They had been parted often, and for long periods; first by George’s schooling in England, next by his French military service, begun at eighteen to facilitate his entry into Harvard; finally, by his sojourn at the University. But whenever they were together they seemed to make up in the first ten minutes for the longest separation; and since George had come of age, and been his own master, he had given his father every moment he could spare.
His career at Harvard had been interrupted, after two years, by the symptoms of tuberculosis which had necessitated his being hurried off to the Engadine. He had returned completely cured, and at his own wish had gone back to Harvard; and having finished his course and taken his degree, he had now come out to join his father on a long holiday before entering the New York banking-house of Bullard and Brant.
Campton, looking at the boy’s bright head across the lights and flowers, thought how incredibly stupid it was to sacrifice an hour of such a life to the routine of money-getting; but he had had that question out with himself once for all, and was not going to return to it. His own success, if it lasted, would eventually help him to make George independent; but meanwhile he had no right to interfere with the boy’s business training. He had hoped that George would develop some marked talent, some irresistible tendency which would decide his future too definitely for interference; but George was twenty-five, and no such call had come to him. Apparently he was fated to be only a delighted spectator and commentator; to enjoy and interpret, not to create. And Campton knew that this absence of a special bent, with the strain and absorption it implies, gave the boy his peculiar charm. The trouble was that it made him the prey of other people’s plans for him. And now all these plans—Campton’s dreams for the future as well as the business arrangements which were Mr. Brant’s contribution—might be wrecked by tomorrow’s news from Berlin. The possibility still seemed unthinkable; but in spite of his incredulity the evil shadow hung on him as he and his son chatted of political issues.
George made no allusion to his own case: his whole attitude was so dispassionate that his father began to wonder if he had not solved the question by concluding that he would not pass the medical examination. The tone he took was that the whole affair, from the point of view of twentieth-century civilization, was too monstrous an incongruity for something not to put a stop to it at the eleventh hour. His easy optimism at first stimulated his father, and then began to jar on him.
“Dastrey doesn’t think it can be stopped,” Campton said at length.
The boy smiled.
“Dear old Dastrey! No, I suppose not. That after-Sedan generation have got the inevitability of war in their bones. They’ve never been able to get beyond it. Our whole view is different: we’re internationals, whether we want to be or not.”
“To begin with, if by ‘our’ view you mean yours and mine, you and I haven’t a drop of French blood in us,” his father interposed, “and we can never really know what the French feel on such matters.”
George looked at him affectionately. “Oh, but I didn’t—I meant ‘we’ in the sense of my generation, of whatever nationality. I know French chaps who feel as I do—Louis Dastrey, Paul’s nephew, for one; and lots of English ones. They don’t believe the world will ever stand for another war. It’s too stupidly uneconomic, to begin with: I suppose you’ve read Angell? Then life’s worth too much, and nowadays too many millions of people know it. That’s the way we all feel. Think of everything that counts—art and science and poetry, and all the rest—going to smash at the nod of some doddering diplomatist! It was different in old times, when the best of life, for the immense majority, was never anything but plague, pestilence and famine. People are too healthy and well-fed now; they’re not going off to die in a ditch to oblige anybody.”
Campton looked away, and his eye, straying over the crowd, lit on the long heavy face of Fortin-Lescluze, seated with a group of men on the other side of the garden.
Why had it never occurred to him before that if there was one being in the world who could get George discharged it was the great specialist under whose care he had been?
“Suppose war does come,” the father thought, “what if I were to go over and tell him I’ll paint his dancer?” He stood up and made his way between the tables.
Fortin-Lescluze was dining with a party of jaded-looking politicians and journalists. To reach him Campton had to squeeze past another table, at which a fair worn-looking lady sat beside a handsome old man with a dazzling mane of white hair and a Grand Officer’s rosette of the Legion of Honour. Campton bowed, and the lady whispered something to her companion, who returned a stately vacant salute. Poor old Beausite, dining alone with his much-wronged and all-forgiving wife, bowing to the people she told him to bow to, and placidly murmuring: “War—war,” as he stuck his fork into the peach she had peeled!
At Fortin’s table the faces were less placid. The men greeted Campton with a deference which was not lost on Mme. Beausite, and the painter bent close over Fortin, embarrassed at the idea that she might overhear him. “If I can make time for a sketch—will you bring your dancing lady tomorrow?”
The physician’s eyes lit up under their puffy lids.
“My dear friend—will I? She’s simply set her heart on it!” He drew out his watch and added: “But why not tell her the good news yourself? You told me, I think, you’d never seen her? This is her last night at the ‘Posada,’ and if you’ll jump into my motor we shall be just in time to see her come on.”
Campton beckoned to George, and father and son followed Fortin-Lescluze. None of the three men, on the way back to Paris, made any reference to the war. The physician asked George a few medical questions, and complimented him on his look of recovered health; then the talk strayed to studios and theatres, where Fortin-Lescluze firmly kept it.
The last faint rumours of the conflict died out on the threshold of the “Posada.” It would have been hard to discern, in the crowded audience, any appearance but that of ordinary pleasure-seekers momentarily stirred by a new sensation. Collectively, fashionable Paris was already away, at the seashore or in the mountains, but not a few of its chief ornaments still lingered, as the procession through Campton’s studio had proved; and others had returned drawn back by doubts about the future, the desire to be nearer the source of news, the irresistible French craving for the forum and the market when messengers are foaming in. The public of the “Posada,” therefore, was still Parisian enough to flatter the new dancer; and on all the pleasure-tired faces, belonging to every type of money-getters and amusement-seekers, Campton saw only the old familiar music-hall: the look of a house with lights blazing and windows wide, but nobody and nothing within.
The usualness of it all gave him a sense of ease which his boy’s enjoyment confirmed. George, lounging on the edge of their box, and watching the yellow dancer with a clear-eyed interest refreshingly different from Fortin’s tarnished gaze, George so fresh and cool and unafraid, seemed to prove that a world which could produce such youths would never again settle its differences by the bloody madness of war.
Gradually Campton became absorbed in the dancer and began to observe her with the concentration he brought to bear on any subject that attracted his brush. He saw that she was more paintable than he could have hoped, though not in the extravagant dress and attitude he was sure her eminent admirer would prefer; but rather as a little crouching animal against a sun-baked wall. He smiled at the struggle he should have when the question of costume came up.
“Well, I’ll do her, if you like,” he turned to say; and two tears of senile triumph glittered on the physician’s cheeks.
“Tomorrow, then—at two—may I bring her? She leaves as soon as possible for the south. She lives on sun, heat, radiance…”
“Tomorrow—yes,” Campton nodded.
His decision once reached, the whole subject bored him, and in spite of Fortin’s entreaties he got up and signalled to George.
As they strolled home through the brillian
t midnight streets, the boy said: “Did I hear you tell old Fortin you were going to do his dancer?”
“Yes—why not? She’s very paintable,” said Campton, abruptly shaken out of his security.
“Beginning tomorrow?”
“Why not?”
“Come, you know—tomorrow/” George laughed.
“We’ll see,” his father rejoined, with an obscure sense that if he went on steadily enough doing his usual job it might somehow divert the current of events.
On the threshold of the hotel they were waylaid by an elderly man with a round face and round eyes behind gold eye-glasses. His grey hair was cut in a fringe over his guileless forehead, and he was dressed in expensive evening clothes, and shone with soap and shaving; but the anxiety of a frightened child puckered his innocent brow and twitching cheeks.
“My dear Campton—the very man I’ve been hunting for! You remember me—your cousin Harvey Mayhew of Utica?”
Campton, with an effort, remembered, and asked what he could do, inwardly hoping it was not a portrait.
“Oh, the simplest thing in the world. You see, I’m here as a Delegate” At Campton’s look of enquiry, Mr. Mayhew interrupted himself to explain: “To the Peace Congress at The Haguewhy, yes: naturally. I landed only this morning, and find myself in the middle of all this rather foolish excitement, and unable to make out just how I can reach my destination. My time is—er—valuable, and it is very unfortunate that all this commotion should be allowed to interfere with our work. It would be most annoying if, after having made the effort to break away from Utica, I should arrive too late for the opening of the Congress.”
Campton looked at him wonderingly. “Then you’re going anyhow?”
“Going? Why not? You surely don’t think?” Mr. Mayhew threw back his shoulders, pink and impressive. “I shouldn’t in any case, allow anything so opposed to my convictions as war to interfere with my carrying out my mandate. All I want is to find out the route least likely to be closed ifif this monstrous thing should happen.”
Campton considered. “Well, if I were you, I should go round by Luxembourg—it’s longer, but you’ll be out of the way of trouble.” He gave a nod of encouragement, and the Peace Delegate thanked him profusely.
Father and son were lodged on the top floor of the Crillon, in the little apartment which opens on the broad terraced roof. Campton had wanted to put before his boy one of the city’s most perfect scenes; and when they reached their sitting-room George went straight out onto the terrace, and leaning on the parapet, called back: “Oh, don’t go to bed yet—it’s too jolly.”
Campton followed, and the two stood looking down on the festal expanse of the Place de la Concorde strewn with great flower-clusters of lights between its pearly distances. The sky was full of stars, pale, remote, half-drowned in the city’s vast illumination; and the foliage of the Champs Elysées and the Tuileries made masses of mysterious darkness behind the statues and the flashing fountains.
For a long time neither father nor son spoke; then Campton said: “Are you game to start the day after tomorrow?”
George waited a moment. “For Africa?”
“Well—my idea would be to push straight through to the south—as far as Palermo, say. All this cloudy watery loveliness gives me a furious appetite for violent red earth and white houses crackling in the glare.”
George again pondered; then he said: “It sounds first-rate. But if you’re so sure we’re going to start why did you tell Fortin to bring that girl tomorrow?”
Campton, reddening in the darkness, felt as if his son’s clear eyes were following the motions of his blood. Had George suspected why he had wanted to ingratiate himself with the physician?
“It was stupid—I’ll put her off,” he muttered, He dropped into an armchair, and sat there, in his clumsy infirm attitude, his arms folded behind his head, while George continued to lean on the parapet.
The boy’s question had put an end to their talk by baring the throbbing nerve of his father’s anxiety. If war were declared the next day, what did George mean to do? There was every hope of his obtaining his discharge; but would he lend himself to the attempt? The deadly fear of crystallizing his son’s refusal by forcing him to put it into words kept Campton from asking the question.
IV.
The evening was too beautiful, and too full of the sense of fate, for sleep to be possible, and long after George had finally said “All the same, I think I’ll turn in,” his father sat on, listening to the gradual subsidence of the traffic, and watching the night widen above Paris.
As he sat there, discouragement overcame him. His last plan, his plan for getting George finally and completely over to his side, was going to fail as all his other plans had failed. If there were war there would be no more portraits to paint, and his vision of wealth would vanish as visions of love and happiness and comradeship had one by one faded away. Nothing had ever succeeded with him but the thing he had in some moods set least store by, the dogged achievement of his brush; and just as that was about to assure his happiness, here was this horrible world-catastrophe threatening to fall across his path.
His misfortune had been that he could neither get on easily with people nor live without them; could never wholly isolate himself in his art, nor yet resign himself to any permanent human communion that left it out, or, worse still, dragged it in irrelevantly. He had tried both kinds, and on the whole preferred the first. His marriage, his stupid ill-fated marriage, had after all not been the most disenchanting of his adventures, because Julia Ambrose, when she married him, had made no pretense of espousing his art.
He had seen her first in the tumble-down Venetian palace where she lived with her bachelor uncle, old Horace Ambrose, who dabbled in bric-a-brac and cultivated a guileless Bohemianism. Campton, looking back, could still understand why, to a youth fresh from Utica, at odds with his father, unwilling to go into the family business, and strangling with violent unexpressed ideas on art and the universe, marriage with Julia Ambrose had seemed so perfect a solution. She had been brought up abroad by her parents, a drifting and impecunious American couple; and after their deaths, within a few months of each other, her education had been completed, at her uncle’s expense, in a fashionable Parisian convent. Thence she had been transplanted at nineteen to his Venetian household, and all the ideas that most terrified and scandalized Campton’s family were part of the only air she had breathed. She had never intentionally feigned an exaggerated interest in his ambitions. But her bringing up made her regard them as natural; she knew what he was aiming at, though she had never understood his reasons for trying. The jargon of art was merely one of her many languages; but she talked it so fluently that he had taken it for her mother-tongue.
The only other girls he had known well were his sisters—earnest eye-glassed young women, whose one answer to all his problems was that he ought to come home. The idea of Europe had always been terrifying to them, and indeed to his whole family, since the extraordinary misadventure whereby, as the result of a protracted diligence journey over bad roads, of a violent thunderstorm, and a delayed steamer, Campton had been born in Paris instead of Utica. Mrs. Campton the elder had taken the warning to heart, and never again left her native soil; but the sisters, safely and properly brought into the world in their own city and State, had always felt that Campton’s persistent yearnings for Europe, and his inexplicable detachment from Utica and the Mangle, were mysteriously due to the accident of their mother’s premature confinement.
Compared with the admonitions of these domestic censors, Miss Ambrose’s innocent conversation was as seductive as the tangles of Neaera’s hair, and it used to be a joke between them (one of the few he had ever been able to make her see) that he, the raw up-Stater, was Parisian born, while she, the glass and pattern of worldly knowledge, had seen the light in the pure atmosphere of Madison Avenue.
Through her, in due course, he came to know another girl, a queer abrupt young Americ
an, already an old maid at twenty-two, and in open revolt against her family for reasons not unlike his own. Adele Anthony had come abroad to keep house for a worthless “artistic” brother, who was preparing to be a sculptor by prolonged sessions in Anglo-American bars and the lobbies of music-halls. When he finally went under, and was shipped home, Miss Anthony stayed on in Paris, ashamed, as she told Campton, to go back and face the righteous triumph of a family connection who had unanimously disbelieved in the possibility of making Bill Anthony into a sculptor, and in the wisdom of his sister’s staking her small means on the venture.
“Somehow, behind it all, I was right, and they were wrong; but to do anything with poor Bill I ought to have been able to begin two or three generations back,” she confessed.
Miss Anthony had many friends in Paris, of whom Julia Ambrose was the most admired; and she had assisted sympathizingly (if not enthusiastically) at Campton’s wooing of Julia, and their hasty marriage. Her only note of warning had been the reminder that Julia had always been poor, and had always lived as if she were rich; and that was silenced by Campton’s rejoinder that the Magic Mangle, to which the Campton prosperity was due, was some day going to make him rich, though he had always lived as if he were poor.
“Well—you’d better not, any longer,” Adele sharply advised; and he laughed, and promised to go out and buy a new hat. In truth, careless of comfort as he was, he adored luxury in women, and was resolved to let his wife ruin him if she did it handsomely enough. Doubtless she might have, had fate given her time; but soon after their marriage old Mr. Campton died, and it was found that a trusted manager had so invested the profits of the Mangle that the heirg inherited only a series of law-suits.
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