Cavern Club in, 19, 27–28, 30, 41, 42, 54, 61, 242n
Hamburg vs., 15–16
London’s musical rivalry with, 43, 52, 107
Philharmonic Hall in, 60–61, 62, 249n–50n
thriving music scene in, 11–12, 52, 60–61, 65
Loewenstein, Prince Rupert, 202, 277n, 280n
London, 9, 12, 21, 35, 38, 39, 41, 47, 50, 127, 132, 143, 173
Jagger’s immersion in high society of, 111, 112–13, 202, 228
Liverpool’s musical rivalry with, 43, 52, 107
1960s club scene in, 1, 5–6, 49, 112, 143, 159, 170
Trafalgar Square rally in, 181–82, 184
see also Swinging London
London Records, 123
London School of Economics, 23, 152, 184
Longest Cocktail Party, The (DiLello), 206
Los Mockers, 147
“Love Me Do,” 35, 51, 52, 55, 247n, 248n, 249n
Love Me Do! (Braun), 8
LSD, 141, 159–60, 161, 162, 163, 176, 266n
Luck and Circumstance (Lindsay-Hogg), 276n
McCartney, Linda Eastman, 211–12
McCartney, Mary, 14
McCartney, Paul, 7, 8, 15, 19, 30, 48, 49, 50, 59, 79, 82, 87, 88, 89, 91, 98, 109, 116, 122, 133, 134, 135–36, 153, 157, 158, 175, 191, 215, 219, 242n, 244n, 249n, 250n, 254n, 256n, 257n, 264n, 268n, 274n, 278n–79n
Apple Corps and, 205, 207, 208
in Beatles management controversy, 210, 211, 212–15, 277n
on Beatles-Stones rivalry, 43, 142
childhood and adolescence of, 9, 10, 14, 38, 250n
in first encounter with Stones, 55, 56–57
Lennon’s creative partnership with, 44, 56, 71–72, 74–75, 77, 86, 90, 93, 142, 174, 215, 217, 225, 251n, 253n, 254n, 255n, 274n–75n
Lennon’s first meeting of, 86
Lennon’s fraying relationship with, 216–18
Linda Eastman’s relationship with, 211–12
in London club scene, 1, 143, 159
in proposed Beatles-Stones business alliance, 220–21
sexual exploits of, 17, 91
as shrewd businessman, 195, 196, 197, 216–17
solo career of, 223, 226, 231, 254n, 278n
songwriting of, 71–72, 74–75, 90, 134–35, 136–37, 138, 142, 173–74, 217, 251n, 253n, 255n–56n, 274n
on U.S. race relations, 155–56
see also Beatles
MacDonald, Ian, 51, 256n
Mad Dogs, 182
Magical Mystery Tour (TV film), 202–3, 207
Magic Circle: The Beatles in Dream and History (McKinney), 88
Maharishi Mahesh Yogi, 175, 176, 193–94, 207, 213, 268n–69n
Manchester Evening News, 100
Many Years from Now (Davies), 264n
Mao Zedong, 186, 272n
Marcos, Imelda, 132
Marcus, Greil, 181
Margaret, Princess, 94
marijuana, 49–50, 116, 137, 149, 155, 163, 164, 165, 170, 171, 266n
campaign for legalizing of, 157
Martin, Dean, 125, 126, 128
Martin, George, 29, 82–83, 87–88, 89, 138, 225, 257n
evolving studio role of, 134–35
“Maxwell’s Silver Hammer,” 217
May, Brian, 57–58
May, Phil, 108–9
Mayall, John, 83
Maysles, Albert and David, 190
Meet the Beatles!, 90
Meet the Beatles (Stark), 9–10, 256n
Melly, George, 96, 240n, 253n
Melody Maker, 8, 42, 66, 81, 89, 98, 99–100, 101, 121, 140, 254n
Merco Enterprises, 276n–77n
Merry Pranksters, 159, 266n
Mersey Beat, 28, 97, 255n
Merseyside musicians, 4, 60, 63, 65, 96, 107
Mighty Avengers, 74, 252n
Miles, Barry, 53, 56, 184
Mill, John Stuart, 152
Miller, James, 49, 170
Mitchell, Mitch, 203
Mod, 112, 260n
Mods, 47
Monterey, Calif., 170, 173
Moody Blues, 160
Moon, Keith, 166–67
Morgan, Brett, 230
Morganfield, McKinley “Muddy Waters,” see Waters, Muddy
“Mother Earth,” 220
“Mother’s Little Helper,” 141
Motown, 82, 83, 253n
Move, 269n
Murray the K’s Swinging Soiree, 123
Music Echo, 8
“My Bonnie,” 27
Nankering with the Stones (Phelge), 50–52, 247n
Nanker Phelge Music, 199
Nanker Phelge USA, 199, 216
National Liberation Front (NLF), 182
Ned Kelly (film), 269
NEMS (North End Music Stores), 27, 28
New Left, 153, 154, 157, 192
Lennon’s controversial “Revolution” message to, 177–81, 269n
New Left Review, 180
New Musical Express (NME), 3, 8, 104
News of the World, 159–61, 164, 166, 168–69
Jagger’s threatened libel suit against, 160–61
Newsweek, 154
New York, N.Y.:
Beatles’ visits to, 117–19
Stones’ visits to, 129, 130, 148
New York Journal American, 95
New York Times, 85–86, 95, 118, 154, 156
Nike, 191
“19th Nervous Breakdown,” 112, 146, 148
Nitzschephone, 140
NME, 119, 121, 143–46, 147, 175, 205, 268n, 279n
Norman, Philip, 16, 22, 34, 60, 188, 235n–36n
Northern Songs Ltd., 56, 215–17
“Norwegian Wood (This Bird Has Flown),” 137, 138
“Not Fade Away,” 124
“Nowhere Man,” 138, 146, 148
“Now I’ve Got a Witness,” 252n
Obama, Barack, 256n
“Ob-La-Di, Ob-La-Da,” 217
Old Gods Almost Dead (Davis), 241n, 249n
Oldham, Andrew Loog, 8, 31–37, 54, 62, 63, 66, 67, 69, 70, 74, 76, 77, 119, 139–40, 147, 174, 199, 209, 236n, 241n, 242n, 252n
adjustments in Stones’ image and presentation by, 35–37
ambition of, 31, 32, 33
in crafting Stones’ ”bad boy” image, 9, 31, 36–37, 81, 83, 114, 149, 261n
drug use of, 172, 173
Epstein’s hiring of, 33, 34
NME concert agreement and, 143, 144, 145
resignation of, 176
Stones’ first encounter with, 31, 33–34
Stones’ first U.S. tour and, 124, 125, 127, 130
Stones’ managerial contract with, 34, 243n, 246n
Stones urged to write original material by, 73, 74, 75, 76, 139
Oldham, Shelia Klein, 32, 198
Olympic Studios, 62, 173–74, 177, 274n
O’Mahony, Sean, 7–9, 34, 39–40, 206, 236n
Ono, Yoko, 162, 179, 185–86, 209, 210, 211, 212, 213–14, 218–19, 226, 231, 255n, 276n, 279n
Rock and Roll Circus performance of, 203–4
Orbison, Roy, 144
Osborne, John, 169
Our World (BBC broadcast), 171–72
Out of Our Heads, 75
“Out of Time,” 112
Oz, 166, 170
“Paint It, Black,” 75, 141
Parade of the Pops (radio show), 247n
Parker, Hubert, 149, 150
Paul Is Undead (Goldsher), 236n
Perkins, Carl, 16, 253n
Perrin, Les, 200, 220–21
Phelge, Jimmy, 50–52, 54–55, 57, 247n
Philharmonic Hall, Liverpool, 60–61, 62, 249n–50n
Pink Elephant (disco), 102
Pink Floyd, 170
Playboy, 93, 208–9, 226–27, 258n, 274n
“Play with Fire,” 75, 144
Please Please Me, 41, 73, 255n
“Please Please Me,” 35, 58, 253n, 256n
Poole, Brian, 12
Pope, Alexander, 167
Posta, Adrienne, 74, 111–12
“Power to the People,” 186
Preludin, 17–18, 19
Presley, Elvis, 29, 86, 115, 253n, 273n
Beatles’ ill-fated meeting with, 50
Pretty Things, 108, 147, 240n
Private Eye, 109
Psychic Soviet, The (Sevonius), 236n
Purple Hearts, 19
Pye Records, 101
Quant, Mary, 32
Quarry Men, 86
Radio Times, 59, 249n
Railway Hotel, see Crawdaddy Club
Ramparts, 180
R&B music, 2, 23, 24, 25–26, 33, 38, 39, 42, 45, 46, 47, 57, 62, 74, 96, 127–28, 221, 230, 253n, 261n–62n
Beatles’ early sound based on, 42, 44, 48, 51–52, 249n, 253n
Jones’s love of and identification with, 65–66
Stones’ “purist” approach to, 25, 26, 65–66, 77, 83, 101, 102, 114, 128, 147
Raskin, Jonah, 182, 271n
Rat, 182
RCA, 196, 210
“Real Love,” 231
“Rebels with a Beat” (Coleman), 98–99, 100
Record Mirror, 3, 8, 33, 44, 65, 91, 141, 237n
Redlands police bust, 161–69, 184, 267n
Red Lion Pub, 45
Reed, Jimmy, 55, 83, 96, 101
Rees-Mogg, William, 151, 152–53, 167–68
Regent Sound studios, 74
“Revolution,” 1, 6, 181, 185, 186, 189, 191
controversy surrounding lyrics of, 177–81, 186, 187, 269n
Revolution in the Head (MacDonald), 256n
“Revolution 1,” 269n
Revolver, 154
Richards, Keith, 8, 11, 20, 23, 24, 25, 34, 35, 36, 45, 46, 51, 52, 53, 54, 57, 58, 66–67, 69, 72, 76, 103, 107, 108, 119, 147, 153, 173, 176, 203, 204, 230, 240n, 247n, 251n, 257n, 259n, 261n, 262n, 267n, 268n, 279n
on Beatles-Stones rivalry, 39, 43, 122, 142–43, 223
on Chess Records visit, 127–28, 261n
clothes and personal style of, 23, 36, 245n
drug use of, 23, 84, 149, 159, 160, 162–63, 223, 228
Edith Grove flat shared by, 24, 50, 54–55, 58
on first U.S. tour, 122, 126, 127–28, 129
Jagger’s songwriting partnership with, 73–75, 76, 77, 78, 138–39, 142, 199, 252n
and Jones’s alienation within band, 67–68, 70, 172
legal troubles of, 149–50, 159, 162–67, 169
Redlands police bust and, 161–67, 169, 267n
songwriting by, 73–75, 76, 77, 138–39, 252n
see also Rolling Stones
Richmond and Twickenham Times, 57–58
Ringo, 278n
Rising Up Army, 189
Rock and Roll Hall of Fame, 52
Rockers, 47
“rockism,” 84, 93–94, 95
Rock Til You Drop (Strausbaugh), 246n–47n
“Roehampton Raves,” 160
Rolling Stone, 89, 175, 178, 205, 221, 222, 264n, 279n, 280n
Rolling Stones, 4–6, 8, 20, 49, 92, 96, 97, 116, 136, 171, 172, 177, 211, 221–22, 226–31, 262n, 273n, 280n
aging of, 229–30
album covers and sleeves of, 124, 176, 181, 221, 270n–71n
Altamont disaster and, 127, 190
as the “anti-Beatles,” 3, 4, 31, 37, 38, 99, 100–101, 106, 114
as antiestablishment icons, 25, 37, 81, 82, 99, 100, 101, 102–3, 106, 114, 126, 151, 153, 158–59, 165, 168, 169, 182–84, 187–88, 228
background of, 9, 10–11, 12, 20–24, 38
“bad boy”/rebellious image of, 2, 3, 9, 22, 24–25, 30–31, 35–37, 81–82, 83, 84, 99, 100–101, 102–7, 114, 149, 151, 159, 261n
Beatles breakup and, 221
Beatles’ first encounter with, 53–58, 70, 249n
Beatles first heard by, 50–52, 247n
Beatles look and sound “copied” by, 36, 37, 44, 58, 124, 139, 146–47, 175, 176, 222, 223, 245n, 264n
Beatles rivalry with, see Beatles-Stones rivalry
carefully crafted image and public personas of, 3–4, 7, 8–9, 35–36, 37, 82, 84, 106, 114, 115, 187, 191, 261n
chart success of, 65, 70, 74, 75, 109, 124, 139, 148, 174
corporate sponsorship of, 191, 229
counterculture’s denouncement of, 188, 189–90, 191–92
counterculture’s embracing of, 153, 158–59, 166–67, 169, 182–84, 187–88, 189
Crawdaddy Club performances of, 31, 45–48, 53, 54, 57, 61, 62, 246n
as “cultural revolutionaries,” 84, 101, 109, 114, 153, 158–59, 169, 178–79, 182–84, 186, 190–91, 192, 222
dark and unusual themes explored by, 141, 147
declining quality of recorded work by, 228, 230, 279n
dirty and unkempt appearance of, 2, 36, 37, 100, 101, 106–7, 110, 114, 122, 129, 259n
drug use of, 23, 69, 84, 126, 148, 149, 151, 152, 159, 160, 161, 162–63, 164, 165, 167–68, 223, 228, 266n
exorbitant ticket prices and touring contracts of, 188, 191, 231, 273n
experimental sounds of, 147, 175
fan riots at shows of, 104, 190
fan magazines (fanzines) of, 7, 8, 130, 142, 229
50 & Counting tour of, 230–31
films of, 185, 190, 230, 259n–60n
first Beatles show attended by, 58–60, 70, 77
first original songs authored by, 73–77, 138–39, 252n
first press clipping on, 57–58
first U.S. tour of, 122–31
gargantuan arena tours of, 103, 188, 191, 228–29
in Great Urination Bust of 1965, 104–6
growing popularity of, 97–99, 100–101, 102
hairstyles of, 44, 58, 106–7, 114, 126, 127, 245n, 259n
hipper, bohemian fanbase of, 4, 26, 46–47, 57, 63, 83–84, 94, 101, 102, 107, 110, 114, 115, 159, 169
infighting and tensions between members of, 67–68, 69, 70, 76, 78, 172–73
Klein as manager of, 195–96, 197, 198–202, 204, 208, 214, 215, 216, 220
Klein’s swindling of, 199–200, 202, 214, 215, 216
large male following of, 26, 46, 63, 108–9
lawsuits filed against Klein by, 199–200
legal troubles of, 105–6, 149–50, 159, 162–69, 172, 173, 174
Lennon-McCartney creative contributions for, 72, 75, 173–74, 175, 223, 251n, 268n
Lennon’s criticisms of, 44, 147, 222, 223
merchandise of, 229, 280n
misogynistic lyrics of, 142, 189–90
musical adaptability of, 140, 185, 230
musical influence of, 147, 264n
name origins of, 102
1969 U.S. tour of, 182–83, 185, 188, 189
1972 North American tour of, 227–28
at NME poll winners concert, 143–46
onstage antics of, 36, 67, 108, 259n–60n
over-the-top concert productions of, 228–29, 230
proposed Beatles business alliance with, 220–21
psychedelic phase of, 173–76, 185
R&B sound and identity of, 2, 24, 25–26, 33, 38, 39, 44, 46, 47, 57, 62, 65–66, 74, 77, 83, 101, 102, 114, 128, 147, 221, 230, 261n–62n
“radicalism” phase of, 181–83, 184, 185, 186, 187–88, 190–91
“Rebels with a Beat” profile on, 98–99, 100
record contracts of, 63–64, 195–96, 197, 199
recordings of, see specific albums and songs
record label formed by, 221
Rock and Roll Circus TV special of, 202, 203–4, 275n–76n
service repeatedly denied to, 81, 103, 104–5, 261n
sexual charisma of, 25, 37, 108, 110, 259n–60n
sexually provocative lyrics sung by, 83, 109, 114, 125–26, 261n, 279n
social and political themes explored by, 141, 181–83, 184, 185, 271n
staying power of, 226–27, 230–31
Steel Wheels tour of, 228–29, 230, 279n–80n
string of
near-perfect albums released by, 227–28
in Sympathy for the Devil, 185, 271n–72n
“thuggish” and obnoxious behavior of, 37, 68, 100, 104–5, 114, 143, 169
TV appearances of, 35–36, 37, 103–4, 110, 124–26, 160
underground press coverage of, 182, 187–88, 191–92, 271n
unruly fans of, 36, 47, 54, 104, 107–8, 109, 127, 129
wardrobe choices of, 35–36, 37, 79, 106–7, 114, 149, 259n
see also specific band members
Rolling Stones Book, 7, 123, 130, 142, 259n
Rolling Stones Fifty (coffee table book), 230
Rolling Stones Ltd., 200
Rolling Stones Records, 221
Rolling Stones Rock and Roll Circus, The (TV special), 202, 203–4, 275n–76n
Ronettes, 89, 120
Ronnie Scott’s Jazz Club, 32
Rory Storm and the Hurricanes, 15
Ross, Diana, 120
Rowe, Dick, 61–64, 70–71
Beatles rejected by, 12, 60
Roxon, Lillian, 101
Royal Albert Hall, 58–59, 65, 70, 77, 78, 79, 250n
Great Pop Prom at, 78
Royal Variety Show, 94, 114
Rubber Soul, 135–38, 139, 146, 154, 263n
Aftermath vs., 140–41, 142
Sanchez, Tony, 1, 84, 164, 190
San Diego Door, 154
San Francisco, Calif., 159
Beatles’ final concert in, 133
in Summer of Love, 169–70
Sanneh, Kelefa, 84
Saturday Club (radio show), 7, 50, 247n
Saturday Night Live (TV show), 278n
Saville, Jimmy, 145, 245n
Scotch of St. James, 112, 143
Sea Panther, SS, 121
Searchers, 123
SEC (Securities and Exchange Commission), 212, 216
segregation, 155–56
Seinfeld, Jerry, 256n
Sgt. Pepper’s Lonely Hearts Club Band, 154, 170–71, 222, 266n
album cover for, 170–71, 176
Shangri-Las, 89
Shea Stadium concert (1965), 85–86, 118–19, 120, 134, 148, 261n, 262n
“She Loves You,” 255n
Sheridan, Tony, 27
Shirelles, 89, 255n
Short, Don, 194–95
Shotton, Pete, 13
Shrimpton, Chrissie, 111–13, 143, 260n
Shrimpton, Jean, 111
Silver, Charles, 215
Sinatra, Frank, 125
Sinclair, John, 186
Sirhan Sirhan, 177
sitars, 138, 141, 147
16 magazine, 146
Small Faces, 144
Smith, Mandy, 230, 257n
Smith, Mimi, 14, 91
Smith, Pat, 62
Smith, Patti, 110
Snyderman, David, 161, 163–64, 267n
Soft Machine, 170
SOMA, 157
Some Girls, 228, 279n
“So Much in Love,” 252n
Sounds, 110
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