The Sound of Freedom

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The Sound of Freedom Page 15

by Kathy Kacer


  Her Hebrew lessons that morning seemed to drag

  on forever. And her mind was everywhere except on

  the work. She couldn’t conjugate her verbs, forgot

  her spelling words, and mispronounced some simple

  sentences. At one point, she even forgot her teacher’s name and stared at her blankly when Mrs. Rose called on her to answer a question. Finally, her teacher took her aside.

  “What is wrong with you today, Anna?” Mrs. Rose

  asked. “You look as if you are in another world.”

  Anna explained that the great conductor Toscanini

  was going to conduct the rehearsal of the orchestra

  that day. “My father was so nervous this morning. I

  guess some of it has rubbed off on me.”

  A slow smile spread across Mrs. Rose’s face. “Ah,

  now I understand. But do you think you could just

  try to focus until the end of our lessons?”

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  Anna nodded and sighed. “I’ll try.”

  When Mrs. Rose finally dismissed the class, Anna

  was the first one out the door and across the field to the rehearsal hall. She wished Eric were there with

  her, but her friend had been absent from school for

  the last couple of days.

  She had stopped by his apartment the previous

  day to find out what was wrong. Eric’s mother greeted her at the door, looking haggard. When Eric came out to talk to Anna, he looked equally tense.

  “I brought this homework for you,” Anna said,

  holding some papers out to Eric. “Mrs. Rose thought

  you should have this so you won’t get too far behind.”

  Eric took the papers. “Thanks.”

  He was just about to close the door when Anna

  stopped him. “Aren’t you going to tell me what’s

  wrong?”

  Eric hesitated. “I haven’t been feeling that well. A really bad headache.”

  Was a headache, even a bad one, a reason to miss

  a couple of days of school? Anna didn’t think so. “Is everything else okay?”

  When Eric finally glanced up, his eyes were bleary

  looking, as if he hadn’t been sleeping. Anna knew

  that look. She had seen it in Renata’s eyes before her announcement that they were leaving Poland. But

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  Eric wasn’t saying anything else, even when Anna

  asked him a second time. They said their good-byes

  and he closed the door.

  Pushing those thoughts aside, she entered the re-

  hearsal space and quickly found her spot to the left of the stage. She caught Papa’s eye and waved. He raised his eyebrows to let her know he’d seen her. She was

  anxious for her father and for all the musicians. She knew they wanted nothing more than to impress the

  great Toscanini.

  Mr. Huberman was already onstage and about to

  address the orchestra. “Ladies and gentlemen, we are indeed honored to be in the presence of a genius. He is not only a great musician, but a great friend to all of us who have escaped from persecution. Without further

  ado, I present to you Maestro Arturo Toscanini.”

  The orchestra members were on their feet,

  applauding for the man who made his way up the

  stairs and onto the stage. Anna craned her neck and

  stared at the conductor. She wasn’t sure what she had expected to see. The words genius and greatness had conjured up images of something that was

  larger than life and not quite human. But Maestro

  Toscanini looked about as average as they came. He

  was not a particularly tall man. He had a thin fringe of white hair that encircled the back of his head, with

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  just a tuft on top. His mustache was gray and full.

  His eyebrows were bushy and knitted together. If she had passed him on the street, she would not have

  given him a second look.

  He bowed to the musicians and shook hands with

  Mr. Huberman. Then he simply said the name of the

  composer of the piece the orchestra was rehearsing:

  “Brahms.” With that he raised his baton and began

  the rehearsal.

  For the first two sections of the symphony,

  Toscanini didn’t say a word. He conducted, listened, and remained silent. Anna thought things were

  going exceptionally well. She relaxed into the music and closed her eyes to listen for the sections that she loved so much. She hummed along and nodded her

  head in time with the music.

  But with the start of the third section, Toscanini

  became upset. Without warning, he began to pound

  his baton on the music stand, screaming, “No, no, no!”

  The musicians stopped in the middle of a musical

  passage and stared at one another and at their

  conductor, who was continuing to shout and rage. It

  didn’t help that he was yelling in his native language of Italian. No one could understand a word he was

  saying. Finally, Mr. Huberman climbed back on the

  stage and spoke with Toscanini, who was still ranting

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  in Italian. When Mr. Huberman looked back at the

  orchestra, his face was grim. “He says it’s horrible,” he began.

  “Terribile! ” Toscanini screamed in Italian. Anna didn’t need an interpreter to translate the word. From the way Toscanini was behaving, he must have

  thought the orchestra members sounded like the

  barnyard animals that Anna heard when her father’s

  former students used to play. Where was the compas-

  sionate man that her father had referred to? She was glued to her seat, every nerve in her body on edge. She felt sick to her stomach, like the time the German soldier had entered the train to check their papers. But this time, all her anxiety was focused on her father and the members of the orchestra. When she glanced

  over at Papa, he appeared to have gone quite pale.

  Toscanini was still shouting, and from where

  Anna was sitting, it looked as if fire daggers were

  shooting from his eyes. He appeared so wound up

  Anna thought he might explode. Mr. Huberman

  continued to translate. “He says you all sound as

  if you are playing a Russian march, not a beautiful

  Brahms symphony.”

  Toscanini shouted some more.

  “Now he says that you are playing as if there is

  mud in your instruments. This is meant to be light,

  not heavy and thick.”

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  What was he talking about? To Anna’s ears, the

  orchestra sounded as light as air.

  Suddenly, Toscanini began to prance around the

  stage, lifting himself up on his toes and dancing a silly jig of some kind. Anna had to smile in spite of herself. He looked quite ridiculous and even some of the musicians snickered and giggled.

  “There,” shouted Mr. Huberman. “That’s how he

  wants you to play. As if you were up on your toes and dancing.”

  “Si, si, ” said Toscanini. “Danza! ”

  With that, Mr. Huberman left the stage and the

  rehearsal continued. Toscanini continued to inter-

  rupt from time to time, shouting some instruction

  that no one seemed to understand and waving his

  baton in the air as if it were a sword. Anna felt on edge until the rehearsal finally ended. Mr. Huberman approached her as she sat waiting for her father to

  pack up his instrument.


  “And how do you think we sounded today, Miss

  Hirsch?”

  “Wonderful!” Anna gushed.

  Mr. Huberman paused and then said, “If you were

  to think of something that we might improve, what

  would that be?”

  Anna paused. Mr. Huberman was asking her to

  critique the orchestra. Was that really okay? “I-I think

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  the violins still need a bit more emotion when they

  play,” she stammered. “Especially in the second

  section. It’s meant to be a lullaby.” Then she stopped and looked away.

  Mr. Huberman raised his eyebrows and leaned

  forward. “I’m impressed with your observations,

  Miss Hirsch,” he said. “And you are correct about the violins. You really are a budding musician.”

  Anna blushed a deep red. Then she frowned. “But

  I don’t think Maestro Toscanini likes the orchestra

  very much.”

  “Oh, and what makes you think that?”

  Anna couldn’t believe Mr. Huberman was asking

  the question. Hadn’t he heard all the yelling? “He was saying such terrible things about the music.”

  “And you think that because he was shouting he

  didn’t like us?”

  What else could she think? It was so obvious. She

  nodded.

  “But you are quite wrong about that, Miss

  Hirsch. The only reason he was shouting is because

  he respects the orchestra so much he is willing to

  let the musicians know how he really feels.”

  Anna frowned. Respect? He had a funny way of

  showing it.

  “If he didn’t care, he would not have said a

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  word. Believe me, Miss Hirsch, the maestro is quite

  impressed with this orchestra.”

  z

  Papa didn’t say much on the walk home with Anna.

  He looked completely downhearted. Anna didn’t

  push him, not even to tell him what Mr. Huberman

  had said about how much Toscanini respected the

  musicians. She still wasn’t sure that was true. When they reached the apartment, Papa disappeared inside, muttering something about needing to practice.

  Anna spotted Eric sitting on the stoop of his apart-

  ment building, and she walked over to say hello.

  “You should have been there for the rehearsal,

  Eric. It was like nothing I’ve ever seen.” She went on to tell him about Toscanini and even demonstrated

  the silly dance he had done. Finally, she collapsed

  in giggles and plopped down next to Eric. “Are you

  feeling any better?”

  Eric didn’t respond. It was only then that Anna

  noticed how distracted he appeared. He was staring

  off into space and barely smiling, not even at her

  description of the rehearsal or the dance. And the

  skin around his eyes was rubbed raw, as if he had

  been crying. “Eric, what’s wrong?” He just shrugged

  his shoulders in reply and looked away again. “Please

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  tell me. You’re my friend and I’m worried about you.”

  Anna pushed him.

  Finally, Eric looked back at her. “My mother still

  isn’t happy about being here—in Palestine, I mean.

  She finds it so hard. And she’s having so much trouble learning this new language.”

  Anna nodded. “We’re all having trouble with that!

  You should hear my grandmother. She can barely put

  two Hebrew words together.”

  “I know,” Eric agreed. “But I think it’s more than

  that. She’s just so sad all the time. I think she just really misses Poland,” he added.

  At that, Anna paused. She hadn’t thought much

  about Poland in the last few weeks, not since the day she had discovered her clarinet was missing. In the

  intervening time, the country of her birth had almost vanished from her mind. Were there things that she

  missed about her former home? Yes, she still missed

  her friends, her lovely house, and the familiar sound of her language being spoken on the streets. But she didn’t miss the angry people who were targeting

  Jewish citizens. She didn’t miss the sight of signs on stores warning that Jews were not welcome. She didn’t miss the thugs who threatened old men, even when

  they were minding their own business and not both-

  ering anyone. She had seen with her own eyes how

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  conditions in Poland were getting worse and worse,

  and Papa had told her that Jewish citizens in other

  countries were also suffering. She didn’t miss any

  of that.

  Since their arrival in Palestine, Anna had only

  received one letter from Stefan, even though she had written him several times. In it, Stefan had written that all the Jewish families in Krakow were more

  afraid than ever. He was still trying to talk his father into finding a way to get out, but so far, they were stuck. That letter had arrived a month ago. Since

  then, there had been nothing from Stefan—as if he

  had disappeared.

  “My father says we should be grateful that Mr.

  Huberman was able to get us out of there,” Anna

  reminded Eric. “I know it’s hard to get used to

  living in a new place, but I think it’s even worse back in Poland.”

  “You’re right,” Eric replied. “I just wish that my

  mother saw it the way your father does.” Then he

  exhaled, as if wanting to push away the thoughts.

  “You know what? I’ve been promising to take you

  exploring ever since we arrived here. How about

  tomorrow, after school?”

  What Anna really wanted was to hear the orchestra

  rehearse on its second day with Toscanini. But Eric’s

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  eyes had suddenly brightened when he talked about

  going on an adventure. A moment ago, he had looked

  so discouraged. There would be more rehearsals to

  come, she reasoned. This sounded like it could be fun.

  “Sure,” she replied. “Let’s do it.”

  Chapter

  29

  Eric and Anna headed out the door of the schoolroom

  as soon as Mrs. Rose dismissed them.

  “Where are we going?” Anna asked, following Eric

  down the hill toward the main road.

  “We’re going to the beach.”

  At that, she stopped short. The beach! She had wanted to go there ever since she spied the sea from their apartment balcony on the first day. And she

  certainly wanted an adventure. But maybe this was

  too much. Baba knew that Anna was going to be

  with Eric for the afternoon. She had even given her

  some money to buy a snack. But she assumed they

  would stay close to the apartment building. Neither

  she, nor Anna’s father, would have approved of a trip to the beach—at least not without adult supervision.

  Just a week earlier, Anna had learned that there had 205

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  been an attack on a convoy of trucks in the northern part of Palestine. The Jewish driver and several others had been killed. Jewish groups had retaliated with

  an attack on Arab workers and also killed several

  people. The British military had imposed a mandatory curfew. Everyone had
to be in their homes by dusk.

  Perhaps this was not a good time to be out wandering on the streets.

  “Wait, Eric.” He was already steps ahead and

  turned at the sound of her voice. “I’m not sure we

  should do this.”

  “You said you wanted some fun.”

  “I know,” she replied. “But I don’t think my father

  would want us to go to the beach alone.”

  Eric retraced his steps to stand next to Anna. “I

  know what I’m doing. We’ll walk down to the beach,

  put our feet in the sea, and then come back home.

  Nothing bad is going to happen.”

  It was an appealing offer. And the urge to go with

  Eric was beginning to take hold. She remembered

  that when her family had vacationed at the Baltic

  Sea, the water was so cold that when she dipped her

  foot in, her leg had cramped all the way up. Papa had told her that the sea in Tel Aviv was much warmer,

  even though the weather had turned cool. Anna was

  wearing a jacket and a knitted cap pulled down on

  her forehead.

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  “Do you even know how to get there?” she asked

  weakly.

  Eric grinned. “Just follow me.” And with that, he

  began walking again. Anna hesitated for a second

  and then took off after him as he began to wind

  his way down streets, some so narrow that only

  pedestrians could pass. She felt turned around in

  circles and struggled to keep up with her friend. The last thing she wanted was to lose him in the crowd

  and be left on her own.

  “I know what direction the sea is in,” Eric called

  over his shoulder, as if he knew she doubted him. “I can smell it! We’ll just keep heading that way.”

  Anna followed. Eric had always proved he was

  a wizard at finding his way around, and she hoped

  that he would do the same now. Every now and then,

  armored tanks with British soldiers on board rolled

  by on the streets of Tel Aviv. Anna shuddered at the sight but had no time to think too much about what

  it meant. Eric was still plowing ahead and Anna tried to stay close to his heels. Despite the cool weather, she could feel her face start to grow hot and the sweat begin to gather across her neck and back. And just

  as she was about to shout out to Eric to stop, they

  rounded a curve and there it was.

  The Mediterranean Sea lay ahead of them, stretch-

 

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