by John Buntin
But as implausible as it may seem, Chief Davis was also something of a reformer.[3] One of Davis’s first steps was to reinstitute rules against accepting gratuities and soliciting rewards that had lapsed under his predecessor. During his first forty-five months in office, Davis discharged 245 officers for misconduct. However, the strongest evidence for the proposition that Chief Davis was a reformer comes from his treatment of Bill Parker.
In 1934, Chief Davis turned to Parker to draft the bylaws for his beloved training facility in the hills of Elysian Park, today’s Los Angeles Police Academy. Yet despite this interaction with Chief Davis, Parker’s promotional path continued to be a rocky one. On June 5, 1935, Parker took the examination for lieutenant. He scored sixth on the written test, lower on the more subjective oral test, and ended up in the number ten position on the promotional eligibility list. Not until January 18, 1937, was he promoted to the position of lieutenant—and then only after two officers with lower scores had been promoted before him.
Then, suddenly, his career took off. In early 1937, Parker became Chief Davis’s executive officer. In this position, he served as Chief Davis’s scheduler, advisor, and gatekeeper, granting and withholding access to the chief and maintaining relationships with politicians from the mayor to city council members. He also headed the small bureau of public affairs. Work relations between the two men were formal: Parker was always “Lieutenant,” never “Bill.” Davis was simply “Chief.” In private, however, the two men became friends. Parker (and sometimes Helen) frequently joined Davis for hunting and fishing trips with Davis’s sons. Observers of departmental politics soon noted young Bill Parker’s all-too-obvious ambitions. The reluctant police officer, the young man who had barely bothered with his entrance exam, now clearly aspired to one day become chief.
Soon after Parker joined the chief’s staff, Davis made him an acting captain—a move that no doubt raised hackles in the department. Davis probably didn’t care. He needed Parker for something big.
IN 1933, voters had replaced Mayor Porter with county supervisor Frank Shaw. Shaw was not Harry Chandler’s kind of candidate. For one thing, although he was ostensibly a Republican, Shaw embraced the agenda of the newly elected Franklin Delano Roosevelt. For another, Shaw had gotten his start in politics as a city council member backed by Kent Parrot, with whom he maintained close (if vague) ties. Chandler’s suspicions proved to be well founded. After taking office, Frank Shaw turned to his brother Joe, recently discharged from the U.S. Navy, to help him oversee municipal affairs. Joe’s title was personal secretary; however, he soon took control of every potential patronage and profit center in the city. Not surprisingly, “The Sailor” (as Joe was known) took a particular interest in the LAPD and in the Los Angeles underworld.
During the 1920s, Kent Parrot and Charlie Crawford had controlled Los Angeles. Joe was determined to revive the old police-underworld arrangements, but this time with himself on top. Where Parrot and Crawford had sought to impose a monopoly, Shaw was willing to tolerate a variety of players—as long as they all paid up and their operations didn’t attract too much attention. Remnants of the Combination soon resurfaced. So did new players such as Jack Dragna, a Sicilian crime boss who focused primarily on traditional activities like extortion, prostitution, and bootlegging. (He also had a legitimate sideline as a banana importer and often referred to himself as a banana merchant.) There was plenty of money to go around. The Hollywood Citizen-News estimated that the L.A. underworld was generating roughly $2 million a month (20 percent of which went to selected policemen, politicians, and journalists). Daily News columnist Matt Weinstock put the figure even higher. His sources figured the Combination at its height was grossing about $50 million a year.
The key to it all was control of the police department. Joe Shaw was determined to make sure he had it. In principle, Chief Davis answered to the Police Commission. In practice, Shaw placed the police department’s most important operations under his close supervision by insisting on making Shaw campaign manager James “Sunny Jimmy” Bolger Chief Davis’s secretary. The fact that the chief’s office was located in City Hall, just around the corner from the mayor’s office (an arrangement instituted by Mayor Porter), further shortened Davis’s leash. Bill Parker’s job was to help him escape it.
IN EARLY 1937, working once more through the Fire and Police Protective League, Parker launched an effort to amend section 1999 of the city charter—this time, to extend civil service protections to the chief of police. The ballot initiative Parker drafted consisted of a single sentence: “Shall proposed charter amendment No. 14-A, amending section 1999 of the Charter clarifying the civil service status of the Chief of Police, providing that he shall not be removed except for cause and after hearing before the Board of Civil Service Commissioners, be ratified?” It seemed a modest change, but its potential consequences were immense. If it passed, the position of chief of police would no longer serve at the pleasure of the Police Commission (and the mayor who appointed its members). Instead, once sworn in, the chief of police would have a “substantial property right” in his position. The chief of police could be suspended or fired only if found guilty of a specific set of publicly aired charges after a “full, fair and impartial hearing” before the city’s Board of Civil Service Commissioners. Needless to say, in a city as corrupt as Los Angeles, a full hearing was something that Mayor Shaw would never be prepared to risk. In short, Proposition 14-A would dramatically strengthen Chief Davis’s position vis-a-vis the Shaws. On Tuesday, April 6, 1937, the electorate of Los Angeles approved it by a vote of 79,336 to 69,380.
It was an amendment that would change the history of Los Angeles. The Los Angeles Police Department, long subordinate to some combination of the mayor, the underworld, or the business community (or sometimes all three), now had the legal protection it needed to emerge as a power in its own right.
It also had a potent new adversary. The same year Bill Parker was attempting to erect a ring of legal protections around the chief’s office that neither corrupt politicians nor the remnants of the Combination could breach, one of the most formidable figures in the history of American organized crime arrived in Los Angeles. His name was Benjamin “Bugsy” Siegel. Mickey Cohen was his muscle.
7
Bugsy
“Booze Barons of other climes are just bootleggers in Los Angeles. Gangsters can never build another Chicago here.”
—LAPD statement, 1931
BY 1937, Bugsy Siegel was one of the most important men in organized crime. During the 1920s, Siegel and his partner, Meyer Lansky, had made names for themselves in the New York City underworld as fearless stickup men, bootleggers, and muscle-for-hire. In 1927, Siegel participated in one of the earliest efforts to coordinate bootlegging on the Atlantic seaboard. Two years later, Lansky helped organize a national crime “syndicate” at a meeting of the nation’s top crime bosses in Atlantic City. In 1931, Siegel reputedly took part in the successful hit on Joe “the Boss” Masseria—the man young Mickey Cohen had seen in the bleachers at Stillman’s—at a restaurant on Coney Island. The assassination made Charles “Lucky” Luciano (a longtime Lansky friend) the boss of New York and made the loose group organized by Lansky, which would soon come to be known as the Syndicate, the underworld’s preeminent institution.[4] In short, Siegel was a figure the likes of which the L.A. underworld had never seen before. Yet Siegel did not originally move west to play the heavy. Instead, like generations of migrants before and since, he came west with dreams of health, wealth, and leisure.
Siegel first visited Los Angeles in 1933 to check in on his childhood friend George Raft. Raft, a nightclub dancer in New York, had become a Hollywood star by playing gangsters like Bugsy in the movies. (His breakthrough role came in the 1932 movie Scarface as the coin-flipping sidekick to the Al Capone-esque Paul Muni.) It was not the most auspicious year for a first visit to Los Angeles. That spring, a massive earthquake had leveled a wide swath of Long Beach, killing more than fifty
people and badly shaking the confidence of the region. A quarter of the working-age population was unemployed. A vast hobo encampment (nicknamed “The Jungle”) had spread along the Los Angeles River. Siegel was entranced.
He was receptive to Los Angeles for another reason as well. The same year that Siegel made his first visit to the city, Congress repealed the Twentieth Amendment, ending national Prohibition. This was something the Syndicate had long feared. What happened next, though, caught Siegel and his associates off guard. Almost overnight they became wealthy—and quasi-legitimate businessmen. Underground distribution networks could become legal liquor distributorships. The Syndicate steamers loaded with booze suddenly had a future as legal importers. Speakeasies like the 21 Club and the Stork that had once operated behind barred doors with lookout holes now hung out Welcome signs. Siegel and Lansky’s car and truck rental company on Cannon Street, originally a front for bootlegging, was now a successful business in its own right. Siegel quickly became a partner in one of the biggest liquor distributorships in New York City.
Siegel’s lifestyle reflected his success. In the midst of the Depression, Siegel had an apartment at Broadway and 85th and a suite at the Waldorf-Astoria, as well as a house in Scarsdale for his wife and kids. Wealth and the possibility of legitimacy had a profound psychological effect on Siegel and his associates. “Viewed from their luxurious apartments and ducal estates, jail houses became utterly repugnant,” wrote newspaper columnist Florabel Muir, who’d observed Siegel’s career as a hoodlum since the early 1920s.
“Caution, fathered by the urge to preserve and enjoy their vast fortunes, overtook them,” she continued, adding, “There is nothing like a million dollars to bring about a conservative point of view.”
Los Angeles offered the chance for a new start. If a Lower East Side tough-turned-speakeasy-“hoofer” like George Raft could transform himself into a movie star there, then perhaps a former gangster could transform himself into a gentleman of leisure. And so in 1934 Siegel moved his wife, his two daughters, and the family German shepherd to Beverly Hills and promptly set out to join the movie colony elite. He rented a luxurious house on McCarthy Drive in Beverly Hills that had once been the home of opera star Lawrence Tibbett. He enrolled his two daughters in an elite private school and an exclusive riding academy. He became a member of the Hill-crest Country Club, the social center of the film colony. He shed his New York City gangster attire (hard-shelled derby hat, fur-trimmed coats, rakish lapels) in favor of two-hundred-dollar sports coats and cashmere slacks. He took as his mistress the most flamboyant hostess in Hollywood, Dorothy di Frasso, a New York leather goods heiress married to an Italian count. Unfortunately, Siegel then ran into a problem—an embarrassing one. He got taken—for a million dollars.
At the end of Prohibition, Siegel had about $2 million in cash. Unfortunately, he then invested much of it in the stock market. In short order, Siegel had cut his fortune in half.
“If I had kept that million,” Siegel later mused to a friend, “I’d have been out of the rackets right then. But I took a big licking, and I couldn’t go legitimate.” Instead, he went back to what he knew best: organized crime. Los Angeles, which Siegel had once viewed as a playground, was now an opportunity.
BUGSY’S PALS back East were delighted by his decision to organize the West Coast. From Lansky and Luciano’s perspective, California was a backwater—an embarrassment, really. The Combination’s power had dwindled. McAfee and Gans controlled little more than prostitution and slots in the downtown core. Yet L.A.’s top Italian crime boss, Jack Dragna, had failed to step up, particularly when it came to asserting authority over fast-growing areas like the Sunset Strip. Located in unincorporated territory outside of the city of Los Angeles (and the reach of the LAPD), the Strip was the perfect vice center. But Dragna hadn’t established even a proper casino. “Jack wasn’t pulling the counties or the political picture together,” Cohen would say later. “There was no combination; everyone was acting independently.” Siegel would change that. Top New York mob boss “Lucky” Luciano contacted Dragna personally with the news that Siegel was taking change “for the good of us all.”
Dragna took the news poorly. It hardly mattered. Dragna had important connections back East himself (according to Cohen, he was related to Tommy “Three-Finger Brown” Lucchese), but Siegel was a peer of the realm, an equal to anyone in the Syndicate. Mickey Cohen would later describe him as “one of the six tops … right up with Capone.” Dragna stepped aside. Others were not so deferential.
One who declined to defer to an interloper from back East was Eddy Neales, the thirty-three-year-old owner of the Clover Club, a high-rolling Hollywood nightclub and casino just west of the Chateau Marmont above the Sunset Strip. The handsome half-Mexican, half-Caucasian Neales cut a dashing figure; the Clover Club was the gambling spot in a city that loved to test fortune at the tables. Neales also had a booming bookmaking business, thanks to California’s decision to legalize pari-mutuel betting at racetracks in 1933.[5] By 1937, Neales was reputedly handling about $10 million a year in bets.
Neales didn’t rely on his personal popularity to protect his operations. Milton “Farmer” Page, a major figure in the Combination, was a silent partner. Neales and partner Curly Robinson were also paying a small fortune in protection money to the Los Angeles sheriff’s department, which had jurisdiction over the Sunset Strip. So it was perhaps understandable that when Siegel approached Neales and Robinson and informed them that he was looking to make a major investment in their club, they demurred. A confrontation appeared to be inevitable. Siegel recognized that he needed more muscle. So Siegel put out a call for talent. Cleveland and Chicago had just the person for the job, Mickey Cohen.
COHEN had outstayed his welcome in Chicago. At one point, he and his associates got permission from the Capone gang to open a blackjack game in the Loop. When that wasn’t lucrative enough, he decided to open a craps game, despite the fact that dice games were strictly off limits in downtown Chicago. Capone accountant Jake “Greasy Thumb” Guzik personally flew in from Miami to tell Cohen to wind up his craps game. Mickey declined. Several nights later, as Mickey was standing in front of his favorite haberdashery shop, a large black car turned the corner … and opened fire. Mickey hesitated. He was wearing a beautiful new camelhair coat, and he hated the thought of ruining it by “flattening out” in the gutter. If the Capone gang had been serious, he figured he’d probably already be dead. Still, he didn’t want to take any chances—or seem disrespectful. Into the slush he went.
Mickey was living like a man who didn’t value life. Whenever he needed a buck, he’d heist a store—sometimes two or three in a day. He developed a mania for cream-colored Stetson hats, which he’d purchase for $50, wear for a few days, and then discard. When he wanted a new hat, out came the gun. When holdups alone failed to keep Mickey in new hats and flossy suits, he reopened his craps game in the Loop. He made enemies casually. In early 1937, Mickey got into a beef with a former slugger for Chicago’s Yellow Cab company. One day Mickey ran into the man in a restaurant and pistol-whipped him. After getting drunk, the man tracked down Mickey and stuck a gun in his back. Cohen spun around, got his hand on the rod, but wasn’t able to wrest the firearm away from his would-be assailant. So the two men decided to go to a coffee shop to talk matters over, each with a hand firmly on the gun. They sat down at the counter. An instant later, Mickey smashed a sugar dispenser over the man’s head.
“His head split open like a melon and blood flew all over the joint,” Mickey noted later, with evident satisfaction. As the coffee shop erupted in screams, Cohen dashed down to the cellar to dispose of the gun. But the cops found the weapon and arrested him for attempted murder.
There was, of course, an easy way out: Mickey could tell the police that the gun wasn’t his and that he’d acted in self-defense. Fingering someone for the cops, however, was something Mickey just wouldn’t do. He clammed up. But for the last-minute intervention of Pop Palazzi, the C
apone gang’s Chicago counselor, Cohen might well have gone to prison. Instead, he was told to leave town. He went to Detroit. There he learned that Bugsy Siegel was looking for muscle in Los Angeles. Detroit wanted Mickey to go there to help out—and to keep an eye on Bugsy. So did Cleveland. And so in 1937, Mickey returned to his old hometown.
MICKEY was supposed to get in touch with Siegel as soon as he arrived in Los Angeles. Instead, he decided that he’d first make a few scores and put a little money in his pocket. If Siegel wanted to get in touch with him, well, then Siegel could come and find him. Mickey quickly hooked up with two Italian brothers, Fred and Joe Sica, who were freelance holdup men. Together, the three men went “on the heavy.” They found a city that was easy pickings. Tipsters were easy to recruit. Mickey and his crew were soon heisting two or three joints a week. Brothels, shops, drugstores—any place with cash on hand was a possible target. Soon Mickey was summoning old colleagues from Cleveland, Chicago, and New York to come join him in L.A. As their confidence increased, so did the size of their targets. Were these establishments perhaps under someone else’s protection? Mickey didn’t know, and truth be told, he “didn’t even give a shit.”
“I was out with ten different broads every night,” he later boasted, “and I was in every cabaret that they could possibly have in town.” Bugsy Siegel was forgotten—until, that is, Mickey and his crew made a spectacularly foolish heist.