"Are we done here?"
I turn around. Tinsley is standing behind the fence at third base, the phone still in her hand.
When I explain that we need to wait for DeMott because he's helping the catcher, her sigh hisses like the steam radiator in my upstairs bedroom. I turn my back to her again, watching DeMott. He crouches along the first base foul line. Beside him, the boy imitates his stance. With their large gloves raised, they look like some human breed of bicuspid, both of them hinged on their love for this game that I will never understand.
Fifteen feet away, the pitcher stands waiting. DeMott gives him a signal. He winds up, fires the ball.
Thwack!
Right smack into the kid's glove.
DeMott springs up. "You did it!"
The catcher stands, slowly lifting his wire mask, staring into his glove. When he looks up at DeMott, his awe dissolves into a huge smile.
"Told you you could do it," DeMott says.
Tinsley releases another sigh.
"Seriously?" she says. "This is what he skipped practice for?"
***
We walk back to DeMott's truck—DeMott and I, Tinsley pussyfooting between us.
"So, let me get this straight," he says. "You don't even like baseball but you're on a first-name basis with Titus Williams?"
I shrug. Not to be rude, but because I'm puzzled by the grass. If Drew was here, shouldn't I have found blades of grass in her shoes?
"Raleigh, that guy's a living legend."
"We eat at his restaurant."
"He's got a restaurant?"
Tinsley heaves another hissing sigh. And just for that, I explain the whole thing—how we found Titus's restaurant on Opening Day, how Drew immediately recognized the big guy behind the grill, how Titus gave us free shakes that day and how Drew won another one every week after that because she always beat me there. "Until this Friday. When I really wish she had beat me there."
There's a moment of silence before he says, "She sounds like an amazing girl."
"Amazingly troubled," Tinsley says.
"And you two hang out with Titus Williams?" he asks, ignoring her comment.
"No. Nothing like that."
"DeMott," she says, "if you hurry, you can still make practice."
He checks his watch. Looks at me. "Need a ride home?"
"DeMott! What did I just say?!"
"I heard you." He gives her an odd smile. Kind, but sort of pitying too. "I always hear you."
Yes, the grass is certainly puzzling, but the other enigma is DeMott and Tinsley. Obviously they're dating. I mean, they went to Homecoming and all that. Tinsley could have any guy, and she picked DeMott. Oh, did she pick him.
In the parking lot, she stops at a puddle leftover from Saturday's rain. "DeMott?" Her voice sounds like a child's. "I need your help. I don't want to ruin my boots."
He picks her up like she weighs nothing—because she does—and sets her down on the other side of the puddle. When he turns, apparently coming back for me, I leap over the water. But my landing is off.
"Oh!" Tinsley cries. "You splashed my boots."
"Sorry."
I wait as the two of them deal with Tinsley's suede boots. Frankly, I can't see any water on them and DeMott says he can't either but that doesn't stop him from reaching into his truck and taking out a towel, wiping the boots while she tells him he's a true gentleman.
I watch this whole production with mixed emotions. Helen tells me guys like girls who are a little bit helpless. Needy. If that's what they want, I will never have a boyfriend. It's that simple. I hate relying on anyone. Ever.
"Sure you don't need a ride?" he asks.
“I'm sure.”
Tinsley looks over her shoulder, and smiles.
CHAPTER TWENTY-NINE
So I run back to school, instead of getting a ride from DeMott.
I sneak around the back, because we're not supposed to go inside this late. I find the entrance to the Lower School unlocked, and wind my way through the empty halls. As I'm rounding the corner to the Upper School connection, I see John the janitor and his rolling cart. I try to jump back, but he sees me. I stand, frozen, waiting to get busted. But he gives me one hard look then goes back to his work.
I run for the lab.
Teddy's parked his wheelchair in the corner farthest from the door. His arms are raised as far as they go, his wrists are curled, his slanted hands gripping a wad of paper, poised for a three-point shot to the trashcan.
"What letter are you on?" I ask.
"Second A. Get out of the way, I haven't dropped one yet."
His slanted fingers release the ball of paper and my eyes follow. The paper backspins over the microscopes, sails across the desks, and slips into the trashcan with barely a whisper against the plastic liner.
"MAGMA!" he calls out.
Our version of HORSE. Teddy always wins. He's got an incredible shot from anywhere in the room.
I walk toward the microscopes, slip off my backpack, and tighten my ponytail, which has gone loose from the run back to school. I'm ready to check the soil but Teddy drops an atomic bomb.
"Your dad just called."
I hold my breath.
"He wanted to know where you were. He sounded a little . . . upset."
Sure, because Ellis called him when the detective showed up. So he must know about the quarry. Which means my dad also knows I didn't tell him about it, and there's no explanation for my silence—You're too involved with Mom's problems? Right.
"Now you owe me." Teddy rolls over to the scopes. "He says you need to get home. But I said you were in the middle of a very important geology project."
"That was true."
"Course it was true." He narrows his eyes. "You lying to your daddy?"
I shake my head, unzip my backpack, and set the canisters on the counter.
"He says you have to be home by six."
I say nothing.
"You be grateful," he says. "You got a dad who cares. Look what Drew got."
Sure, my dad cares—about my mom. He cares about her not hearing anything about Drew's disappearance. That's why he called. He cares that I don't come home late tonight because she's back in some paranoid cave.
"Yeah, he cares." I snap open the canisters.
"In West Virginia, we got a phrase for people like you."
"Just one?"
"We say: Nobody slides on barbed wire."
"Whatever that means." I hold up the soil sample. "Can we please return to reality?"
I deposit the soil from each film canister onto the butcher paper, then circle each with a Sharpie, labeling them 1st, 2nd, 3rd and HOME. The last word brings up an image of Titus, brushing the plate marker. He was so abrupt with me. Just walked off. Maybe he's bothered about Drew. Or obsessive like Drew, and needs to see that plate really clean.
"Sure nice of DeMott to drive you over there," Teddy says.
I take a deep breath, tasting the Sharpie's ink and ether. I point at the soil. "First impressions?"
"You don't have much to work with."
"But you told me to leave most of the soil in her shoe."
"Oh, the soil? I was talking about DeMott."
I point, again. "I'm talking about the soil."
"You don't want to talk about DeMott?" He shrugs. "Your call. What's your first step?"
"Test the chemistry, looks can be deceiving."
He smiles. "Sure we're not talking about DeMott?"
"Yes. I'm talking about minerals."
"Okay, you want to test the chemistry. How?"
"First wash the samples. Like I did with the bike soil. It's from a baseball field. Who knows what's in there. So if I wash each sample, and remove the unnecessary debris, then I'll be—"
"Wrong," he says.
"Why?"
"Think."
"No, just tell me!"
"Use your noggin, Raleigh."
"But I don't see why I shouldn't wash the soil. How can I compare t
he chemistry if I don't clean the minerals first?"
"Good question. But not for your first step."
I glare at him. Then glare at the soils. My Sharpie marks on the white butcher paper look urgent, frantic. And the feeling is increasing. My jaw tightens. "Tell. Me."
"But then you won't remember it later."
We are still locked in an aggressive silence when John the janitor steps into the room. He gives Teddy a nod; Teddy nods back. When John sees me, the recognition is palpable: Not you again.
"Don't worry," Teddy says, picking up on it. "She's doing some extra credit. She'll be out of here before six."
"You cleared it with Mr. Ellis?" John asks.
"Actually, I cleared it with three people. Me. Myself. And me-self."
John lifts the garbage can and pours Teddy's paper basketballs into a larger can on his janitor's cart. "Just don't bring me into it."
"You have my word." Teddy turns back to me. "Figure it out yet?"
I shake my head, too angry to speak. It's almost five o'clock and I have to be home by six. I don't have time for games.
"I'll give you one clue," he says. "Clay dissolves in water."
"I know that."
"No more clues."
John calls out, pointing to the white board. "You finished?" he asks.
"Scottish, actually." Teddy laughs at his own joke.
I'm not amused. And John stares at him like he's got something wrong with him.
"Sorry," Teddy says, not sounding sorry at all. "Yes, I'm finished with the white board. Wipe away."
John lifts a spray bottle and squirts. The words on the board bleed—migmatite into foliated. The sharp scent of alcohol cuts the air, clears my head. I glance down, searching the piles of soil. The red icicles freckle each sample. They're in each pile so I need . . .
"Proportions."
"Getting warm," Teddy says.
"Relative proportions."
It must be the correct answer because Teddy rolls away.
"So sieve it?" I call out. "Like I was already doing before?"
But he's already chatting away with John, getting into a discussion of the playoffs. I glance back at the soil. The key is in the percentages. How much red clay is in each sample?
"That pitcher," Teddy says. "Guy gives me a heart attack every time he takes the mound."
I scoop up the soil from Drew’s shoe, still waiting for me, and deposit the grains on the standing scale, cataloguing its total weight. I return the soil to the paper, clean the scale for the next sample and weight it. I weigh every sample.
"Maybe the Braves should lose," Teddy says. "Winning thirteen titles, that's unlucky."
"Luck doesn't exist," I call out.
"Then again," Teddy says to John, as if he's heard nothing, "winning thirteen titles would prove luck exists."
I grab the sieves and clank them—hard—on the counter. Outfielders, they're discussing outfielders now.
For a guy who can't run, Teddy sure is obsessed with sports.
I unsnap the sieves' brass buckles, making sure to be extra noisy. But neither of them even glances over.
Geology sieves are made of brass. They're round and this set is four inches in diameter. When they're all buckled together, they look like a bronzed wedding cake, tall and regal. Inside each one is a screen, and they run in descending sizes—largest screen at the top of the tower, smallest at the bottom.
I begin pouring the first sample into the top of the sieve. I buckle the lid, pick up the entire two-foot tower and shake the thing. Shake and shake and shake. The janitor leaves and Teddy goes to work at his desk. I keep shaking, relishing the sound of soil sluicing against the brass like a percussion instrument.
Teddy rolls out of the room.
I unbuckle the top pan. It's empty. The second pan holds the red icicles, which have slipped through the opening in that first filter. I place those grains on the scale, record their weight and repeat the same procedure for each filter. The bottom pan holds the very finest particulates of soil, dust that is almost weightless.
I repeat this same process for each sample. It's tedious work and the weights come to decimals points in the hundreds of thousands. Fractions of fractions. Thirty minutes later I've got a headache, and Teddy rolls back into the lab.
"Can I round off these numbers?" I ask.
"You plan to work for the government?"
"What's that got to do with anything?"
"Bureaucrats might be fine with rounding off. But trust me, Raleigh, you ain't no government bureaucrat."
"That's a double negative."
"Maybe I'm wrong about you."
I don't round off, and it makes for difficult mathematics. Finally, when I've calculated each sample's relative percentage of clay, sand, silt and dust, Teddy comes over.
"Lemme see."
I've subtract each individual pan's weight from the total weight, converted that fraction into a percentage. As Teddy reads over the numbers, I realize how deliriously happy this math would make Drew.
Math—plus baseball.
My eyes burn. Where is she?
"Sedimentary, my dear Watson."
I bend down, pretending to search for something in my backpack. Anything. I can't bear any humor right now.
"Hey, I'm making a Sherlock Holmes pun," he says.
I nod, so vigorously my ponytail bounces.
"Did you know Sherlock Holmes is the father of forensic geology?"
"He's fictional."
"Don't get biggity with me, I know he ain't real. But go read A Study in Scarlet. It'll show you—"
"No!" I spin on him. "I'm not reading anything. She's gone, I need help, I don't need more breadcrumb clues or jokes—I need help! Can't you just help?"
He stares at the page with my calculations.
I can hear my breathing. I'm almost panting. I close my mouth, holding my breath, feeling my heart pound against my chest. I focus my eyes on his strange fingers--he's running them up and down the numbers, muttering under his breath. Then he sets the paper on the counter.
"Third base," he says.
I pick up the paper, reading my numbers for third base. That soil contained twenty-nine percent red icicles.
"Now check the shoe sample," he says quietly.
The shoe sample had thirty percent red shards.
"That's your closest match," he continues. "Next is the pitching mound but that's got forty-five percent. Quite a jump. Second base is only eleven percent, and home plate is near sixty percent. So let's go out on a limb. Drew was near third base."
I nod. But I can't look at him.
"What's with the tears?" he says.
I lift my hand, covering my face.
"Well," he says after a long moment. "At least you didn't say you're fine."
I wait for the burn in my eyes to recede. Wait for my throat to open. I take a deep breath, stilling myself. My voice is still wobbly.
"I still don't know why she was there. Or why she was at the quarry."
I pause, wondering about telling him my theory. That Drew went to the quarry for me, for geology. How guilty I feel. But he nods at the clock.
"We'll try again tomorrow," he says. "I gotta get you home or the judge will hold me in contempt."
***
I climb into his stinking van, listening to him muttering about my dad throwing him in the "hoosegow," whatever that is, if we're late. But when he turns the ignition, the radio drowns out his mutterings. He's got the thing turned up full blast and some woman's reading the news, which means we're in trouble because the news is always only read at the top of the hour. Six o'clock.
Teddy drives quickly out of the parking lot, but we get stuck at the extra-long stop light at Libbie and Patterson.
"The judge," he hollers over the news reader, not even considering turning it down. "Is he the forgiving type?"
My dad says mercy triumphs over justice. But mostly that's true for my mom and Helen. Not so much for me. But maybe Tedd
y can charm him, let him know we tried to be on time. I look over, about to ask him to remove the bandana he's tied over his red hair, when the lady on the radio says: "Breaking news tonight regarding a missing West End girl."
Our heads swivel toward each other.
"Drew Levinson, a tenth-grade student at Saint Catherine's School hasn't been seen since—"
A car honks behind us. Teddy yanks the lever for his gas pedal. The van leaps forward.
“—and today police took into custody a person of interest in the girl's disappearance. Jayne Levinson, the girl's mother, says her daughter had been visiting places in the city behind her back."
"What?" I say out loud.
The next voice is Jayne: "I want some answers. I want my daughter back."
"She's lying!" I yell at the radio.
Teddy only stares down the road.
"According to police, the girl was dropping by Big Man's Burgers, a diner in the Scott's Addition neighborhood. It's owned by Titus Williams. A Richmond native, Williams played three seasons with the Atlanta Braves."
The next voice that comes on sounds serious and stilted. Like a person reading a statement. "Mr. Williams has been taken into police custody for questioning. We will release more information as it become available."
"That was Richmond Police Chief Ed Shaunnessy," the news lady says. Her voice shifts. "Tomorrow's weather looks sunny and cold. Temperatures in the—"
Teddy punches the knob, silencing her.
I have no words. He doesn’t say anything either.
His van comes down Monument Avenue and circles Robert E. Lee. When I glance out the window, the nightlights flash on the bronzed figures. I stare at the general, his horse. They are right here, yet somehow they look distant and far away, like sepia figures who have wandered home from the war, much too late.
CHAPTER THIRTY
In the front parlor, our heavy velvet drapes block any view of the outside world. The grand piano grows dust as thick as gray fur. And in the far corner of the big room, an ancient record player slowly spins a tune--a song about how much one man can love one woman.
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