And ‘Do you dream of me?’ you said.
My heart was dust that used to leap
To you; I answered half asleep:
‘My pillow is damp, my sheets are red,
There’s a leaden tester to my bed:
Find you a warmer playfellow,
A warmer pillow for your head,
A kinder love to love than mine.’
You wrung your hands; while I like lead
Crushed downwards through the sodden earth:
You smote your hands but not in mirth,
And reeled but were not drunk with wine.
For all night long I dreamed of you:
I woke and prayed against my will,
Then slept to dream of you again.
At length I rose and knelt and prayed:
I cannot write the words I said,
My words were slow, my tears were few;
But through the dark my silence spoke
Like thunder. When this morning broke,
My face was pinched, my hair was grey,
And frozen blood was on the sill
Where stifling in my struggle I lay.
If now you saw me you would say:
Where is the face I used to love?
And I would answer: Gone before;
It tarries veiled in paradise.
When once the morning star shall rise,
When earth with shadow flees away
And we stand safe within the door,
Then you shall lift the veil thereof.
Look up, rise up: for far above
Our palms are grown, our place is set;
There we shall meet as once we met
And love with old familiar love.
UP-HILL
Does the road wind up-hill all the way?
Yes, to the very end.
Will the day’s journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you standing at that door.
Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.
THE PRINCE’S PROGRESS AND OTHER POEMS
Published in 1866, this poetry collection was also illustrated by the poet’s brother Dante Gabriel, and the title poem is considered to be one of Rossetti’s most accomplished works. The Prince’s Progress is a long narrative poem that forms a sequel to Goblin Market and also concerns the theme of false expectations of love. The poem deals with philosophical issues related to betrayal in love, somewhat more mature in approach than in the previous collection. On its surface level the poem depicts a deserving Princess bride, who is betrayed by an inadequately devoted lover. Yet, as in the majority of Rossetti’s love poems, mutability lingers in the background of the narrative, impelling the characters’ reactions to their circumstances and preventing the fulfilment of love.
The first edition
CONTENTS
THE PRINCE’S PROGRESS
MAIDEN-SONG
JESSIE CAMERON
SPRING QUIET
THE POOR GHOST
A PORTRAIT
DREAM-LOVE
TWICE
SONGS IN A CORNFIELD
A YEAR’S WINDFALLS
THE QUEEN OF HEARTS
ONE DAY
A BIRD’S-EYE VIEW
LIGHT LOVE
ON THE WING
A RING POSY
BEAUTY IS VAIN
MAGGIE A LADY
WHAT WOULD I GIVE?
THE BOURNE
SUMMER
AUTUMN
THE GHOST’S PETITION
MEMORY
A ROYAL PRINCESS
SHALL I FORGET?
VANITY OF VANITIES: AH, WOE IS ME FOR PLEASURE THAT IS VAIN
L. E. L
LIFE AND DEATH
BIRD OR BEAST?
EVE
GROWN AND FLOWN
A FARM WALK
SOMEWHERE OR OTHER
A CHILL
CHILD’S TALK IN APRIL
GONE FOR EVER
THE INIQUITY OF THE FATHERS UPON THE CHILDREN
BY THE SEA
FROM SUNSET TO STAR RISE
DAYS OF VANITY
ONCE FOR ALL
ENRICA, 1865
AUTUMN VIOLETS
A DIRGE
THEY DESIRE A BETTER COUNTRY
A GREEN CORNFIELD
A BRIDE SONG
CONFLUENTS
THE LOWEST ROOM
DEAD HOPE
A DAUGHTER OF EVE
SONG: OH WHAT COMES OVER THE SEA
VENUS’ LOOKING-GLASS
LOVE LIES BLEEDING
BIRD RAPTURES
MY FRIEND
TWILIGHT NIGHT
A BIRD SONG
A SMILE AND A SIGH
AMOR MUNDI
THE GERMAN-FRENCH CAMPAIGN 1870-1871
THY BROTHER’S BLOOD CRIETH
TODAY FOR ME
A CHRISTMAS CAROL: IN THE BLEAK MID-WINTER
CONSIDER
BY THE WATERS OF BABYLON B.C. 570
PARADISE
MOTHER COUNTRY
I WILL LIFT UP MINE EYES UNTO THE HILLS
THE MASTER IS COME, AND CALLETH FOR THEE
WHO SHALL DELIVER ME?
WHEN MY HEART IS VEXED, I WILL COMPLAIN
AFTER COMMUNION
SAINTS AND ANGELS
A ROSE PLANT IN JERICHO
‘Dante Gabriel Rossetti’ by George Frederic Watts, 1871
THE PRINCE’S PROGRESS
Till all sweet gums and juices flow,
Till the blossom of blossoms blow,
The long hours go and come and go,
The bride she sleepeth, waketh, sleepeth,
Waiting for one whose coming is slow: —
Hark! the bride weepeth.
‘How long shall I wait, come heat come rime?’ —
‘Till the strong Prince comes, who must come in time’
(Her women say), ‘there’s a mountain to climb,
A river to ford. Sleep, dream and sleep;
Sleep’ (they say): ‘we’ve muffled the chime,
Better dream than weep.’
In his world-end palace the strong Prince sat,
Taking his ease on cushion and mat,
Close at hand lay his staff and his hat.
‘When wilt thou start? the bride waits, O youth.’ —
‘Now the moon’s at full; I tarried for that,
Now I start in truth.
‘But tell me first, true voice of my doom,
Of my veiled bride in her maiden bloom;
Keeps she watch through glare and through gloom,
Watch for me asleep and awake?’ —
‘Spell-bound she watches in one white room,
And is patient for thy sake.
‘By her head lilies and rosebuds grow;
The lilies droop, will the rosebuds blow?
The silver slim lilies hang the head low;
Their stream is scanty, their sunshine rare:
Let the sun blaze out, and let the stream flow,
They will blossom and wax fair.
‘Red and white poppies grow at her feet,
The blood-red wait for sweet summer heat,
Wrapped in bud-coats hairy and neat;
But the white buds swell, one day they will burst,
Will open their death-cups drowsy and sweet —
Which will open the first?’
Then a hundred sad voices lifted a wail,
&nbs
p; And a hundred glad voices piped on the gale:
‘Time is short, life is short,’ they took up the tale:
‘Life is sweet, love is sweet, use today while you may;
Love is sweet, and tomorrow may fail;
Love is sweet, use today.’
While the song swept by, beseeching and meek,
Up rose the Prince with a flush on his cheek,
Up he rose to stir and to seek,
Going forth in the joy of his strength;
Strong of limb if of purpose weak,
Starting at length.
Forth he set in the breezy morn,
Crossing green fields of nodding corn,
As goodly a Prince as ever was born;
Caroling with the caroling lark; —
Sure his bride will be won and worn,
Ere fall of the dark.
So light his step, so merry his smile,
A milkmaid loitered beside a stile,
Set down her pail and rested awhile,
A wave-haired milkmaid, rosy and white;
The Prince, who had journeyed at least a mile,
Grew athirst at the sight.
‘Will you give me a morning draught?’ —
‘You’re kindly welcome,’ she said, and laughed.
He lifted the pail, new milk he quaffed;
Then wiping his curly black beard like silk:
‘Whitest cow that ever was calved
Surely gave you this milk.’
Was it milk now, or was it cream?
Was she a maid, or an evil dream?
Here eyes began to glitter and gleam;
He would have gone, but he stayed instead;
Green they gleamed as he looked in them:
‘Give me my fee,’ she said. —
‘I will give you a jewel of gold.’ —
‘Not so; gold is heavy and cold.’ —
‘I will give you a velvet fold
Of foreign work your beauty to deck.’ —
‘Better I like my kerchief rolled
Light and white round my neck.’ —
‘Nay,’ cried he, ‘but fix your own fee.’ —
She laughed, ‘You may give the full moon to me;
Or else sit under this apple-tree
Here for one idle day by my side;
After that I’ll let you go free,
And the world is wide.’
Loth to stay, but to leave her slack,
He half turned away, then he quite turned back:
For courtesy’s sake he could not lack
To redeem his own royal pledge;
Ahead too the windy heaven lowered black
With a fire-cloven edge.
So he stretched his length in the apple-tree shade,
Lay and laughed and talked to the maid,
Who twisted her hair in a cunning braid
And writhed it shining in serpent-coils,
And held him a day and night fast laid
In her subtle toils.
At the death of night and the birth of day,
When the owl left off his sober play,
And the bat hung himself out of the way,
Woke the song of mavis and merle,
And heaven put off its hodden grey
For mother-o’-pearl.
Peeped up daisies here and there,
Here, there, and everywhere;
Rose a hopeful lark in the air,
Spreading out towards the sun his breast;
While the moon set solemn and fair
Away in the West.
‘Up, up, up,’ called the watchman lark,
In his clear réveillée: ‘Hearken, oh hark!
Press to the high goal, fly to the mark.
Up, O sluggard, new morn is born;
If still asleep when the night falls dark,
Thou must wait a second morn.’
‘Up, up, up,’ sad glad voices swelled:
‘So the tree falls and lies as it’s felled.
Be thy bands loosed, O sleeper, long held
In sweet sleep whose end is not sweet.
Be the slackness girt and the softness quelled
And the slowness fleet.’
Off he set. The grass grew rare,
A blight lurked in the darkening air,
The very moss grew hueless and spare,
The last daisy stood all astunt;
Behind his back the soil lay bare,
But barer in front.
A land of chasm and rent, a land
Of rugged blackness on either hand:
If water trickled its track was tanned
With an edge of rust to the chink;
If one stamped on stone or on sand
It returned a clink.
A lifeless land, a loveless land,
Without lair or nest on either hand:
Only scorpions jerked in the sand,
Black as black iron, or dusty pale;
From point to point sheer rock was manned
By scorpions in mail.
A land of neither life nor death,
Where no man buildeth or fashioneth,
Where none draws living or dying breath;
No man cometh or goeth there,
No man doeth, seeketh, saith,
In the stagnant air.
Some old volcanic upset must
Have rent the crust and blackened the crust;
Wrenched and ribbed it beneath its dust
Above earth’s molten centre at seethe,
Heaved and heaped it by huge upthrust
Of fire beneath.
Untrodden before, untrodden since:
Tedious land for a social Prince;
Halting, he scanned the outs and ins,
Endless, labyrinthine, grim,
Of the solitude that made him wince,
Laying wait for him.
By bulging rock and gaping cleft,
Even of half mere daylight reft,
Rueful he peered to right and left,
Muttering in his altered mood:
‘The fate is hard that weaves my weft,
Though my lot be good.’
Dim the changes of day to night,
Of night scarce dark to day not bright.
Still his road wound towards the right,
Still he went, and still he went,
Till one night he espied a light,
In his discontent.
Out it flashed from a yawn-mouthed cave,
Like a red-hot eye from a grave.
No man stood there of whom to crave
Rest for wayfarer plodding by:
Though the tenant were churl or knave
The Prince might try.
In he passed and tarried not,
Groping his way from spot to spot,
Towards where the cavern flare glowed hot: —
An old, old mortal, cramped and double,
Was peering into a seething-pot,
In a world of trouble.
The veriest atomy he looked,
With grimy fingers clutching and crooked,
Tight skin, a nose all bony and hooked,
And a shaking, sharp, suspicious way;
His blinking eyes had scarcely brooked
The light of day.
Stared the Prince, for the sight was new;
Stared, but asked without more ado:
‘My a weary traveller lodge with you,
Old father, here in your lair?
In your country the inns seem few,
And scanty the fare.’
The head turned not to hear him speak;
The old voice whistled as through a leak
(Out it came in a quavering squeak):
‘Work for wage is a bargain fit:
If there’s aught of mine that you seek
You must work for it.
‘Buried alive from light and air
This year is the hundredth year,
I feed my fire with
a sleepless care,
Watching my potion wane or wax:
Elixir of Life is simmering there,
And but one thing lacks.
‘If you’re fain to lodge here with me,
Take that pair of bellows you see —
Too heavy for my old hands they be —
Take the bellows and puff and puff:
When the steam curls rosy and free
The broth’s boiled enough.
‘Then take your choice of all I have;
I will give you life if you crave.
Already I’m mildewed for the grave,
So first myself I must drink my fill:
But all the rest may be yours, to save
Whomever you will.’
‘Done,’ quoth the Prince, and the bargain stood,
First he piled on resinous wood,
Next plied the bellows in hopeful mood;
Thinking, ‘My love and I will live.
If I tarry, why life is good,
And she may forgive.’
The pot began to bubble and boil;
The old man cast in essence and oil,
He stirred all up with a triple coil
Of gold and silver and iron wire,
Dredged in a pinch of virgin soil,
And fed the fire.
But still the steam curled watery white;
Night turned to day and day to night;
One thing lacked, by his feeble sight
Unseen, unguessed by his feeble mind:
Life might miss him, but Death the blight
Was sure to find.
So when the hundredth year was full
The thread was cut and finished the school.
Death snapped the old worn-out tool,
Snapped him short while he stood and stirred
(Though stiff he stood as a stiff-necked mule)
With never a word.
Thus at length the old crab was nipped.
The dead hand slipped, the dead finger dipped
In the broth as the dead man slipped, —
That same instant, a rosy red
Flushed the steam, and quivered and clipped
Round the dead old head.
Delphi Complete Poetical Works of Christina Rossetti Page 9