fight with the metal bird, an encounter which he recalled only dimly, had diverted and hardened the characteristic lines of his face, so that a strange asceticism now modified his habitual expression of petulance and seW-involvement. His nose was running. The sword of tegeus-Cromis he carried in his left hand, having lost its scabbard somewhere in the rotting landscapes behind him. His torn cloak revealed the mail the Queen had given him, now rusty. His eyes were empty and his gaze appallingly direct; as if, tiring of the attempt to winnow the real from the unreal, he now assigned exactly the same value to every object entering his visual field: as if he had suspended judgement on events, and now merely lived through them.
His desire to see the City had kept him from sleep.
Alstath Fulthor followed him, supporting the woman and her endless prophecies. A radiance, colourless in itself, issuing no doubt from his horned and lobed crustaceal armour, appeared to fill both their bodies, illuminating from beneath the things they wore, crimson and blue, as in some old painting. The alien presence of the City, its equivocal contract with 'reality', had lent new energy to – their madness. 'In my youth,'sang the woman, 'I made my small contribution. Blackpool and Chicago become as nothing, their receding colonnades echo to the sound of vanished orchestras.'At this they stopped to regard one another half in delight, half in horror, their cropped spiky hair and long restless hands giving them the air of children caught in some game of conspiracy. (It was only that they hoped to manipulate time, as we know: believing that by combination and recombination of a few common images – which are themselves only the symbols rather than the actual memories of acts peculiar to the Afternoon Cultures – they might obtain the 'code'which would liberate them from the Evening. Thus Main Etteilla, shuffling her pasteboard cards…)
They dawdled, and Hornwrack sat tiredly in the mud to wait for them.
'That's enough of that!'he said sharply. He treated them for the most part with a gruff indulgence, but tried to prevent their odd and embarrassing sexual encounters, chasing the woman away with the flat of his sword while being careful to keep his eye on Fulthor's own great weapon.
'That's enough!'they mimicked. 'That's enough!'
He did not know why he was here, heading into the world's deep wound. Bankrupt of purpose when they had fetched him that morning from the rooms in the Rue Sepile, he had maintained himself on the energy of old betrayals and resentments, none of which had survived the journey through the Deep Wastes. He shrugged. He was a husk. Above him hung the torpid and corrupt manifestation of Benedict Paucemanly which was his only hope. Since dawn it had been undergoing a crisis of will, dissolving sporadically into a mass of greyish curds and losing the power of speech. It would reassemble itself slowly after such a bout, beckon Hornwrack on toward the City, belch tragically. 'I want only death,'it would explain. And Hornwrack with a sigh would lead his mad proteges a little closer.
This City had appeared on the plain with the descent of the insects a decade before, growing from the worn stone nubs, tilted columns and submerged pavements of an ancient Afternoon site. They had not so much built it as expected it. It was not so much a City as a response of ordinary matter to their instinctive metaphysical demands, the warping pressures of their 'n
ew reality'. Originally it had consisted of a number of large but flimsy structures arranged without apparent thought on and around a low mound. The biggest of these were perhaps a hundred feet tall. They were like dry wasps'nests, and of the same papery, cellular construction. They rustled in the wind. The insects went leaping among them on curiously aimless pathways, along the sides of which had been built up over the years peculiar crystalline accretions, hanging reefs and tottering spires, galleries composed of crumbling metallic oxides veined with serpentines and alien glasses. Smaller structures had eventually grown up in the shadows of this development: partly-roofed eccentric hexagons formed of impacted sand mixed with certain bodily secretions of their inhabitants, who forced themselves in and out of small openings in the walls.
But if the insects had first begun to change the Earth at this spot, so it had begun to change them; and matter's accommodating plasticity had turned suddenly into a trap.
Gravity had imprisoned them: here they had first felt its pull, and lost the power of extra-atmospheric flight. It had suddenly become necessary for them to breathe, yet they could not breathe air, and must invent some substitute: here they had built the chugging machinery to disseminate it. (It never worked very well.) Fluids had been unknown to them during their frigid millennial migration through the barren spaces: here they had first filled their tissues with them as a buffer against the poisons of Earth. Here they had put on their breathing masks and built their weapons, seeing themselves as beleaguered, unwilling colonists, victims of a cosmic accident: which they were. Here the human Umwelt had first penetrated their strange nervous systems, working a madness on them so that they could not understand what they saw or felt, and began to die of a new disease.
At the time Galen Hornwrack met his end here, all order and sense of purpose had vanished from the place. The buildings, alien to begin with, had begun to subside like hot glass, as if searching for a new centre of gravity. A partly transparent architecture of nightmarish balconies and over hanging walls had formed as Matter, struggling to find a compromise between human and insect demands, began to teeter and grope toward verticals and horizontals that satisfied neither. Streets laid down under no wholesome plan ended in pits, or in staircases which themselves petered out after a turn or two up the sides of some enormous windowless cylinder. The towers shuddered and quaked, vibrating between human and alien states; then slumped and dissolved like jelly. A languorous buzzing sound accompanied this process, and beneath that the clangour of enormous bells, as if matter were trying to toll itself apart. Appalling winds howled down the changing thoroughfares. Streams of tiny blue motes tumbled from the higher cornices; out in the open squares (through which, as in a dream, could be discerned the equivalent plazas of Viriconium – opposite pole, node of nightmares, sister city) struggled the changed individuals of the swarm; while among the alleys of this disintegrating province proliferated the thick, yellow stems of some mutated plant.
Above, vast clouds of the insects hung in the throbbing purple sky, making adventive, meaningless patterns as they attempted to replicate or restart the endless spatial pilgrimage. They hurled themselves into huge pits dug in the desert. They invented useless vehicles which rolled like mouldy grapefruit between the dunes, rising a few feet above the ground to emit foul gases. ('Regretfully,'whispered the madwoman, 'it is part of a scheme you cannot understand.') Into this chaos Galen Hornwrack was persuaded to lead his party, unaware that circumstances were about to return to him a fragment or two of his distant – indeed by now almost imaginary – adolescence.
Under a sky like a glass mantle, at an intersection in the disintegrating ground plan of the city, two insects performed a dance in the suicidal light. Disease had maimed them, their eyes were like rotting melons; yet vivid heraldic insignia flared along their blue and green flanks like the lights of deep-sea fishes. Stiff and quivering, with curled abdomens and spread wings, moving one damaged limb at a time, they had the air of being painted on one of Elmo Buffin's sails, or tattoed in glowing inks on an upper arm. through this architecture of melting wax by small energetic movements of its finny hands.
Evening came, and with it a purple gloom through which darted curious flames.
Out of this, wreathed in a glutinous yellow fog, some clumsy insects dragged themselves. There were three or four of them. Alstath Fulthor put his hands to his head and fell down. 'Oh oh oh,'he cried. 'Oh, oh,'whispered the insects. They approached with a peculiar reluctance, dipping their great masks. Their grey wing-cases and armoured yellow underparts were cross-hatched with self-inflicted wounds. From these wounds were growing like buds a variety of pink new half-human limbs, joined to the pricked and rotting carapaces by a transitional substance, membranous, neither flesh nor chitin. There were clumps of little hands with mobile, perfect fingers, each one having a tiny fingernail like mother-of-pearl. There were the faces of very young children with closed eyes. There were eyes alone (as indeed there were legs and torsos and internal organs), gummy with post-natal sleep, and of a very distinct blue like enamelling on an old brooch. Some of the faces murmured drowsily.
Whether these insects were ambassadors or soldiers was not clear. They had recognised Hornwrack's party as human, and been attracted by the magistral lustre of the Reborn Man's scarlet armour. (When they approached him their own insignia flared up along their sides, orange and emerald.) They could not speak, though, and he could not help them. They remained: immobile, at once heraldic and debased. It was the madwoman who sat up suddenly to speak on their behalf.
'We did not ask to come here,'she said. She watched Hornwrack, who in his turn licked his lips and stared at the travesty of a baby's head.
'What?'he said.
'Go away and wait,'she begged. 'Leave us to be finished here. We cannot live here much.'She opened her mouth and blood trickled from her lacerated tongue. 'Give us in peace,'she whispered, holding her head on one side in a listening attitude, her mouth full of crushed flowers. 'Oh!'
At the end of this speech she was standing with her back to the insects, her eyes bright with a horrifying intelligence. Their own great faceted orbs observed Hornwrack calmly over her shoulders. They were motionless. Hornwrack began to back away, laughing. 'No more of this!'he heard himself exclaim. He held up his hands. 'I don't want to hear any more.'He looked round for guidance, but Fulthor was grunting on the floor, and the spectre of the ancient airman had inconveniently vanished. Suddenly a kind of fake anger overcame his fright. He dragged the sword of tegeus-Cromis from his belt, shoved the woman aside, and waded into them with it. But it was only steel, and quickly broke in half. The ambassadors fell back without resisting him, rustling, bearing their dreadful human buds. (One of the heads woke up. Leave us alone, it whispered, looking directly at him.) Then another wave of disintegration surged out of the core of the city, which was now very close. Hornwrack staggered. The ambassadors writhed and thrashed, their joints gouting fluid. Fay Glass screamed.
'Leave us alone! We will soon die here!'
Hornwrack could bear no more of it. He was used to a less equivocal violence. Retching, he stumbled over to Fulthor's inert body and got the powered broadsword from its ceramic sheath. He had never used one before. He went back and cut inexpertly at the flailing forelimbs and compound eyes of the ambassadors. This time they made a half-hearted fight of it as they backed into the purple gloom. But their odd, gnarled weapons only sputtered feebly in the damp.air; gave up strings of pale light: and failed utterly. They tumbled on to their sides as he chopped off their legs. They whirred round in circles, pushing the earth up into irregular mounds. Soon they were all dead. He stared at them in astonishment; at the artifact fizzing in his hand; at Fay Glass. At the last moment they had tried to direct his attention away from the hulk of Benedict Paucemanly's airboat, the Heavy Star.
The hull of this ship loomed over him, crawling with the enigmatic corrosions of its hundred-year sojourn in the Moon. It was embedded in a tall bulwark of compacted sand which curved away
right and left like the shell of some huge stadium. Hornwrack walked round it, awed, exultant. That famous machine! Lights were dimly visible through its fissured outer skin; pulpy vines enwrapped it; a few flakes of black and silver paint adhered to its stern – the colours of the House of Methven, set there at the height of the air-siege of Mingulay.
“'Fear death from the air!”'shouted Hornwrack. He laughed. He took hold of the madwoman's wrist in his enthusiasm and pulled her along after him. “'Fear death from the air!”'He thought of Fat Main Etteilla, and the Bistro Californium with its clientele of perverts and poseurs. He thought of the dwarf who had beaten him up in the palace and then abandoned him in the shadow of the Agdon Roches. He thought of the High City, which had wooed him merely to betray him. He thought of the Low City, of the boy in the Rue Sepile, the drifts of sodden chestnut leaves in the late-afternoon light of November, the women laughing in the upstairs rooms. He though of the candle at night, a cat sneaking into the room, the smell of geraniums – one dawn following another until they made eighty years of wounds and fevers. None of it meant anything. It was as if he had been relieved of these things, only to have them changed somehow and given back to him merely as memories. 'If I can rip her loose we'll fight our way out of this madhouse!'he said. He would fly down to the Pastel City in the last airboat left in the kingdom. There he would speak with the dwarf, perhaps even the Queen. There he'd state his terms. 'She'll never take to space again,'he said, rubbing his thumb over the thin, whitish, lichen-like growths, the network of tiny cracks that dulled the crystal skin. Even this slight contact made him shiver with excitement. He kicked at a door in the stern to see if it would open, and was rewarded by a hollow boom. 'But her motors still work. Look!'
He dropped the High City sword suddenly, grasped the girl by her upper arms. She stared blankly at him. 'Once I flew such vessels!'he cried: 'Don't you believe me?'And then: 'That ghost has given me back the sky. It has given me back the sky!'
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