by Jeffrey Ford
He was finally captured during one of his escapes, found with his leg in a fox trap only a mile from the village he had last bestowed his pity upon. This beast in pain could not fully concentrate on creating the illusion of loveliness, and the incredulous chicken farmer who discovered him writhing in the bite of the steel jaws witnessed him shifting back and forth between suave charm and gnashing horror. The poor farmer was certain he had snared the devil. A special investigator was sent to handle the case. Blind and somewhat autistic, the famous detective, Gal de Gui, methodically put the entire legacy together as if it was a child’s jigsaw puzzle. Of course, in the moments of interrogation by de Gui, the Gelreesh tried to catch him up with a glamorous illusion. The detective responded to this deception with a yawn. The creature later told his prison guards that de Gui’s soul was blank as a white wall and perfect. De Gui’s final comment on the Gelreesh was, “Put down some newspaper and give him a bone. Here is the classic case of man’s best friend.”
It was when the Gelreesh related his own life story to the court, eliciting pity from a people who previously desired his, that he allowed himself to appear as the hominid-canine entity that had always lurked behind his illusion. As the tears filled the eyes of the jury, his handsome visage wavered like a desert mirage and then lifted away to reveal fur and fangs. No longer were his words the mellifluous susurrations of the sympathetic therapist, but now came through as growling dog-talk in a spray of spittle. Even the huge owl that sat on his shoulder in the witness stand shrunk and darkened to become a grackle.
As he told it, he had been born to an aristocratic family, the name of which everyone present would have known, but he would not mention it for fear of bringing reprisals down upon them for his actions. Because of his frightening aspect at birth, his father accused his mother of bestiality. The venerable patriarch made plans to do away with his wife, but she saved him the trouble by poisoning herself with small sips of opium and an arsenic pastry of her own recipe. The strange child was named Rameau after a distant relation on the mother’s side, and sent to live in a newly constructed barn on the outskirts of the family estate. At the same time that the father ordered the local clergy to try to exorcise the beast out of him, there was a standing order for the caretaker to feed him nothing but raw meat. As the Gelreesh had said on the witness stand, “My father spent little time thinking about me, but when he did, the fact of my existence twisted his thinking so that it labored pointlessly at cross-purposes.”
The family priest taught the young Rameau how to speak and read, so that the strange child could learn the Bible. Through this knowledge of language he was soon able to understand the holy man’s philosophy, which, in brief, was that the world was a ball of shit adrift in a sea of sin and the sooner one passed to heaven the better. As the Gelreesh confessed, he took these lessons to heart, and so later in life when he helped free his patients’ souls from excremental bondage, he felt he was actually doing them a great favor. It was from that bald and jowly man of God that the creature became acquainted with the power of pity.
On the other hand, the caretaker who daily brought the beef was a man of the world. He was very old and had traveled far and wide. This kindly aged vagabond would tell the young Rameau stories of far-off places—islands at the equator and tundra crowded with migrating elk. One day, he told the boy about a fellow he had met in a far-off kingdom that sat along the old Silk Road to China. This remarkable fellow, Ibn Sadi was his name, had the power of persuasion. With subtle movements of his body, certain tricks of respiration in accordance with that of his audience, he could make himself invisible or appear as a beautiful woman. It was an illusion, of course, but to the viewer it seemed as real as the day. “What was his secret?” asked Rameau. The old man leaned in close to the boy’s cage and whispered, “Listen to the rhythm of life and, when you look, do not accept but project. Feel what the other is feeling and make what they have felt what you feel. Speak only their own desire to them in a calm, soft voice, and they will see you as beautiful as they wish themselves to be.”
The Gelreesh had time, days on end, to mull over his formula for control. He worked at it and tried different variations, until one day he was able to look into the soul of the priest and discover what it was—a mouse nibbling a wedge of wooden cheese. Soon after, he devised the technique of clicking together his fingernails in order to send out a hypnotic pulse, and with this welded the power of pity to the devices of the adept from the kingdom along the old Silk Road. Imagine the innate intelligence of this boy they considered a beast. A week following, he had escaped. For some reason, the priest had opened the cage, and, for his trouble, was found by the caretaker to have been ushered into the next and better world minus the baggage of his flesh.
The jury heard the story of the Gelreesh’s wanderings and the perfection of his art, how he changed his name to that of a certain brand of Mediterranean cigarettes he had enjoyed. “I wanted to help the emotionally wounded,” he had said to his accusers, and all grew sympathetic, but when they vented their grief for his solitary life and saw his true form, they unanimously voted for his execution. Just prior to accepting, against his will, the thirty bullets from the rifles of the firing squad marksmen, the Gelreesh performed a spectacular display of metamorphosis, becoming, in turn, each of his executioners. Before the captain of the guard could shout the order for the deadly volley, the beautiful one became, again, himself, shouted, “I feel your pain,” and begged for all in attendance to participate in devouring him completely once he was dead. This final plea went unheeded. His corpse was left to the dogs and carrion birds. His bones were later gathered and sent to the Museum of Natural Science in the city of Nethit. The grackle was released into the wild.
Once he had been disposed of and the truth had been circulated, it seemed that everyone on all continents wanted to claim some attachment to the Gelreesh. For a five-year period there was no international figure more popular. My god, the stories told about him: women claimed to have had his children, men claimed they were him or his brother or at least the son of the caretaker who gave him his first clues to the protocol of persuasion. Children played Gelreesh, and the lucky tyke who got to be his namesake retained for the day ultimate power in the game. An entire branch of psychotherapy had sprung up called Non-Consumptive Gelreeshia, meaning that the therapists swamped their patients with pity but had designs not on the consumption of their flesh, merely their bank accounts. There were studies written about him, novels and plays and an epic poem entitled Monster of Pity. The phenomenon of his popularity had given rise to a philosophical reevaluation of Beauty.
Gelreesh mania died out in the year of the great comet, for here was something even more spectacular for people to turn their attention to. With the promise of the end of the world, mankind had learned to pity itself. Fortunately or unfortunately, however one might see it, this spinning ball of shit, this paradisiacal Valshavar of planets, was spared for another millennium in which more startling forms of anomalous humanity might spring up and lend perspective to the mundane herd.
And now, ages hence, recent news from Nethit concerning the Gelreesh. Two years ago, an enterprising graduate student from Nethit University, having been told the legends of the beautiful one when he was a child, went in search through the basement of the museum to try to uncover the box containing the creature’s remains. The catacombs that lay beneath the imposing structure are vast. The records kept as to what had been stored where have been eaten by an unusual mite that was believed to have been introduced into the environs of the museum by a mummy brought back from a glacier at the top of the world. Apparently, this termitic flea species awoke in the underground warmth and discovered its taste for paper, so that now the ledgers are filled with sheets of lace, more hole than text.
Still, the conscientious young man continued to search for over a year. His desire was to study the physiological form of this legend. Eventually, after months of exhaustive searching, he came upon a crate marked with g
rease pencil: Gelreesh. Upon prying open the box, he found inside a collection of bones wrapped in a tattered garment of maroon silk. There was also a handkerchief bearing the stitched symbol of a broken heart. When he uncovered the bones, he was shocked to find the skeleton of a very large bird instead of a mutant human. A professor of his from the university determined upon inspection that these were indeed the remains of a great horned owl.
The Beautiful Gelreesh
Story Notes
I don’t remember what dark basement of my imagination this story crawled out of, but when it finally showed itself in the daylight I was enchanted by it. I can tell you that a good many editors were not. Who can blame them? There’s a brutal irony to it that verges on cynicism, something that usually doesn’t find a home in my fiction. I don’t know what it was, but I felt that in this story’s darkness it still pointed the way to some truth. What that truth might be, I couldn’t tell you if you put a gun to my head. Jeff VanderMeer published it in his anthology, Album Zutique, where it was surrounded by other work that made it feel at home. A story needs the right residence. To my surprise, this piece made the 2003 Locus Awards recommended reading list, which led me to wonder if there were not perhaps some readers out there with mutant entities lurking in the basements of their own imaginations.
Boatman’s Holiday
Beneath a blazing orange sun, he maneuvered his boat between the two petrified oaks that grew so high their tops were lost in violet clouds. Their vast trunks and complexity of branches were bone white, as if hidden just below the surface of the murky water was a stag’s head the size of a mountain. Thousands of crows, like black leaves, perched amidst the pale tangle, staring silently down. Feathers fell, spiraling in their descent with the slow grace of certain dreams, and he wondered how many of these journeys he’d made or if they were all, always, the same journey.
Beyond the oaks, the current grew stronger, and he entered a constantly shifting maze of whirlpools, some spinning clockwise, some counter, as if to negate the passage of Time. Another boatman might have given in to panic and lost everything, but he was a master navigator and knew the river better than himself. Any other craft would have quickly succumbed to the seething waters, been ripped apart and its debris swallowed.
His boat was comprised of an inner structure of human bone lashed together with tendon and covered in flesh stitched by his own steady hand, employing a thorn needle and thread spun from sorrow. The lines of its contours lacked symmetry, meandered, and went off on tangents. Along each side, worked into the gunwales well above the waterline, was a row of eyeless, tongueless faces—the empty sockets, the gaping lips, portals through which the craft breathed. Below, in the hold, there reverberated a heartbeat that fluttered randomly and died every minute only to be revived the next.
On deck, there were two long rows of benches fashioned from skulls for his passengers, and at the back, his seat at the tiller. In the shallows, he’d stand and use his long pole to guide the boat along. There was no need of a sail as the vessel moved slowly forward of its own volition with a simple command. On the trip out, the benches empty, he’d whisper, “There!” and on the journey back, carrying a full load, “Home!” and no river current could dissuade its progress. Still, it took a sure and fearless hand to hold the craft on course.
Charon’s tall, wiry frame was slightly but irreparably bent from centuries hunched beside the tiller. His beard and tangled nest of snow-white hair, his complexion the color of ash, made him appear ancient. Yet when in the throes of maneuvering around Felmian, the blue serpent, or in the heated rush along the shoals of the Island of Nothing, he’d toss one side of his scarlet cloak back over his shoulder, and the musculature of his chest, the coiled bulge of his bicep, the thick tendon in his forearm, gave evidence of the power hidden beneath his laconic facade. Woe to the passenger who mistook those outer signs of age for weakness and set some plan in motion, for then the boatman would wield his long shallows pole and with one mighty swing shatter every bone in their body.
Each treacherous obstacle, the clutch of shifting boulders, the rapids, the waterfall that dropped into a bottomless star-filled space, was expertly avoided with a skill born of intuition. Eventually a vague but steady tone like the uninterrupted buzz of a mosquito came to him over the water; a sign that he drew close to his destination. He shaded his eyes against the brightness of the flaming sun and spotted the dark, thin edge of shoreline in the distance. As he advanced, that distant, whispered note grew steadily into a high keening, and then fractured to reveal itself a chorus of agony. A few more leagues and he could make out the legion of forms crowding the bank. When close enough to land, he left the tiller, stood, and used the pole to turn the boat so it came to rest sideways on the black sand. Laying down the pole, he stepped to his spot at the prow.
Two winged, toad-faced demons with talons for hands and hands for feet, Gesnil and Trinkthil, saw to the orderliness of the line of passengers that ran from the shore back a hundred yards into the writhing human continent of dead. Every day there were more travelers, and no matter how many trips Charon made, there was no hope of ever emptying the endless beach.
Brandishing cat-o’-nine-tails with barbed tips fashioned from incisors, the demons lashed the “tourists,” as they called them, subduing those unwilling to go.
“Another load of the falsely accused, Charon,” said Gesnil, puffing on a lit human finger jutting from the corner of his mouth.
“Watch this woman, third back, in the blue dress,” said Trinkthil, “her blithering lamentations will bore you to sleep. You know, she never really meant to add belladonna to the recipe for her husband’s gruel.”
Charon shook his head.
“We’ve gotten word that there will be no voyages for a time,” said Gesnil.
“Yes,” said Charon, “I’ve been granted a respite by the Master. A holiday.”
“A century’s passed already?” said Gesnil. “My, my, it seemed no more than three. Time flies …”
“Traveling?” asked Trinkthil. “Or staying home?”
“There’s an island I believe I’ll visit,” he said.
“Where’s it located?” asked Gesnil.
Charon ignored the question and said, “Send them along.”
The demons knew to obey, and they directed the first in line to move forward. A bald, overweight man in a cassock, some member of the clergy, stepped up. He was trembling so that his jowls shook. He’d waited on the shore in dire fear and anguish for centuries, milling about, fretting as to the ultimate nature of his fate.
“Payment,” said Charon.
The man leaned his head back and opened his mouth. A round shiny object lay beneath his tongue. The boatman reached out and took the gold coin, putting it in the pocket of his cloak. “Next,” called Charon as the man moved past him and took a seat on the bench of skulls.
Hell’s orange sun screamed in its death throes every evening, a pandemonium sweeping down from above that made even the demons sweat and set the Master’s three-headed dog to cowering. That horrendous din worked its way into the rocks, the river, the petrified trees, and everything brimmed with misery. Slowly it diminished as the starless, moonless dark came on, devouring every last shred of light. With that infernal night came a cool breeze whose initial tantalizing relief never failed to deceive the damned, though they be residents for a thousand years, with a false promise of Hope. That growing wind carried in it a catalyst for memory, and set all who it caressed to recalling in vivid detail their lost lives—a torture individually tailored, more effective than fire.
Charon sat in his home, the skull of a fallen god, on the crest of a high flint hill overlooking the river. Through the skull’s left eye socket, glazed with transparent lies, he could be seen sitting at a table, a glutton’s fat tallow burning, its flame guttering in the night breeze let in through the gap of a missing tooth. Laid out before him was a curling width of tattooed flesh skinned from the back of an ancient explorer who’d no do
ubt sold his soul for a sip from the Fountain of Youth. In the boatman’s right hand was a compass and in his left a writing quill. His gaze traced along the strange parchment the course of his own river, Acheron, the River of Pain, to where it crossed paths with Pyriphlegethon, the River of Fire. That burning course was eventually quelled in cataracts of steam where it emptied into and became the Lethe, River of Forgetting.
He traced his next day’s journey with the quill tip, gliding it an inch above the meandering line of vein blue. There, in the meager width of that last river’s depiction, almost directly halfway between its origin and end in the mournful Cocytus, was a freckle. Anyone else would have thought it no more than a bodily blemish inked over by chance in the production of the map, but Charon was certain after centuries of overhearing whispered snatches of conversation from his unlucky passengers that it represented the legendary island of Oondeshai.
He put down his quill and compass and sat back in the chair, closing his eyes. Hanging from the center of the cathedral cranium above, the wind chime made of dangling bat bones clacked as the mischievous breeze that invaded his home lifted one corner of the map. He sighed at the touch of cool wind as its insidious effect reeled his memory into the past.
One night, he couldn’t recall how many centuries before, he was lying in bed on the verge of sleep, when there came a pounding at the hinged door carved in the left side of the skull. “Who’s there?” he called in the fearsome voice he used to silence passengers. There was no verbal answer, but another barrage of banging ensued. He rolled out of bed, put on his cloak, and lit a tallow. Taking the candle with him, he went to the door and flung it open. A startled figure stepped back into the darkness. Charon thrust the light forward and beheld a cowed, trembling man, his naked flesh covered in oozing sores and wounds.
“Who are you?” asked the boatman.