The Duke Of Chimney Butte

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The Duke Of Chimney Butte Page 20

by Ogden, George W


  They dismounted at the hotel, and started across. Lambert stood near his prisoner, waiting. Kerr had been sitting on the edge of the platform. Now he got up, moving around the pole to show them that he was not to be counted on to take a hand in whatever they expected to start.

  Lambert moved a little nearer his prisoner, where he stood waiting. He had not shaved during the two days between Chicago and Glendora; the dust of the road was on his face. His hat was tipped forward to shelter his eyes against the afternoon glare, the leather thong at the back rumpling his close-cut hair. He stood lean and long-limbed, easy and indifferent in his pose, as it would seem to look at him as one might glance in passing, the smoke of his cigarette rising straight from its fresh-lit tip in the calm air of the somnolent day.

  As Hargus and Grace advanced, coming in the haste and heat of indignation that Kerr's humiliating situation inflamed, two men left the saloon. They stopped at the hitching-rack as if debating whether to take their horses, and so stood, watching the progress of the two who were cutting the long diagonal across the road. When Grace, who came a little ahead of her companion in her eagerness, was within thirty feet of him, Lambert lifted his hand in forbidding signal.

  "Stop there," he said.

  She halted, her face flaming with fury. Hargus stopped beside her, his arm crooked to bring his hand up to his belt, sawing back and forth as if in indecision between drawing his gun and waiting for the wordy preliminaries to pass. Kerr stood embracing the pole in a pose of ridiculous supplication, the bright chain of the new handcuffs glistening in the sun.

  "I want to talk to my father," said Grace, lashing Lambert with a look of scornful hate.

  "Say it from there," Lambert returned, inflexible, cool; watching every movement of Sim Hargus' sawing arm.

  "You've got no right to chain him up like a dog!" she said.

  "You ain't got no authority, that anybody ever heard of, to arrest him in the first place," Hargus added, his swinging, indecisive arm for a moment still.

  Lambert made no reply. He seemed to be looking over their heads, back along the road they had come, from the lift of his chin and the set of his close-gathered brows. He seemed carelessly indifferent to Hargus' legal opinion and presence, a little fresh plume of smoke going up from his cigarette as if he breathed into it gently.

  Grace started forward with impatient exclamation, tossing her head in disdainful defiance of this fence-rider's authority.

  "Go back!" Kerr commanded, his voice hoarse with the fear of something that she, in her unreasoning anger, had not seen behind the calm front of the man she faced.

  She stopped, turning back again to where Hargus waited. Along the street men were drawing away from their doors, in cautious curiosity, silent suspense. Women put their heads out for a moment, plucked curtains aside for one swift survey, vanished behind the safety of walls. At the hitching-rack the two men—one of them Tom Hargus, the other unknown—stood beside their horses, as if in position according to a previous plan.

  "We want that man," said Hargus, his hand hovering over his gun.

  "Come and take him," Lambert invited.

  Hargus spoke in a low voice to Grace; she turned and ran toward her horse. The two at the hitching-rack swung into their saddles as Hargus, watching Grace over his shoulder as she sped away, began to back off, his hand stealing to his gun as if moved by some slow, precise machinery which was set to time it according to the fleeing girl's speed.

  Lambert stood without shifting a foot, his nostrils dilating in the slow, deep breath that he drew. Yard by yard Hargus drew away, his intention not quite clear, as if he watched his chance to break away like a prisoner. Grace was in front of the hotel door when he snapped his revolver from its sheath.

  Lambert had been waiting this. He fired before Hargus touched the trigger, his elbow to his side as he had seen Jim Wilder shoot on the day when tragedy first came into his life. Hargus spun on his heel as if he had been roped, spread his arms, his gun falling from his hand; pitched to his face, lay still. The two on horses galloped out and opened fire.

  Lambert shifted to keep them guessing, but kept away from the pole where Kerr was chained, behind which he might have found shelter. They had separated to flank him, Tom Hargus over near the corner of the depot, the other ranging down toward the hotel, not more than fifty yards between Lambert and either of them.

  Intent on drawing Tom Hargus from the shelter of the depot, Lambert ran along the platform, stopping well beyond Kerr. Until that moment he had not returned their fire. Now he opened on Tom Hargus, bringing his horse down at the third shot, swung about and emptied his first gun ineffectually at the other man.

  This fellow charged down on him as Lambert drew his other gun, Tom Hargus, free of his fallen horse, shooting from the shelter of the rain barrel at the corner of the depot. Lambert felt something strike his left arm, with no more apparent force, no more pain, than the flip of a branch when one rides through the woods. But it swung useless at his side.

  Through the smoke of his own gun, and the dust raised by the man on horseback, Lambert had a flash of Grace Kerr riding across the middle background between him and the saloon. He had no thought of her intention. It was not a moment for speculation with the bullets hitting his hat.

  The man on horseback had come within ten yards of him. Lambert could see his teeth as he drew back his lips when he fired. Lambert centered his attention on this stranger, dark, meager-faced, marked by the unmistakable Mexican taint. His hat flew off at Lambert's first shot as if it had been jerked by a string; at his second, the fellow threw himself back in the saddle with a jerk. He fell limply over the high cantle and lay thus a moment, his frantic horse running wildly away. Lambert saw him tumble into the road as a man came spurring past the hotel, slinging his gun as he rode.

  Nearer approach identified the belated sheriff. He shouted a warning to Lambert as he jerked his gun down and fired. Tom Hargus rose from behind the rain barrel, staggered into the road, going like a drunken man, his hat in one hand, the other pressed to his side, his head hanging, his long black hair falling over his bloody face.

  In a second Lambert saw this, and the shouting, shooting officer bearing down toward him. He had the peculiar impression that the sheriff was submerged in water, enlarging grotesquely as he approached. The slap of another bullet on his back, and he turned to see Grace Kerr firing at him with only the width of the platform between them.

  It was all smoke, dust, confusion around him, a sickness in his body, a dimness in his mind, but he was conscious of her horse rearing, lifting its feet high—one of them a white-stockinged foot, as he marked with painful precision—and falling backward in a clatter of shod hoofs on the railroad.

  When it cleared a little, Lambert found the sheriff was on the ground beside him, supporting him with his arm, looking into his face with concern almost comical, speaking in anxious inquiry.

  "Lay down over there on the platform, Duke, you're shot all to pieces," he said.

  Lambert sat on the edge of the platform, and the world receded. When he felt himself sweep back to consciousness there were people about him, and he was stretched on his back, a feeling in his nostrils as if he breathed fire. Somebody was lying across from him a little way; he struggled with painful effort to lift himself and see.

  It was Grace Kerr. Her face was white in the midst of her dark hair, and she was dead.

  It was not right for her to be lying there, with dead face to the sky, he thought. They should do something, they should carry her away from the stare of curious, shocked eyes, they should—He felt in the pocket of his vest and found the little handkerchief, and crept painfully across to her, heedless of the sheriff's protest, defiant of his restraining, kindly hand.

  With his numb left arm trailing by his side, a burning pain in his breast, as if a hot rod had been driven through him, the track of her treacherous bullet, he knew, he fumbled to unfold the bit of soft white linen, refusing the help of many sympathetic hands tha
t were out-stretched.

  When he had it right, he spread it over her face, white again as an evening primrose, as he once had seen it through the dusk of another night. But out of this night that she had entered she would ride no more. There was a thought in his heart as tender as his deed as he thus masked her face from the white stare of day:

  "She can wipe her eyes on it when she wakes up and repents."

  * * *

  CHAPTER XXVI

  OYSTERS AND AMBITIONS

  "If you'd come on and go to Wyoming with me, Duke, I think it'd be better for you than California. That low country ain't good for a feller with a tender place in his lights."

  "Oh, I think I'm all right and as good as ever now, Taterleg."

  "Yes, it looks all right to you, but if you git dampness on that lung you'll take the consumption and die. I knew a feller once that got shot that way through the lights in a fight down on the Cimarron. Him and another feller fell out over——"

  "Have you heard from Nettie lately?" Lambert broke in, not caring to hear the story of the man who was shot on the Cimarron, or his subsequent miscalculations on the state of his lights.

  Taterleg rolled his eyes to look at him, not turning his head, reproach in the glance, mild reproof. But he let it pass in his good-natured way, brightening to the subject nearest his heart.

  "Four or five days ago."

  "All right, is she?"

  "Up and a-comin', fine as a fiddle."

  "You'll be holdin' hands with her before the preacher in a little while now."

  "Inside of a week, Duke. My troubles is nearly all over."

  "I don't know about that, but I hope it'll turn out that way."

  They were on their way home from delivering the calves and the clean-up of the herd to Pat Sullivan, some weeks after Lambert's fight at Glendora. Lambert still showed the effects of his long confinement and drain of his wounds in the paleness of his face. But he sat his saddle as straight as ever, not much thinner, as far as the eye could weigh him, nothing missing from him but the brown of his skin and the blood they had drawn from him that day.

  There was frost on the grass that morning, a foretaste of winter in the sharp wind. The sky was gray with the threat of snow, the somber season of hardship on the range was at hand. Lambert thought, as he read these signs, that it would be a hard winter on livestock in that unsheltered country, and was comfortable in mind over the profitable outcome of his dealings for his employer.

  As for himself, his great plans were at an end on the Bad Lands range. The fight at Glendora had changed all that. The doctor had warned him that he must not attempt another winter in the saddle with that tender spot in his lung, his blood thinned down that way, his flesh soft from being housebound for nearly six weeks. He advised a milder climate for several months of recuperation, and was very grave in his advice.

  So the sheep scheme was put aside. The cattle being sold, there was nothing about the ranch that old Ananias could not do, and Lambert had planned to turn his face again toward the West. He could not lie around there in the bunkhouse and grow strong at Vesta's expense, although that was what she expected him to do.

  He had said nothing to her of his determination to go, for he had wavered in it from day to day, finding it hard to tear himself away from that bleak land that he had come to love, as he never had loved the country which claimed him by birth. He had been called on in this place to fight for a man's station in it; he had trampled a refuge of safety for the defenseless among its thorns.

  Vesta had said nothing further of her own plans, but they took it for granted that she would be leaving, now that the last of the cattle were sold. Ananias had told them that she was putting things away in the house, getting ready to close most of it up.

  "I don't blame you for leavin'," said Taterleg, returning to the original thread of discussion, "it'll be as lonesome as sin up there at the ranch with Vesta gone away. When she's there she fills that place up like the music of a band."

  "She sure does, Taterleg."

  "Old Ananias'll have a soft time of it, eatin' chicken and rabbit all winter, nothing to do but milk them couple of cows, no boss to keep her eye on him in a thousand miles."

  "He's one that'll never want to leave."

  "Well, it's a good place for a man," Taterleg sighed, "if he ain't got nothin' else to look ahead to. I kind o' hate to leave myself, but at my age, you know, Duke, a man's got to begin to think of marryin' and settlin' down and fixin' him up a home, as I've said before."

  "Many a time before, old feller, so many times I've got it down by heart."

  Taterleg looked at him again with that queer turning of the eyes, which he could accomplish with the facility of a fish, and rode on in silence a little way after chiding him in that manner.

  "Well, it won't do you no harm," he said.

  "No," sighed the Duke, "not a bit of harm."

  Taterleg chuckled as he rode along, hummed a tune, laughed again in his dry, clicking way, deep down in his throat.

  "I met Alta the other day when I was down in Glendora," he said.

  "Did you make up?"

  "Make up! That girl looks to me like a tin cup by the side of a silver shavin' mug now, Duke. Compare that girl to Nettie, and she wouldn't take the leather medal. She says: 'Good morning, Mr. Wilson,' she says, and I turned my head quick, like I was lookin' around for him, and never kep' a-lettin' on like I knew she meant me."

  "That was kind of rough treatment for a lady, Taterleg."

  "It would be for a lady, but for that girl it ain't. It's what's comin' to her, and what I'll hand her ag'in, if she ever's got the gall to speak to me."

  The Duke had no further comment on Taterleg's rules of conduct. They went along in silence a little way, but that was a state that Taterleg could not long endure.

  "Well, I'll soon be in the oyster parlor up to the bellyband," he said, full of the cheer of his prospect. "Nettie's got the place picked out and nailed down—I sent her the money to pay the rent. I'll be handin' out stews with a slice of pickle on the side of the dish before another week goes by, Duke."

  "What are you goin' to make oysters out of in Wyoming?" the Duke inquired wonderingly.

  "Make 'em out of? Oysters, of course. What do you reckon?"

  "There never was an oyster within a thousand miles of Wyoming, Taterleg. They wouldn't keep to ship that far, much less till you'd used 'em up."

  "Cove oysters, Duke, cove oysters," corrected Taterleg gently. "You couldn't hire a cowman to eat any other kind, you couldn't put one of them slick fresh fellers down him with a pair of tongs."

  "Well, I guess you know, old feller."

  Taterleg fell into a reverie, from which he started presently with a vehement exclamation of profanity.

  "If she's got bangs, I'll make her cut 'em off!" he said.

  "Who cut 'em off?" Lambert asked, viewing this outburst of feeling in surprise.

  "Nettie! I don't want no bangs around me to remind me of that snipe-legged Alta Wood. Bangs may be all right for fellers with music boxes in their watches, but they don't go with me no more."

  "I didn't see Jedlick around the ranch up there; what do you suppose become of him?"

  "Well, from what the boys told me, if he's still a-goin' like he was when they seen him last, he must be up around Medicine Hat by now."

  "It was a sin the way you threw a scare into that man, Taterleg."

  "I'm sorry I didn't lay him out on a board, dern him!"

  "Yes, but you might as well let him have Alta."

  "He can come back and take her any time he wants her, Duke."

  The Duke seemed to reflect this simple exposition of Jedlick's present case.

  "Yes, I guess that's so," he said.

  For a mile or more there was no sound but the even swing of their horses' hoofs as they beat in the long, easy gallop which they could hold for a day without a break. Then Lambert:

  "Plannin' to leave tonight, are you Taterleg?"

  "All
set for leavin', Duke."

  On again, the frost-powdered grass brittle under the horses' feet.

  "I think I'll pull out tonight, too."

  "Why, I thought you was goin' to stay till Vesta left, Duke?"

  "Changed my mind."

  "Don't you reckon Vesta she'll be a little put out if you leave the ranch after she'd figgered on you to stay and pick up and gain and be stout and hearty to go in the sheep business next spring?"

  "I hope not."

  "Yeh, but I bet she will. Do you reckon she'll ever come back to the ranch any more when she goes away?"

  "What?" said Lambert, starting as if he had been asleep.

  "Vesta; do you reckon she'll ever come back any more?"

  "Well," slowly, thoughtfully, "there's no tellin', Taterleg."

  "She's got a stockin' full of money now, and nobody dependin' on her. She's just as likely as not to marry some lawyer or some other shark that's after her dough."

  "Yes, she may."

  "No, I don't reckon much she'll ever come back. She ain't got nothing to look back to here but hard times and shootin' scrapes—nobody to 'sociate with and wear low-neckid dresses like women with money want to."

  "Not much chance for it here—you're right."

  "You'd 'a' had it nice and quiet there with them sheep if you'd 'a' been able to go pardners with Vesta like you planned, old Nick Hargus in the pen and the rest of them fellers cleaned out."

  "Yes, I guess there'll be peace around the ranch for some time to come."

  "Well, you made the peace around there, Duke; if it hadn't 'a' been for you they'd 'a' broke Vesta up and run her out by now."

  "You had as much to do with bringin' them to time as I did, Taterleg."

  "Me? Look me over, Duke; feel of my hide. Do you see any knife scars in me, or feel any bullet holes anywhere? I never done nothing but ride along that fence, hopin' for a somebody to start something. They never done it."

  "They knew you too well, old feller."

 

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