James Bond: The Secret History

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by Sean Egan


  But will he? Every dog has its day. Can David V. Picker – so instrumental in guiding 007’s transition from book to screen, as well as a man who knows of the fluctuating fortunes of motion-picture properties – see a point where Bond pictures will cease being successful? Where they will dribble away in a manner once considered unthinkable for other colossally successful, long-running film series such as Sherlock Holmes, Andy Hardy and Tarzan? ‘No,’ he says simply. ‘There are just some things that work. Bond worked and I’m sure will continue to work. It may vary a little bit one way or the other, but the fact is that you can’t destroy a unique aspect of the film industry.’

  Summing up, he says, ‘Tarzan had his time. Andy Hardy had his time. James Bond seems to me for all time.’

  THE END. NOT QUITE THE END …

  ACKNOWLEDGEMENTS

  My grateful thanks to the following people for granting me interviews: Raymond Benson, Martin Campbell, Jeremy Duns, Sir Roger Moore, Monty Norman, John Pearson, David V. Picker and Norman Wanstall.

  Additional thanks to Jeremy Duns for providing valuable advice and insight and to Fionn Morgan, who read through parts of the manuscript directly concerned with Ian Fleming’s life and family.

  SELECTED BIBLIOGRAPHY

  BOOKS

  Amis, Kingsley, The James Bond Dossier (Pan, 1966)

  Broccoli; Albert R., and Zec, Donald, When The Snow Melts: The Autobiography of Cubby Broccoli (Boxtree, 1998)

  Bryce, Ivar, You Only Live Once: Memories of Ian Fleming (Weidenfeld & Nicolson, 1975)

  Burlingame, Jon, The Music of James Bond (Oxford University Press, USA, 2012)

  Chancellor, Henry, James Bond: The Man and His World (John Murray, 2005)

  Chapman, James, Licence To Thrill: A Cultural History of the James Bond Films (Tauris, 2007)

  Christie, Thomas A., The James Bond Movies of the 1980s (Crescent Moon, 2013)

  O’Connell, Mark, Catching Bullets (Splendid, 2012)

  Cork, John, and Scivally, Bruce, James Bond – The Legacy (Boxtree, 2002)

  Mankiewicz, Tom, and Crane, Robert, My Life as a Mankiewicz: An Insider’s Journey Through Hollywood (University Press of Kentucky, 2012)

  Desowitz, Bill, James Bond Unmasked (Spies LLC, 2012)

  Duns, Jeremy, Rogue Royale: The Lost Bond Film By The ‘Shakespeare of Hollywood’ (Kindle, 2014)

  Fiegel, Eddi, John Barry: A Sixties Theme: From James Bond to Midnight Cowboy (Faber & Faber, 2012)

  Field, Matthew, and Chowdhury, Ajay, Some Kind of Hero: The Remarkable Story of the James Bond Films (History Press, 2015)

  Fleming, Fergus, The Man with the Golden Typewriter: Ian Fleming’s James Bond Letters (Bloomsbury Publishing, 2015)

  Fleming, Ian, Hern, Anthony, Gammidge, Henry, and McLusky, John, James Bond: Casino Royale (Titan, 2005)

  Griswold, John, Ian Fleming’s James Bond: Annotations and Chronologies for Ian Fleming’s Bond Stories (new edn) (AuthorHouse, 2006)

  Lane, Andy, and Simpson, Paul, The Bond Files: The Unofficial Guide to the World’s Greatest Secret Agent (Virgin, 2002)

  Lindner, Christoph, The James Bond Phenomenon (2nd edn) (Manchester University Press, 2006)

  Lycett, Andrew, Ian Fleming (Orion, 2009)

  Macintyre, Ben, For Your Eyes Only: Ian Fleming and James Bond (Bloomsbury, 2008)

  Mills, Alec, Shooting 007: And Other Celluloid Adventures (The History Press, 2014)

  Moore, Roger, My Word Is My Bond (Michael O’Mara, 2009)

  Morecambe, Gary, and Sterling, Martin. Cary Grant: In Name Only (Robson, 2003)

  Pearson, John, The Life Of Ian Fleming: The Man Who Created James Bond (Aurum, 2003)

  Pfeiffer, Lee, and Worrall, Dave, The Essential James Bond (Boxtree, 2003)

  Rosenberg, Bruce A., and Stewart, Ann H., Ian Fleming (Twayne Publishers, 1989)

  Sellers, Robert, The Battle for Bond (2nd edn) (Tomahawk, 2008)

  Simmons, Bob, Nobody Does it Better (Javelin, 1987)

  Simpson, Paul, The Rough Guide To James Bond (Rough Guides, 2002)

  Stein, Ellin, That’s Not Funny, That’s Sick: The National Lampoon and the Comedy Insurgents Who Captured the Mainstream (W. W. Norton & Company, 2013)

  Wood, Christopher, James Bond, The Spy I Loved (Twenty First Century, 2006)

  Yeffeth, Glenn, James Bond In The 21st Century: Why We Still Need 007 (Benbella, 2006)

  WEBSITES

  http://007today.blogspot.co.uk

  http://archive.today

  http://classicbond.com

  http://commanderbond.net

  http://dochermes.livejournal.com

  http://edition.cnn.com

  http://eustonfilms.blogspot.co.uk

  http://fivedials.com

  http://jamesbond.wikia.com

  http://jamesbondmemes.blogspot.co.uk

  http://literary007.com

  http://shatterhand007.com

  the007dossier.com

  http://thebondbulletin.blogspot.co.uk

  http://thebondologistblog.blogspot.co.uk

  http://www.007james.com

  http://www.007magazine.co.uk

  http://www.007museum.com

  http://www.afi.com

  http://www.bbc.co.uk

  http://www.bbfc.co.uk

  http://www.boxofficemojo.com

  http://www.bucksherald.co.uk

  http://www.cinemaretro.com

  http://www.corgi.free.fr

  http://www.dailymail.co.uk

  http://www.democracynow.org

  http://www.ianfleming.com

  http://www.interviewmagazine.com

  http://www.jamesbondfirsteditions.com

  http://www.jeremy-duns.com

  http://www.john-gardner.com

  http://www.mi6-hq.com

  http://www.oscars.org

  http://www.piercebrosnan.com

  http://www.raymondbenson.com

  http://www.readthespirit.com

  http://www.scotsman.com

  http://www.script-o-rama.com

  http://www.sylvanmason.com

  http://www.thebookbond.com

  http://www.universalexports.net

  http://youngbonddossier.com

  https://archive.org

  https://en.wikipedia.org

  www.007forever.com

  www.allmusic.com

  www.oxforddictionaries.com

  MAGAZINE ARTICLES

  ‘Richard Maibaum 007’s Puppetmaster’ by Lee Goldberg, Starlog, March 1983

  ‘Gardner’s World’ by Raymond Benson, 007 magazine, #28, October 1995 (as reproduced on http://www.john-gardner.com)

  MISCELLANEOUS

  History of James Bond Games (1983–2014) by Fat Mad (YouTube compilation)

  Never To Be Disclosed: Government Secrecy in Britain 1945–1975 (thesis) by Christopher R. Moran BA, MA

  Ian Fleming, James Bond’s convoluted creator.

  © Daily Mail/REX/Shutterstock

  Hoagy Carmichael, the famous songwriter whom Fleming used as the visual basis for 007.

  © REX/Shutterstock

  Ornithologist James Bond, whose name was appropriated by Fleming for his hero.

  © Jerry Freilich

  Partly because of President Kennedy’s endorsement, James Bond was a phenomenon in books before any 007 movie had been produced.

  © Sonny Meddle/REX/Shutterstock

  David Niven was Fleming’s first choice to play James Bond, but only got to appear in the role in derided unofficial picture Casino Royale (1967).

  © Everett/REX/Shutterstock

  This iconic blurb, familiar from sixties Bond paperbacks published by Pan Books, was lifted from the pages of sixth 007 novel Dr No.

  Fleming with the two movie producers who would ramp up the fame of his hero to levels he could never have imagined: Harry Saltzman (left) and Cubby Broccoli.

  © Harry Myers/REX/Shutterstock

  Fleming with Sean Connery. The author’s opinion of the first man to play his creation in the cinemas was �
�� at least initially – not entirely favourable.

  © Sipa Press/REX/Shutterstock

  Monty Norman, composer of the immortal ‘James Bond Theme’, with a rapt Vanessa Redgrave.

  © Daily Mail/REX/Shutterstock

  A 1961 publicity shot of Lois Maxwell, soon to become the first filmic Miss Moneypenny.

  © Everett/REX/Shutterstock

  Terence Young directs Connery and Adolfo Celi (Emilio Largo) in Thunderball. Many felt that Young was something of a Bond figure himself.

  © REX/Shutterstock

  Corgi’s Aston Martin DB5. This most iconic of all items of Bond merchandise was the biggest-selling toy of all time.

  © Ken Mckay/REX/Shutterstock

  Kevin McClory attends the premiere of Thunderball. He would be a thorn in the side of the Bond movie producers.

  © Harry Myers/REX/Shutterstock

  George Lazenby gets to grips with Diana Rigg in On Her Majesty’s Secret Service. Lazenby’s only Bond film is for many fans the best 007 picture of all.

  © PA Archive/PA Images

  Sean Connery in classic Bond costume and pose. Many still regard him as the definitive 007.

  © United Archives/DPA/Press Association Images

  Third official movie Bond Roger Moore (right) prepares to do battle with Scaramanga, the Man with the Golden Gun (Christopher Lee).

  © Anonymous/AP/Press Association Images

  Timothy Dalton preparing to become the fourth movie Bond in the company of Maryam D’Abo.

  © Nils Jorgensen/REX/Shutterstock

  Pierce Brosnan with Michelle Yeoh in Tomorrow Never Dies, the second of his quartet of Bond films.

  © dpa-Film UIP/DPA/Press Association Images

  Daniel Craig with his M, Judi Dench. They were promoting Skyfall, which was soon to become the most successful Bond film of all time.

  © Joel Ryan/AP/Press Association Images

  Martin Campbell, the director who twice ‘rebooted’ the cinema Bond.

  © Mirco Toniolo/REX/Shutterstock

  John Barry – co-composer of most of the best-known 007 movie themes – is congratulated by Bond producer Barbara Broccoli on his 2006 ‘Inspiration Award’ from GQ magazine.

  © Richard Young/REX/Shutterstock

  Craig was a much darker Bond, but that didn’t prevent him also being beefcake.

  © Topham/Topham Picturepoint/Press Association Images

  Copyright

  Published by John Blake Publishing Limited

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  ePub ISBN 978 1 78606 069 3

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  PDF ISBN 978 1 78606 071 6

  This edition published in 2016.

  ISBN: 978 1 78606 020 4

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent publisher.

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