Delphi Complete Poetical Works of Christina Rossetti

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Delphi Complete Poetical Works of Christina Rossetti Page 89

by Christina Rossetti


  Giannuccione had not witnessed all the transactions of that night. Thanks to his drunken sleep, he knew little; and what he guessed, Titian’s urgency induced him to suppress. It was, indeed, noticed how, from that time forward, two of the three inseparables appeared in a measure, estranged from the third; yet all outward observances of courtesy were continued, and, if embraces had ceased, bows and doffings never failed.

  For weeks, even for months, Gianni restrained his love for play, and, painting diligently, laboured to rebuild his shattered fortune. All prospered in his hands. His sketches sold with unprecedented readiness, his epigrams charmed the noblest dinner-givers, his verses and piquant little airs won him admission into the most exclusive circles. Withal, he seemed to be steadying. His name no more pointed stories of drunken frolics in the purlieus of the city, of mad wagers in the meanest company, of reckless duels with nameless adversaries. If now he committed follies, they were committed in the best society; if he sinned, it was, at any rate, in a patrician casa; and, though his morals might not yet be flawless, his taste was unimpeachable. His boon companions grumbled, yet could not afford to dispense with him; his warmest friends revived hopes which long ago had died away into despair. It was the heyday of his life: fortune and Venice alike courted him; he had but to sun himself in their smiles, and accept their favours.

  So, nothing loth, he did, and for,a while prospered. But, as the extraordinary stimulus flagged, the extraordinary energy flagged with it. Leisure returned, and with leisure the allurements of old pursuits. In proportion as his expenditure increased, his gains lessened; and, just when all his property, in fact, belonged to his creditors, he put the finishing stroke to his obvious ruin, by staking and losing at the gambling-table what was no longer his own.

  That night beheld Gianni grave, dignified, imperturbable, and a beggar. Next day, his creditors, princely and plebeian, would be upon him: everything must go; not a scrap, not a fragment, could be held back. Even Titian’s masterpiece would be claimed; that prize for which he had played away his soul, by which, it may be, he had hoped to acquire a worldwide fame, when its mighty author should be silenced for ever in the dust.

  Yet to-morrow, not to-night, would be the day of reckoning; to-night, therefore, was his own. With a cool head he conceived, with a steady hand he executed, his purpose. Taking coarse pigments, such as, when he pleased, might easily be removed, he daubed over those figures which seemed to live, and that wonderful background, which not Titian himself could reproduce; then, on the blank surface, he painted a dragon, flaming, clawed, preposterous. One day he would recover his dragon, recover his Titian under the dragon, and the world should see.

  Next morning the crisis came.

  After all, Gianni’s effects were worth more than had been supposed. They included Giannuccione’s Venus whipping Cupid — how obtained, who knows? — a curiously wrought cup, by a Florentine goldsmith, just then rising into notice; within the hollow of the foot was engraved Benvenuto Cellini, surmounted by an outstretched hand, symbolic of welcome, and quaintly allusive to the name; a dab by Giorgione, a scribble of the brush by Titian, and two feet square of genuine Tintoret. The creditors brightened; there was not enough for honesty, but there was ample for the production of a most decorous bankrupt.

  His wardrobe was a study of colour; his trinkets, few but choice, were of priceless good taste. Moreover, his demeanour was unimpeachable and his delinquencies came to light with the best grace imaginable. Some called him a defaulter, but all admitted he was a thorough gentleman.

  Foremost in the hostile ranks stood Titian; Titian, who now, for the first time since that fatal evening, crossed his rival’s threshold. His eye searched eagerly among the heap of nameless canvasses for one unforgotten beauty, who had occasioned him such sore heartache; but he sought in vain; only in the forefront sprawled a dragon, flaming, clawed, preposterous; grinned, twinkled, erected his tail, and flouted him.

  ‘Yes,’ said Gianni, answering his looks, not words, yet seeming to address the whole circle, ‘Signori miei, these compose all my gallery. An immortal sketch, by Messer Tiziano’ — here a complimentary bow — ’a veritable Giorgione; your own work, Messer Robusti, which needs no comment of mine to fix its value. A few productions by feebler hands, yet not devoid of merit. These are all. The most precious part of my collection was destroyed (I need not state, accidentally), three days ago by fire. That dragon, yet moist, was designed for mine host, Bevilacqua Mangiaruva; but this morning, I hear, with deep concern, of his sudden demise.’

  Here Lupo Vorace of the Oreo decapitato stepped forward. He, as he explained at length, was a man of few words (this, doubtless, in theory); but to make a long story short, so charmed was he by the scaly monster that he would change his sign, accept the ownerless dragon, and thereby wipe out a voluminous score which stood against his debtor. Gianni, with courteous thanks, explained that the dragon, still moist, was unfit for immediate transport; that it should remain in the studio for a short time longer; and that, as soon as its safety permitted, he would himself convey it to the inn of his liberal creditor. But on this point Lupo was inflexible. In diffuse but unvarying terms he claimed instant possession of Gianni’s masterstroke. He seized it, reared it face upwards on to his head, and by his exit broke up the conclave of creditors. What remains can be briefly told. Titian, his last hope in this direction wrecked, returned to achieve, indeed, fresh greatnesses: but not the less returned to the tedium of straining after an ideal once achieved, but now lost for ever. Giannuccionè, half amused, half mortified, at the slighting mention made of his performances, revenged himself in an epigram, of which the following is a free translation: —

  ‘Gianni my friend and I both strove to excel,

  But, missing better, settled down in well.

  Both fail, indeed; but not alike we fail —

  My forte being Venus’ face, and his a dragon’s tail.’

  Gianni, in his ruin, took refuge with a former friend; and there, treated almost on the footing of a friend, employed his superabundant leisure in concocting a dragon superior in all points to its predecessor; but, when this was almost comM pleted, this which was to ransom his unsuspected treasure from the clutches of Lupo, the more relentless clutches of death fastened upon himself.

  His secret died with him.

  An oral tradition of a somewhere extant lost Titian having survived all historical accuracy, and so descended to another age, misled the learned Dr. Landau into purchasing a spurious work for the Gallery of Lunenberg; and even more recently induced Dr. Dreieck to expend a large sum on a nominal Titian, which he afterwards bequeathed to the National Museum of Saxe Eulenstein. The subject of this latter painting is a Vintage of red grapes, full of life and vigour, exhibiting marked talent, but clearly assignable to the commencement of a later century.

  There remains, however, a hope that some happy accident may yet restore to the world the masterpiece of one of her most brilliant sons.

  Reader, should you chance to discern over wayside inn or metropolitan hotel a dragon pendent, or should you find such an effigy amid the lumber of a broker’s shop, whether it be red, green, or piebald, demand it importunately, pay for it liberally, and in the privacy of home scrub it. It may be that from behind the dragon will emerge a fair one, fairer than Andromeda, and that to you will appertain the honour of yet further exalting Titian’s greatness in the eyes of a world.

  NICK.

  THERE dwelt in a small village, not a thousand miles from Fairyland, a poor man, who had no family to labour for or friend to assist. When I call him poor, you must not suppose he was a homeless wanderer, trusting to charity for a night’s lodging; on the contrary, his stone house, with its green verandah and flower-garden, was the prettiest and snuggest in all the place, the doctor’s only excepted. Neither was his store of provisions running low: his farm supplied - him with milk, eggs, mutton, butter, poultry, and cheese in abundance; his fields with hops and barley for beer, and wheat for bread; his orcha
rd with fruit and cider; and his kitchen-garden with vegetables and wholesome herbs. He had, moreover, health, an appetite to enjoy all these good things, and strength to walk about his possessions. No, I call him poor because, with all these, he was discontented and envious. It was in vain that his apples were the largest for miles around, if his neighbour’s vines were the most productive by a single bunch; it was in vain that his lambs were fat and thriving, if some one else’s sheep bore twins: so, instead of enjoying his own prosperity, and being glad when his neighbours prospered too, he would sit grumbling and bemoaning himself as if every other man’s riches were his poverty. And thus it was that one day our friend Nick leaned over Giles Hodge’s gate, counting his cherries.

  ‘Yes,’ he muttered, ‘I wish I were sparrows to eat them up, or a blight to kill your fine trees altogether.’

  The words were scarcely uttered when he felt a tap on his shoulder, and looking round, perceived a little rosy woman, no bigger than a butterfly, who held her tiny fist clenched in a menacing attitude. She looked scornfully at him, and said: ‘Now listen, you churl, you!

  henceforward you shall straightway become everything you wish; only mind, you must remain under one form for at least an hour.’ Then she gave him a slap in the face, which made his cheek tingle as if a bee had stung him, and disappeared with just so much sound as a dewdrop makes in falling.

  Nick rubbed his cheek in a pet, pulling wry faces and showing his teeth. He was boiling over with vexation, but dared not vent it in words lest some unlucky wish should escape him. Just then the sun seemed to shine brighter than ever, the wind blew spicy from the south; all Giles’s roses looked redder and larger than before, while his cherries seemed to multiply, swell, ripen. He could refrain no longer, but, heedless of the fairy-gift he had just received, exclaimed, ‘I wish I were sparrows eating — ’

  No sooner said than done: in a moment he found himself a whole flight of hungry birds, pecking, devouring, and bidding fair to devastate the envied cherry-trees. But honest Giles was on the watch hard by; for that very morning it had struck him he must make nets for the protection of his fine fruit. Forthwith he ran home, and speedily returned with a revolver furnished with quite a marvellous array of barrels. Pop, bang — pop, bang! he made short work of the sparrows, and soon reduced the enemy to one crestfallen biped with broken leg and wing, who limped to hide himself under a holly-bush. But though the fun was over, the hour was not; so Nick must needs sit out his allotted time. Next a pelting shower came down, which soaked him through his torn, ruffled feathers; and then, exactly as the last drops fell and the sun came out with a beautiful rainbow, a tabby cat pounced upon him. Giving himself up for lost, he chirped in desperation, ‘O, I wish I were a dog to worry you!’ Instantly — for the hour was just passed — in the grip of his horrified adversary, he turned at bay, a savage bull-dog. A shake, a deep bite, and poor puss was out of her pain. Nick, with immense satisfaction, tore her fur to bits, wishing he could in like manner exterminate all her progeny. At last, glutted with vengeance, he lay down beside his victim, relaxed his ears and tail, and fell asleep.

  Now that tabby-cat was the property and special pet of no less a personage than the doctor’s lady; so when dinner-time came, and not the cat, a general consternation pervaded the household. The kitchens were searched, the cellars, the attics; every apartment was ransacked; even the watch-dog’s kennel was visited. Next the stable was rummaged, then the hay-loft; lastly, the bereaved lady wandered disconsolately through her own private garden into the shrubbery, calling ‘Puss, puss,’ and looking so intently up the trees as not to perceive what lay close before her feet. Thus it was that, unawares, she stumbled over Nick, and trod upon his tail.

  Up jumped our hero, snarling, biting, and rushing at her with such blind fury as to miss his aim. She ran, he ran. Gathering up his strength, he took a flying-leap after his victim; her foot caught in the spreading root of an oak-tree, she fell, and he went over her head, clear over, into a bed of stinging-nettles. Then she found breath to raise that fatal cry, ‘Mad dog!’ Nick’s blood curdled in his veins; he would have slunk away if he could; but already a stout labouring - man, to whom he had done many an ill turn in the time of his humanity, had spied him, and, bludgeon in hand, was preparing to give chase. However, Nick had the start of him, and used it too; while the lady, far behind, went on vociferating, ‘Mad dog, mad dog!’ inciting doctor, servants, and vagabonds to the pursuit. Finally, the whole village came pouring out to swell the hue and cry.

  The dog kept ahead gallantly, distancing more and more the asthmatic doctor, fat Giles, and, in fact, all his pursuers except the bludgeon-bearing labourer, who was just near enough to persecute his tail. Nick knew the magic hour must be almost over, and so kept forming wish ‘after wish as he ran, — that he were a viper only to get trodden on, a thorn to run into some one’s foot, a man-trap in the path, even the detested bludgeon to miss its aim and break. This wish crossed his mind at the propitious moment; the bull-dog vanished, and the labourer, overreaching himself, fell flat on his face, while his weapon struck deep into the earth, and snapped.

  A strict search was instituted after the missing dog, but without success. During two whole days the village children were exhorted to keep indoors and beware of dogs; on the third an inoffensive bull pup was hanged, and the panic subsided.

  Meanwhile the labourer, with his shattered stick, walked home in silent wonder, pondering on the mysterious disappearance. But the puzzle was beyond his solution; so he only made up his mind not to tell his wife the whole story till after tea. He found her preparing for that meal, the bread and cheese set out, and the kettle singing softly on the fire. ‘Here’s something to make the kettle boil, mother,’ said he, thrusting our hero between the bars and seating himself; ‘for I’m mortal tired and thirsty.’

  Nick crackled and blazed away cheerfully, throwing out bright sparks, and lighting up every corner of the little room. He toasted the cheese to a nicety, made the kettle boil without spilling a drop, set the cat purring with comfort, and illuminated the pots and pans into splendour. It was provocation enough to be burned; but to contribute by his misfortune to the well-being of his tormentors was still more aggravating. He heard, too, all their remarks and wonderment about the supposed mad-dog, and saw the doctor’s lady’s own maid bring the. labourer five shillings as a reward for his exertions. Then followed a discussion as to what should be purchased with the gift, till at last it was resolved to have their best window glazed with real glass. The prospect of their grandeur put the finishing-stroke to Nick’s indignation. Sending up a sudden flare, he wished with all his might that he were fire to burn the cottage.

  Forthwith the flame leaped higher than ever, flame leaped before. It played for a moment about a ham, and. smoked it to a nicety; then, fastening on the woodwork above the chimney-corner, flashed full into a blaze. The labourer ran for help, while his wife, a timid woman, with three small children, overturned two pails of water on the floor, and set the beer-tap running.

  This done, she hurried, wringing her hands, to the door, and threw it wide open. The sudden draught of air did more mischief than all Nick’s malice, and fanned him into quite a conflagration. He danced upon the rafters, melted a pewter-pot and a pat of butter, licked up the beer, and was just making his way towards the bedroom, when through the thatch and down the chimney came a rush of water. This arrested his progress for the moment; and before he could recover himself, a second and a third discharge from the enemy completed his discomfiture. Reduced ere long to one blue flame, and entirely surrounded by a wall of wet ashes, Nick sat and smouldered; while the good-natured neighbours did their best to remedy the mishap, — saved a small remnant of beer, assured the labourer that his landlord was certain to do the repairs, and observed that the ham would eat ‘beautiful.’

  Our hero now had leisure for reflection. His situation precluded all hope of doing further mischief; and the disagreeable conviction kept forcing itself upon his mind that,
after all, he had caused more injury to himself than to any of his neighbours. Remembering, too, how contemptuously the fairy woman had looked and spoken, he began to wonder how he could ever have expected to enjoy her gift. Then it occurred to him, that if he merely studied his own advantage without trying to annoy other people, perhaps his persecutor might be propitiated; so he fell to thinking over all his acquaintances, their fortunes and misfortunes; and, having weighed well their several claims on his preference, ended by wishing himself the rich old man who lived in a handsome house just beyond the turnpike. In this wish he burned out.

  The last glimmer had scarcely died away, when Nick found himself in a bed hung round with faded curtains, and occupying the centre of a large room. A night-lamp, burning on the chimney-piece, just enabled him to discern a few shabby old articles of furniture, a scanty carpet, and some writing materials on a table. These objects looked somewhat dreary; but for his comfort he felt an inward consciousness of a goodly money-chest stowed away under his bed, and of sundry precious documents hidden in a secret cupboard in the wall.

  So he lay very cosily, and listened to the clock ticking, the mice squeaking, and the housedog barking down below. This was, however, but a drowsy occupation; and he soon bore witness to its somniferous influence by sinking into a fantastic dream about his money-chest. First, it was broken open, then shipwrecked, then burned; lastly, some men in masks, whom he knew instinctively to be his own servants, began dragging it away. Nick started up, clutched hold of something in the dark, found his last dream true, and the next moment was stretched on the floor — lifeless, yet not insensible — by a heavy blow from a crowbar.

  The men now proceeded to secure their booty, leaving our hero wh’ere he fell. They carried off the chest, broke open and ransacked the secret closet, overturned the furniture, to make sure that no hiding-place of treasure escaped them, and at length, whispering together, left the room. Nick felt quite discouraged by his ill success, and now entertained only one wish — that he were himself again. Yet even this wish gave him some anxiety; for he feared that if the servants returned and found him in his original shape they might take him for a spy, and murder him in downright earnest. While he lay thus cogitating two of the men reappeared, bearing a shutter and some tools. They lifted him up, laid him on the shutter, and carried him out of the room, down the back-stairs, through a long vaulted passage, into the open air. No word was spoken; but Nick knew they were going to bury him.

 

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