Well, in fact all that had been mere myth and folly. Gilgamesh could still remember Hell as it had been when he first had come to it: a place much like Uruk, so it seemed, with low flat-roofed buildings of whitewashed brick, and temples rising on high platforms of many steps. And there he found all the heroes of olden days, living as they had always lived: Lugalbanda, his father, and Enmerkar, his father’s father; and Ziusudra who built the vessel by which mankind survived the Flood; and others on and on, back to the dawn of time. At least that was what it was like where Gilgamesh first found himself; there were other districts, he discovered later, that were quite different—places where people lived in caves, or in pits in the ground, or in flimsy houses of reeds, and still other places where the Hairy Men dwelled and had no houses at all. Most of that was gone now, greatly transformed by all those who had come to Hell in the latter days, and indeed a lot of nonsensical ugliness and ideological foolishness had entered in recent centuries in the baggage of the New Dead. But still, the idea that this whole vast realm—infinitely bigger than his own beloved Land of the Two Rivers—existed merely for the sake of chastising the dead for their sins, struck Gilgamesh as too silly for serious contemplation.
Why, then, was the joy of his hunting so pale and hollow? Why none of the old ecstasy when spying the prey, when drawing the great bow, when sending the arrow true to its mark?
Gilgamesh thought he knew why, and it had nothing to do with punishment. There had been joy aplenty in the hunting for many a thousand years of his life in Hell. If the joy had gone from it now, it was only that in these latter days he hunted alone; that Enkidu—his friend, his true brother, his other self—was not with him. That and nothing but that: for he had never felt complete without Enkidu since they first had met and wrestled and come to love one another after the manner of brothers, long ago in the city of Uruk. That great burly man, broad and tall and strong as Gilgamesh himself, that shaggy wild creature out of the high ridges: Gilgamesh had never loved anyone as he loved Enkidu.
But it was the fate of Gilgamesh, so it seemed, to lose him again and again. Enkidu had been ripped from him the first time long ago when they still dwelled in Uruk, on that dark day when the gods had had revenge upon them for their great pride and had sent the fever to take Enkidu’s life. In time Gilgamesh too had yielded to death and was taken into Hell, which he found nothing at all like the Hell that the scribes and priests of the Land had taught; and there he had searched for Enkidu, and one glorious day he had found him. Hell had been a much smaller place, then, and everyone seemed to know everyone else; but even so it had taken an age to track him down. Oh, the rejoicing that day in Hell! Oh, the singing and the dancing, the vast festival that went on and on! There was great kindliness among the denizens of Hell in those days, and everyone was glad for Gilgamesh and Enkidu. Minos of Crete gave the first great party in honor of their reunion, and then it was Amenhotep’s turn, and then Agamemnon’s. And on the fourth day the host was dark slender Varuna, the Meluhhan king, and then on the fifth the heroes gathered in the ancient hall of the Ice-Hunter folk where one-eyed Vy-otin was chieftain and the floor was strewn with mammoth tusks, and after that—
Well, and it went on for some long time, the great celebration of the reunion. This was long before the hordes of New Dead had come, all those grubby little unheroic people out of unheroic times, carrying with them their nasty little demons and their dark twisted apparatus of damnation and punishment. Before they had come, Hell had simply been a place to live in the time after life. It was all very different then, a far happier place.
For uncountable years Gilgamesh and Enkidu dwelled together in Gilgamesh’s palace in Hell as they had in the old days in the Land of the Two Rivers. And all was well with them, with much hunting and feasting, and they were happy in Hell even after the New Dead began to come in, bringing all their terrible changes.
They were shoddy folk, these New Dead, confused of soul and flimsy of intellect, and their petty trifling rivalries and vain strutting poses were a great nuisance. But Gilgamesh and Enkidu kept their distance from them while they replayed all the follies of their lives, their nonsensical Crusades and their idiotic trade wars and their preposterous theological squabbles. The trouble was that they had brought not only their lunatic ideas to Hell but also their accursed diabolical modern gadgets, and the worst of those were the vile weapons called guns, that slaughtered noisily from afar in the most shameful cowardly way. Heroes know how to parry the blow of a battle-ax or the thrust of a sword; but what can even a hero do about a bullet from afar? It was Enkidu’s bad luck to fall between two quarreling bands of these gun-wielders, a flock of babbling Spaniards and a rabble of arrogant Englanders, for whom he tried to make peace. Of course they would have no peace, and soon shots were flying, and Gilgamesh arrived at the scene just as a bolt from an arquebus tore through his dear Enkidu’s noble heart.
No one dies in Hell forever; but some are dead a long time, and that was how it was with Enkidu. It pleased the Undertaker this time to keep him in limbo some hundreds of years, or however many it was—tallying such matters in Hell is always difficult. It was, at any rate, a dreadful long while, and Gilgamesh once more felt that terrible inrush of loneliness that only the presence of Enkidu might cure. Hell continued to change, and now the changes were coming at a stupefying, overwhelming rate. There seemed to be far more people in the world than there ever had been in the old days, and great armies of them marched into Hell every day, a swarming rabble of uncouth strangers who after only a little interval of disorganization and bewilderment would swiftly set out to reshape the whole place into something as discordant and repellent as the world they had left behind. The steam engine came, with its clamor and clangor, and something called the dynamo, and then harsh glittering electrical lights blazed in every street where the lamps had been, and factories arose and began pouring out all manner of strange things. And more and more and more, relentlessly, unceasingly. Railroads. Telephones. Automobiles. Noise, smoke, soot everywhere, and no way to hide from it. The Industrial Revolution, they called it. Satan and his swarm of Administration bureaucrats seemed to love all the new things, and so did almost everyone else, except for Gilgamesh and a few other cranky conservatives. “What are they trying to do?” Rabelais asked one day. “Turn the place into Hell?” Now the New Dead were bringing in such devices as radios and helicopters and computers, and everyone was speaking English, so that once again Gilgamesh, who had grudgingly learned the new-fangled Greek long ago when Agamemnon and his crew had insisted on it, was forced to master yet another tongue-twisting, intricate language. It was a dreary time for him. And then at last did Enkidu reappear, far away in one of the cold northern domains. He made his way south, and for a time, they were reunited again, and once more all was well for Gilgamesh of Uruk in Hell.
But now they were separated again, this time by something colder and more cruel than death itself. It was beyond all belief, but they had quarreled. There had been words between them, ugly words on both sides—such a dispute as never in thousands of years had passed between them in the land of the living or in the land of Hell—and at last Enkidu had said that which Gilgamesh had never dreamed he would ever hear, which was, “I want no more of you, king of Uruk. If you cross my path again I will have your life.” Could that have been Enkidu speaking, or was it, Gilgamesh wondered, some demon of Hell in Enkidu’s form?
In any case he was gone. He vanished into the turmoil and intricacy of Hell and placed himself beyond Gilgamesh’s finding. And when Gilgamesh sent forth inquiries, back came only the report, “He will not speak with you. He has no love for you, Gilgamesh.”
It could not be. It must be a spell of witchcraft, thought Gilgamesh. Surely this was some dark working of the Hell of the New Dead, that could turn brother against brother and lead Enkidu to persist in his wrath. In time, Gilgamesh was sure, Enkidu would be triumphant over this sorcery that gripped his soul, and he would open himself once more to the love of Gilgamesh.
But time went on, after the strange circuitous fashion of Hell, and Enkidu did not return to his brother’s arms.
What was there to do but hunt, and wait, and hope?
So this day Gilgamesh hunted in Hell’s parched Outback. He had killed and killed and killed again, and now late in the day he had put his arrow through the throat of a monster more foul even than the usual run of creatures of Hell; but there was a terrible vitality to the thing, and it went thundering off, dripping dark blood from its pierced maw.
Gilgamesh gave pursuit. It is sinful to strike and wound and not to kill. For a long weary hour he ran, crisscrossing this harsh land. Thorny plants slashed at him with the malevolence of imps, and the hard wind flailed him with clouds of dust sharp as whips. Still the evil-looking beast outpaced him, though its blood drained in torrents from it to the dry ground.
Gilgamesh would not let himself tire, for there was god-power in him by virtue of his descent from the divine Lugalbanda, his great father who was both king and god. But he was hard pressed to keep going. Three times he lost sight of his quarry, and tracked it only by the spoor of its blood-droppings. The bleak red motionless eye that was the sun of Hell seemed to mock him, hovering forever before him as though willing him to run without cease.
Then he saw the creature, still strong but plainly staggering, lurching about at the edge of a thicket of little twisted, greasy-leaved trees. Unhesitatingly Gilgamesh plunged forward. The trees stroked him lasciviously, coating him with their slime, trying like raucous courtesans to insinuate their leaves between his legs; but he slapped them away, and emerged finally into a clearing where he could confront his animal.
Some repellent little hell-beast was clinging to the back of his prey, ripping out bloody gobbets of flesh and ruining the hide. A Land Rover was parked nearby, and a pale, strange-looking man with a long jaw was peering from its window. A second man, red-faced and beefy-looking, stood close by Gilgamesh’s roaring, snorting quarry.
First things first. Gilgamesh reached out, scooped the foul hissing little carrion-seeker from the bigger animal’s back, flung it aside. Then with all his force he rammed his dagger toward what he hoped was the heart of the wounded animal. In the moment of his thrust Gilgamesh felt a great convulsion within the monster’s breast and its hell-life left it in an instant.
The work was done. Again, no exultation, no sense of fulfillment; only a kind of dull ashen release from an unfinished chore. Gilgamesh caught his breath and looked around.
What was this? The red-faced man seemed to be having a crazy fit. Quivering, shaking, sweating, dropping to his knees, his eyes gleaming insanely—
“Lord Conan?” the man cried. “Great king?”
“Conan is not one of my titles,” said Gilgamesh, mystified. “And I was a king once in Uruk, but I reign over nothing at all in this place. Come, man, get off your knees!”
“But you are Conan to the life!” moaned the red-faced man hoarsely. “To the absolute life!”
Gilgamesh felt a surge of intense dislike for this fellow. He would be slobbering in another moment. Conan? Conan? That name meant nothing at all. No, wait; he had known a Conan once, some little Celtic fellow he had encountered in a tavern, a chap with a blunt nose and heavy cheekbones and dark hair tumbling down his face, a drunken twitchy little man forever invoking forgotten godlets of no consequence—yes, he had called himself Conan, so Gilgamesh thought. Drank too much, caused trouble for the barmaid, even took a swing at her, that was the one. Gilgamesh had dropped him down an open cesspool to teach him manners. But how could this blustery-faced fellow here mistake me for that one? He was still mumbling on, too, babbling about lands whose names meant nothing to Gilgamesh—Cimmeria, Aquilonia, Hyrkania, Zamora. Total nonsense. There were no such places.
And that glow in the fellow’s eyes—what sort of look was that? A look of adoration, almost the sort of look a woman might give a man when she has decided to yield herself utterly to his will.
Gilgamesh had seen such looks aplenty in his day, from women and men both; and he had welcomed them from women, but never from a man. He scowled. What does he think I am? Does he think, as so many have wrongly thought, that because I loved Enkidu with so great a love that I am a man who will embrace a man in the fashion of men and women? Because it is not so. Not even here in Hell is it so, said Gilgamesh to himself. Nor will it ever be.
“Tell me everything!” the red-faced man was imploring. “All those exploits that I dreamed in your name, Conan: Tell me how they really were! That time in the snow fields, when you met the frost giant’s daughter—and when you sailed the Tigress with the Black Coast’s queen—and that time you stormed the Aquilonian capital, and slew King Numedides on his own throne—”
Gilgamesh stared in distaste at the man groveling at his feet.
“Come, fellow, stop this blather now,” he said sourly. “Up with you! You mistake me greatly, I think.”
The second man was out of the Land Rover now, and on his way over to join them. An odd-looking creature he was, too, skeleton-thin and corpse-white, with a neck like a water-bird’s that seemed barely able to support his long, big-chinned head. He was dressed oddly too, all in black, and swathed in layer upon layer as if he dreaded the faintest chill. Yet he had a gentle and thoughtful way about him, quite unlike the wild-eyed and feverish manner of his friend. He might be a scribe, Gilgamesh thought, or a priest; but what the other one could be, the gods alone would know.
The thin man touched the other’s shoulder and said, “Take command of yourself, man. This is surely not your Conan here.”
“To the life! To the very life! His size—his grandeur—the way he killed that beast—”
“Bob—Bob, Conan’s a figment! Conan’s a fantasy! You spun him out of whole cloth. Come, now. Up. Up.” To Gilgamesh he said, “A thousand pardons, good sir. My friend is—sometimes excitable—”
Gilgamesh turned away, shrugging, and looked to his quarry. He had no need for dealings with these two. Skinning the huge beast properly might take him the rest of the day; and then to haul the great hide back to his camp, and determine what he wanted of it as a trophy—
Behind him he heard the booming voice of the red-faced man. “A figment, H.P.? How can you be sure of that? I thought I invented Conan, too; but what if he really lived, what if I had merely tapped into some powerful primordial archetype, what if the authentic Conan stands here before us this very moment—”
“Dear Bob, your Conan had blue eyes, did he not? And this man’s eyes are dark as night.”
“Well—” Grudgingly.
“You were so excited you failed to notice. But I did. This is some barbarian warrior, yes, some great huntsman beyond any doubt—a Nimrod, an Ajax. But not Conan, Bob! Grant him his own identity. He’s no invention of yours.” Coming up beside Gilgamesh, the long-jawed man said, speaking in a formal and courtly way, “Good sir, I am Howard Phillips Lovecraft, formerly of Providence, Rhode Island, and my companion is Robert E. Howard of Texas, whose other life was lived, as was mine, in the twentieth century after Christ. At that time we were tale-tellers by trade, and I think he confuses you with a hero of his own devising. Put his mind at ease, I pray you, and let us know your name.”
Gilgamesh looked up. He rubbed his wrist across his forehead to clear it of a smear of the monster’s gore and met the other man’s gaze evenly. This one, at least, was no madman, strange though he looked.
Quietly Gilgamesh said, “I think his mind may be beyond putting at any ease. But know you that I am called Gilgamesh, the son of Lugalbanda.”
“Gilgamesh the Sumerian?” Lovecraft whispered. “Gilgamesh who sought to live forever?”
“Gilgamesh am I, yes, who was king in Uruk when that was the greatest city of the Land of the Two Rivers, and who in his folly thought there was a way of cheating death.”
“Do you hear that, Bob?”
“Incredible. Beyond all belief!” muttered the other.
Rising until he towered above the
m both, Gilgamesh drew in his breath deeply and said with awesome resonance, “I am Gilgamesh to whom all things were made known, the secret things, the truths of life and death, most especially those of death. I have coupled with Inanna the goddess in the bed of the Sacred Marriage; I have slain demons and spoken with gods; I am two parts god myself, and only one part mortal.” He paused and stared at them, letting it sink in, those words that he had recited so many times in situations much like this. Then in a quieter tone he went on, “When death took me I came to this nether world they call Hell, and here I pass my time as a huntsman, and I ask you now to excuse me, for as you see I have my tasks.”
Once more he turned away.
“Gilgamesh!” said Lovecraft again in wonder. And the other said, “If I live here till the end of time, H.P., I’ll never grow used to it. This is more fantastic than running into Conan would have been! Imagine it: Gilgamesh!”
A tiresome business, Gilgamesh thought: all this awe, all this adulation.
The problem was that damned epic, of course. He could see why Caesar grew so irritable when people tried to suck up to him with quotations out of Shakespeare’s verses. “Why, man, he doth bestride the narrow world like a Colossus,” and all that: Caesar grew livid by the third syllable. Once they put you into poetry, Gilgamesh had discovered, as had Odysseus and Achilles and Caesar after him and many another, your own real self can begin to disappear and the self of the poem overwhelms you entirely and turns you into a walking cliché. Shakespeare had been particularly villainous that way, Gilgamesh thought: ask Richard III, ask Macbeth, ask Owen Glendower. You found them skulking around Hell with perpetual chips on their shoulders, because every time they opened their mouths people expected them to say something like “My kingdom for a horse!” or “Is this a dagger which I see before me?” or “I can call spirits from the vasty deep.” Gilgamesh had had to live with that kind of thing almost from the time he had first come to Hell, for they had written the poems about him soon after. All that pompous brooding stuff, a whole raft of Gilgamesh tales of varying degrees of basis in reality. And then the Babylonians and the Assyrians, and even those smelly garlic-gobbling Hittites, had gone on translating and embroidering them for another thousand years so that everybody from one end of the known world to the other knew them by heart. And even after all those peoples were gone and their languages had been forgotten, there was no surcease, because these twentieth-century folk had found the whole thing and deciphered the text somehow and made it famous all over again. Over the centuries they had turned him into everybody’s favorite all-purpose hero, which was a hell of a burden to bear: there was a piece of him in the Prometheus legend, and in the Heracles stuff, and in that story of Odysseus’ wanderings, and even in the Celtic myths, which was probably why this creepy Howard fellow kept calling him Conan. At least that other Conan, that ratty little sniveling drunken one, had been a Celt. Enlil’s ears, but it was wearying to have everyone expecting you to live up to the mythic exploits of twenty or thirty very different culture-heroes! And embarrassing, too, considering that the original non-mythical Heracles and Odysseus and some of the others dwelled here too and tended to be pretty possessive about the myths that had attached to them, even when they were simply variants on his own much older ones.
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