“I’m still not entirely happy about this,” Fischer said. “I’ve got a bad feeling. It just keeps niggling away at the back of my mind and it won’t go away.”
“That’s your ‘old woman’ instinct,” Skellan said, with an exaggerated wink at Hollenfuer. “You know it is rather overdeveloped. When this is all over you’ll make a wonderful harridan or shrew, my friend.”
The merchant didn’t laugh. In part because he shared Fischer’s misgivings but he wasn’t about to voice his concerns. “So, what say we get to work, lads?”
“Aye, the day isn’t getting any younger,” Skellan said.
The three men went down four flights of stairs to the cellar where the dray was already loaded, the two carthorses harnessed and ready to roll. The barrels on the flatbed were various sizes and showed different signs of age and wear, a few of them were a dark wet brown and branded with the maker’s mark while the others were made of pale dry wood. The two Bretonnian casks were barely big enough for them to squeeze into. Hollenfuer had reasoned that the smaller casks would be less suspicious than the larger beer barrels, though if an over-enthusiastic guard decided to help unload the cart he would be in for a hefty surprise.
Skellan climbed into one of the barrels, drawing his knees up tight to his chin and lowering his head. Hollenfuer pressed the lid down then hammered the seal into place. He had drilled two small air holes just beneath the second metal band cinching the barrel’s girth somewhere near where the stowaways’ face ought to be, but they were so small they would let precious little air into the suffocating confines of the barrel. They were big enough to keep him alive though.
It was dark and claustrophobically uncomfortable.
An hour in there was going to be nothing short of hellish.
After a few minutes he heard the banging of Fischer’s cask being secured, and then the third lid being nailed shut on their weapons. One weapon didn’t make it into the third cask. Skellan wore it on a leather thong around his neck, the glass phial cold against his skin as he cradled it close to his chest. It had cost him almost all of the money he had left but if it helped Aigner burn it would be worth every last coin of it.
And then they were moving. The slow gentle sway of the cart quickly became nauseating. Skellan tried to clear his mind of all thoughts but they kept coming back to the same thing—the face of the man he intended to kill.
Sebastian Aigner.
The cask muffled the sounds of the world. It was impossible to tell where they were along the road. He caught occasional snatches of Hollenfuer whistling. The man couldn’t carry a tune to save his life.
Every few minutes, the sweat pooling in the hollows of his collar and the base of his spine and behind his knees, Skellan twisted around to suck in a few precious mouthfuls of fresh air. The inside of the cask was choked with the bouquet of rancid wine. Several times he had to fight back the urge to gag. Before long he found himself getting dizzy on the intoxicating fumes.
The cart jounced and juddered on the roughshod road, bouncing Skellan around in the dark. Numbness, like a thousand stabbing pins and needles, seeped into his arms and legs as his blood stopped circulating properly.
And then, after what felt like an eternity, he felt the cart begin to slow and eventually come to a standstill.
He could barely make out the strains of muffled conversation. He used his imagination to piece it together: the guard questioning the wine merchant, demanding his bill of lading, then satisfied, telling him where to leave the delivery using an unseen passage so as to avoid being seen by the steady stream of guests.
Someone banged three times in rapid succession on the lid of Skellan’s barrel.
His heart stopped.
He didn’t dare breathe or move.
Everything hung in the balance. It could all be over in the matter of a few seconds. Years in pursuit of justice come to nothing. He closed his eyes, waiting for the inevitable shaft of sunlight as the guard cracked open the lid of his hiding place—but it didn’t come.
The cart rumbled forward again.
A shaky sigh leaked between his lips. They were inside the castle walls. They were rapidly approaching the critical moment, transferring the barrels from the cart into the count’s cellars. If anything were going to go wrong it would be in the next few minutes. Skellan sent a silent prayer to Sigmar.
The barrel bumped sharply as the cartwheel rattled over a jagged stone and for a moment all sensation of movement ceased—then suddenly the barrels were being manhandled off the cart and rolled down planks into the cellar. Skellan caught himself on the brink of crying out. The shock of the violent disruption to his surroundings was both nauseating and agonizing as his body slammed into the barrel’s inner wall and squashed his face up against the lid. As suddenly as it began, the turbulent spinning stopped and the seal was being broken on the lid of his wooden prison.
As the lid came off Skellan arched his back and pushed upwards, desperate to get out of the claustrophobic barrel. Like a diver surfacing after too long beneath the surface, he gasped, gulping down the musty cellar air greedily. He retched, almost choking on the air.
Hollenfuer’s cellar boy Henrik hunched over the second Bretonnian white cask. He wore a look of steady concentration on his face as he worked the tip of the metal crowbar between the seal and the wood and levered it loose. From inside Fischer pushed up with both hands, forcing his way out of the barrel.
Skellan’s legs buckled as he tried to stand. He caught himself on the supporting strut of a peculiar wooden contraption that was halfway between a harness and a winch. He stood there for a long moment, shaking. Henrik helped Fischer stand. In the small rectangle of failing light at the top of the gangplanks leading up out of the cellar Hollenfuer nodded once, and banged the storm covers closed. Moments later they heard the distinct crack of a whip and the creaks and groans of the cart making a slow circle before returning back to the wine cellar on Kaufmannstrasse.
Skellan looked around the cellar. The cold stones were impregnated with years of damp and limned with creeping black mould. Henrik handed them their weapons. Skellan sheathed his sword and clipped the hand-held crossbow onto his belt. The extra bolts he slipped into a boot sheath. Beside him Fischer did likewise. With his sword at his side his sense of vulnerability subsided. He clapped his friend on the back.
The ceiling was low enough to force Fischer to stoop. The bigger man moved awkwardly toward the door leading up to the kitchens.
“No retreat, no surrender,” Skellan said, taking a deep breath and following him.
They paused at the door. Sounds of frantic activity filtered down to them. The hordes of kitchen staff were no doubt working madly to get everything perfect for the count’s feast.
“If we don’t make it out of this,” Fischer whispered, fear glistening in his dark eyes, “what kind of existence would you choose in your next life?”
“The same life I had once before in this one: an unknown farmer living in an out of the way corner of the Empire, a good wife, happy. I would give anything to go back to that time. To be the man I was, not the man I became.”
Fischer nodded his understanding.
“I would like to go back to that day,” he admitted. “Though I think I would choose to die with them second time around, rather than live like this.”
This time it was Skellan who nodded.
“Enough talking, my friend. Death awaits.”
So saying, he hefted a small cask of port wine onto his shoulder and pushed open the door and walked confidently up the narrow servant’s stairway. Fischer followed, two steps behind him. Skellan ignored the looks of the kitchen staff and walked straight up to the man who looked as though he was in charge.
“Where’d you want it, squire?” he said, tapping the cask with his fingers.
The cook turned up his nose and waved him away. “Over there, with the others by the door. Then go get yourself cleaned up. You’re filthy, man. The count will have your hide if he sees you
like that.”
Skellan grunted and turned away. There were several small barrels and one larger one stacked against the furthest wall. He put the cask down beside the others, and walked straight out of the kitchen door. The passageway divided into three, one fork going left, another right, while the third continued straight on. Without knowing which way to go, he opted to go straight on for sake of expediency. It would be easier to find his way back if it proved to be the wrong choice.
They moved quickly through the belly of the castle in search of a stairway leading up. It wasn’t difficult to find one.
Noise drew them toward the great hall. The passageways increased in richness, going from cold stone to tapestry-lined walls with various depictions of hunting and reclined beauties, each passage opening into a wider one until it finally opened into the great hall itself, the buzz turned into a roar of noise.
The great hall was alive with a swarm of people flitting from place to place, the buzz of conversation constant. All of the guests wore peculiar skull masks, making it appear as though they themselves had risen fresh from the grave. As Skellan and Fischer entered the hall two young serving girls swooped down seemingly out of nowhere and pressed masks into their hands. Skellan took his gratefully and quickly covered his face.
“How in Sigmar’s name are we going to find him if he’s wearing a bloody mask?” Fischer cursed behind him.
The hall was already stiflingly hot, the air thick with humidity. Given the amount of people already present it was hardly surprising. Skellan noticed more than a few ladies fanning themselves almost constantly as they turned and turned about to survey the gathering. The place was a riot of clashing colours. Beside the count’s obsidian throne a row of violinists and cellists conjured a symphony of music, the third concerto of Adolphus, the blind Sigmarite monk, each note resonating with a pure unblemished simplicity that bordered on the divine. Skellan stopped in the middle of the press of people and let the music wash over him like a crashing wave. It was beautiful; there really was no other word to describe it.
On the opposite side of the obsidian throne a large dais hand been constructed and on it stood Gemaetin Gist’s portrait of Isabella von Carstein, hidden beneath a plain scarlet curtain.
There was a fluid grace to the way the guests moved across the floor as though they were all part of some huge orchestrated dance, but where it aimed at sophistication there was something decidedly more tribal and ritualistic about the whole performance.
Skellan scanned the dizzying array of facemasks hoping to catch a glimpse of the people lurking behind the bone. Cold certainty settled in his gut: Aigner was among them. He knew it. One of those masks hid the man who murdered his wife.
Skellan pushed deeper into the crowd.
Fischer struggled to match his momentum.
The music surged. Bodies swarmed and pressed on all sides.
Skellan stared at mask after mask, a hideous dance of death being played out before his eyes. It was hopeless. To be so close, within touching distance at least once, almost certainly, and not being able to recognise his quarry. He clenched his fists. More than anything at that moment he wanted to lash out with frustration.
The tempo of the music shifted into something more melancholy. Skellan stood in the centre of the great hall, looking left and right. And then, he looked up, at the gallery overlooking the floor. A cadaverous young man braced himself on the mahogany balustrade, studying the dancers as though he were watching a swarm of flies crawling over the carcass of some long dead animal. His distaste was obvious. Behind him were five men, two of whom bore a striking resemblance to the count himself. Some sort of family, Skellan reasoned. The other three were muscle, ready to interject if things on the dance floor got out of hand thanks to a rowdy drinker or an angry borderland baron making a scene.
Skellan scanned the second gallery behind him. Again it was lined with attentive spectators, well dressed but obviously guards. One wore twin blades in a curious double sheath on his back. While the blades were interesting it was the shaven head of the man beside the sword-bearer that stopped Skellan dead in his tracks.
The years had not been kind to Sebastian Aigner.
Far from it. In the eight years since he had ridden into Skellan’s village with his murderous brethren the man had aged twenty. He looked different, not just older. It was something about the way he held himself. He looked like a man resigned to his fate. That was it. Skellan had seen the look before in those he had condemned to a fiery death. The mark of damnation hung over Aigner’s head.
It was all Jon Skellan could do not to unclip the hand-held crossbow at his side and bury a metal-tipped bolt in the man’s throat there and then. He imagined himself doing it, raising the small crossbow slowly, squeezing down on the trigger mechanism and watching the deadly bolt punch into Aigner’s throat, the momentary look of shock, bewilderment, before the blood pulsed out of the wound, through his desperate fingers as he clutched at his throat trying to keep it back. An icy satisfaction settled like a smooth sided stone in Skellan’s gut. It ended here, tonight.
“I see him,” he said just loudly enough for his words to carry to Fischer.
Fischer turned and quickly scanned the gallery. He almost didn’t recognise the man. His shaved head and the heavy criss-crossing of scars on his scalp made Aigner look very different.
“It’s him,” Fischer agreed.
He looked around the great hall for a stairway that led up to the gallery but there were nothing obvious. Several of the stone columns around the room were covered by thick velvet drapes, and magnificent tapestries hung from two of the four walls. Any one of them could have hidden a door or a staircase.
Skellan pushed toward the edge of the great hall, his head swimming with thoughts of vengeance. Bodies closed around him, cutting him off from Fischer. He kept pushing forward, squeezing through gaps that weren’t really there. The time signature of the music shifted again, into a heady cantante, the violins replacing the voice of the singer as the music spiralled into its triumphant crescendo.
In the second of awed silence that followed, a collective gasp escaped the lips of the milling dancers. The count, Vlad von Carstein and his beautiful wife Isabella stepped through the oaken doors behind the obsidian throne. The man moved with predatory grace, the woman like his shadow. The pair were so perfectly in time with each other. The count raised his wife’s hand high, and bowed low to a ripple of applause.
There was something about the man that set Skellan’s skin crawling. It wasn’t anything obvious. There was no mark of Chaos hanging over him. It was subtle but it was there. A faint nagging something. In part it could have been down to the arrogance with which the man carried himself, but that was not it, at least not all of it. He might not have been able to divine the cause, but the effect was plain to see, the partygoers viewed the count with awe. Death masks slipped down to reveal wide-eyed adoration. Vlad von Carstein owned these people body and soul. He had a mesmerist’s draw on them.
Skellan knew that von Carstein was no different from a great puppet master: every one of the people in the great hall would dance to his whim. The woman on the other hand, was easy to read. There was a raw sexuality about her and she knew it. A measured look here, a slight smile there, a teasing touch, the tip of her tongue lingering just slightly too long on her fulsome lips, a toss of the head to accentuate the swanlike grace of her neck and the cascade of her dark hair as it spilled down her back. She played with them almost as well as her husband did, but where he carried a faint air of melancholy with him she radiated the self-assurance of power. Real power.
The crowd parted to let them pass.
Skellan used the distraction of von Carstein’s arrival to slip away unnoticed. He glanced back over his shoulder. Toadying guests all hungry to get close to the count and his lady fenced Fischer in. Skellan had no choice. He couldn’t go back for him and he couldn’t risk waiting. The choices of a warrior were simple: in a difficult situation, press on,
when surrounded, look for weaknesses in your enemy’s strategy that can be exploited, when confronted with death, fight. He had no choice. Skellan left Fischer staring helplessly as his back as he disappeared through the crowd.
Behind him, Fischer tried to barge his way through the bodies but the sheer weight of people pushed him back.
“Friends,” von Carstein said, his voice cutting through the falling hubbub. “Be welcome in my home, for today we celebrate the most fragile of things and the most finite, life, and revel in the infinite, death. We come together as faceless constructs, bare bones that make us indistinguishable from one and other, in that we are equal.” There were a few murmurs of ascent. “Equal in life and in death. Tonight we throw our inhibitions to the wind and give ourselves over to the music of these fine players. We are blessed with wonderful food and wine brought in from the very finest corners of the province. So, I urge you to surrender to the spirit of Totentanz. It is, after all, the dance of the dead, and who are we mere mortals to withstand such august company? Raise a glass to the restless dead, my friends! To the ghosts, the shades, the ghouls, the wraiths, the wights, the banshees, the liches, the mummies, the nightmares, the weres, the shadows, the zombies, the spectres, the phantasms, and of course,” he slowed down, letting his voice sink to the merest whisper. The count didn’t need to shout. His voice carried to each and every guest, raising goose pimples of anticipation along their flesh, “the vampires.”
A burst of applause greeted von Carstein’s toast. Cries of: “To the dead!” echoed around the room.
Skellan reached the first of four red velvet curtains bearing the crest of Sylvania. One of them, he hoped, would reveal a short flight of stairs leading up to the gallery. He paused to look up at Aigner. The man appeared almost bored by the proceedings. Aigner leaned on the mahogany balustrade clenching and unclenching his fists. Beside him more of von Carstein’s cronies were chuckling.
[Von Carstein 01] - Inheritance Page 11