Lo was enraged by all this—called me a lousy crook and worse—and I would probably have lost my temper had I not soon discovered, to my sweetest relief, that what really angered her was my depriving her not of a specific satisfaction but of a general right. I was impinging, you see, on the conventional program, the stock pastimes, the “things that are done,” the routine of youth; for there is nothing more conservative than a child, especially a girl-child, be she the most auburn and russet, the most mythopoeic nymphet in October’s orchard-haze.
Do not misunderstand me. I cannot be absolutely certain that in the course of the winter she did not manage to have, in a casual way, improper contacts with unknown young fellows; of course, no matter how closely I controlled her leisure, there would constantly occur unaccounted-for time leaks with over-elaborate explanations to stop them up in retrospect; of course, my jealousy would constantly catch its jagged claw in the fine fabrics of nymphet falsity; but I did definitely feel—and can now vouchsafe for the accuracy of my feeling—that there was no reason for serious alarm. I felt that way not because I never once discovered any palpable hard young throat to crush among the masculine mutes that flickered somewhere in the background; but because it was to me “overwhelmingly obvious” (a favorite expression with my aunt Sybil) that all varieties of high school boys—from the perspiring nincompoop whom “holding hands” thrills, to the self-sufficient rapist with pustules and a souped-up car—equally bored my sophisticated young mistress. “All this noise about boys gags me,” she had scrawled on the inside of a schoolbook, and underneath, in Mona’s hand (Mona is due any minute now), there was the sly quip: “What about Rigger?” (due too).
Faceless, then, are the chappies I happened to see in her company. There was for instance Red Sweater who one day, the day we had the first snow—saw her home; from the parlor window I observed them talking near our porch. She wore her first cloth coat with a fur collar; there was a small brown cap on my favorite hairdo—the fringe in front and the swirl at the sides and the natural curls at the back—and her damp-dark moccasins and white socks were more sloppy than ever. She pressed as usual her books to her chest while speaking or listening, and her feet gestured all the time: she would stand on her left instep with her right toe, remove it backward, cross her feet, rock slightly, sketch a few steps, and then start the series all over again. There was Windbreaker who talked to her in front of a restaurant one Sunday afternoon while his mother and sister attempted to walk me away for a chat; I dragged along and looked back at my only love. She had developed more than one conventional mannerism, such as the polite adolescent way of showing one is literally “doubled up” with laughter by inclining one’s head, and so (as she sensed my call), still feigning helpless merriment, she walked backward a couple of steps, and then faced about, and walked toward me with a fading smile. On the other hand, I greatly liked—perhaps because it reminded me of her first unforgettable confession—her trick of sighing “oh dear!” in humorous wistful submission to fate, or emitting a long “no-o” in a deep almost growling undertone when the blow of fate had actually fallen. Above all—since we are speaking of movement and youth—I liked to see her spinning up and down Thayer Street on her beautiful young bicycle: rising on the pedals to work on them lustily, then sinking back in a languid posture while the speed wore itself off; and then she would stop at our mailbox and, still astride, would flip through a magazine she found there, and put it back, and press her tongue to one side of her upperlip and push off with her foot, and again sprint through pale shade and sun.
On the whole she seemed to me better adapted to her surroundings than I had hoped she would be when considering my spoiled slave-child and the bangles of demeanor she naïvely affected the winter before in California. Although I could never get used to the constant state of anxiety in which the guilty, the great, the tenderhearted live, I felt I was doing my best in the way of mimicry. As I lay on my narrow studio bed after a session of adoration and despair in Lolita’s cold bedroom, I used to review the concluded day by checking my own image as it prowled rather than passed before the mind’s red eye. I watched dark-and-handsome, not un-Celtic, probably high-church, possibly very high-church, Dr. Humbert see his daughter off to school. I watched him greet with his slow smile and pleasantly arched thick black ad-eyebrows good Mrs. Holigan, who smelled of the plague (and would head, I knew, for master’s gin at the first opportunity). With Mr. West, retired executioner or writer of religious tracts—who cared?—I saw neighbor what’s his name, I think they are French or Swiss, meditate in his frank-windowed study over a typewriter, rather gaunt-profiled, an almost Hitlerian cowlick on his pale brow. Weekends, wearing a well-tailored overcoat and brown gloves, Professor H. might be seen with his daughter strolling to Walton Inn (famous for its violet-ribboned china bunnies and chocolate boxes among which you sit and wait for a “table for two” still filthy with your predecessor’s crumbs). Seen on weekdays, around one P.M., saluting with dignity Arguseyed East while maneuvering the car out of the garage and around the damned evergreens, and down onto the slippery road. Raising a cold eye from book to clock in the positively sultry Beardsley College library, among bulky young women caught and petrified in the overflow of human knowledge. Walking across the campus with the college clergyman, the Rev. Rigger (who also taught Bible in Beardsley School). “Somebody told me her mother was a celebrated actress killed in an airplane accident. Oh? My mistake, I presume. Is that so? I see. How sad.” (Sublimating her mother, eh?) Slowly pushing my little pram through the labyrinth of the supermarket, in the wake of Professor W., also a slow-moving and gentle widower with the eyes of a goat. Shoveling the snow in my shirt-sleeves, a voluminous black and white muffler around my neck. Following with no show of rapacious haste (even taking time to wipe my feet on the mat) my schoolgirl daughter into the house. Taking Dolly to the dentist—pretty nurse beaming at her—old magazines—ne montrez pas vos zhambes. At dinner with Dolly in town, Mr. Edgar H. Humbert was seen eating his steak in the continental knife-and-fork manner. Enjoying, in duplicate, a concert: two marble-faced, becalmed Frenchmen sitting side by side, with Monsieur H. H.’s musical little girl on her father’s right, and the musical little boy of Professor W. (father spending a hygienic evening in Providence) on Monsieur G. G.’s left. Opening the garage, a square of light that engulfs the car and is extinguished. Brightly pajamaed, jerking down the window shade in Dolly’s bedroom. Saturday morning, unseen, solemnly weighing the winter-bleached lassie in the bathroom. Seen and heard Sunday morning, no churchgoer after all, saying don’t be too late, to Dolly who is bound for the covered court. Letting in a queerly observant schoolmate of Dolly’s: “First time I’ve seen a man wearing a smoking jacket, sir—except in movies, of course.”
9
Her girl friends, whom I had looked forward to meet, proved on the whole disappointing. There was Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not come—was perhaps not allowed to come—to our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis was a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her l
ikes—the great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry dark—a very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with phoney British aspirations. Unfortunately, despite “that French kid’s uncle” being “a millionaire,” Lo dropped Eva for some reason before I had had time to enjoy in my modest way her fragrant presence in the Humbert open house. The reader knows what importance I attached to having a bevy of page girls, consolation prize nymphets, around my Lolita. For a while, I endeavored to interest my senses in Mona Dahl who was a good deal around, especially during the spring term when Lo and she got so enthusiastic about dramatics. I have often wondered what secrets outrageously treacherous Dolores Haze had imparted to Mona while blurting out to me by urgent and well-paid request various really incredible details concerning an affair that Mona had had with a marine at the seaside. It was characteristic of Lo that she chose for her closest chum that elegant, cold, lascivious, experienced young female whom I once heard (misheard, Lo swore) cheerfully say in the hallway to Lo—who had remarked that her (Lo’s) sweater was of virgin wool: “The only thing about you that is, kiddo …” She had a curiously husky voice, artificially waved dull dark hair, earrings, amber-brown prominent eyes and luscious lips. Lo said teachers had remonstrated with her on her loading herself with so much costume jewelry. Her hands trembled. She was burdened with a 150 I.Q. And I also know she had a tremendous chocolate-brown mole on her womanish back which I inspected the night Lo and she had worn low-cut pastel-colored, vaporous dresses for a dance at the Butler Academy.
I am anticipating a little, but I cannot help running my memory all over the keyboard of that school year. In meeting my attempts to find out what kind of boys Lo knew, Miss Dahl was elegantly evasive. Lo who had gone to play tennis at Linda’s country club had telephoned she might be a full half hour late, and so, would I entertain Mona who was coming to practice with her a scene from The Taming of the Shrew. Using all the modulations, all the allure of manner and voice she was capable of and staring at me with perhaps—could I be mistaken?—a faint gleam of crystalline irony, beautiful Mona replied: “Well, sir, the fact is Dolly is not much concerned with mere boys. Fact is, we are rivals. She and I have a crush on the Reverend Rigger.” (This was a joke—I have already mentioned that gloomy giant of a man, with the jaw of a horse: he was to bore me to near murder with his impressions of Switzerland at a tea party for parents that I am unable to place correctly in terms of time.)
How had the ball been? Oh, it had been a riot. A what? A panic. Terrific, in a word. Had Lo danced a lot? Oh, not a frightful lot, just as much as she could stand. What did she, languorous Mona, think of Lo? Sir? Did she think Lo was doing well at school? Gosh, she certainly was quite a kid. But her general behavior was—? Oh, she was a swell kid. But still? “Oh, she’s a doll,” concluded Mona, and sighed abruptly, and picked up a book that happened to lie at hand, and with a change of expression, falsely furrowing her brow, inquired: “Do tell me about Ball Zack, sir. Is he really that good?” She moved up so close to my chair that I made out through lotions and creams her uninteresting skin scent. A sudden odd thought stabbed me: was my Lo playing the pimp? If so, she had found the wrong substitute. Avoiding Mona’s cool gaze, I talked literature for a minute. Then Dolly arrived—and slit her pale eyes at us. I left the two friends to their own devices. One of the latticed squares in a small cobwebby casement window at the turn of the staircase was glazed with ruby, and that raw wound among the unstained rectangles and its asymmetrical position—a knight’s move from the top—always strangely disturbed me.
10
Sometimes … Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride—and literally crawl on my knees to your chair, my Lolita! You would give me one look—a gray furry question mark of a look: “Oh no, not again” (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours–how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and—“Pulease, leave me alone, will you,” you would say, “for Christ’s sake leave me alone.” And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
11
One Monday forenoon, in December I think, Pratt asked me to come over for a talk. Dolly’s last report had been poor, I knew. But instead of contenting myself with some such plausible explanation of this summons, I imagined all sorts of horrors, and had to fortify myself with a pint of my “pin” before I could face the interview. Slowly, all Adam’s apple and heart, I went up the steps of the scaffold.
A huge woman, gray-haired, frowsy, with a broad flat nose and small eyes behind black-rimmed glasses—“Sit down,” she said, pointing to an informal and humiliating hassock, while she perched with ponderous spryness on the arm of an oak chair. For a moment or two, she peered at me with smiling curiosity. She had done it at our first meeting, I recalled, but I could afford then to scowl back. Her eye left me. She lapsed into thought—probably assumed. Making up her mind she rubbed, fold on fold, her dark gray flannel skirt at the knee, dispelling a trace of chalk or something. Then she said, still rubbing, not looking up:
“Let me ask a blunt question, Mr. Haze. You are an old-fashioned Continental father, aren’t you?”
“Why, no,” I said, “conservative, perhaps, but not what you would call old-fashioned.”
She sighed, frowned, then clapped her big plump hands together in a let’s-get-down-to-business manner, and again fixed her beady eyes upon me.
“Dolly Haze,” she said, “is a lovely child, but the onset of sexual maturing seems to give her trouble.”
I bowed slightly. What else could I do?
“She is still shuttling,” said Miss Pratt, showing how with her liver-spotted hands, “between the anal and genital zones of development. Basically she is a lovely—”
“I beg your pardon,” I said, “what zones?”
“That’s the old-fashioned European in you!” cried Pratt delivering a slight tap on my wrist watch and suddenly disclosing her dentures. “All I mean is that biologic and psychologic drives—do you smoke?—are not fused in Dolly, do not fall so to speak into a—into a rounded pattern.” Her hands held for a moment an invisible melon.
“She is attractive, bright though careless” (breathing heavily, without leaving her perch, the woman took time out to look at the lovely child’s report sheet on the desk at her right). “Her marks are getting worse and worse. Now I wonder, Mr. Haze—” Again the false meditation.
“Well,” she went on with zest, “as for me, I do smoke, and, as dear Dr. Pierce used to say: I’m not proud of it but I jeest love it.” She lit up and the smoke she exhaled from her nostrils was like a pair of tusks.
“Let me give you a few details, it won’t take a moment. Now let me see [rummaging among her papers]. She is defiant toward Miss Redcock and impossibly rude to Miss Cormorant. Now here is one of our special research reports: Enjoys singing with group in class though mind seems to wander. Crosses her kne
es and wags left leg to rhythm. Type of by-words: a two-hundred-forty-two word area of the commonest pubescent slang fenced in by a number of obviously European polysyllables. Sighs a good deal in class. Let me see. Yes. Now comes the last week in November. Sighs a good deal in class. Chews gum vehemently. Does not bite her nails though if she did, this would conform better to her general pattern—scientifically speaking, of course. Menstruation, according to the subject, well established. Belongs at present to no church organization. By the way, Mr. Haze, her mother was—? Oh, I see. And you are—? Nobody’s business is, I suppose, God’s business. Something else we wanted to know. She has no regular home duties, I understand. Making a princess of your Dolly, Mr. Haze, eh? Well, what else have we got here? Handles books gracefully. Voice pleasant. Giggles rather often. A littly dreamy. Has private jokes of her own, transposing for instance the first letters of some of her teachers’ names. Hair light and dark brown, lustrous—well [laughing] you are aware of that, I suppose. Nose unobstructed, feet high-arched, eyes—let me see, I had here somewhere a still more recent report. Aha, here we are. Miss Gold says Dolly’s tennis form is excellent to superb, even better than Linda Hall’s, but concentration and point-accumulation are just “poor to fair.” Miss Cormorant cannot decide whether Dolly has exceptional emotional control or none at all. Miss Horn reports she—I mean, Dolly—cannot verbalize her emotions, while according to Miss Cole Dolly’s metabolic efficiency is superfine. Miss Molar thinks Dolly is myopic and should see a good ophthalmologist, but Miss Redcock insists that the girl simulates eye-strain to get away with scholastic incompetence. And to conclude, Mr. Haze, our researchers are wondering about something really crucial. Now I want to ask you something. I want to know if your poor wife, or yourself, or anyone else in the family—I understand she has several aunts and a maternal grandfather in California?—oh, had!—I’m sorry—well, we all wonder if anybody in the family has instructed Dolly in the process of mammalian reproduction. The general impression is that fifteen-year-old Dolly remains morbidly uninterested in sexual matters, or to be exact, represses her curiosity in order to save her ignorance and self-dignity. All right—fourteen. You see, Mr. Haze, Beardsley School does not believe in bees and blossoms, and storks and love birds, but it does believe very strongly in preparing its students for mutually satisfactory mating and successful child rearing. We feel Dolly could make excellent progress if only she would put her mind to her work. Miss Cormorant’s report is significant in that respect. Dolly is inclined to be, mildly speaking, impudent. But all feel that primo, you should have your family doctor tell her the facts of life and, secundo, that you allow her to enjoy the company of her schoolmates’ brothers at the Junior Club or in Dr. Rigger’s organization, or in the lovely homes of our parents.”
The Annotated Lolita: Revised and Updated Page 29