Once he went so far as to telephone Apthorn, but the publisher was out. Then he finally and completely forgot.
One Sunday he went out of town, and on his return, rummaging among the papers on his desk, he missed “The Lifted Lamp,” which had been gathering dust there for half a year. What the deuce could have become of it? Betton spent a feverish hour in vainly increasing the disorder of his documents, and then bethought himself of calling the maid-servant, who first indignantly denied having touched anything (“I can see that’s true from the dust,” Betton scathingly interjected), and then mentioned with hauteur that a young lady had called in his absence and asked to be allowed to get a book.
“A lady? Did you let her come up?”
“She said somebody’d sent her.”
Vyse, of course—Vyse had sent her for his manuscript! He was always mixed up with some woman, and it was just like him to send the girl of the moment to Betton’s lodgings, with instructions to force the door in his absence. Vyse had never been remarkable for delicacy. Betton, furious, glanced over his table to see if any of his own effects were missing—one couldn’t tell, with the company Vyse kept!—and then dismissed the matter from his mind, with a vague sense of magnanimity in doing so. He felt himself exonerated by Vyse’s conduct.
The sense of magnanimity was still uppermost when the valet opened the door to announce “Mr. Vyse,” and Betton, a moment later, crossed the threshold of his pleasant library.
His first thought was that the man facing him from the hearth-rug was the very Duncan Vyse of old: small, starved, bleached-looking, with the same sidelong movements, the same queer air of anaemic truculence. Only he had grown shabbier, and bald.
Betton held out a hospitable hand.
“This is a good surprise! Glad you looked me up, my dear fellow.”
Vyse’s palm was damp and bony: he had always had a disagreeable hand.
“You got my note? You know what I’ve come for?” he said.
“About the secretaryship? (Sit down.) Is that really serious?”
Betton lowered himself luxuriously into one of his vast Maple armchairs. He had grown stouter in the last year, and the cushion behind him fitted comfortably into the crease of his nape. As he leaned back he caught sight of his image in the mirror between the windows, and reflected uneasily that Vyse would not find him unchanged.
“Serious?” Vyse rejoined. “Why not? Aren’t you?”
“Oh, perfectly.” Betton laughed apologetically. “Only—well, the fact is, you may not understand what rubbish a secretary of mine would have to deal with. In advertising for one I never imagined—I didn’t aspire to any one above the ordinary hack.”
“I’m the ordinary hack,” said Vyse drily.
Betton’s affable gesture protested. “My dear fellow—. You see it’s not business—what I’m in now,” he continued with a laugh.
Vyse’s thin lips seemed to form a noiseless ” Isn’t it?” which they instantly transposed into the audibly reply: “I inferred from your advertisement that you want some one to relieve you in your literary work. Dictation, short-hand—that kind of thing?”
“Well, no: not that either. I type my own things. What I’m looking for is somebody who won’t be above tackling my correspondence.”
Vyse looked slightly surprised. “I should be glad of the job,” he then said.
Betton began to feel a vague embarrassment. He had supposed that such a proposal would be instantly rejected. “It would be only for an hour or two a day—if you’re doing any writing of your own?” he threw out interrogatively.
“No. I’ve given all that up. I’m in an office now—business. But it doesn’t take all my time, or pay enough to keep me alive.”
“In that case, my dear fellow—if you could come every morning; but it’s mostly awful bosh, you know,” Betton again broke off, with growing awkwardness.
Vyse glanced at him humorously. “What you want me to write?”
“Well, that depends—” Betton sketched the obligatory smile. “But I was thinking of the letters you’ll have to answer. Letters about my books, you know—I’ve another one appearing next week. And I want to be beforehand now—dam the flood before it swamps me. Have you any idea of the deluge of stuff that people write to a successful novelist?”
As Betton spoke, he saw a tinge of red on Vyse’s thin cheek, and his own reflected it in a richer glow of shame. “I mean—I mean—” he stammered helplessly.
“No, I haven’t,” said Vyse; “but it will be awfully jolly finding out.”
There was a pause, groping and desperate on Betton’s part, sardonically calm on his visitor’s.
“You—you’ve given up writing altogether?” Betton continued.
“Yes; we’ve changed places, as it were.” Vyse paused. “But about these letters—you dictate the answers?”
“Lord, no! That’s the reason why I said I wanted somebody—er—well used to writing. I don’t want to have anything to do with them—not a thing! You’ll have to answer them as if they were written to you—” Betton pulled himself up again, and rising in confusion jerked open one of the drawers of his writing-table.
“Here—this kind of rubbish,” he said, tossing a packet of letters onto Vyse’s knee.
“Oh—you keep them, do you?” said Vyse simply.
“I—well—some of them; a few of the funniest only.”
Vyse slipped off the band and began to open the letters. While he was glancing over them Betton again caught his own reflection in the glass, and asked himself what impression he had made on his visitor. It occurred to him for the first time that his high-coloured well-fed person presented the image of commercial rather than of intellectual achievement. He did not look like his own idea of the author of “Diadems and Faggots”—and he wondered why.
Vyse laid the letters aside. “I think I can do it—if you’ll give me a notion of the tone I’m to take.”
“The tone?”
“Yes—that is, if I’m to sign your name.”
“Oh, of course: I expect you to sign for me. As for the tone, say just what you’d—well, say all you can without encouraging them to answer.”
Vyse rose from his seat. “I could submit a few specimens,” he suggested.
“Oh, as to that—you always wrote better than I do,” said Betton handsomely.
“I’ve never had this kind of thing to write. When do you wish me to begin?” Vyse enquired, ignoring the tribute.
“The book’s out on Monday. The deluge will begin about three days after. Will you turn up on Thursday at this hour?” Betton held his hand out with real heartiness. “It was great luck for me, your striking that advertisement. Don’t be too harsh with my correspondents—I owe them something for having brought us together.”
II
THE deluge began punctually on the Thursday, and Vyse, arriving as punctually, had an impressive pile of letters to attack. Betton, on his way to the Park for a ride, came into the library, smoking the cigarette of indolence, to look over his secretary’s shoulder.
“How many of ‘em? Twenty? Good Lord! It’s going to be worse than ‘Diadems.’ I’ve just had my first quiet breakfast in two years—time to read the papers and loaf. How I used to dread the sight of my letter-box! Now I sha’n’t know I have one.”
He leaned over Vyse’s chair, and the secretary handed him a letter.
“Here’s rather an exceptional one—lady, evidently. I thought you might want to answer it yourself—”
“Exceptional?” Betton ran over the mauve pages and tossed them down. “Why, my dear man, I get hundreds like that. You’ll have to be pretty short with her, or she’ll send her photograph.”
He clapped Vyse on the shoulder and turned away, humming a tune. “Stay to luncheon,” he called back gaily from the threshold.
After luncheon Vyse insisted on showing a few of his answers to the first batch of letters. “If I’ve struck the note I won’t bother you again,” he urged; and Betton gr
oaningly consented.
“My dear fellow, they’re beautiful—too beautiful. I’ll be let in for a correspondence with every one of these people.”
Vyse, at this, meditated for a while above a blank sheet. “All right—how’s this?” he said, after another interval of rapid writing.
Betton glanced over the page. “By George—by George! Won’t she see it?” he exulted, between fear and rapture.
“It’s wonderful how little people see,” said Vyse reassuringly.
The letters continued to pour in for several weeks after the appearance of “Abundance.” For five or six blissful days Betton did not even have his mail brought to him, trusting to Vyse to single out his personal correspondence, and to deal with the rest according to their agreement. During those days he luxuriated in a sense of wild and lawless freedom; then, gradually, he began to feel the need of fresh restraints to break, and learned that the zest of liberty lies in the escape from specific obligations. At first he was conscious only of a vague hunger, but in time the craving resolved into a shame-faced desire to see his letters.
“After all, I hated them only because I had to answer them”; and he told Vyse carelessly that he wished all his letters submitted to him before the secretary answered them.
At first he pushed aside those beginning: “I have just laid down ‘Abundance’ after a third reading,” or: “Every day for the last month I have been telephoning my bookseller to know when your novel would be out.” But little by little the freshness of his interest revived, and even this stereotyped homage began to arrest his eye. At last a day came when he read all the letters, from the first word to the last, as he had done when “Diadems and Faggots” appeared. It was really a pleasure to read them, now that he was relieved of the burden of replying: his new relation to his correspondents had the glow of a love-affair unchilled by the contingency of marriage.
One day it struck him that the letters were coming in more slowly and in smaller numbers. Certainly there had been more of a rush when “Diadems and Faggots” came out. Betton began to wonder if Vyse were exercising an unauthorized discrimination, and keeping back the communications he deemed least important. This sudden conjecture carried the novelist straight to his library, where he found Vyse bending over the writing-table with his usual inscrutable pale smile. But once there, Betton hardly knew how to frame his question, and blundered into an enquiry for a missing invitation.
“There’s a note—a personal note—I ought to have had this morning. Sure you haven’t kept it back by mistake among the others?”
Vyse laid down his pen. “The others? But I never keep back any.”
Betton had foreseen the answer. “Not even the worst twaddle about my book?” he suggested lightly, pushing the papers about.
“Nothing. I understood you wanted to go over them all first.”
“Well, perhaps it’s safer,” Betton conceded, as if the idea were new to him. With an embarrassed hand he continued to turn over the letters at Vyse’s elbow.
“Those are yesterday’s,” said the secretary; “here are to-day’s,” he added, pointing to a meagre trio.
“H’m—only these?” Betton took them and looked them over lingeringly. “I don’t see what the deuce that chap means about the first part of ‘Abundance’ ‘certainly justifying the title’—do you?”
Vyse was silent, and the novelist continued irritably: “Damned cheek, his writing, if he doesn’t like the book. Who cares what he thinks about it, anyhow?”
And his morning ride was embittered by the discovery that it was unexpectedly disagreeable to have Vyse read any letters which did not express unqualified praise of his books. He began to fancy there was a latent rancour, a kind of baffled sneer, under Vyse’s manner; and he decided to return to the practice of having his mail brought straight to his room. In that way he could edit the letters before his secretary saw them.
Vyse made no comment on the change, and Betton was reduced to wondering whether his imperturbable composure were the mask of complete indifference or of a watchful jealousy. The latter view being more agreeable to his employer’s self-esteem, the next step was to conclude that Vyse had not forgotten the episode of “The Lifted Lamp,” and would naturally take a vindictive joy in any unfavourable judgments passed on his rival’s work. This did not simplify the situation, for there was no denying that unfavourable criticisms preponderated in Betton’s correspondence. “Abundance” was neither meeting with the unrestricted welcome of “Diadems and Faggots,” nor enjoying the alternative of an animated controversy: it was simply found dull, and its readers said so in language not too tactfully tempered by regretful comparisons with its predecessor. To withhold unfavourable comments from Vyse was, therefore, to make it appear that correspondence about the book had died out; and its author, mindful of his unguarded predictions, found this even more embarrassing. The simplest solution would be to get rid of Vyse; and to this end Betton began to address his energies.
One evening, finding himself unexpectedly disengaged, he asked Vyse to dine; it had occurred to him that, in the course of an after-dinner chat, he might delicately hint his feeling that the work he had offered his friend was unworthy so accomplished a hand.
Vyse surprised him by a momentary hesitation. “I may not have time to dress.”
Betton stared. “What’s the odds? We’ll dine here—and as late as you like.”
Vyse thanked him, and appeared, punctually at eight, in all the shabbiness of his daily wear. He looked paler and more shyly truculent than usual, and Betton, from the height of his florid stature, said to himself, with the sudden professional instinct for “type”: “He might be an agent of something—a chap who carries deadly secrets.”
Vyse, it was to appear, did carry a deadly secret; but one less perilous to society than to himself. He was simply poor—inexcusably, irremediably poor. Everything failed him, had always failed him: whatever he put his hand to went to bits.
This was the confession that, reluctantly, yet with a kind of white-lipped bravado, he flung at Betton in answer to the latter’s tentative suggestion that, really, the letter-answering job wasn’t worth bothering him with—a thing that any type-writer could do.
“If you mean you’re paying me more than it’s worth, I’ll take less,” Vyse rushed out after a pause.
“Oh, my dear fellow—” Betton protested, flushing.
“What do you mean, then? Don’t I answer the letters as you want them answered?”
Betton anxiously stroked his silken ankle. “You do it beautifully, too beautifully. I mean what I say: the work’s not worthy of you. I’m ashamed to ask you—”
“Oh, hang shame,” Vyse interrupted. “Do you know why I said I shouldn’t have time to dress to-night? Because I haven’t any evening clothes. As a matter of fact, I haven’t much but the clothes I stand in. One thing after another’s gone against me; all the infernal ingenuities of chance. It’s been a slow Chinese torture, the kind where they keep you alive to have more fun killing you.” He straightened himself with a sudden blush. “Oh, I’m all right now—getting on capitally. But I’m still walking rather a narrow plank; and if I do your work well enough—if I take your idea—”
Betton stared into the fire without answering. He knew next to nothing of Vyse’s history, of the mischance or mis-management that had brought him, with his brains and his training, to so unlikely a pass. But a pang of compunction shot through him as he remembered the manuscript of “The Lifted Lamp” gathering dust on his table for half a year.
“Not that it would have made any earthly difference—since he’s evidently never been able to get the thing published.” But this reflection did not wholly console Betton, and he found it impossible, at the moment, to tell Vyse that his services were not needed.
III
DURING the ensuing weeks the letters grew fewer and fewer, and Betton foresaw the approach of the fatal day when his secretary, in common decency, would have to say: “I can’t draw my pay for d
oing nothing.”
What a triumph for Vyse!
The thought was intolerable, and Betton cursed his weakness in not having dismissed the fellow before such a possibility arose.
“If I tell him I’ve no use for him now, he’ll see straight through it, of course;—and then, hang it, he looks so poor!”
This consideration came after the other, but Betton, in rearranging them, put it first, because he thought it looked better there, and also because he immediately perceived its value in justifying a plan of action that was beginning to take shape in his mind.
“Poor devil, I’m damned if I don’t do it for him!” said Betton, sitting down at his desk.
Three or four days later he sent word to Vyse that he didn’t care to go over the letters any longer, and that they would once more be carried directly to the library.
The next time he lounged in, on his way to his morning ride, he found his secretary’s pen in active motion.
“A lot to-day,” Vyse told him cheerfully.
His tone irritated Betton: it had the inane optimism of the physician reassuring a discouraged patient.
“Oh, Lord—I thought it was almost over,” groaned the novelist.
“No: they’ve just got their second wind. Here’s one from a Chicago publisher—never heard the name—offering you thirty per cent. on your next novel, with an advance royalty of twenty thousand. And here’s a chap who wants to syndicate it for a bunch of Sunday papers: big offer, too. That’s from Ann Arbor. And this—oh, this one’s funny!”
He held up a small scented sheet to Betton, who made no movement to receive it.
“Funny? Why’s it funny?” he growled.
“Well, it’s from a girl—a lady—and she thinks she’s the only person who understands ‘Abundance’—has the clue to it. Says she’s never seen a book so misrepresented by the critics—”
“Ha, ha! That is good!” Betton agreed with too loud a laugh.
“This one’s from a lady, too—married woman. Says she’s misunderstood, and would like to correspond.”
“Oh, Lord,” said Betton.—“What are you looking at?” he added sharply, as Vyse continued to bend his blinking gaze on the letters.
Tales of Men and Ghosts Page 12