by Harte, Bret
"Well?" he said cheerfully.
Rupert did not reply or change his position. Mr. Ford, glancing at him sharply, saw a familiar angry light in the boy's beautiful eyes, slightly dimmed by a tear. Laying his hand gently on Rupert's shoulder he said, "What's the matter, Rupert?"
"Nothin'," said the boy doggedly, with his eyes still fixed on the pane.
"Has—has—Mrs. Tripp" (the fair proprietress) "been unkind?" he went on lightly.
No reply.
"You know, Rupe," continued Mr. Ford demurely, "she must show SOME reserve before company—like to-day. It won't do to make a scandal."
Rupert maintained an indignant silence. But the dimple (which he usually despised as a feminine blot) on the cheek nearer the master became slightly accented. Only for a moment; the dark eyes clouded again.
"I wish I was dead, Mr. Ford."
"Hallo!"
"Or—doin' suthin'."
"That's better. What do you want to do?"
"To work—make a livin' myself. Quit toten' wood and water at home; quit cookin' and makin' beds, like a yaller Chinaman; quit nussin' babies and dressin' 'em and undressin' 'em, like a girl. Look at HIM now," pointing to the sweetly unconscious Johnny, "look at him there. Do you know what that means? It means I've got to pack him home through the town jist ez he is thar, and then make a fire and bile his food for him, and wash him and undress him and put him to bed, and 'Now I lay me down to sleep' him, and tuck him up; and Dad all the while 'scootin' round town with other idjits, jawin' about 'progress' and the 'future of Injin Spring.' Much future we've got over our own house, Mr. Ford. Much future he's got laid up for me!"
The master, to whom those occasional outbreaks from Rupert were not unfamiliar, smiled, albeit with serious eyes that belied his lips, and consoled the boy as he had often done before. But he was anxious to know the cause of this recent attack and its probable relations to the fascinating Mrs. Tripp.
"I thought we talked all that over some time ago, Rupe. In a few months you'll be able to leave school, and I'll advise your father about putting you into something to give you a chance for yourself. Patience, old fellow; you're doing very well. Consider—there's your pupil, Uncle Ben."
"Oh, yes! That's another big baby to tot round in school when I ain't niggerin' at home."
"And I don't see exactly what else you could do at Indian Spring," continued Mr. Ford.
"No," said Rupert gloomily, "but I could get away to Sacramento. Yuba Bill says they take boys no bigger nor me in thar express offices or banks—and in a year or two they're as good ez anybody and get paid as big. Why, there was a fellow here, just now, no older than you, Mr. Ford, and not half your learnin', and he dressed to death with jewelry, and everybody bowin' and scrapin' to him, that it was perfectly sickenin'."
Mr. Ford lifted his eyebrows. "Oh, you mean the young man of Benham and Co., who was talking to Mrs. Tripp?" he said.
A quick flush of angry consciousness crossed Rupert's face. "Maybe; he has just cheek enough for anythin'."
"And you want to be like him?" said Mr. Ford.
"You know what I mean, Mr. Ford. Not LIKE him. Why YOU'RE as good as he is, any day," continued Rupert with relentless naivete; "but if a jay-bird like that can get on, why couldn't I?"
There was no doubt that the master here pointed out the defectiveness of Rupert's logic and the beneficence of patience and study, as became their relations of master and pupil, but with the addition of a certain fellow sympathy and some amusing recital of his own boyish experiences, that had the effect of calling Rupert's dimples into action again. At the end of half an hour the boy had become quite tractable, and, getting ready to depart, approached his sleeping brother with something like resignation. But Johnny's nap seemed to have had the effect of transforming him into an inert jelly-like mass. It required the joint exertions of both the master and Rupert to transfer him bodily into the latter's arms, where, with a single limp elbow encircling his brother's neck, he lay with his unfinished slumber still visibly distending his cheeks, his eyelids, and even lifting his curls from his moist forehead. The master bade Rupert "good-night," and returned to his room as the boy descended the stairs with his burden.
But here Providence, with, I fear, its occasional disregard of mere human morality, rewarded Rupert after his own foolish desires. Mrs. Tripp was at the foot of the stairs as Rupert came slowly down. He saw her, and was covered with shame; she saw him and his burden, and was touched with kindliness. Whether or not she was also mischievously aware of Rupert's admiration, and was not altogether displeased with it, I cannot say. In a voice that thrilled him, she said:—
"What! Rupert, are you going so soon?"
"Yes, ma'am—-on account of Johnny."
"But let me take him—I can keep him here to-night."
It was a great temptation, but Rupert had strength to refuse, albeit with his hat pulled over his downcast eyes.
"Poor dear, how tired he looks."
She approached her still fresh and pretty face close to Rupert and laid her lips on Johnny's cheek. Then she lifted her audacious eyes to his brother, and pushing back his well-worn chip hat from his clustering curls, she kissed him squarely on the forehead.
"Good-night, dear."
The boy stumbled, and then staggered blindly forward into the outer darkness. But with a gentleman's delicacy he turned almost instantly into a side street, as if to keep this consecration of himself from vulgar eyes. The path he had chosen was rough and weary, the night was dark, and Johnny was ridiculously heavy, but he kept steadily on, the woman's kiss in the fancy of the foolish boy shining on his forehead and lighting him onward like a star.
CHAPTER VI.
When the door closed on Rupert the master pulled down the blind, and, trimming his lamp, tried to compose himself by reading. Outside, the "Great Day for Indian Spring" was slowly evaporating in pale mists from the river, and the celebration itself spasmodically taking flight here and there in Roman candles and rockets. An occasional outbreak from revellers in the bar-room below, a stumbling straggler along the planked sidewalk before the hotel, only seemed to intensify the rustic stillness. For the future of Indian Spring was still so remote that Nature insensibly re-invested its boundaries on the slightest relaxation of civic influence, and Mr. Ford lifted his head from the glowing columns of the "Star" to listen to the far-off yelp of a coyote on the opposite shore.
He was also conscious of the recurrence of that vague, pleasurable recollection, so indefinite that, when he sought to identify it with anything—even the finding of the myrtle sprays on his desk—it evaded him. He tried to work, with the same interruption. Then an uneasy sensation that he had not been sufficiently kind to Rupert in his foolish love-troubles remorsefully seized him. A half pathetic, half humorous picture of the miserable Rupert staggering under the double burden of his sleeping brother and a misplaced affection, or possibly abandoning the one or both in the nearest ditch in a reckless access of boyish frenzy and fleeing his home forever, rose before his eyes. He seized his hat with the intention of seeking him—or forgetting him in some other occupation by the way. For Mr. Ford had the sensitive conscience of many imaginative people; an unfailing monitor, it was always calling his whole moral being into play to evade it.
As he crossed the passage he came upon Mrs. Tripp hooded and elaborately attired in a white ball dress, which however did not, to his own fancy, become her as well as her ordinary costume. He was passing her with a bow, when she said, with complacent consciousness of her appearance, "Aren't you going to the ball to-night?"
He remembered then that "an opening ball" at the Court-house was a part of the celebration. "No," he said smiling; "but it is a pity that Rupert couldn't have seen you in your charming array."
"Rupert," said the lady, with a slightly coquettish laugh; "you have made him as much a woman-hater as yourself. I offered to take him in our party, and he ran away to you." She paused, and giving him a furtive critical glance said, with an eas
y mingling of confidence and audacity, "Why don't YOU go? Nobody'll hurt you."
"I'm not so sure of that," replied Mr. Ford gallantly. "There's the melancholy example of Rupert always before me."
Mrs. Tripp tossed her chignon and descended a step of the stairs. "You'd better go," she continued, looking up over the balusters. "You can look on if you can't dance."
Now Mr. Ford COULD dance, and it so chanced, rather well, too. With this consciousness he remained standing in half indignant hesitation on the landing as she disappeared. Why shouldn't he go? It was true, he had half tacitly acquiesced in the reserve with which he had been treated, and had never mingled socially in the gatherings of either sex at Indian Spring—but that was no reason. He could at least dress himself, walk to the Court-house and—look on.
Any black coat and white shirt was sufficiently de rigueur for Indian Spring. Mr. Ford added the superfluous elegance of a forgotten white waistcoat. When he reached the sidewalk it was only nine o'clock, but the windows of the Court-house were already flaring like a stranded steamer on the barren bank where it had struck. On the way thither he was once or twice tempted to change his mind, and hesitated even at the very door. But the fear that his hesitation would be noticed by the few loungers before it, and the fact that some of them were already hesitating through bashfulness, determined him to enter.
The clerks' office and judges' chambers on the lower floor had been invaded by wraps, shawls, and refreshments, but the dancing was reserved for the upper floor or courtroom, still unfinished. Flags, laurel-wreaths, and appropriate floral inscriptions hid its bare walls; but the coat of arms of the State, already placed over the judges' dais with its illimitable golden sunset, its triumphant goddess, and its implacable grizzly, seemed figuratively to typify the occasion better than the inscriptions. The room was close and crowded. The flickering candles in tin sconces against the walls, or depending in rude chandeliers of barrel-hoops from the ceiling, lit up the most astounding diversity of female costume the master had ever seen. Gowns of bygone fashions, creased and stained with packing and disuse, toilets of forgotten festivity revised with modern additions; garments in and out of season—a fur-trimmed jacket and a tulle skirt, a velvet robe under a pique sacque; fresh young faces beneath faded head-dresses, and mature and buxom charms in virgin' white. The small space cleared for the dancers was continually invaded by the lookers-on, who in files of three deep lined the room.
As the master pushed his way to the front, a young girl, who had been standing in the sides of a quadrille, suddenly darted with a nymph-like quickness among the crowd and was for an instant hidden. Without distinguishing either face or figure, Mr. Ford recognized in the quick, impetuous action a characteristic movement of Cressy's; with an embarrassing instinct that he could not account for, he knew she had seen him, and that, for some inexplicable reason, he was the cause of her sudden disappearance.
But it was only for a moment. Even while he was vaguely scanning the crowd she reappeared and took her place beside her mystified partner—the fascinating stranger of Johnny's devotion and Rupert's dislike. She was pale; he had never seen her so beautiful. All that he had thought distasteful and incongruous in her were but accessories of her loveliness at that moment, in that light, in that atmosphere, in that strange assembly. Even her full pink gauze dress, from which her fair young shoulders slipped as from a sunset cloud, seemed only the perfection of virginal simplicity; her girlish length of limb and the long curves of her neck and back were now the outlines of thorough breeding. The absence of color in her usually fresh face had been replaced by a faint magnetic aurora that seemed to him half spiritual. He could not take his eyes from her; he could not believe what he saw. Yet that was Cressy McKinstry—his pupil! Had he ever really seen her? Did he know her now? Small wonder that all eyes were bent upon her, that a murmur of unspoken admiration, or still more intense hush of silence moved the people around him. He glanced hurriedly at them, and was oddly relieved by this evident participation in his emotions.
She was dancing now, and with that same pale restraint and curious quiet that had affected him so strongly. She had not even looked in his direction, yet he was aware by the same instinct that had at first possessed him that she knew he was present. His desire to catch her eye was becoming mingled with a certain dread, as if in a single interchange of glances the illusions of the moment would either vanish utterly or become irrevocably fixed. He forced himself, when the set was finished, to turn away, partly to avoid contact with some acquaintances who had drifted before him, and whom politeness would have obliged him to ask to dance, and partly to collect his thoughts. He determined to make a tour of the rooms and then go quietly home. Those who recognized him made way for him with passive curiosity; the middle-aged and older adding a confidential sympathy and equality that positively irritated him. For an instant he had an idea of seeking out Mrs. Tripp and claiming her as a partner, merely to show her that he danced.
He had nearly made the circuit of the room when he was surprised by the first strains of a waltz. Waltzing was not a strong feature of Indian Spring festivity, partly that the Church people had serious doubts if David's saltatory performances before the Ark included "round dances," and partly that the young had not yet mastered its difficulties. When he yielded to his impulse to look again at the dancers he found that only three or four couples had been bold enough to take the floor. Cressy McKinstry and her former partner were one of them. In his present exaltation he was not astonished to find that she had evidently picked up the art in her late visit, and was now waltzing with quiet grace and precision, but he was surprised that her partner was far from being equally perfect, and that after a few turns she stopped and smilingly disengaged her waist from his arm. As she stepped back she turned with unerring instinct to that part of the room where the master stood, and raised her eyes through the multitude of admiring faces to his. Their eyes met in an isolation as supreme as if they had been alone. It was an attraction the more dangerous because unformulated—a possession without previous pledge, promise, or even intention—a love that did not require to be "made."
He approached her quietly and even more coolly than he thought possible. "Will you allow me a trial?" he asked.
She looked in his face, and as if she had not heard the question but was following her own thought, said, "I knew you would come; I saw you when you first came in." Without another word she put her hand in his, and as if it were part of an instinctive action of drawing closer to him, caught with her advancing foot the accent of the waltz, and the next moment the room seemed to slip away from them into whirling space.
The whole thing had passed so rapidly from the moment he approached her to the first graceful swing of her full skirt at his side, that it seemed to him almost like the embrace of a lovers' meeting. He had often been as near her before, had stood at her side at school, and even leaned over her desk, but always with an irritated instinct of reserve that had equally affected her, and which he now understood. With her conscious but pale face so near his own, with the faint odor of her hair clinging to her, and with the sweet confusion of the half lingering, half withheld contact of her hand and arm, all had changed. He did not dare to reflect that he could never again approach her except with this feeling. He did not dare to think of anything; he abandoned himself to the sense that had begun with the invasion of her hair-bound myrtle in the silent school-room, and seemed to have at last led her to his arms. They were moving now in such perfect rhythm and unison that they seemed scarcely conscious of motion. Once when they neared the open window he caught a glimpse of the round moon rising above the solemn heights of the opposite shore, and felt the cool breath of mountain and river sweep his cheek and mingle a few escaped threads of her fair hair with his own. With that glimpse and that sensation the vulgarity and the tawdriness of their surroundings, the guttering candles in their sconces, the bizarre figures, the unmeaning faces seemed to be whirled far into distant space. They were alone with night and
nature; it was they who were still; all else had receded in a vanishing perspective of dull reality, in which they had no part.
Play on, O waltz of Strauss! Whirl on, O love and youth! For you cannot whirl so swiftly but that this receding world will return again with narrowing circle to hem you in. Faster, O cracked clarionet! Louder, O too brazen bassoon! Keep back, O dull and earthy environment, till master and pupil have dreamed their foolish dream!
They are in fancy alone on the river-bank, only the round moon above them and their linked shadows faintly fluttering in the stream. They have drawn so closely together now that her arm is encircling his neck, her soft eyes uplifted like the moon's reflection and drowning into his; closer and closer till their hearts stop beating and their lips have met in a first kiss. Faster, O little feet! swing clear, O Cressy's skirt and keep the narrowing circle back! . . . They are again alone; the judges' dais and the emblazoning of the State caught in a single whirling flash of consciousness are changed to an altar, seen dimly through the bridal veil that covers her fair head. There is the murmur of voices mingling two lives in one. They turn and pass proudly down between the aisles of wondering festal faces. Ah! the circle is drawing closer. One more quick whirl to keep them back, O flying skirt and dainty-winged feet! Too late! The music stops. The tawdry walls shut in again, the vulgar crowds return, they stand pale and quiet, the centre of a ring of breathless admiring, frightened, or forbidding faces. Her arms fold like wings at her side. The waltz is over.
A shrill feminine chorus assail her with praises, struck here and there with a metallic ring of envy; a dozen all-daring cavaliers, made reckless by her grace and beauty, clamor for her hand in the next waltz. She replies, not to them, but to him, "Not again," and slips away in the crowd with that strange new shyness that of all her transformations seems the most delicious. Yet so conscious are they of their mutual passion that they do not miss each other, and he turns away as if their next meeting were already an appointed tryst. A few congratulate him on his skill. Johnny's paragon looks after him curiously; certain elders shake hands with him perplexedly, as if not quite sure of the professional consistency of his performance. Those charming tide-waiters on social success, the fair, artfully mingling expectation with compliment, only extract from him the laughing statement that this one waltz was the single exception allowed him from the rule of his professional conduct, and he refers them to his elder critics. A single face, loutish, looming, and vindictive, stands on among the crowd—the face of Seth Davis. He had not seen him since he left the school; he had forgotten his existence; even now he only remembered his successor, Joe Masters, and he looked curiously around to see if that later suitor of Cressy's was present. It was not until he reached the door that he began to think seriously of Seth Davis's jealous face, and was roused to a singular indignation. "Why hadn't this great fool vented his jealousy on the openly compromising Masters," he thought. He even turned and walked back with some vaguely aggressive instinct, but the young man had disappeared. With this incident still in his mind he came upon Uncle Ben and Hiram McKinstry standing among the spectators in the doorway. Why might not Uncle Ben be jealous too? and if his single waltz had really appeared so compromising why should not Cressy's father object? But both men—albeit, McKinstry usually exhibited a vague unreasoning contempt for Uncle Ben—were unanimous in their congratulations and outspoken admiration.