Ion (H.D.). See Euripides’ “Ion” (H.D.)
Isis, 73, 90, 118, 120, 122, 123, 126, 127, 277, 278, 333, 388, 409, 414, 459, 470, 482–83, 488, 490, 514, 539, 559, 601, 602, 627; and Blavatsky’s Isis Unveiled, 129–33, 135, 142; and Lawrence’s The Man Who Died, 73, 482, 483, 488, 539, 540
James, Henry, 260, 261, 320, 347, 348, 391
James, M.L.R., 251
James, William, 60, 155, 354–55, 359, 371, 392, 400, 404, 451, 528, 529, 530, 532, 563, 604–5, 607, 608
Janequin, Clément, 321, 322
Jarrell, Randall, 5, 8, 9, 281–82, 352, 434, 435, 436, 462, 490, 517–18, 523, 524, 537, 577
Jeffers, Robinson, 75
Jefferson, Thomas, 194, 212
Jerusalem, 283
Jess, 20, 292, 428, 466, 512, 550
Jesus Christ, 199, 218, 299, 304, 417, 423–24, 529, 530–31, 533–42, 557– 59; and childhood, 564, 565, 566, 567, 568; and Eros, 87, 88, 89, 90, 488–89; and Gnosticism, 481, 519, 535, 537, 557; and Graves’s work, 481–82, 529; and H.D.’s War Trilogy, 388, 482, 483, 485, 486, 496, 499, 519, 524, 534–39; and Hermeticism, 126; and Lawrence’s work, 482, 483, 488, 539–42; and Logos, 557, 565, 568; and Robert Lowell’s work, 352; and Moravian Church, 498, 499; and Pound’s work, 307. See also Christos
Jewish mysticism, 158–59, 161–62, 164–65, 174, 380, 507
Jews, 59–61, 87–88, 510, 641–42
John, Augustus, 61
John, biblical book of, 8–9, 88, 353, 527, 529, 530–31, 557, 558, 559, 582
John of Patmos, 282, 583
John the Baptist, 257
John XXII, pope, 93
Jonas, Hans, 480
Jones, Ernest, 560, 561, 564
Joyce, James, 9, 63, 64, 65, 121, 180, 189, 193, 196, 205–6, 207–8, 229, 244, 245, 305, 363, 391, 439, 488, 493, 494, 495, 503, 507, 539; and Imagism, 47, 53, 54, 56–57; works by: “Because your voice was at my side,” 62; Chamber Music, 207; Collected Poems, 59, 61; The Dead, 56; Dubliners, 207; Exiles, 207; Finnegans Wake, 56, 196, 206, 207, 226, 258, 493, 505, 506; “I hear an army charging upon the land,” 53, 54, 56–57, 59, 65, 68, 70; A Portrait of the Artist as a Young Man, 207, 504, 505; Ulysses, 56, 108, 109, 110, 184, 207, 235, 258, 308, 456–57, 459, 492, 506
Judaism, 59–60, 572. See also Jewish mysticism; Jews
Jung, C.G., 102, 128, 164, 173, 309, 316, 392, 455, 489, 517
Kabbalah, 82, 139, 164, 171, 172, 183, 214, 240, 470, 486, 507, 628
Kama-Loca/Kama-Loka, 620, 627, 628, 631, 637
Kamasutra, 627, 629
Kandinsky, Wassily, 222, 535
Kant, Immanuel, 29n4
Kantorowicz, Ernst, 39, 93
Karnak, Egypt, 107, 111, 219, 220, 248, 249, 252, 257, 270, 274
Keats, John, 29n9, 36, 41, 512–13
Kelly, Robert, 294
Kenner, Hugh, 367, 437
Kenyon Review (periodical), 434, 502
Keough, Miss, 6, 35–40, 69, 70, 73– 75, 76
Kerouac, Jack, 448
Kitasono, 208–9
“Kora and Ka” (H.D.), 260
Kore, 152, 301, 476, 541
Kronos, 82, 480
Kuanon, 185
Laforgue, Jules, 187
Lamantia, Philip, 143
Lang, Andrew, 271, 511
Lao-Tse, 126
Lattimore, Richmond, 381, 528, 591
Laurencin, Marie, 391
Lavater, Johann Kaspar, 416
Lawrence, D.H., 2, 9, 11, 42, 72, 75, 76, 78, 100, 156, 196, 216, 235, 243, 245, 262, 292, 296, 316, 361, 362, 363, 366, 391, 436, 437, 447, 488, 506–7, 538, 539, 576, 611, 613, 614; and Imagism, 47, 50, 53, 96, 103, 175, 314; and World War I, 180, 189, 338, 352, 451; works by: Fantasia of the Unconscious, 100, 586; Lady Chatterley’s Lover, 457–59, 461; Love Poems and Others, 306; The Man Who Died, 39, 73, 482, 483, 488, 539–42
Leda, 111, 533, 608, 611, 622, 627
Lemuria, 126, 137
Leonardo da Vinci, 196, 512
Letters (Duncan), 1
“Let Zeus Record” (H.D.), 248, 258
Levertov, Denise, 204, 221; works by: “Hypocrite Women,” 459; “The Jacob’s Ladder,” 267-68; “Our Bodies,” 459
Lévi, Éliphas, 618, 620, 622, 626
Levy, Gertrude, 218
Lévy-Bruhl, Lucien, 155
Lewis, C.S., 390
Lewis, Wyndham, 47, 212, 235, 244, 302, 392
libido, 163–65, 466
Life and Letters Today (periodical), 211, 217, 250, 296, 377
Lilith, 89, 386, 387, 409, 459, 481, 490
literary canon, 5, 11, 36, 37, 226, 518, 522
The Little Review (periodical), 295, 296, 307, 308, 396, 457
logical positivism, 527
Logos, 6, 7, 121, 160, 324, 557, 565, 568, 583–84, 626
London, England, 211, 292; and H.D.’s “Cities,” 176–77; and H.D.’s Palimpsest, 106, 107, 108, 109, 379; and H.D.’s “The Tribute,” 178–82; and H.D.’s War Trilogy, 270, 280–81, 339, 353, 365, 380, 463
Loos, Anita, 372
“lost” generation, 193–94, 261, 338
Lowell, Amy, 40–41, 42, 46–47, 53, 58, 59, 227, 395, 396
Lowell, Robert, 179, 352–53, 396
Lowes, John Livingstone, 434, 435
Loy, Mina, 5
Lucas van Leyden, 283, 334
Lucifer, 82, 137, 284, 306, 456, 489, 594
Luke, biblical book of, 87, 353, 496, 527, 529
MacDonald, George, 255, 268, 386, 489, 618, 619, 622, 624, 625, 628
Machen, Arthur, 143
MacLeish, Archibald, 226
Macpherson, Kenneth, 295, 297
madness, 127, 160, 355, 356, 359, 415, 417, 509, 620. See also schizophrenia
Magdalene, Mary, 387, 388, 437, 460, 473, 481, 482, 483, 485, 486, 489, 495, 539, 592, 593, 599
mahjong, 148–49
Mallarmé, Stéphane, 392, 453
Malraux, André, 9, 155, 172–74, 304, 310, 645
Manicheanism, 91, 92, 390, 468
Mann, Thomas, 645
Mantegna, Andrea, 185
Mark, biblical book of, 496, 527, 529
Marlowe, Christopher, 533, 628, 632, 646
Mars, 117, 220, 241, 622
Marsden, Dora, 320
Martin, John, 16, 17
Marx, Karl, 127, 154, 274, 509, 510, 553
Marxism, 142, 502
Mary, Virgin, 476
Mass, Christian, 199, 356, 516, 564
Mathers, MacGregor, 142
Matisse, Henri, 63, 68
Matthew, biblical book of, 87, 199, 496, 527, 529
Maya, 290, 513, 616, 627
McAlmon, Robert, 193–94, 221, 244– 45, 247–48, 250, 258, 338, 372
Mead, G.R.S., 9, 96, 144, 145, 185, 302, 319, 586, 627
Mechthild of Magdeburg, 94
Medieval Scenes (Duncan), 1, 217, 275, 312, 440, 477
melos, 271–72
Mercury, 117, 126, 273, 274, 282, 284, 476
Metastasio, 185
Mew, Charlotte, 103, 104
Michelangelo, 196, 392, 565–66
“Mid-Day” (H.D.), 397, 407
Middle Ages, 49, 89, 184
middle class, 36, 264, 373, 396
Milhaud, Darius, 61
militarism, 65–66, 176
Miller, Henry, 193, 443
Milton, John, 54, 206, 207, 306, 416, 489, 523
minnesingers, 94
“Mira-Mare” (H.D.), 260
Mithraic cult, 176, 301
Mnemosyne, 70
modernism, 5, 11, 46, 70, 223, 319, 366, 384, 421
money, 54, 74, 221, 244, 257, 258, 260, 555, 565, 613–14
Monroe, Harriet, 46, 196
Montaigne, Michel de, 134
Moore, Marianne, 196, 216, 236, 237, 292, 328–29, 436, 488; H.D. on, 190, 338, 394, 425; on H.D., 45; Pound on, 395; works by: “He ‘Digesteth Harde Yron,’” 328–29; Selected Poems, 328; “Style,” 329; What Are Years, 328
Moore, Virginia,
143, 215
Moravian Church, 2, 498, 499, 535, 562
Morris, William, 214, 305, 389, 390, 470, 519
Moses, 126, 196, 416, 449, 453, 532, 642
Moses of Leon, 82, 140, 158, 192, 380, 553
mother, figure of, 70, 84, 89, 116, 166, 169, 170, 171, 174, 175, 178, 249, 348, 349, 460, 475–76, 479, 485, 523, 525–26, 559, 564, 568, 625
movies. See film
Mozart, W.A., 255, 256
“Murex” (H.D.), 101, 107–9, 209, 245, 249, 250, 378, 391, 392, 459, 491
Murray, Gilbert, 249, 250
Muses, 62, 64, 69–70, 349, 423, 473, 477–78, 488, 559
music, 40, 45, 46, 49, 52, 63, 71, 72, 116, 120, 153, 154, 236, 256, 267, 279, 307, 321–22, 324, 379, 429, 574, 593, 638, 639
Mussolini, Benito, 212, 323, 508
Myers, Frederick, 604, 606
“Myrtle Bough” (H.D.), 291–92, 297
mystery cults, 48, 69, 84, 90, 91, 96, 98, 117, 128, 130, 144, 152, 214, 315, 319, 376, 388, 410
“Narthex” (H.D.), 100, 242–47, 254, 258–64, 267, 269, 291, 333, 350, 378, 387, 391, 392, 396, 397, 398
nature, 89, 153–54, 174, 195, 208, 266, 269, 284, 524, 526, 570, 572–74
Nazism, 60, 143, 463
neo-Platonism, 6, 11, 128, 129, 535, 585–86; and H.D.’s War Trilogy, 239–40, 486, 586; and Pound’s work, 48, 49, 100, 307, 323, 585–86
Neptune, 529, 530
Nerval, Gerard de, 186, 356
Nesbit, Edith, 267, 275
Newton, Isaac, 535, 636
Nietzsche, Friedrich, 9, 122, 158, 640
Nights (H.D.), 407–8, 414, 471–72
Novalis, 255, 346
objectivism, 373
occult, 2, 4, 6, 7, 11, 12, 28, 29n5, 30n7, 130, 132, 135, 140–43, 242, 251, 277, 278, 291, 298, 323, 338, 342, 344, 363, 377, 378, 402, 471, 472, 517, 566
Odysseus, 105, 108, 127, 259, 311, 323
Odyssey (Homer), 307, 312, 440, 598
Oedipus, 189, 376, 378, 423, 475, 566–67
Olcott, Henry Steel, 130, 132
Oliver, George, 130
Olson, Charles, 255, 421, 455, 501, 531–32, 548, 550–51, 568–69; works by: “Against Wisdom as Such,” 205, 278, 569; “As the Dead Prey Upon Us,” 218, 219; “The Gate & the Center,” 217–18; Maximus Poems, 217, 531; O’Ryan, 204–5, 550; “Projective Verse,” 188, 217, 272, 273, 328, 329–30, 332, 374, 400, 431, 432, 434; “Variations Done for Gerald Van de Wiele,” 556
The Opening of the Field (Duncan), 12
Open Space (periodical), 403
Oppenheimer, J. Robert, 606
“Orchard” (H.D.), 195, 197
“Oread” (H.D.), 397
“Orestes Theme” (H.D.), 211
organic form, 164, 173, 270, 327–28, 331–32, 345, 359, 571
Origen, 319
Origin (periodical), 204, 217, 221
Orion, 204, 220, 284, 292, 293, 550
Orpheus, 86, 127, 185, 218, 243, 403, 414, 540, 545; and Cocteau’s Orphée, 272–73, 277
Orphic tradition, 83, 96, 127, 145, 152, 286, 291, 377, 456, 507, 574, 619
Osiris, 82, 114, 115, 116, 117, 118, 120, 122, 123, 126, 278, 299, 324, 388, 483, 540, 559
Others anthology, 216, 235–36
Ovid, 203
Owen, Wilfred, 108, 181
pacifism, 4, 65, 336, 338, 643
Pagany (periodical), 250, 377
Palimpsest (H.D.), 100–123, 209, 220, 226, 242, 243, 249, 260, 379, 391, 422, 503
“Pallas” (H.D.), 182
Pallas Athene, 113–15, 118, 121, 211, 401, 577
Palmer, Samuel, 417
Pan, 89, 419
Paracelsus, 48, 153, 320, 586
Paradise, 86, 87, 90, 92, 184, 199, 391, 451, 464, 466, 501, 573, 578, 579, 589, 629
Parkinson, Thomas, 348
Parrish, Maxfield, 124–25, 127
Partisan Review (periodical), 281, 434, 517, 519
Pater, Walter, 305, 434, 435
patrons and patronage, 219, 241, 244, 248, 257–59, 634
Paul, Saint, 533–34
Pearson, Norman Holmes, 1, 2, 6, 13, 241, 435–36, 438
“Pear Tree” (H.D.), 51
Peire Cardenal, 185
Perdita, 209, 242, 244, 419
permission, poetic, 9, 384, 385, 406
Perrault, Charles, 418
Persephone, 96, 145, 152
Petrarch, 306
“Phaedra” (H.D.), 258–59
phantastikon, 105–6
Philippe le Bon, 257–58
Philo Judaeus, 103
Phosphorus, 284, 489
photography, compared to poetry, 313
Piaget, Jean, 155
Picasso, Pablo, 63, 229, 448, 467, 468; works by: Guernica, 68, 405; Woman in the Mirror, 60
Pico della Mirandola, 128, 300, 307, 586
Pietro di Borgo, 322
Pisanello, 322
planets, 575–76, 622–23. See also astrology; stars
Plato, 9, 84–87, 154, 156, 159, 169–70, 176, 192, 286, 485, 523, 642, 643, 645
pleasure principle, 560, 561, 562, 566
Plethon, Gemistos, 300, 358, 535
Plotinus, 48, 128, 183, 214, 266, 307, 309, 320, 390, 508, 546, 586
Plutarch, 9, 103, 118–23, 128, 156
Poe, Edgar Allan, 223, 490
“The Poet” (H.D.), 211
poetic field, 151–52, 174, 188, 304, 309, 330, 331, 332, 359, 374, 376, 450, 492
poetic form, 3, 8, 9, 10, 11, 41–42, 45, 52, 70–71, 83, 99, 122, 141, 150, 166, 206, 208, 209, 222–23, 270, 310, 314–15, 322, 323, 326–27, 328– 29, 332, 359, 370, 374, 429, 500
poetic permission, 9, 384, 385, 406
Poetry (periodical), 46, 216, 226
Pompeii, 280, 283, 334, 353
“The Pool” (H.D.), 397
Porphyrius, 112
Porter, Katherine Anne, 193
Potocki, Jan, 355
Pound, Ezra, 2, 9, 11, 70, 76, 196, 208, 210, 216, 229, 234–37, 239, 245, 292, 296, 300–303, 305–10, 313–23, 342, 374, 399, 406, 414, 415, 434, 436, 437, 438, 476, 479, 488, 490, 538, 539, 540, 576, 611, 644; and anti-semitism, 510; and Browning’s work, 103, 104–5; on Cavalcanti, 50, 51; and correspondence with Duncan, 272; and correspondence with Eliot, 223– 24, 225; and correspondence with Williams, 366, 372, 395, 463, 515; and Dante’s work, 96, 197, 305, 306, 307, 321, 390; on democracy, 362, 510; and dream-work, 368–69; on Eliot, 233; and fascism, 305; and Fenollosa’s work, 208, 443; on Flaubert, 101; on Freud, 463, 509, 510; on H.D., 45–46, 226, 241, 396, 397, 420, 463, 469; and Imagism, 45–50, 53, 54, 56, 57–59, 96, 100, 125, 175, 198, 212, 226, 235, 236, 241, 313, 314, 319, 420, 470; on Henry James, 306–7; on Lawrence, 306, 363, 366; Wyndham Lewis on, 392; and masculine speech, 372, 373, 395, 516; on Milton, 306; on Moore, 395; and neo-Platonism, 48, 49, 100, 214, 307, 323, 358; on phantastikon, 105–6; postwar confinement of, 177, 212, 213, 357, 369, 539; on Provencal poetry, 91, 410, 411, 514; on rhetoric, 55–56; on usury, 54, 179, 194, 306, 364, 365, 510, 552, 555, 614; and vernacular speech, 367–68, 373, 396; and Vorticism, 51, 212, 235, 305, 373; on Williams, 223; Williams on, 187, 396; and World War I, 180, 189, 338; and World War II, 211–12; Yeats on, 321, 470–71; and Yeats’s work, 214, 235, 291, 323, 358, 540, 586; works by: ABC of Economics, 551–52, 555; ABC of Reading, 47–48, 55, 56, 70, 100, 197, 309, 313, 356; “April,” 470; “Aux Etuves de Wiesbaden,” 198, 357; Canto I, 358; Canto III, 214; Canto VII, 139; Canto XIV, 364; Canto XXXIII, 440; Canto XXXVI, 317; Canto XXXIX, 459; Canto XLV (Usura Canto), 364, 365; Canto LXXII, 179; Canto LXXIV, 178, 288; Canto LXXIX, 524; Canto LXXX, 288; Canto XCI, 214, 215, 509–10, 516; Canto CXV, 187, 307; Canto CXVI, 193, 509; The Cantos, 47–48, 55, 56, 70, 100, 127, 176, 183–85, 212, 226, 235, 279, 291, 302, 305–8, 313, 318, 319, 321– 24, 354, 357–59, 361, 364, 368–69, 376, 390, 393, 435, 440, 470–71, 508, 510, 516, 524, 539, 541, 544, 546, 553, 586; Cathay, 367; “Caval canti,” 50, 51, 196, 301, 306, 309, 317, 319, 358, 411, 434, 538,
540, 541, 589; Confucian Odes, 367; “Genesis (after Voltaire),” 357; “A Few Don’ts,” 45, 179, 384; Guide to Kulchur, 55, 235, 236, 321, 322, 323, 357, 368, 389, 541, 590; How to Read, 313; Hugh Selwyn Mauberley, 175; “In a Station of the Metro,” 45, 53, 57–58, 313; Instigations, 208; Make It New, 208; The Pisan Cantos, 47–48, 55, 56, 70, 100, 127, 212, 217, 218, 235, 288, 303, 320, 323, 329, 334, 375, 435, 438, 509, 515, 519, 524; “Psychology and Troubadours,” 48, 49, 105–6, 145, 410, 411, 541; “Religio,” 53, 300–301, 322, 357, 508; “The Renaissance,” 389; “A Retrospect,” 45, 57, 327–28, 357; Ripostes, 234; Rock-Drill Cantos, 214, 303, 316, 463, 515; “The Serious Artist,” 300, 301, 357, 358, 505–6; Social Credit: An Impact, 194; The Spirit of Romance, 72–73, 89–90, 96–97, 98, 100, 155, 196, 302, 305, 306, 319, 357, 514, 516, 540; “A Stray Document,” 125, 197–98; Thrones, 359, 541, 555; “The Tradition,” 301; Usura Cantos, 364, 365, 510; “A Virginal,” 234
Poussin, Nicolas, 155
pragmatism, 60
prehistoric art, 343
Pre-Raphaelism, 214, 246, 305, 306, 338, 366, 389–90, 511, 518, 519
Prévert, Jacques, 511
Proclus, 48, 266, 485, 486, 573, 574
Prometheus, 562
Protestantism, 128, 176, 258, 335, 339, 351, 459, 517, 521, 523, 524, 537, 539, 562
Proust, Marcel, 5, 70, 102, 491, 502, 503, 504, 506, 507, 603
Provencal poetry, 50, 90–91, 94, 95, 410, 411, 514, 520
Psellos, Michael, 48, 440
Pseudo-Dionysius, 128
Psyche, 79–82, 86, 89, 94, 96, 123, 304, 306, 376, 379, 400, 438, 475, 480
psychoanalysis, 11, 70, 83, 97, 117, 121, 137, 139, 153, 162, 171, 189, 210, 225, 242, 245, 249, 269, 274, 309, 330, 455, 572, 606, 613; and H.D.’s relations with Freud, 188, 210, 211, 244–45, 246, 248, 251, 295, 323, 338–39, 375–81, 384–85, 388, 390–91, 398, 426, 443, 463, 471, 525, 554, 632, 646
Ptolemaic system, 173
Puritanism, 106, 418, 460, 532
“Pursuit” (H.D.), 234, 265, 397
“Pygmalion” (H.D.), 46, 51–52, 300, 301, 303–4, 399, 422, 570, 590, 611–12
Pythagoras, 646
Pythagoreanism, 119, 130
Raine, Kathleen, 323
Rand, Sally, 11, 442–43, 445–47, 448, 458, 466, 494
Ransom, John Crowe, 434, 522–23, 574, 575, 579
Ra-Set, 127, 303, 316, 358, 541
rationalism, 159–60, 355, 361, 476, 522
reality principle, 131, 175, 561, 563, 565, 566, 567, 568
Red Roses for Bronze (H.D.), 209, 226, 248, 260, 334, 385, 387, 463
“Red Roses for Bronze” (H.D.), 262, 407, 464
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