by James Ellroy
I walked in quickly, and closed the door behind me. I ran the flashlight along the walls looking for a light switch, found one, and flipped it on, momentarily illuminating a living room tastefully furnished with Persian carpets, modern blond bentwood furniture, and, on all four walls, oil paintings of horses in racing colors.
I turned the light off, and headed for the hallway. I switched on another light and almost knocked over a telephone stand. The stand had three drawers, and I went through them hoping to find some kind of personal phone book. There was nothing—the three drawers were empty.
I flipped off the light and maneuvered my way into the bedroom. My eyes were getting accustomed to the darkness, so it was easy to pick out objects in the room—bed, dresser, bookshelves. The window was covered by heavy velvet curtains, so I decided to risk leaving a light on while I did my searching. I turned on a table lamp, lighting up a room that was strangely sedate—just a simple bed with a plaid bedspread, a bookshelf crammed with picture books on horse racing, and bullfight posters and framed prints of a beautiful palomino on the walls. There was a deep walk-in closet behind the bed, crammed with clothes. At least fifty sport coats on hangers, thirty or forty pairs of slacks, scores of dress shirts and sport shirts. The floor of the closet was lined with shoes, from somber wingtips to sporty loafers, all shined and arranged neatly. Eddie the dude. It wasn’t enough. I wanted evidence pointing to Eddie the degenerate—Eddie the killer.
I went through the dresser drawers, four of them, very thoroughly and very carefully, looking for phone books, journals, photographs, anything to link Eddie Engels to Maggie Cadwallader or Leona Jensen. There was nothing. Just gold silk underwear, but that was not enough to hang a man on.
I went back into the big closet and felt inside the jacket pockets. Nothing. Finished with the bedroom, I turned out the light and went back to the living room, shining my flashlight in corners, into bookshelves, under chairs and sofas. Nothing. Nothing personal. Nothing to indicate that Eddie Engels was anything but a spiffy dresser who loved horses.
There was a liquor cabinet with one bottle each of Scotch, bourbon, gin, and brandy. There were no photographs of family or loved ones. It was a maddeningly impersonal habitat, the home of a phantom.
I went into the kitchen. It was as I expected, compact and very tidy; a breakfast nook, a sink that held no dishes, a refrigerator with nothing but a cold-water bottle inside, and a 1950 calendar tacked to the wall with no notations on any of its pages.
Which left the bathroom. Maybe old Eddie cut loose in there. Maybe the bathtub would be filled with mermaids or alligators. No such luck—the bathroom was pink tile, spotless, with a giant mirror above the sink, and a full-length mirror on the inside of the door. Eddie, the narcissist.
Above the toilet was a medicine cabinet. I opened it, expecting to find toothpaste and shaving gear, but found instead a half dozen tiny shelves holding rolled-up neckties. Eddie, the sartorially splendid, used the full-length mirror to ensure a perfect Windsor knot. I ran a hand over the collection of silk, arranged according to color and style. What a mania for order; what a mania for small perfections. Then I noticed what seemed like a strange anomaly—one silk tie, a green one, was sticking out further than the others. I poked at it with a finger, and felt something solid inside. I pulled the tie out carefully and unrolled it. Maggie Cadwallader’s diamond brooch fell into my hand.
I stared at it for long moments, shocked. After a minute or so, my calm flew out the window and my mind started churning with plans. I rolled the brooch back into the tie and replaced it in the little cabinet exactly as I had found it. I turned the bathroom light off and walked through the dark apartment to the front door. I locked it behind me, checking the jamb for signs of entry. There were none.
All the lights in the courtyard were off. I stood there a few moments, savoring the wonder of the night and what I had just discovered, then walked behind the bungalows. There was a corrugated overhang that sheltered the tenants’ cars. The car on the end, shiny in the moonlight, was a bright red ’49 Ford with a white ragtop. A foxtail dangled from the radio antenna. I flicked it with my finger.
“You killed Maggie Cadwallader and God knows who else, you degenerate son of a bitch,” I said, “and I’m going to see that you pay.”
9
My case. My suspect. My revenge? My collar? My glory and gravy train? All these thoughts went through my head the following day as I walked my beat on sun-beaten Central Avenue.
A decision was due, and I would have to act either rationally or quixotically. I gave my options more thought, and as my tour ended I made a decision—a humbling, but safe one. I changed back into my civvies and knocked on Captain Jurgensen’s door.
“Enter,” he called through it. I walked in and saluted. Jurgensen dog-eared his paperback Othello and looked at me. “Yes, Underhill?” he said.
“Sir,” I said, “I know who killed that woman who was found strangled in Hollywood last week. He may have killed others. I can’t make the collar myself. I need to turn my evidence over to someone who can formalize an investigation, so I came to you.”
“Perdition, catch my soul,” Jurgensen said, then sighed and drew a pipe and pouch from his desk drawer. I stood at parade rest while he took his time packing the pipe and lighting it. He seemed to have forgotten I was there. I was about to clear my throat when he said, “For Christ’s sake, Underhill, sit down and tell me about it.”
It took me twenty minutes, by the electric clock on the captain’s wall.
I covered everything, except my coupling with Maggie Cadwallader. I told him of the similarities between the two killings. I told him of my noticing the matches in Leona Jensen’s apartment last February, and how that was the link that drew me to the Silver Star. I omitted my knowledge of the diamond brooch.
During the course of telling my story, I watched Jurgensen’s normally stoic expression veer between curiosity, anger, and some kind of bitter amusement. When I finished he stared at me in silence. I stared back, sensing that phony contrition for the liberties I had taken wouldn’t be believed. We stared at each other some more.
The captain looked very grave. He started to tamp his pipe bowl into his palm very slowly and deliberately. “Underhill,” he said, “you are a supremely arrogant young man. In the course of what you arrogantly call your ‘investigation,’ you have committed infractions of departmental regulations that could end your career; you have committed two felonies that could send you to San Quentin; and implicitly you have held the detectives of two divisions and the Homicide Bureau up to ridicule—”
“Sir, I—”
“Don’t interrupt, Underhill! I am a captain and you are a patrolman, and don’t forget it.” Jurgensen’s face was very red, and there was an angry blue vein throbbing in his neck.
“Sir, I apologize.”
“Very well. I could crucify you for your arrogance, but I won’t.”
“Thank you, sir.”
“Don’t thank me yet, Officer. You are a very gifted young man, but your arrogance supersedes your gifts. Arrogance cannot be tolerated in police officers; to tolerate it would be to promote anarchy. The Los Angeles Police Department is a superbly structured bureaucracy, one you have sworn allegiance to. Your actions have reviled the department. Know that, Underhill. Know that your ambition is threatening to kill you as a policeman. Do you understand me?”
I cleared my throat. “Sir, I do believe I acted rashly, and I apologize to you—and to the department—for that. But I think my motives were sound. I wanted justice.”
Jurgensen snorted and shook his head. “No, Underhill, you didn’t. I would accept that from many young officers, but not from you. Beyond self-aggrandizement, I’m not sure that even you know what you want, but it certainly isn’t justice. You laugh at the penal code of this state, and tell me you want justice? Don’t insult my intelligence.”
/> Jurgensen’s anger was winding down. I tried to deflect his attack. “Sir, with all due respect, what do you think of my case?”
“Your ‘case’? I think that as of this moment you have nothing but a strong suspect and an incredible gift of intuition. This man Engels is so far nothing but a gambler and a womanizer, neither of which is criminal behavior. He’s also probably a homo, which doesn’t make him a murderer. You have no hard evidence. I don’t think much of your ‘case.’ ”
“And my intuition, Captain?”
“I trust your intuition, Underhill, or I would have suspended you from duty half an hour ago.”
“And, sir?”
“And…what do you want, Underhill?”
“I want to be part of the investigation, and I want to go to the Detective Bureau when I pass the sergeant’s exam later this year.”
Jurgensen laughed bitterly. He reached into his desk, pulled out a scratch pad, and wrote something on it, ripping the page free and handing it to me. “This is my home address, in Glendale. Be there tonight at eight thirty. I want you to tell your story to Dudley Smith. He’ll decide the course of this investigation. Now leave me alone.”
When he said the words “Dudley Smith,” Jurgensen’s cold blue eyes had bored into me like poison darts, waiting for me to show fear or apprehension. I didn’t.
“Yes, sir,” I said, then got up and walked out the door without saluting.
* * *
—
Dudley Smith was a lieutenant in the homicide bureau, a fearsome personage and legendary cop who had killed five men in the line of duty. Irish-born and Los Angeles–raised, he still clung tenaciously to his high-pitched, musical brogue, which was as finely tuned as a Stradivarius. He often lectured at the academy on interrogation techniques, and I remembered how that brogue could be alternately soothing or brutal, inquisitive or dumbfounded, sympathetic or filled with pious rage.
He was over six feet tall and broad as a ceiling beam. He was an immense brownness—brown hair cut close, small brown eyes, and always dressed in a baggy brown vested suit. There was a frightening set to his face, regardless of the interrogation technique he was explaining. He was a master actor with a huge ego who was adept at changing roles at the drop of a hat, yet who always managed to impart purity of personality to the part he was currently playing.
I was at the academy when the Black Dahlia investigation was going on. Smith was in charge of rounding up all known sex criminals in Los Angeles. After finishing his lecture, applause-loving actor that he was, he told us about the kind of “human scum” with which he was dealing. He told us that he had heard things and seen things and done things in his search for the killer “of that tragic, thrill-seeking colleen, Elizabeth Short” that he hoped we, the “cream of Los Angeles manhood,” about to enter “the grandest calling on God’s earth” would never have to hear or see or do. It was brilliantly elliptical. Speculation on the sternness of Smith’s measures was the number one topic of conversation at the academy for weeks. I asked one of my instructors, Sergeant Clark, about him.
“He’s a brutal son of a bitch who gets the job done,” he said.
Elizabeth Short’s killer was never found—which meant that Dudley Smith was human, and fallible. I pumped myself up with logic as I drove out Los Feliz to Glendale that evening. I went over my story from all possible angles, knowing I could not betray any personal knowledge of Maggie Cadwallader. I was prepared for a master performance myself, prepared to kiss the big Irishman’s ass, to butt heads with him, to run profane, run subservient, run any way but stupid with him in my effort to be part of the investigation that brought down Eddie Engels.
* * *
—
Captain Jurgensen lived in a small wood-framed house on a treeless side street off of Brand Avenue near downtown Glendale. As I walked up the steps a dog started barking and I heard Jurgensen shush him: “Friend, Colonel, friend. Now, hush.” The dog whimpered and trotted over to greet me, going straight for my crotch.
Jurgensen was sitting inside the screened porch on a lawn chair. “Hello, Underhill,” he said, “sit down.” He pointed to the wicker armchair next to him. I sat down.
“About this afternoon, Captain—” I started to say.
Jurgensen shushed me as he had the dog. “Forget it, Fred. Enough said. As of now you are temporarily attached to the detective bureau. Lieutenant Smith will tell you about it. He’ll be here in a few minutes. Would you like iced tea? Or a beer?”
“Beer would be fine, sir.”
The captain brought it, in a coffee cup, just as I saw an old prewar Dodge pull up to the curb. I watched as Dudley Smith carefully locked the car, hitched up his trousers and walked across the front lawn toward us.
“Don’t be scared, Fred,” Jurgensen said, “he’s only human.”
I laughed and sipped my beer as Dudley Smith knocked loudly on the flimsy wooden frame of the porch. “Knock, knock,” he said broadly in his musical, high-pitched brogue. “Who’s there? Dudley Smith, so crooks beware.” He laughed at his own poetry, then walked in and stuck out a huge hand to Captain Jurgensen. “Hello, John. How are you?”
“Dudley,” the captain said.
Smith nodded in my direction. “And this is our brilliant young colleague, Officer Frederick Underhill?”
I got up to shake the big cop’s hand, noting with satisfaction that I was two inches taller than he. “Hello, Lieutenant,” I said, “it’s a pleasure to meet you.”
“The pleasure is entirely mine, lad. Why don’t we all sit down? We have grave matters to discuss, and we should relax our bodies while we tax our brains.”
Smith folded himself into the only padded chair on the porch. He stretched out his long legs and smiled charmingly at Jurgensen. “Beer, please, John, in a bottle, and please take your time getting it.”
The ranking officer walked dutifully away while the big Irishman stared at me with beady brown eyes, hugely offset by his blunt red face. After a moment, he spoke.
“Officer Frederick U. Underhill, twenty-seven years old, college graduate, not a veteran. Exceedingly high marks at the academy, excellent fitness reports at Wilshire and Seventy-seventh Street. Killed two men in the line of duty. I am suitably impressed, and I don’t give a damn what vigilante actions you have taken lately. John is an excitable, traditional cop. I am not. I applaud you for your actions and congratulate you on your intelligence in taking your investigation to a superior officer. Enough horseshit. Talk to me of dead women and killers. Take your time, I’m a good listener.”
The little brown eyes had never left my own, and they remained on target while Dudley Smith fished in his trouser pockets for cigarettes and matches, then lit up and blew smoke at me.
I cleared my throat. “Thank you, sir. In February, I was working Wilshire Patrol. My partner and I were summoned by a distraught woman to a murder scene. The victim was a young woman named Leona Jensen. She had been strangled and stabbed to death in her apartment; the place had been ransacked. I called the dicks. They came and said it looked as if the woman had interrupted a burglar. I noticed a book of matches from the Silver Star bar on a table, but didn’t think anything about it.
“Last week another woman was strangled in her apartment in Hollywood; I read about it in the papers. Her name was Margaret Cadwallader. I started thinking about the similarities between the two murders. The Hollywood dicks put this one off as a burglary killing, too, and they were basing their entire investigation on that thesis. I had an intuition about it, though. It wouldn’t let me sleep. I trust my intuitions, sir, which is why my record of felony arrests is so good.
“Somehow I knew the two deaths were connected. I broke into the Cadwallader woman’s apartment”—I slowed down as I got ready to drop my first outright lie—“and found a book of matches for the selfsame bar under the corner of the living room carpet.” I
paused for effect.
“Go on, Officer,” Dudley Smith said.
“All right. Now I knew that the Cadwallader dame had gone to the Silver Star, at least once. I wangled my way onto day watch so I could go there at night, too. I had a hunch that the Jensen woman and Margaret Cadwallader had been picked up there by a lover-boy type. I enlisted the aid of the bartender, who told me about ‘Eddie,’ a real smooth operator who picked up a lot of women at the joint. Eddie came in the following night. The barman pointed him out to me. He tried putting the make on several women, who turned him down. He left, and I tailed him to a queer bar in West Hollywood, where he had an argument with a guy. Then I followed him to his apartment off the Strip. He stayed there all night. The next morning, I tailed him to Santa Anita racetrack. From his conversation with the man at the fifty-dollar window, I determined he was a heavy gambler who frequently brought women to the track.
“I showed a photograph of Margaret Cadwallader to the window man. He told me that Eddie’s last name was Engels, and that Eddie had brought the woman to the track in June for the President’s Stakes. He positively identified her. I had mixed the photo in with several others, so I know he was certain.
“Next I called R&I and got some info on Engels’s record and car ownership. No record; two cars. I went to car dealers and got pictures of the models he owns, then colored them in the appropriate colors. Next I went to every nightclub on the Sunset Strip. Four people remembered seeing Eddie Engels with Margaret Cadwallader. I got their names and addresses. Then I drove to Hollywood. A high school kid remembered seeing Engels’s ’49 Ford convertible parked around the corner from the Cadwallader apartment on the night of the murder. He described it as having a foxtail on the radio antenna. Later that night I broke into Engels’s bungalow. I found no evidence linking him to anything criminal, but I did see his ’49 Ford. It had a foxtail on the aerial. That’s it, Lieutenant.”