He does not want to take the time to go down to Surrey to Carew’s house, but it seems he must. It is a well-proportioned house put up some thirty years ago, its great hall especially splendid and much copied by gentlemen building their own houses. He has been there before, with the cardinal in his time. It looks as though since then Carew has brought Italians in to replan the gardens. The gardeners doff their straw hats to him. The walks are coming into their early summer glory. Birds twitter from an aviary. The grass is shorn as close as velvet pile. Nymphs watch him with stone eyes.
Now that the business is tending one way and one way only, the Seymours have begun teaching Jane how to be a queen. ‘This business you get up to with doors,’ Edward Seymour says. Jane blinks at him. ‘The way you hold the door still and slide yourself around it.’
‘You told me to be discreet.’ Jane lowers her eyes, to show him what discretion means.
‘Now. Go out of the room,’ Edward says. ‘Come back in. Like a queen, Jane.’
Jane sneaks out. The door creaks behind her. In the hiatus, they look at each other. The door swings open. There is a long pause – as it might be, a regal pause. The doorway stands empty. Then Jane appears, inching around the corner. ‘Is that better?’
‘Do you know what I think?’ he says. ‘I think that from now on Jane won’t be opening her own doors, so it doesn’t matter.’
‘My belief is,’ Edward says, ‘this modesty could pall. Look up at me, Jane. I want to see your expression.’
‘But what makes you think,’ Jane murmurs, ‘that I want to see yours?’
In the gallery the whole family is assembled. The two brothers, prudent Edward and hasty Tom. Worthy Sir John, the old goat. Lady Margery, the noted beauty of her day, about whom John Skelton once penned a line: ‘benign, courteous and meek’, he called her. The meekness is not evident today: she looks grimly triumphant, like a woman who has squeezed success from life, though it’s taken her nearly sixty years to do it.
Bess Seymour, the widowed sister, sails in. She has a parcel wrapped in linen in her hands. ‘Master Secretary,’ she says, with a reverence. She says to her brother, ‘Here, Tom, hold this. Sit down, sister.’
Jane sits on a stool. You expect someone to hand her a slate and begin her on A.B.C. ‘Now,’ Bess says. ‘Off with this.’ For a moment, she looks as if she is attacking her sister: with a vigorous double-handed tug, she rips off her half-moon headdress, flips up its veil and bundles the whole into the waiting hands of her mother.
Jane in her white cap looks naked and pained, her face as small and wan as a face on a sickbed. ‘Cap off too, and start again,’ Bess orders. She drags at the knotted string under her sister’s chin. ‘What have you done with this, Jane? It looks as if you’ve been sucking it.’ Lady Margery produces a pair of embroidery scissors. With a snip, Jane is freed. Her sister whisks the cap off and Jane’s pale hair, a thin ribbon of light, streaks over her shoulder. Sir John ahems and looks away, the old hypocrite: as if he’d seen something beyond the male remit. The hair has a moment’s freedom before Lady Margery plucks it up and wraps it around her hand, as unfeeling as if it were a hank of wool; Jane frowns as it is whipped up from her nape, coiled, and crammed under a newer, stiffer cap. ‘We’re going to pin this,’ Bess says. She works, absorbed. ‘More elegant, if you can stand it.’
‘Never liked strings myself,’ Lady Margery says.
‘Thank you, Tom,’ Bess says, and takes her parcel. She casts aside the wrappings. ‘Cap tighter,’ she decrees. Her mother pinches as directed, repins. The next moment a fabric box is crammed on Jane’s head. Her eyes turn up, as if for help, and she utters one little bleat, as the wire frame bites into her scalp. ‘Well, I am surprised,’ Lady Margery says. ‘You’ve got a bigger head than I thought, Jane.’ Bess applies herself to bending the wire. Jane sits mute. ‘That’ll do,’ Lady Margery says. ‘It’s got a bit of give in it. Push it down. Turn up the lappets. About chin level, Bess. That’s how the old queen used to like it.’ She stands back to assess her daughter, now imprisoned in an old-fashioned gable hood, the kind that hasn’t been seen since Anne came up. Lady Margery sucks in her lips and studies her daughter. ‘Tilting,’ she pronounces.
‘That’s Jane, I think,’ Tom Seymour says. ‘Sit up straight, sister.’
Jane puts her hands to her head, gingerly, as if the construction might be hot. ‘Leave it alone,’ her mother snaps. ‘You wore it before. You’ll get used to it.’
From somewhere Bess produces a length of fine black veiling. ‘Sit still.’ She begins to pin it to the back of the box, her face absorbed. Ouch, that was my neck, Jane says, and Tom Seymour gives a heartless laugh; some private joke of his, too unseemly to share, but one can guess. ‘I’m sorry to keep you, Master Secretary,’ Bess says, ‘but she has to get this right. We cannot have her reminding the king of, you know.’
Just take care, he thinks, uneasy: it is only four months since Katherine died, perhaps the king does not want to be reminded of her either.
‘We have several more frames at our command,’ Bess tells her sister, ‘so if you really can’t balance it, we can take the whole thing down and try again.’
Jane closed her eyes. ‘I’m sure it will do.’
‘How did you get them so quickly?’ he asks.
‘They have been put away,’ Lady Margery says. ‘In chests. By women like myself who knew they would be needed again. We shall not see the French fashions now, not for many a year, please God.’
Old Sir John says, ‘The king has sent her jewels.’
‘Things La Ana had no use for,’ Tom Seymour says. ‘But they will all come to her soon.’
Bess says, ‘I suppose Anne will not want them, in her convent.’
Jane glances up: and now she does it, now she meets the eyes of her brothers, and pulls her gaze away again. It is always a surprise to hear her voice, so soft and so unpractised, its tone so at odds with what she has to say. ‘I do not see how that can work, the convent. First Anne would claim that she was carrying the king’s child. Then he would be forced to wait on her, without result, for there is never a result. After that she would think of new delays. And meanwhile none of us would be safe.’
Tom says, ‘She knows Henry’s secrets, I dare say. And would sell them to her friends the French.’
‘Not that they are her friends,’ Edward says. ‘Not any more.’
‘But she would try,’ Jane says.
He sees them, closing ranks: a fine old English family. He asks Jane, ‘Would you do anything you can, to ruin Anne Boleyn?’ His tone implies no reproach; he’s just interested.
Jane considers: but only for a moment. ‘No one need contrive at her ruin. No one is guilty of it. She ruined herself. You cannot do what Anne Boleyn did, and live to be old.’
He must study Jane, now, the expression on her downturned face. When Henry courted Anne she looked squarely at the world, her chin tilted upwards, her shallow-set eyes like pools of darkness against the glow of her skin. But one searching glance is enough for Jane, and then she casts her eyes down. Her expression is withdrawn, brooding. He has seen it before. He has been looking at pictures these forty years. When he was a boy, before he ran away from England, a picture was a splayed cunt chalked on a wall, or a flat-eyed saint you studied while you yawned through Sunday Mass. But in Florence the masters had painted silver-faced virgins, demure, reluctant, whose fate moved within them, a slow reckoning in the blood; their eyes were turned inwards, to images of pain and glory. Has Jane seen such pictures? Is it possible that the masters drew from life, that they studied the face of some woman betrothed, some woman being walked by her kin to the church door? French hood, gable hood, it is not enough. If Jane could veil her face completely, she would do it, and hide her calculations from the world.
‘Well now,’ he says. He feels awkward, attracting attention back to himself. ‘The reason I have come, the king has sent me with a gift.’
It is wrapped in silk. Jane looks up as s
he turns it over in her hands. ‘You once gave me a gift, Master Cromwell. And in those days no one else did so. You may be sure I shall remember that, when it is in my power to do you good.’
Just in time to frown at this, Sir Nicholas Carew has made an entrance. He does not come into a room like lesser men, but rolls in, like a siege engine or some formidable hurling device: and now, halting before Cromwell, he looks as if he wishes to bombard him. ‘I have heard about these ballads,’ he says. ‘Cannot you suppress them?’
‘They’re nothing personal,’ he says. ‘Just warmed-over libels from when Katherine was queen and Anne was the pretender.’
‘The two cases are in no way alike. This virtuous lady, and that…’ Words fail Carew; and indeed, her judicial status uncertain, the charges not yet framed, it is hard to describe Anne. If she is a traitor she is, pending the verdict of the court, technically dead; though at the Tower, Kingston reports, she eats heartily enough, and giggles, like Tom Seymour, over private jokes.
‘The king is rewriting old songs,’ he says. ‘Reworking their references. A dark lady is taken out and a fair lady brought in. Jane knows how these things are managed. She was with the old queen. If Jane has no illusions, a little maid such as she, then you should get rid of yours, Sir Nicholas. You are too old for them.’
Jane sits unmoving with her present in her hands, still wrapped. ‘It’s all right to undo it, Jane,’ her sister says kindly. ‘Whatever it is, it’s yours to keep.’
‘I was listening to Master Secretary,’ Jane says. ‘One can learn a great deal from him.’
‘Hardly apt lessons for you,’ Edward Seymour says.
‘I don’t know. Ten years in the train of Master Secretary, and I might learn to stand up for myself.’
‘Your happy destiny,’ says Edward, ‘is to be a queen, not a clerk.’
‘So do you,’ Jane says, ‘give thanks to God I was born a woman?’
‘We thank God on our knees daily,’ Tom Seymour says, with leaden gallantry. It is new to him, to have this meek sister require compliments, and he is not swift to respond. He gives brother Edward a glance and a shrug: sorry, best I can do.
Jane unwraps her prize. She runs the chain through her fingers; it is as fine as one of her own hairs. She holds the tiny book in the palm of her hand and turns it over. In the gold and black enamel of its cover, initials are studded in rubies, and entwined: ‘H’ and ‘A’.
‘Think nothing of it, the stones can be replaced,’ he says quickly. Jane hands him the object. Her face has fallen; she does not yet know how thrifty the king can be, this most magnificent prince. Henry should have warned me, he thinks. Beneath Anne’s initial you can still distinguish the ‘K’. He passes it to Nicholas Carew. ‘You take note?’
The knight opens it, fumbling with the tiny clasp. ‘Ah,’ he says. ‘A Latin prayer. Or a Bible verse?’
‘If I may?’ He takes it back. ‘Here is the Book of Proverbs. “Who can find a good, a virtuous woman? Her price is beyond rubies.”’ Evidently it’s not, he thinks: three presents, three wives, and only one jeweller’s bill. He says to Jane, smiling, ‘Do you know this woman who is mentioned here? Her clothing is silk and purple, says the author. I could tell you much more about her, from verses this page cannot contain.’
Edward Seymour says, ‘You should have been a bishop, Cromwell.’
‘Edward,’ he says, ‘I should have been Pope.’
He is taking his leave, when Carew crooks a peremptory finger. Oh, Lord Jesus, he breathes to himself, I am in trouble now, for not being humble enough. Carew motions him aside. But it is not to reproach him. ‘The Princess Mary,’ Carew murmurs, ‘is very hopeful of a call to her father’s side. What better remedy and comfort at such a time, for the king, than to have the child of his true marriage in his house?’
‘Mary is better where she is. The subjects discussed here, in the council and on the street, are not fit for the ears of a young girl.’
Carew frowns. ‘There may be something in that. But she looks to have messages from the king. Tokens.’
Tokens, he thinks; that can be arranged.
‘There are ladies and gentlemen from the court,’ Carew says, ‘who wish to ride up-country to pay their respects, and if the princess is not to be conducted here, surely the terms of her confinement should be relaxed? It is hardly suitable, now, to have Boleyn women around her. Perhaps her old governor, the Countess of Salisbury…’
Margaret Pole? That haggard papist battleaxe? But now is not the time to deliver hard truths to Sir Nicholas; that can wait. ‘The king will dispose,’ he says comfortably. ‘It is a close family matter. He will know what is best for his daughter.’
By night, when the candles are lit, Henry leaks easy tears over Mary. But by daylight he sees her for what she is: disobedient, self-willed, still unbroken. When all this is tidied away, the king says, I shall turn my attention to my duties as father. I am sad that the Lady Mary and I have become estranged. After Anne, reconciliation will become possible. But, he adds, there will be certain conditions. To which, mark my words, my daughter Mary will adhere.
‘One more thing,’ Carew says. ‘You must pull Wyatt in.’
Instead, he has Francis Bryan fetched. Francis comes in grinning: he thinks himself the untouchable man. His eye patch is decorated with a small winking emerald, which gives a sinister effect: one green eye, and the other…
He examines it: says, ‘Sir Francis, what colour are your eyes? I mean, your eye?’
‘Red, generally,’ Bryan says. ‘But I try not to drink during Lent. Or Advent. Or on Fridays.’ He sounds lugubrious. ‘Why am I here? You know I’m on your side, don’t you?’
‘I only asked you to supper.’
‘You asked Mark Smeaton to supper. And look where he is now.’
‘It is not I who doubts you,’ he says with a heavy, actor’s sigh. (How he enjoys Sir Francis.) ‘It is not I, but the world at large, who asks where your loyalties lie. You are, of course, the queen’s kinsman.’
‘I am Jane’s kinsman too.’ Bryan is still at ease, and he shows it by leaning back in his chair, his feet thrust out under the table. ‘I hardly thought I should be interrogated.’
‘I am talking to everyone who is close to the queen’s family. And you are certainly close, you have been with them since the early days; did you not go to Rome, chasing the king’s divorce, pressing the Boleyns’ case with the best of them? But what should you fear? You are an old courtier, you know everything. Used wisely, wisely shared, knowledge may protect you.’
He waits. Bryan has sat up straight.
‘And you want to please the king,’ he says. ‘All I ask is to be sure that, if you are put to it, you will give evidence on any point I require.’
He could swear that Francis sweats Gascon wine, his pores leaking that mouldy, ropey stuff he’s been buying cheap and selling dear to the king’s own cellars.
‘Look, Crumb,’ Bryan says. ‘What I know is, Norris always imagined rutting with her.’
‘And her brother, what did he imagine?’
Bryan shrugs. ‘She was sent to France and they never knew each other till they were grown. I have known such things happen, have not you?’
‘No, I cannot say I have. We never went in for incest where I grew up, God knows we had crimes enough and sins, but there were places our fantasy did not stretch.’
‘You saw it in Italy, I wager. Only sometimes people see it and they don’t dare name it.’
‘I dare name anything,’ he says calmly. ‘As you will see. My imagination may lag behind each day’s revelations, but I am working hard to catch up with them.’
‘Now she is not queen,’ Bryan says, ‘because she is not, is she…I can call her what she is, a hot minx, and where has she better opportunity, than with her family?’
He says, ‘By that reasoning, do you think she goes to it with Uncle Norfolk? It could even be you, Sir Francis. If she has a mind to her relatives. You are a great gallant.’
/>
‘Oh, Christ,’ Bryan says. ‘Cromwell, you would not.’
‘I only mention it. But as we are at one in this matter, or we appear to be, will you do me a service? You could ride over to Great Hallingbury, and prepare my friend Lord Morley for what is coming. It is not the sort of news you can break in a letter, not when the friend is elderly.’
‘You think it’s better face to face?’ An incredulous laugh. ‘My lord, I shall say, I come myself to spare you a shock – your daughter Jane will soon be a widow, because her husband is to be decapitated for incest.’
‘No, the matter of incest we leave to the priests. It is for treason he will die. And we do not know the king will choose decapitation.’
‘I do not believe I can do it.’
‘But I do. I have great faith in you. Think of it as a diplomatic mission. You have performed those. Though I wonder how.’
‘Sober,’ Francis Bryan says. ‘I shall need a drink for this one. And you know, I have a dread of Lord Morley. He is always pulling out some ancient manuscript, and saying, “Look here, Francis!” and laughing heartily at the jokes in it. And you know my Latin, any schoolboy would be ashamed of it.’
‘Don’t wheedle,’ he says. ‘Saddle your horse. But before you ride to Essex, do me a further service. Go see your friend Nicholas Carew. Tell him I agree to his demands and I will talk to Wyatt. But warn him, tell him not to push me because I will not be pushed. Remind Carew that there may be more arrests, I am not yet able to say who. Or rather, if I am able, I am not willing. Understand, and make your friends understand, that I must have a free hand to deal. I am not their waiting boy.’
‘Am I free to go?’
‘Free as air,’ he says, blandly. ‘But what about supper?’
‘You can eat mine,’ Francis says.
Though the king’s chamber is dark, the king says, ‘We must look into a glass of truth. I think I am to blame, as what I suspected I did not own.’
Bring Up the Bodies tct-2 Page 32