Candy

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by Mian Mian


  It’s 1999, and we still share a bed every night, and we share a headset as we drift off to sleep. Occasionally he masturbates in the morning, while looking at a cartoon drawing of a Japanese middle school girl. He calls her his girlfriend. This is what he tells me, anyway. I’ve never actually seen it.

  My writing has placed me in an extremely messy and confusing situation. I’m hot right now, but not because of my writing. All I did was write about a bunch of kids from a socialist country who took a lot of drugs, but God only knows what was really in the stuff they took, because they didn’t get off at all. Instead they were totally fucked up. Our idiotic drug experiences were completely determined by our education. Our minds were empty, but drugs couldn’t give us imagination. We didn’t know what it was to feel pleasure, so all we had was our collective destruction. I am the one who has written these stories, but everything that is to come will seem like an even more pointless ritual. A lot of crazy things have happened. This world is full of con artists and charlatans. It’s a pathetic, materialistic age, and I’ve been asking myself, Why do you want to write?

  I’ve begun planning all kinds of huge dance parties. I want to see a thousand lonely strangers dancing happily at my party. This feels more real to me than writing, because I think that the Chinese people need to dance—they need to open up their bodies. I want to make everyone dance, and if they won’t dance, I’ll trick them into dancing.

  On weekend nights, Saining and I are a couple of “hunting buddies.” Bearing our common illusions, we always go out together on weekends. After we heard some rumors that police from the provinces were going to raid the clubs and give all the Chinese there urine tests, we were afraid to take E anymore.

  But we still get fucked up every Friday and Saturday night, sleeping and not eating all day Sunday, dumbstruck on Monday, sad on Tuesday, better by Wednesday, and starting to think about Friday when Thursday rolls around. Talking a lot of bullshit to Saining after getting fucked up is a lot of fun. Sometimes we play guitar together into the tape recorder. All these random fragments you’ve just read are something Saining and I created together—that’s how they came out on the tape.

  P

  If you knew my friend Apple, please listen to some Chopin. If you liked him, please don’t use a candle to light a cigarette ever again. If you loved him, please leave the door open when you bathe, and let in some fresh air.

  It doesn’t matter, but he left with a calm expression. It doesn’t matter, but soaking in the bathtub was his favorite thing. It doesn’t matter, but when he smoked those cheap, lousy cigarettes of his, he would often say, What’s the point of worrying? We all have to die sometime.

  He once said, Human life is suffering, and once you understand this, you will be completely free.

  He once said, If you can love with abandon, then you can relax and stop worrying.

  He said, Love should be an incomparable radiance.

  Once he’d come to these realizations, he left us. It doesn’t matter, but he went in his favorite bathtub. His lover was in another room, talking on the phone, and by the time the two-hour conversation was over, my friend Apple was already in another place. It doesn’t matter, but he loved his lover. We know that, and that’s enough. Apple was the person who took me to my first café, when a cup of coffee cost five yuan in Shanghai. That sidewalk café was called Little Brocade River. Shanghai was like his lover. He took me to so many streets and boulevards. He said that Shanghai’s four seasons were so distinct, and that this had always kept his senses sharp. He said, Especially in the winter. In the winter I feel a strange kind of excitement when I’m wandering through the little alleys and lanes. He’d always wanted a comfortable bathtub; the one he had now was his first. The bathroom was too small, but he insisted on putting a child’s bathtub in there. The bathroom really was much too small, and there was no ventilation. He didn’t die because of fate; he died because of an accident, and he died because of his standard of living. He died in the cold and cloudy Shanghai winter. It’s not important, but he was beautiful, and he always had been beautiful. He knew more than any of us about how to enjoy life, and he would walk for hours just to get a good price on some high-quality goods—that’s how he was. He died in the first bathtub he’d ever owned. It doesn’t matter, but he’d already possessed countless bathtubs—in the magazines he saved, and in his mind. The world is so big, but he never even went to Hong Kong. He always said, I really just want to go abroad to see what it’s like. He didn’t even have a computer, but it didn’t matter, because he had been everywhere and seen everything in his mind, through information he’d come by in every way imaginable, and through his eyes.

  I held Apple. His body was full of water. His expression was so peaceful, but I suddenly felt overwhelmed by countless regrets. I felt I hadn’t really understood him. The air always carries the scent of souls, a scent that is always sweet, but where do our spirits go in the end? We don’t understand death, nor do we understand ourselves. Nor do we understand even our lovers, or our friends of many years—no matter how close we might become, we can never really grasp the truth about one another. We are condemned to solitude, doomed to live in confusion, and nothing we’ve done so far has been able to resolve our yearning.

  Apple once said to me, We should go to Thailand together and go sit at that temple, where we can keep vigil over the body of an eighteen-year-old. We’ll watch over his beauty, his youth, and his decay, until finally there is nothing left of him.

  Apple once said to me, Life is like a bridge that connects what’s gone before with what is to come. Everything will become more pure and precious and ultimately clearer in its own time.

  Apple once said to me, As long as there is chaos, there will always be hope for Truth and Beauty. And what’s kept us from attaining these things is our bodies.

  It doesn’t matter, because some people can never really be separated.

  There’s just one thing, though. What about all of the clothing he picked out with such care, all of the shoes and the jewelry—didn’t he want them anymore?

  Whenever I think of him, I listen to Chopin. Not that I know whether or not Apple liked Chopin. We never discussed it.

  Death gave my friend Apple the wings of an angel, and he’ll wear them to all of his friends’ banquets.

  I didn’t go to Apple’s funeral. I took him a note instead: “No one can ever take your place, spending time with me, sharing all of my toys with me!”

  Apple, we didn’t wear black armbands, because wearing black armbands is too conventional, and you’d like us to look pretty.

  Apple, I’m glad that I knew you.

  Q

  I sleep in the ruins, in splinters and ash.

  What died was your beauty.

  That window on your soul

  Changed, became earnestly transparent.

  You will never return.

  You will never return.

  But who says?

  — MIAN MIAN

  I felt black eyes boring into the back of my head through a part in hair blown about wildly by the wind, and then there was his breathing, rendered harsh by his illness. When I turned around, his last footfall settled like ash before my eyes. Kiwi was wearing a long black leather kilt. It dragged on the floor, looking like a big black fan, the dark fan of the night.

  I caught a whiff of Kiwi’s cologne, and I touched him, as if my sorrow had lost its strength.

  I said, Our Apple is gone! The moon looks like a child’s face!

  He embraced me, and we went somewhere. I wanted to talk, but he couldn’t wait to screw my ass again, and this time the pain touched my heart.

  We didn’t talk on the phone anymore.

  Once, I had wanted to pass all of my craziness and confusion on to this man, which was why I’d desperately wanted to be controlled. Once, I had wanted to be on handbills all over Shanghai with this man. Once, I had yearned for a love that could release me from my weaknesses.

  But someone had put
a curse in our drinks. We were broken, and we needed surgeons to fix us.

  R

  Saining went out to the suburbs of Beijing with a pair of scissors and cut a large quantity of marijuana and brought it back here. We sat around every day with our milk shakes while he used a big wicker sieve to pick out the seeds. I’d sit beside him rolling. I would work awhile, smoke a joint, and drink some milk shake. And then I’d work a little more and smoke another joint, and after that, we’d sleep some more. There isn’t any nice scenery in this city, but we have music.

  Today, Saining made some kind of soup with all kinds of Chinese medicinal herbs in it. After we’d finished our soup, I said, Saining, let’s play dueling DJs, OK? I’ll put something on upstairs, and you can put something on downstairs. First you play something, and then I’ll go, and we can just take it from there. How ’bout it?

  And we started to play records. We played records for five hours straight, not stopping for even one minute.

  Afterward I went and took a bath. After my bath, I saw that Saining was chatting with someone on the Internet. Can I join you? I asked. Saining introduced me to the other person, and then he said he was going to go take a bath. I waited until he’d come out of the bathroom to say, I don’t feel like playing anymore. Saining said, Why? Didn’t we agree that we’d talk together? I said, I don’t want to play this game. I want to watch a DVD.

  Saining came downstairs at once and sat down beside me. I knew from his expression that he was angry, so I turned off the computer and looked at him.

  He said, Why do you think this is a game? Don’t you realize there’s another human being on the other end?

  I said, Don’t be so serious. I don’t think it’s a game, either. I was just saying that. I don’t want to play this way, because I’m not used to not being able to hear or see the person I’m interacting with.

  Saining said, So why do you still use the word play?

  I said, It was just something I said. I didn’t mean anything by it.

  Saining said, I don’t believe for a second that you just say things, and that’s all there is to it.

  I said, I apologize. I am truly sorry.

  Saining said, I don’t need your apology, but I do think that you need to think carefully about what you say.

  Saining used to be a beautiful young man—even his anger used to be beautiful in the old days. But nowadays, for some reason, when he got angry I found it hard to take, and it made me sick at heart.

  He stayed angry at me for the rest of the evening, and at bedtime I said, Saining, don’t be angry. Haven’t you always said that I brought you to life in my stories? I’m promising you right now that I’m going to write a book for you. I already know that writing it is going to make me cry, and this isn’t something that I just decided to do today. I decided to do this a while ago, and if it doesn’t make me cry, I won’t publish it, OK? Is that all right with you?

  Saining said, Is it about me?

  It’s about how all the good children will have candy to eat.

  Just promise me you won’t try to make any money from it.

  What do you mean by that?

  What I mean is, don’t use me to puff yourself up.

  Is that all you get out of my writing? Then I’ve failed.

  You are a failure. Because you don’t tell the truth.

  Writing fiction isn’t about telling the truth.

  Then you’re not a writer.

  Don’t be cruel, Saining. I have to have been wounded before I can commit something to paper. I’m just trying to express myself, and the truth is that nobody is obligated to read the product of other people’s self-expression. Writing is simply the thing that gives me the strength to keep on living. It’s an exercise that’s full of feeling, it’s a kind of love, and it’s one of the easiest things in the world—and easy things can be liberating. We all live such meager lives, and we may still love people who don’t deserve our love. Writing is just something a person might do. There is no absolute truth or falseness, and writing can’t guarantee my safety. It’s like music is for you, and I can’t prove my honesty by going back and inserting some. The difference between you and me is that I’ve published my books, while you haven’t published your music. That’s the only difference between us.

  That’s only the biggest difference. I don’t have any ambitions for my music. I’m not looking for an audience, and I don’t expect to get anything back. My music is simply the shape of my spirit. That’s all I want. There’s nothing else I could want, because that other stuff isn’t me.

  Fine! As far as I’m concerned, you’re the only person who has the right to talk to me this way, because I understand you. But you’re the only one. I do want an audience, because I’m more passionate than you are, and I like people more than you do. But I don’t expect to get anything back either, and I don’t think there’s anything wrong with that.

  Let’s have a baby! Maybe it could teach us what love is.

  Don’t even suggest it! Why would I want to have a child with you?

  We’re both the products of totally stupid ideas, but our child could be a revolution.

  You’re dreaming. Have a child with you? You’re making me nervous. How long has it been since we last saw each other? Are you even fit to be a father? Our child could easily find itself without a roof over its head or clothes on its back.

  You can always go down to Huating Road and buy some cheap counterfeit duds for it.

  Very funny. You don’t know anything about love. Nothing ever seems to touch you, you’re so cold. You’ve never even given me an orgasm. It took someone else to do that.

  Is that so?

  I don’t like having to tell you this, but it’s true, I swear.

  Who is “someone else”?

  That’s not important. The point is that it definitely wasn’t you.

  Why are you treating me this way?

  Because you’re an idiot. You’ve got a beautiful cock, but you’re a piece of shit who doesn’t know the first thing about love. You’re still a sexy, crazy, poetic, selfish musician, but the girl who lost her head over that guy doesn’t exist anymore. My world and my body always belonged to Saining. I’m such a stupid girl! Out of all the years, and all the nights we spent together, why was it that we couldn’t manage to give me just one orgasm on just one of those nights? Why didn’t you care? You were so full of yourself that you didn’t even think of me as a human being. Had you talked yourself into believing that you could make me come if you’d wanted to? Or were you so stupid that you thought I always came? Or was it just that I played with myself too much when I was a kid and wrecked my body, and now God’s getting back at me? I still love you, but it’s only because the two of us are equally stupid. The problem is that even though we were together all those years, we never really dealt with this problem. Is that your fault? Or was it my own stupidity? Why am I so stupid? I wonder how many people are as dumb as I am. I’m ashamed of it, and sometimes it just makes me want to die.

  How was I supposed to know that you didn’t know what an orgasm was? I thought everybody knew.

  When I was with you, I definitely didn’t know, and nobody told me either, not even my male friends. Frankly I really don’t care whether or not I come. If I have an orgasm, fine; if I don’t, fine. Fuck me from the front, fuck me from behind—it’s all the same to me. Only the useless are tough, only the feeble can have sexual climaxes, and only a dumb fuck would watch a big-screen television. I figured it all out a long time ago. The problem is that whenever I think of the past, I feel sad. You make me feel so pathetic. You don’t understand love, and you don’t understand my body. Neither of us does.

  I think I understand love. When I’ve loved, I’ve never asked for anything in return. I think my love is pure, and it’s simple. I think that means my love is real love. But you’re not like that. You use love to explain everything, and you have many kinds of love. Your love is complicated, and you’re much too physical, so I don’t und
erstand your love. You say you want to die. You’ll never die. Paranoid people like you never die. Apple died, but you, who have tried to kill yourself more times than I can count, you won’t die. I bet you could drink rubbing alcohol and you still wouldn’t die. I bet if you bought a shotgun and tried to do yourself in, the bullets would get jammed. No matter what you tried, you wouldn’t die. You’ll never be satisfied. You use everyone, you’re cruel, and you want everything. You’re a broken-down slut; you’ve slept with enough men to fill an orchestra. You’ve searched for my face at countless concerts. You even took a brainless heavy-metal rocker home with you just because he looked like me. Ten years! And you tell me you’ve never had an orgasm with me. You’re a phony. That’s why you can’t die.

  Do you want me to die?

  I’ve lost count of how many times I’ve wished for your death and imagined how you would look in death. I loved fantasizing about that.

  But if I died, where would that leave you? Aside from me, everybody else thinks you’re a piece of shit, a fool who goes through life with his eyes shut tight. Someday you’re going to have spent all the money your mother left you. Someday you’re going to die of cold and hunger. I’m your only friend. Doesn’t it strike you as just a little bit odd? That after all these years you still have only one friend—me? You don’t think of Sanmao as a friend anymore; you say he’s gotten fat and ugly. You have no feelings. You don’t like anyone; you don’t love people.

  If you die, I’ll love you forever.

  What are you crying about? Our Romeo cried. If you die I’ll always love you, so you’d better hurry up and die, and soon! But we’re alive. And the only reason we’re alive is that we still want to live.

  That night, Saining never seemed to stop crying.

  He said, I love you, but I’m telling you I can’t love you anymore. You’re a phony. I can’t love you anymore. You’re a con artist.

  He said, You’re a first-rate actress. You like anything that’s fake.

 

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