Cervantes, Miguel de (i), (ii), (iii)
Chandler, Raymond (i)
La Chanson de Roland (i)
‘The Charge of the Light Brigade’ (i), (ii)
Charles I (King) (i), (ii)
Charles II (King) (i), (ii)
Charles V (Holy Roman Emperor) (i)
Chatterton, Thomas (i)
Chaucer, Geoffrey (i), (ii), (iii), (iv), (v)
Chekhov, Anton (i)
The Cherry Orchard (i)
Christie, Agatha (i)
A Christmas Carol (i)
‘Church Going’ (i)
Churchill, Winston (i), (ii)
City of Glass (i)
Clare, John (i)
Clarissa (i)
Clinton, Hillary (i)
Clueless (film) (i)
Coleman, Ornette (i)
Coleridge, Samuel Taylor (i), (ii), (iii)
Collins, Wilkie (i)
Conan the Barbarian (i)
Confessions of an English Opium Eater (i)
Conrad, Joseph (i), (ii), (iii), (iv)
The Consolation of Philosophy (i)
‘The Convergence of the Twain’ (i), (ii)
Cooper, James Fenimore (i), (ii)
Cooper, Jilly (i)
Coriolanus (i), (ii)
Cornwell, Patricia (i)
Crash (i)
Cromwell, Oliver (i), (ii)
The Da Vinci Code (i)
Dahl, Roald (i)
Dante (i)
Darwin, Charles (i)
David Copperfield (i)
De Profundis (i)
De Quincey, Thomas (i)
‘Death Be Not Proud’ (i)
Death of a Salesman (i), (ii)
The Decameron (i), (ii)
Defoe, Daniel (i), (ii), (iii), (iv)
Delany, Samuel R. (i)
Desert Island Discs (i)
Devil in a Blue Dress (i)
Dickens, Charles (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)
A Dictionary of the English Language (i)
Disney, Walt (i)
Disraeli, Benjamin (i)
La Divina Commedia (i), (ii)
‘Dockery and Son’ (i)
Dombey and Son (i)
Don Giovanni (i)
Don Juan (i)
Don Quixote (i), (ii), (iii)
Donne, John (i)
Dostoevsky, Fyodor (i), (ii)
Douglas, Lord Alfred (i)
Douglass, Frederick (i)
Doyle, Patrick (i)
Dracula (i)
Dryden, John (i), (ii), (iii), (iv)
Dylan, Bob (i), (ii)
‘Easter, 1916’ (i)
Eastwood, Clint (i)
e-books (i), (ii), (iii), (iv), (v), (vi), (vii)
El Cantar de Mio Cid (i)
‘Elegy Written in a Country Churchyard’ (i)
Eliot, George (i), (ii), (iii), (iv), (v)
Eliot, T.S. (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Elizabeth I (Queen) (i), (ii), (iii)
Ellis, Bret Easton (i)
Ellison, Ralph (i)
Emerson, Ralph Waldo (i)
Émile (i)
Emma (i), (ii), (iii), (iv)
Emma (film) (i)
Empire of the Sun (i)
Empire of the Sun (film) (i)
England Made Me (i)
L'Étranger (i)
Euclid (i)
Euripides (i)
Faber & Faber (i)
The Faerie Queene (i)
Fahrenheit 451 (i)
fanfic (i), (ii)
Faulkner, William (i)
Fielding, Henry (i), (ii)
Fifty Shades of Grey (i), (ii)
Fifty Shames of Earl Grey (i)
Fitzgerald, F. Scott (i)
Flaubert, Gustave (i), (ii), (iii)
‘The Flea’ (i)
Les Fleurs du mal (i), (ii)
Forster, E.M. (i), (ii), (iii), (iv)
Forster, John (i)
Fowles, John (i)
Foxe's Book of Martyrs (i)
Frankenstein (i)
Franz Ferdinand (Emperor) (i)
Franzen, Jonathan (i)
The French Lieutenant's Woman (i)
Freud, Sigmund (i), (ii)
Frost, Robert (i)
Fry, Roger (i)
Fuentes, Carlos (i)
‘Funes the Memorious’ (i)
‘Futility’ (i)
Gable, Clark (i)
Gandhi, Indira (i)
Gargantua and Pantagruel (i)
The Garlic Ballads (i)
‘The General’ (i)
Genet, Jean (i)
George II (King) (i)
George III (King) (i)
George V (King) (i)
Ghosts (i)
Gibson, William (i)
Gilgamesh (i), (ii), (iii)
The Girl with the Dragon Tattoo (i)
Goethe, Johann Wolfgang von (i)
Gogol, Nikolai (i)
Golding, William (i), (ii)
Goncourt, Edmond de (i)
Gone with the Wind (i)
The Grapes of Wrath (i)
graphic novels (i), (ii)
Grass, Günter (i), (ii), (iii)
Gravity's Rainbow (i)
Gray, Thomas (i)
Great Expectations (i)
Greene, Graham (i), (ii)
Griffith, D.W. (i)
Gulliver's Travels (i), (ii)
Gunn, Thom (i)
Gutenberg, Johannes (i)
Hallam, Arthur (i)
Hamlet (i), (ii), (iii), (iv)
Hamsun, Knut (i)
The Handmaid's Tale (i)
Hard Times (i)
Hardy, Thomas (i), (ii), (iii), (iv), (v)
Harris, Wilson (i)
Harry Potter and the Deathly Hallows (i)
Harry Potter and the Philosopher's Stone (i)
Hawthorne, Nathaniel (i)
Heart of Darkness (i)
Héger, Constantin (i)
Hemingway, Ernest (i), (ii), (iii)
Henry V (i)
Henry V (film) (i)
Henry VI (i)
Henry VIII (i), (ii)
Henry VIII (King) (i)
Herbert, George (i)
Himes, Chester (i)
A History of the World in 10½ Chapters (i)
The History of Tom Jones (i), (ii)
Hitler, Adolf (i), (ii), (iii)
Homer (i), (ii), (iii), (iv)
Hopkins, Gerard Manley (i)
Howard, Robert E. (i)
Huckleberry Finn (i), (ii)
Hughes, Ted (i), (ii), (iii)
Hugo, Victor (i)
Huis Clos (i)
The Human Stain (i)
Hunt, Leigh (i)
Huxley, Aldous (i), (ii)
‘Hymn to God, My God, in my Sickness’ (i)
Hyperion (i)
Ibsen, Henrik (i), (ii), (iii), (iv)
If on a Winter's Night a Traveller (i)
Idylls of the King (i)
Iliad (i), (ii), (iii), (iv), (v), (vi)
The Importance of Being Earnest (i)
‘In a Station of the Metro’ (i)
In Memoriam A.H.H. (i)
Independent People (i)
Index on Censorship (i)
Inferno (i)
The Inspector General (i)
internet (i), (ii), (iii), (iv), (v)
Invisible Man (i)
IQ84 (i)
Iron Man (film) (i)
Irving, Henry (i)
Jackson, Michael (i)
James I (King) (i), (ii)
James, E.L. (i)
James, Henry (i), (ii), (iii), (iv)
Jane Eyre (i), (ii), (iii), (iv), (v)
Jazz (i)
Johnson, B.S. (i)
Johnson, Samuel (i), (ii), (iii), (iv), (v)
Jonson, Ben (i), (ii)
Joyce, James (i), (ii)
Jude the Obscure (
i), (ii)
Julius, Anthony (i)
Julius Caesar (i), (ii), (iii)
The Jungle (i)
Kafka, Franz (i), (ii)
Keats, John (i), (ii), (iii), (iv), (v)
Kermode, Frank (i)
Keynes, John Maynard (i)
Khomeini, Ayatollah (i)
Kim (i)
King, Stephen (i)
The King James Bible (i)
King Lear (i), (ii), (iii)
Kipling, Rudyard (i), (ii)
Kreugar, Ivar (i)
‘Kubla Khan’ (i)
Labyrinths (i)
Lady Chatterley's Lover (i), (ii)
‘Lady Lazarus’ (i)
Lane, Allen (i)
languages (i)
Larkin, Philip (i), (ii), (iii)
Larsson, Stieg (i)
The Last of the Mohicans (i), (ii)
Later Poems (Yeats) (i)
Lawrence, D.H. (i), (ii), (iii), (iv), (v), (vi), (vii)
Laxness, Halldór (i)
The Lay of the Last Minstrel (i)
Leigh, Vivien (i)
Leopold II (King) (i)
Lewis, C.S. (i)
The Life and Opinions of Tristram Shandy, Gentleman (i)
Lincoln, Abraham (President) (i), (ii)
The Lion, the Witch and the Wardrobe (i)
Little Dorrit (i)
Lives of the Most Eminent English Poets (i)
Lloyd, David (i)
Long Day's Journey into Night (i)
Look Back in Anger (i)
Looking Backward (i)
Lord of the Flies (i), (ii)
The Lord of the Rings (i), (ii)
Lost in Austen (TV series) (i)
Lowell, Robert (i), (ii)
Lucas, George (i)
Lucia di Lammermoor (opera) (i)
Lugosi, Bela (i)
Lunar Park (i)
Luther, Martin (i)
Lyrical Ballads (i), (ii)
Macbeth (i)
Madame Bovary (i), (ii)
The Magic Toyshop (i)
Mahābhārata (i)
Malamud, Bernard (i)
‘Man and Wife’ (i)
Man Booker Prize (i)
‘Manhattan Streets I Saunter'd, Pondering’ (i)
Mann, Thomas (i)
Mansfield Park (i), (ii)
Mantel, Hilary (i), (ii)
Marconi, Guglielmo (i)
‘Mariana’ (i)
Marlowe, Christopher (i), (ii)
Márquez, Gabriel García (i)
Martin Chuzzlewit (i), (ii)
Mary I (Queen) (i), (ii)
Maurice (i)
McEwan, Ian (i)
McKellen, Ian (i)
McLuhan, Marshall (i)
Measure for Measure (i)
Meditation XVII (Donne) (i)
Melville, Herman (i), (ii)
The Merchant of Venice (i), (ii)
‘The Metamorphosis’ (i)
Meyer, Stephenie (i), (ii)
Middlemarch (i)
Midnight's Children (i), (ii)
A Midsummer Night's Dream (i)
The Midwich Cuckoos (i)
Mill, John Stuart (i), (ii)
Miller, Arthur (i), (ii)
Milton, John (i), (ii), (iii), (iv), (v)
Les Misérables (i)
Mitchell, Margaret (i)
Mo Yan (i)
Moby-Dick (i), (ii)
modernism (i), (ii), (iii), (iv), (v), (vi), (vii)
Money: A Suicide Note (i)
Moore, Alan (i)
Moore, G.E. (i)
More, Sir Thomas (i)
Morrison, Toni (i), (ii), (iii)
Mosley, Walter (i)
Mozart, Wolfgang (i)
Mrs Dalloway (i), (ii)
Mrs Warren's Profession (i)
Much Ado About Nothing (i)
Murakami, Haruki (i)
‘The Murders in the Rue Morgue’ (i)
Murdoch, Iris (i)
mystery plays (i), (ii), (iii), (iv)
‘The Myth of Sisyphus’ (i)
Naipaul, V.S. (i), (ii)
Napoleon (i)
Narrative of the Life of Frederick Douglass (i)
Nausea (i)
National Book Awards (i)
Nehru, Jawaharlal (i)
Nibelungenlied (i)
Nicolson, Nigel (i)
Nineteen Eighty-Four (i), (ii)
No Exit (i)
Nobel, Alfred (i)
Nobel Prize in Literature (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
Northanger Abbey (i), (ii)
Nosferatu (film) (i)
novel, rise of (i), (ii), (iii), (iv), (v), (vi), (vii)
O'Neill, Eugene (i)
Oates, Joyce Carol (i)
‘Ode: Intimations of Immortality’ (i)
‘Ode to Joy’ (i)
‘Ode to the West Wind’ (i)
Odyssey (i), (ii), (iii), (iv)
Oedipus Rex (i), (ii)
Oh, What a Lovely War! (i)
Okri, Ben (i)
The Old Curiosity Shop (i)
Old Possum's Book of Practical Cats (i)
Oliver Twist (i), (ii), (iii), (iv)
Olivier, Laurence (i), (ii)
On the Origin of Species (i)
One Hundred Years of Solitude (i)
Orlando (i)
Oroonoko (i), (ii)
Orwell, George (i), (ii), (iii), (iv), (v), (vi)
Os Lusíadas (i)
Osborne, John (i)
Otello (opera) (i)
Our Mutual Friend (i), (ii), (iii)
The Outsider (i), (ii)
Owen, Wilfred (i), (ii)
The Painter of Modern Life (i)
Pamela (i), (ii)
paperbacks (i), (ii)
Paradise Lost (i), (ii), (iii)
A Passage to India (i)
‘Passage to India’ (poem) (i)
Pasternak, Boris (i), (ii)
A Little History of Literature Page 28