"Do be careful, Bill–do be careful!" said a low, kind voice just behind him.
It was that of Willie Pond.
"Oh, go home and mind your business. I'll break this bank to-night, or die in the trial!" cried Bill, defiantly.
"You'll die before you break it!" shrieked out a shrill, sharp voice, and the red-haired Texan sprang forward with an uplifted bowie-knife, and lunged with deadly aim at Bill's heart, even as the person we have so long known as Willie Pond shrieked out:
"Save, oh, save my husband!"
But another hand clutched the hilt of the descending knife and the hand of a short, thickset, beetle-browed desperado, was shouted, as he drew a pistol with his other hand:
"Wild Bill is my game. No one living shall cheat me of my revenge! Look at this scar, Bill–you marked me for life and now I mark you for death!"
And even as he spoke, the man fired, and a death-shot pierced Wild Bill's heart.
The latter, who had risen to his feet, staggered toward the Texan, who struggled to free his knife-hand from the clutch of the real assassin, and with a wild laugh, tore the false hair from the Texan's head. As a roll of woman's hair came down in a flood of beauty over her shoulders, Bill gasped out:
"Jack McCall, I'm thankful to you, even though you've killed me. Wild Bill does not die by the hand of a woman!"
A shudder, and all was over, so far as Wild Bill's life went.
His real and true wife wept in silence over his body, while sullen, and for a time silent, the supposed Texan stood and gazed at the dead body.
Then she spoke, addressing McCall:
"Villain, you have robbed me of my revenge! for by my hand should that man have fallen. No wrong he could have done you can be more bitter than that which put me on his death-trail, and made me swear to take his life.
"Two years ago a young man left a ranch close to the Rio Grande border with a thousand head of cattle, which had been bought from him, to be paid for when delivered in Abilene, Kansas. He was noble, brave, handsome. He was good and true in all things. He was the only hope of a widowed mother, the very idol of a loving sister, whose life seemed linked with his. He promised when he left those he loved and who so loved him that he would hasten back with the proceeds of the sale, and then, with his mother and sister, he would return to the birthplace of the three, to the old Northern homestead, where his father's remains were buried, buy the old estate, and settle down to a quiet and a happy life. Long, anxiously, and prayerfully did that mother and sister wait for his return. Did he come? No; but the soul-blighting news came, which, like a thunderbolt, struck that mother–my mother–dead! Wild and despairing, I heard it–heard this.
"The son, the brother, who never used a drop of strong drink in all his life; who never uttered an oath, or raised a hand in unkindness to man or woman, had been murdered–killed without provocation–no chance to defend his life, no warning to prepare for another world–shot down in mere wantonness. There lies the body of him who did it. Do you wonder that, over my dead mother's body, girl though I was, I swore to follow to the death him who killed my brother? It is not my fault that I have not kept my oath. I would have done it had I known that you, his friends, would have torn me limb from limb before his body was cold."
"And served him right!" said an old miner, whose eyes were dimmed with moisture while the Texan girl told her story.
"Where is McCall? His act was murder," cried Sam Chichester.
"He has sloped, but I'll take his trail, and if there is law in Montana he shall hang," said California Joe, who bounded from the house, when it was discovered that the murderer had slipped away in the moment of excitement.
How well California Joe kept his promise, history has already recorded. Followed over many a weary mile of hill and prairie, McCall was finally arrested, tried and convicted, as well by his own boast as the evidence of others, and he was hanged.
But one glance at our heroine, for such the red-haired Texan is.
With a look of haughty defiance, she asked:
"Have I done aught that requires my detention here?"
"No," said Captain Jack; "thank Heaven you have not. We'd make a poor fist at trying a woman by Lynch law, if you had done what you meant to."
"Then I go, and few will be the white faces I ever see again!" she cried.
The next moment she passed out, and as the crowd followed to see whither she went, she was seen to spring on a coal-black horse which stood unhitched before the door, and on it she rode at wild speed away toward the north-west, while a saddled but unridden mustang followed close behind her.
The course she took led toward the regions where Sitting Bull, in force, awaited the attack of the soldiers then on his trail.
[THE END.]
* * *
"DIAMOND DICK, JR'S TRUNK CHECK; or, THE MAN IN THE SILVER MASK," by W. B, Lawson will be published in the next number (193) of the DIAMOND DICK LIBRARY.
End of the Project Gutenberg EBook of Wild Bill's Last Trail, by Ned Buntline
*** END OF THIS PROJECT GUTENBERG EBOOK WILD BILL'S LAST TRAIL ***
***** This file should be named 21113-h.htm or 21113-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/1/1/1/21113/
Produced by Richard Halsey
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the perso
n or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
&
nbsp; of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
Wild Bills Last Trail Page 8