Praise for Tabloid Dreams:
“It is Mr. Butler’s genius in this volume to lure an audience into the tent by shouting versions of the tabloids’ headlines . . . and then providing more than the customer has been led to expect. Turning the lurid third-person titles of his stories into direct testimony from the principles, Mr. Butler often transforms the material’s coarseness—and a reader’s anticipated guffaws—into lyricism and wonder.”
—The New York Times Book Review
“To see, to know, to touch, to remember—these desires have always been at the heart of great fiction. They are here in abundance, along with the skewed and comic tenderness that is Butler’s greatest gift as a writer. You start to read these stories and laugh; then, sucker-punched, you see the sadness and sweetness in each one.”
—The Times-Picayune
“Out of pop culture, Robert Olen Butler extracts a result that looks uncomplicated, but subtly reveals many of the preoccupations of American literature—especially loneliness, conformity and innocence.”
—The Boston Globe
“These stories are masterpieces of accessible complexity—jewels of poignancy molded from what is generally considered a slag heap of modern culture. Tabloid Dreams is a magnificent work of imagination, entertainment and humanity.”—SunSentinel (Ft. Lauderdale)
“Daring and uncommonly beautiful literary flights of fancy. There are touches of Italo Calvino, Roald Dahl, and Gabriel García Márquez in them. At the same time, Tabloid Dreams couldn’t be more American in premise, flavor and humor . . . [it] makes its dozen fanciful tales not just real to its readers, but also sublimely reasonable.”
—San Francisco Chronicle
“A hugely entertaining, sometimes dazzling collection from one of our most versatile writers.”—Atlanta Journal-Constitution
“There’s a beautiful liquidity both to Butler’s prose and to his imagination. Sex and death hold hands and dance in Tabloid Dreams. . . . And yet these aren’t sad stories. They’re too funny for that. And in almost every one, there’s a moment of transcendence; for every character, redemption glimmers.” —Wisconsin State Journal
“Butler has taken a ham’s material and fashioned it into a dozen artful and wondrous tales, once again proving himself to be the rarest kind of writer, one who can’t be pigeonholed, who doesn’t rely on a set, safe shtick but keeps challenging himself with new and varied material.”—Chicago Tribune
“Straightforward, surreal, hilarious, shocking and ultimately very moving. . . . It’s hard to imagine another writer who could achieve such pathos, humor and intensity from such an absurd situation. . . . Playwrights come first to mind: Ionesco and Beckett.”
—St. Petersburg Times
“Every story in this collection deserves a prize. Originality, humor, distinctive voices, drop-dead prose—Butler possesses all these qualities, and he lends them to every story.”—The Hudson Review
“Butler has a remarkable facility for finding the heart in otherwise trashy lives. . . . In trash, suggests Butler, there can always be transcendence.” —The Village Voice
“Tabloid Dreams is full-blown American magical realism: funny, lyrical, striking, its stories seek and find meaning in our very own myths, the ones we characteristically reinvent every few years to fit our fears and fantasies . . . Butler and his characters convince us that concepts such as conscience, justice, and love are meaningful and necessary, even in a culture whose stock-in-trade is bunk.”
—Boston Book Review
TABLOID
DREAMS
Also by Robert Olen Butler
The Alleys of Eden
Sun Dogs
Countrymen of Bones
On Distant Ground
Wabash
The Deuce
A Good Scent from a Strange Mountain
They Whisper
The Deep Green Sea
Mr. Spaceman
Fair Warning
Had a Good Time
From Where You Dream: The Process of Writing Fiction (Janet Burroway, Editor)
Severance
Intercourse
Hell
A Small Hotel
The Hot Country
TABLOID
DREAMS
stories
Robert Olen Butler
Grove Press
New York
Copyright © 1996 by Robert Olen Butler
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003 or [email protected].
First published in the United States of America by Henry Holt and Company, Inc., 1996
Published simultaneously in Canada
Printed in the United States of America
ISBN-13: 978-0-8021-2098-4
Grove Press
an imprint of Grove/Atlantic, Inc.
841 Broadway
New York, NY 10003
Distributed by Publishers Group West
www.groveatlantic.com
13 14 15 16 10 9 8 7 6 5 4 3 2 1
For Allen H. Peacock, my friend
and my editor for the crucial decade
And for my wife, Kelly, who makes
all things possible
Contents
“Titanic Victim Speaks Through Waterbed”
“Woman Uses Glass Eye to Spy
on Philandering Husband”
“Boy Born with Tattoo of Elvis”
“Woman Loses Cookie Bake-Off, Sets Self on Fire”
“Jealous Husband Returns in Form of Parrot”
“Woman Struck by Car Turns into Nymphomaniac”
“Nine-Year-Old Boy Is World’s Youngest Hit Man”
“Every Man She Kisses Dies”
“Doomsday Meteor Is Coming”
“Help Me Find My Spaceman Lover”
“JFK Secretly Attends Jackie Auction”
“Titanic Survivors Found in Bermuda Triangle”
The stories in this book first appeared in the following places: “Titanic Victim Speaks Through Waterbed,” Missouri Review; “Woman Uses Glass Eye to Spy on Philandering Husband,” Mississippi Review Web; “Boy Born with Tattoo of Elvis,” Conjunctions; “Woman Loses Cookie Bake-Off, Sets Self on Fire,” The Gettysburg Review; “Jealous Husband Returns in Form of Parrot,” The New Yorker; “Woman Struck by Car Turns into Nymphomaniac,” Mississippi Review Web; “Nine-Year-Old Boy Is World’s Youngest Hit Man,” The Southern Review; “Every Man She Kisses Dies,” Mãnoa: A Pacific Journal of International Writing; “Doomsday Meteor Is Coming,” Literal Latté; “Help Me Find My Spaceman Lover,” The Paris Review; “JFK Secretly Attends Jackie Auction,” Esquire (under the title “The Auction”); “Titanic Survivors Found in Bermuda Triangle,” Colorado Review.
“Titanic Victim Speaks
Through Waterbed”
This is a bit of a puzzle, really. A certain t
hrashing about overhead. Swimmers with nowhere to go, I fear, though I don’t recognize this body of water. I’ve grown quite used to this existence I now have. I’m fully conscious that I’m dead. And yet not so, somehow. I drift and drift, and I am that in which I drift, though what that is now, precisely, is unclear to me. There was darkness at first, and I failed to understand. But then I rose as some faint current from the depths of the North Atlantic and there were others around me, the corporeal creatures of the sea whom I had hitherto known strictly on fine china and dressed lightly in butter and lemon. I found that I was the very medium for the movement of their piscine limbs, and they seemed oblivious to my consciousness. Given their ignorance, I could not even haunt them. But I understood, by then, of what my fundamental state consisted, something that had eluded the wisdom of Canterbury. Something for which I was unprepared.
And after many years—I don’t know how many, but it is clear to me that it is not an inconsiderable sum—there are still surprises awaiting me. This impulse now to shape words, for instance. And the thrashing above me, the agitation it brings upon me. I returned to the first-class smoking lounge soon after I realized what had happened to the ship. I sat in an overstuffed leather chair and then looked about for a dry match to light my cigar. But I was well aware of what was going on out in the darkness beyond the window.
Perhaps that accounts for the slight betrayal of fear, something only I could notice, since on the surface I seemed to be in control: I sat down and reached for a match. But I sat down already fearing that the matches would be wet. I should have searched for the match and then sat down. But I sat. And then I looked about. And, of course, the room was quite dry. On the table, just at arm’s length, was a silver-plated ashtray with a silver matchbox engraved with the flag of the White Star Line rising on a pedestal from its center. The box was full of matches. I took one and struck it and it flared into life and I held it to my cigar and I thought, What a shame that this quite charming ashtray will be soon lost. My hand was steady. To anyone watching, it would seem I had never doubted that the matches in this room were dry. Of course they were. At that hour the ship was beginning to settle into the water, but only like a stout fellow standing in this very room after a long night of cards and feeling heavy in his lower limbs. It was, of course, impossible for water to be in this room as yet. That would come only very near the end. But still I feared that the matches would already be spoilt.
All through that night, the fear was never physical. I didn’t mind so much, in point of fact, giving up a life in my body. The body was never a terribly interesting thing to me. Except perhaps to draw in the heavy curl of the smoke of my cigar, like a Hindu’s rope in the market rising as if it were a thing alive. One needs a body to smoke a good cigar. I took the first draw there in that room just below the fourth funnel of the largest ship in the world as it sat dead still, filling with the North Atlantic ocean in the middle of the night, and the smoke was a splendid thing.
And as I did, I felt an issue of perspiration on my forehead. This was not unpleasant, however. I sat with many a fine cigar on the verandah of my bungalow in Madras, and though one of the boys was always there to fan the punkah, I would perspire on my forehead and it was just part of smoking a good cigar out in India. With a whisky and soda beside me. I thought, sitting on the sinking ship, about pouring myself a drink. But I didn’t. I wanted a clear head. I had gone to my cabin when things seemed serious and I’d changed into evening dress. It was a public event, it seemed to me. It was a solemn occasion. With, I assumed, a King to meet somewhat higher even than our good King George. I didn’t feel comfortable in tweeds.
What is that thrashing about above me now? The creatures of the sea are absent here, though I’m not risen into the air as I have done for some years, over and over, lifted and dispersed into cloud. I’m coalesced in a place that has no living creatures but is large enough for me to be unable quite to sense its boundaries. Perhaps not too large, since I am not moving except for a faint eddying from the activity above. But at least I am in a place larger than a teacup. I once dwelt in a cup of tea, and on that occasion, I sensed the constraints of the space.
I yearn to be clothed now in the evening dress I wore on that Sunday night in April in the year of 1912. I must say that a body is useful for formal occasions, as well. All this floating about seems much too casual to me. I expected something more rigorous in the afterlife. A propitiatory formality. A sensible accounting. Order. But there has been no sign, as yet, of that King of Kings. Just this long and elemental passage to a place I cannot recognize. And an odd sense of alertness now. And these words I feel compelled to speak.
There. I think I heard the sound of a human voice above me in this strange place. Very briefly. I cannot make out the words, if words this voice indeed uttered. It’s been a rare thing for me, in all this time, to sense that a living human being might be close by. On that dark night in the North Atlantic, at the very moment we struck our fate out somewhere beneath the water line on our bow, I was in the midst of voices that did not resolve themselves into clear words, and none of us heard anything of that fateful event. I was sitting and smoking, and there was a voluble conversation over a card game near to me. It was late. Nearly midnight. I was reluctant to leave the company of these men, though I had not said more than two dozen words to any of them on this night, beyond “good evening.” I am an indifferent card player. I sat and smoked all evening and I missed having the latest newspaper. I don’t remember what I might have thought about, with all that smoke. India perhaps. Perhaps my sister and her husband in Toronto, towards whom we had just ceased to steam.
What did become clear to me quite quickly was that we had stopped. I looked at the others and they were continuing to play their game unaware of anything unusual. So I rose and stepped out under the wrought-iron and glass dome of the aft staircase. I had no apprehensions. The staircase was very elegant with polished oak wall paneling and gilt on the balustrades and it was lit bright with electric lights. My feeling was that in the absence of the threat of native rebellion, things such as this could not possibly be in peril.
That seems a bit naive now, of course, but at the time, I was straight from the leather chair of the first-class smoking lounge. And I was tutored in my views by the Civil Service in India. And I was a keen reader of the newspapers and all that they had to say about this new age of technology, an age for which this unsinkable ship stood as eloquent testament. And I was an old bachelor whose only sister lived in the safest dominion of the empire.
Owing to the lateness of the hour, there was no one about on the staircase except for a steward who rushed past me and down the steps. “What’s the trouble?” I asked him.
He waved a hot water bottle he was carrying and said, “Cold feet, I presume,” and he disappeared on the lower landing.
I almost stepped back into the smoking lounge. But there was no doubt that we had come to a full stop, and that was unquestionably out of the ordinary. Two or three of the card players were now standing in the doorway just behind me, murmuring about this very thing.
“I’ll see what’s the matter,” I said without looking at them, and I descended the steps and went out onto the open promenade.
The night was very still. There were people moving about, somewhat distractedly, but I paid them no attention. I stepped to the railing and the sea was vast and smooth in the moonlight. There were shapes out there, like water buffalo sleeping in the fields in the dark nights outside Madras. I would drive back to my bungalow in a trap, my head still cluttered with the talk and the music from the little dance band and the whirling around of the dancers, and I would think how the social rites of my own class sometimes felt as foreign to me as those of the people we were governing here. These pretenses the men and women made in order to touch, often someone else’s spouse. I am not unobservant. But I would go to these events, nevertheless. Even if I kept to myself.
I looked out at these sleeping shapes in the water. A woman’s voice was suddenly nearby.
“We’re doomed now,” she said in the flat inflection of an American.
It took a moment to realize that she was addressing me. She said no more. But I think I heard her breathing. I turned and she was less than an arm’s length from me along the railing. In the brightness of the moon I could see her face quite clearly. She seemed rather young, though less than two hours later I would revise that somewhat. The first impression, however, was that she was young, and that was all. Perhaps rather pretty, too, but I don’t think I noticed that at the time. There were certain things that I suppose were beyond my powers of observation. When I realized to whom she was speaking, her words finally registered on me.
“Not at all.” I spoke from whatever ignorance I had learned all my life. “Nothing that can’t be handled. This is a fine ship.”
“I’m not in a panic,” she said. “You can hear that in my voice, can’t you?”
“Of course.”
“I just know this terrible thing to be true.”
I leaned on the rail and looked at these sleeping cattle. I knew what they were. I understood what this woman had concluded. “It’s the ice you fear,” I said.
“The deed is done, don’t you think?” she said.
Her breath puffed out, white in the moonlight, and I felt suddenly responsible for her. There was nothing personal in it. But this was a lady in some peril, I realized. At least in peril from her own fears. I felt a familiar stiffening in me, and I was glad of it. Dissipated now were the effects of the cigar smoke and the comfort of a chair in a place where men gathered in their complacent ease. But I still felt I only needed to dispel some groundless fears of a woman too much given to her intuition.
“What deed might that be?” I asked her, trying to gentle my voice.
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