In Search of Lost Time, Volume II

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In Search of Lost Time, Volume II Page 31

by Marcel Proust


  She was wearing a loose cambric dressing-gown which she put on at home whenever any of us was ill (because she felt more comfortable in it, she used to say, for she always ascribed selfish motives to her actions), and which was, for tending us, for watching by our beds, her servant’s smock, her nurse’s uniform, her nun’s habit. But whereas the attentions of servants, nurses and nuns, their kindness to us, the merits we find in them and the gratitude we owe them, increase the impression we have of being, in their eyes, someone else, of feeling that we are alone, keeping in our own hands the control over our thoughts, our will to live, I knew, when I was with my grandmother, that however great the misery that there was in me, it would be received by her with a pity still more vast, that everything that was mine, my cares, my wishes, would be buttressed, in my grandmother, by a desire to preserve and enhance my life that was altogether stronger than was my own; and my thoughts were continued and extended in her without undergoing the slightest deflection, since they passed from my mind into hers without any change of atmosphere or of personality. And—like a man who tries to fasten his tie in front of a glass and forgets that the end which he sees reflected is not on the side to which he raises his hand, or like a dog that chases along the ground the dancing shadow of an insect in the air—misled by her appearance in the body as we are apt to be in this world where we have no direct perception of people’s souls, I threw myself into the arms of my grandmother and pressed my lips to her face as though I were thus gaining access to that immense heart which she opened to me. And when I felt my mouth glued to her cheeks, to her brow, I drew from them something so beneficial, so nourishing, that I remained as motionless, as solemn, as calmly gluttonous as a babe at the breast.

  Afterwards I gazed inexhaustibly at her large face, outlined like a beautiful cloud, glowing and serene, behind which I could discern the radiance of her tender love. And everything that received, in however slight a degree, any share of her sensations, everything that could be said to belong in any way to her was at once so spiritualised, so sanctified that with outstretched hands I smoothed her beautiful hair, still hardly grey, with as much respect, precaution and gentleness as if I had actually been caressing her goodness. She found such pleasure in taking any trouble that saved me one, and in a moment of immobility and rest for my weary limbs something so exquisite, that when, having seen that she wished to help me undress and go to bed, I made as though to stop her and to undress myself, with an imploring gaze she arrested my hands as they fumbled with the top buttons of my jacket and my boots.

  “Oh, do let me!” she begged. “It’s such a joy for your Granny. And be sure you knock on the wall if you want anything in the night. My bed is just on the other side, and the partition is quite thin. Just give a knock now, as soon as you’re in bed, so that we shall know where we are.”

  And, sure enough, that evening I gave three knocks—a signal which, a week later, when I was ill, I repeated every morning for several days, because my grandmother wanted me to have some milk early. Then, when I thought that I could hear her stirring—so that she should not be kept waiting but might, the moment she had brought me the milk, go to sleep again—I would venture three little taps, timidly, faintly, but for all that distinctly, for if I was afraid of disturbing her in case I had been mistaken and she was still asleep, neither did I wish her to lie awake listening for a summons which she had not at once caught and which I should not have the heart to repeat. And scarcely had I given my taps than I heard three others, in a different tone from mine, stamped with a calm authority, repeated twice over so that there should be no mistake, and saying to me plainly: “Don’t get agitated; I’ve heard you; I shall be with you in a minute!” and shortly afterwards my grandmother would appear. I would explain to her that I had been afraid she would not hear me, or might think that it was someone in the room beyond who was tapping; at which she would smile: “Mistake my poor pet’s knocking for anyone else’s! Why, Granny could tell it a mile away! Do you suppose there’s anyone else in the world who’s such a silly-billy, with such febrile little knuckles, so afraid of waking me up and of not making me understand? Even if it just gave the tiniest scratch, Granny could tell her mouse’s sound at once, especially such a poor miserable little mouse as mine is. I could hear it just now, trying to make up its mind, and rustling the bedclothes, and going through all its tricks.”

  She would push open the shutters, and where a wing of the hotel jutted out at right angles to my window, the sun would already have settled on the roof, like a slater who is up betimes, and starts early and works quietly so as not to rouse the sleeping town whose stillness makes him seem more agile. She would tell me what time it was, what sort of day it would be, that it was not worth while my getting up and coming to the window, that there was a mist over the sea, whether the baker’s shop had opened yet, what the vehicle was that I could hear passing—that whole trifling curtain-raiser, that insignificant introit of a new day which no one attends, a little scrap of life which was only for our two selves, but which I should have no hesitation in evoking, later on, to Françoise or even to strangers, speaking of the fog “which you could have cut with a knife” at six o’clock that morning, with the ostentation of one who was boasting not of a piece of knowledge that he had acquired but of a mark of affection shown to himself alone; sweet morning moment which opened like a symphony with the rhythmical dialogue of my three taps, to which the thin wall of my bedroom, steeped in love and joy, grown melodious, incorporeal, singing like the angelic choir, responded with three other taps, eagerly awaited, repeated once and again, in which it contrived to waft to me the soul of my grandmother, whole and perfect, and the promise of her coming, with the swiftness of an annunciation and a musical fidelity. But on this first night after our arrival, when my grandmother had left me, I began again to suffer as I had suffered the day before, in Paris, at the moment of leaving home. Perhaps this fear that I had—and that is shared by so many others—of sleeping in a strange room, perhaps this fear is only the most humble, obscure, organic, almost unconscious form of that great and desperate resistance put up by the things that constitute the better part of our present life against our mentally acknowledging the possibility of a future in which they are to have no part; a resistance which was at the root of the horror that I had so often been made to feel by the thought that my parents would die some day, that the stern necessity of life might oblige me to live far from Gilberte, or simply to settle permanently in a place where I should never see any of my old friends; a resistance which was also at the root of the difficulty that I found in imagining my own death, or a survival such as Bergotte used to promise to mankind in his books, a survival in which I should not be allowed to take with me my memories, my frailties, my character, which did not easily resign themselves to the idea of ceasing to be, and desired for me neither extinction nor an eternity in which they would have no part.

  When Swann had said to me in Paris one day when I felt particularly unwell: “You ought to go off to one of those glorious islands in the Pacific; you’d never come back again if you did,” I should have liked to answer: “But then I shall never see your daughter again, I shall be living among people and things she has never seen.” And yet my reason, my better judgment whispered: “What difference can that make, since you won’t be distressed by it? When M. Swann tells you that you won’t come back he means by that that you won’t want to come back, and if you don’t want to that is because you’ll be happier out there.” For my reason was aware that Habit—Habit which was even now setting to work to make me like this unfamiliar lodging, to change the position of the mirror, the shade of the curtains, to stop the clock—undertakes as well to make dear to us the companions whom at first we disliked, to give another appearance to their faces, to make the sound of their voices attractive, to modify the inclinations of their hearts. It is true that these new friendships for places and people are based upon forgetfulness of the old; my reason precisely thought that I could envisage with
out dread the prospect of a life in which I should be for ever separated from people all memory of whom I should lose, and it was by way of consolation that it offered my heart a promise of oblivion which in fact succeeded only in sharpening the edge of its despair. Not that the heart, too, is not bound in time, when separation is complete, to feel the analgesic effect of habit; but until then it will continue to suffer. And our dread of a future in which we must forgo the sight of faces and the sound of voices which we love and from which today we derive our dearest joy, this dread, far from being dissipated, is intensified, if to the pain of such a privation we feel that there will be added what seems to us now in anticipation more painful still: not to feel it as a pain at all—to remain indifferent; for then our old self would have changed, it would then be not merely the charm of our family, our mistress, our friends that had ceased to environ us, but our affection for them would have been so completely eradicated from our hearts, of which today it is so conspicuous an element, that we should be able to enjoy a life apart from them, the very thought of which today makes us recoil in horror; so that it would be in a real sense the death of the self, a death followed, it is true, by resurrection, but in a different self, to the love of which the elements of the old self that are condemned to die cannot bring themselves to aspire. It is they—even the meanest of them, such as our obscure attachments to the dimensions, to the atmosphere of a bedroom—that take fright and refuse, in acts of rebellion which we must recognise to be a secret, partial, tangible and true aspect of our resistance to death, of the long, desperate, daily resistance to the fragmentary and continuous death that insinuates itself throughout the whole course of our life, detaching from us at each moment a shred of ourself, dead matter on which new cells will multiply and grow. And for a neurotic nature such as mine—one, that is to say, in which the intermediaries, the nerves, perform their functions badly, fail to arrest on its way to the consciousness, allow indeed to reach it, distinct, exhausting, innumerable and distressing, the plaints of the most humble elements of the self which are about to disappear—the anxiety and alarm which I felt as I lay beneath that strange and too lofty ceiling were but the protest of an affection that survived in me for a ceiling that was familiar and low. Doubtless this affection too would disappear, another having taken its place (when death, and then another life, had, in the guise of Habit, performed their double task); but until its annihilation, every night it would suffer afresh, and on this first night especially, confronted with an irreversible future in which there would no longer be any place for it, it rose in revolt, it tortured me with the sound of its lamentations whenever my straining eyes, powerless to turn from what was wounding them, endeavoured to fasten themselves upon that inaccessible ceiling.

  But next morning!—after a servant had come to call me and to bring me hot water, and while I was washing and dressing myself and trying in vain to find the things that I needed in my trunk, from which I extracted, pell-mell, only a lot of things that were of no use whatever, what a joy it was to me, thinking already of the pleasure of lunch and a walk along the shore, to see in the window, and in all the glass fronts of the bookcases, as in the portholes of a ship’s cabin, the open sea, naked, unshadowed, and yet with half of its expanse in shadow, bounded by a thin, fluctuating line, and to follow with my eyes the waves that leapt up one behind another like jumpers on a trampoline. Every other moment, holding in my hand the stiff starched towel with the name of the hotel printed upon it, with which I was making futile efforts to dry myself, I returned to the window to have another look at that vast, dazzling, mountainous amphitheatre, and at the snowy crests of its emerald waves, here and there polished and translucent, which with a placid violence and a leonine frown, to which the sun added a faceless smile, allowed their crumbling slopes to topple down at last. It was at this window that I was later to take up my position every morning, as at the window of a stagecoach in which one has slept, to see whether, during the night, a longed-for mountain range has come nearer or receded—only here it was those hills of the sea which, before they come dancing back towards us, are apt to withdraw so far that often it was only at the end of a long, sandy plain that I would distinguish, far off, their first undulations in a transparent, vaporous, bluish distance, like the glaciers that one sees in the backgrounds of the Tuscan Primitives. On other mornings it was quite close at hand that the sun laughed upon those waters of a green as tender as that preserved in Alpine pastures (among mountains on which the sun displays himself here and there like a giant who may at any moment come leaping gaily down their craggy sides) less by the moisture of the soil than by the liquid mobility of the light. Moreover, in that breach which the shore and the waves open up in the midst of the rest of the world for the passage or the accumulation of light, it is above all the light, according to the direction from which it comes and along which our eyes follow it, it is the light that displaces and situates the undulations of the sea. Diversity of lighting modifies no less the orientation of a place, erects no less before our eyes new goals which it inspires in us the yearning to attain, than would a distance in space actually traversed in the course of a long journey. When, in the morning, the sun came from behind the hotel, disclosing to me the sands bathed in light as far as the first bastions of the sea, it seemed to be showing me another side of the picture, and to be inviting me to pursue, along the winding path of its rays, a motionless but varied journey amid all the fairest scenes of the diversified landscape of the hours. And on this first morning, it pointed out to me far off, with a jovial finger, those blue peaks of the sea which bear no name on any map, until, dizzy with its sublime excursion over the thundering and chaotic surface of their crests and avalanches, it came to take shelter from the wind in my bedroom, lolling across the unmade bed and scattering its riches over the splashed surface of the basin-stand and into my open trunk, where, by its very splendour and misplaced luxury, it added still further to the general impression of disorder. Alas for that sea-wind: an hour later, in the big dining-room—while we were having lunch, and from the leathern gourd of a lemon were sprinkling a few golden drops on to a pair of soles which presently left on our plates the plumes of their picked skeletons, curled like stiff feathers and resonant as citherns—it seemed to my grand-mother a cruel deprivation not to be able to feel its life-giving breath on her cheek, on account of the glass partition, transparent but closed, which, like the front of a glass case in a museum, separated us from the beach while allowing us to look out upon its whole expanse, and into which the sky fitted so completely that its azure had the effect of being the colour of the windows and its white clouds so many flaws in the glass. Imagining that I was “sitting on the mole” or at rest in the “boudoir” of which Baudelaire speaks, I wondered whether his “sun’s rays upon the sea” were not—a very different thing from the evening ray, simple and superficial as a tremulous golden shaft—just what at that moment was scorching the sea topaz-yellow, fermenting it, turning it pale and milky like beer, frothy like milk, while now and then there hovered over it great blue shadows which, for his own amusement, some god seemed to be shifting to and fro by moving a mirror in the sky. Unfortunately, it was not only in its outlook that this dining-room at Balbec—bare-walled, filled with a sunlight green as the water in a pond, while a few feet away from it the high tide and broad daylight erected as though before the gates of the heavenly city an indestructible and mobile rampart of emerald and gold—differed from our dining-room at Combray which gave on to the houses across the street. At Combray, since we were known to everyone, I took heed of no one. In seaside life one does not know one’s neighbours. I was not yet old enough, and was still too sensitive to have outgrown the desire to find favour in the sight of other people and to possess their hearts. Nor had I acquired the more noble indifference which a man of the world would have felt towards the people who were eating in the dining-room or the boys and girls who strolled past the window, with whom I was pained by the thought that I should never be allowed
to go on expeditions, though not so pained as if my grandmother, contemptuous of social formalities and concerned only with my health, had gone to them with the request, humiliating for me, that they should consent to allow me to accompany them. Whether they were returning to some villa beyond my ken, or had emerged from one, racquet in hand, on their way to a tennis court, or were riding horses whose hooves trampled my heart, I gazed at them with a passionate curiosity, in that blinding light of the beach by which social distinctions are altered, I followed all their movements through the transparency of that great bay of glass which allowed so much light to flood the room. But it intercepted the wind, and this was a defect in the eyes of my grandmother, who, unable to endure the thought that I was losing the benefit of an hour in the open air, surreptitiously opened a pane and at once sent flying, together with the menus, the newspapers, veils and hats of all the people at the other tables, while she herself, fortified by the celestial draught, remained calm and smiling like Saint Blandina amid the torrent of invective which, increasing my sense of isolation and misery, those contemptuous, dishevelled, furious visitors combined to pour on us.

 

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