by George Moore
“How strange! what an extraordinary transformation! And all this is mine, even her ancestors! How angry that old fellow looks at me — me, the son of an Irish peasant! Yes, my father was that — well, not exactly that, he was a grazier. But why fear the facts? he was a peasant; and my mother was a French maid — well, a governess — well, a nursery governess, une bonne; she was dismissed from her situation for carrying on (it seems awful to speak of one’s mother so; but it is the fact)…. Respect! I love my mother well enough, but I’m not going to delude myself because I had a mother. Mother didn’t like our cabin by the roadside; father treated her badly; she ran away, taking me with her. She was lucky enough to meet with a rich manufacturer, who kept her fairly well — I believe he used to allow her a thousand francs a month — and I used to call him uncle. When mother died he sent me back to my father in Ireland. That’s my history. There’s not much blue blood in me…. I believe if one went back…. Bah, if one went back! Why deceive myself? I was born a peasant, and I know it…. Yet no one looks more like a gentleman; reversion to some original ancestor, I suppose. Not one of these earls looks more like a gentleman than I. But I don’t suppose my looks would in any measure reconcile them to the fact of my possession of their property.
“Ah, you old fools — periwigs, armour, and scrolls — you old fools, you laboured only to make a gentleman of an Irish peasant. Yes, you laboured in vain, my noble lords — you, old gentleman yonder, you with the telescope — an admiral, no doubt — you sailed the seas in vain; and you over there, you mediæval-looking cuss, you carried your armour through the battles of Cressy and Poictiers in vain; and you, noble lady in the high bodice, you whose fingers play with the flaxen curls of that boy — he was the heir of this place two hundred years ago — I say, you bore him in vain, your labour was in vain; and you, old fogey that you are, you in the red coat, you holding the letter in your gouty fingers, a commercial-looking letter, you laboured in trade to rehabilitate the falling fortunes of the family, and I say you too laboured in vain. Without labour, without ache, I possess the result of all your centuries of labour.
“There, that sordid, wizen old lady, a miser to judge by her appearance, she is eyeing me maliciously now, but I say all her eyeing is in vain; she pinched and scraped and starved herself for me. Yes, I possess all your savings, and if you were fifty years younger you would not begrudge them to me.”
Laughing at his folly, Mike said, “How close together lie the sane and the insane; any one who had overheard me would have pronounced me mad as a March hare, and yet few are saner.” He walked twice across the room. “But I’m mad for the moment, and I like to be mad. Have I not all things — talent, wealth, love? I asked for life, and I was given life. I have drunk the cup — no, not to the dregs, there is plenty more wine in the cup for me; the cup is full, I have not tasted it yet. Lily! yes, I must get her; a fool I have been; my letter miscarried, else she would have written. Refuse me! who would refuse me? Yes, I was born to drink the cup of life as few have drunk it; I shall drink it even like a Roman emperor … But they drank it to madness and crime! Yet even so; I shall drink of life even to crime.
“The peasant and the card-sharper shall go high, this impetus shall carry me very high; and Frank Escott, that mean cad, shall go to the gutter; but he is already there, and I am here! I knew it would be so; I felt my destiny, I felt it here — in my brain. I felt it even when he scorned me in boyhood days. I believe that in those days he expected me to touch my cap to him. But those days are over, new days have begun. When to-morrow’s sun rises it will shine on what is mine — down-land, meadow-land, park-land, and wood-land. Strange is the joy of possession; I did not know of its existence. The stately house too is mine, and I would see it. But that infernal servant, I suppose, is in bed. I would not have him find me. I shall get rid of him. I can hear him saying in his pantry, ‘He! I wouldn’t give much for him; I found him last night spying about, examining his fine things, for all the world like a beggar to whom you had given an old suit of clothes.’”
Mike took his bed-room candle, and having regard for surprises on the part of the servants, he roamed about the passages, looking at the Chippendale furniture on the landings and the pictures and engravings that lined the walls. Fearing bells, he did not attempt to enter any of the rooms, and it was with some difficulty that he found his way back to the library. Throwing himself into the arm-chair, he wondered if he should grow accustomed to spend his evenings in this loneliness. He thought of whom he should invite there — Harding, Thompson, John Norton; certainly he would ask John. He couldn’t ask Frank without his wife, and Lizzie would prejudice him in the eyes of the county people. Then, as his thoughts detached themselves, he exclaimed against the sepulchral solemnity of the library. The house was soundless. At the window he heard the soft moonlight-dreaming of the rooks; and when he threw open the window the white peacock roosting there flew away and paraded on the pale sward like a Watteau lady.
Next morning, rousing in the indolence of a bed hung with curtains of Indian pattern, Mike said to the footman who brought in his hot water —
“Tell the coachman that I shall go out riding after breakfast.”
“What horse will you ride, sir?”
“I don’t know what horses you have in the stable.”
“Well, sir, you can ride either her ladyship’s hunter or the mare that brought you from the station in the dog-cart.”
“Very well. I’ll ride her ladyship’s hunter. (My hunter, damn the fellow,” he said, under his breath.) “And tell the bailiff I shall want him; let him come round on his horse. I shall go over the farms with him.”
The morning was chilly. He stood before the fire while the butler brought in eggs, kidneys, devilled legs of fowl, and coffee. The beauty of the coffee-pot caught his eye, and he admired the plate that made such rich effect on the old Chippendale sideboard. The peacocks on the window-sills, knocking with their strong beaks for bread, pleased him; they recalled evenings passed with Helen; she had often spoken of her love for these birds. He went to the window with bread for the peacocks, and the landscape came into his eyes: the clump of leafless trees on the left, rugged and untidy with rooks’ nests; the hollow, dipping plain, melancholy of aspect now, misty, gray and brown beneath a lowering sky, dipping and then rising in a long, wide shape, and ringing the sky with a brown line. The terrace with its straight walks, balustrades, urns, and closely-cropped yews was a romantic note, severe, even harsh.
One day, wandering from room to room, he found himself in Helen’s bedroom. “There is the bed she died in, there is the wardrobe.” Mike opened the wardrobe. He turned the dresses over, seeking for those he knew; but he had not seen her for three years, and there were new dresses, and he had forgotten the old. Suddenly he came upon one of soft, blue material, and he remembered she wore that dress the first time she sat on his knees. Feeling the need of an expressive action, he buried his face in the pale blue dress, seeking in its softness and odour commemoration of her who lay beneath the pavement. How desolate was the room! He would not linger. This room must be forever closed, left to the silence, the mildew, the dust, and the moth. None must enter here but he, it must be sacred from other feet. Once a year, on her anniversary, he would come to mourn her, and not on the anniversary of her death, but on that of their first kiss. He had forgotten the exact day, and feared he had not preserved all her letters. Perhaps she had preserved his.
Moved with such an idea he passed out of her bedroom, and calling for his keys, went into her boudoir and opened her escritoire, and very soon he found his letters; almost the first he read, ran as follows —
“MY DEAR HELEN,
“I am much obliged to you for your kind invitation. I should like very much to come and stay with you, if I may come as your friend. You must not think from this that I have fallen in love with some one else; I have not. I have never seen any one I shall love better than you; I love you to-day as well as ever I did; my feelings regarding you have
changed in nothing, yet I cannot come as your lover. I am ashamed of myself, I hate myself, but it is not my fault.
“I have been your lover for more than a year, and I could not be any one’s lover — no, not if she were Venus herself — for a longer time.
“My heart is full of regret. I am losing the best and sweetest mistress ever man had. No one is able to appreciate your worth better than I. Try to understand me; do not throw this letter aside in a rage. You are a clever woman; you are, I know, capable of understanding it. And if you will understand, you will not regret; that I swear, for you will gain the best and most loyal friend. I am as good a friend as I am a worthless lover. Try to understand, Helen, I am not wholly to blame.
“I love you — I esteem you far more to-day than I did when I first knew you. Do not let our love end upon a miserable quarrel — the commonplace quarrel of those who do not know how to love.”
He turned the letter over. He was the letter; that letter was his shameful human nature; and worse, it was the human nature of the whole wide world. On the same point, or on some other point, every human being was as base as he. Such baseness is the inalienable birth-stain of human life. His poem was no pretty imagining, but the eternal, implacable truth. It were better that human life should cease. Until this moment he had only half understood its awful, its terrifying truth…. It were better that man ceased to pollute the earth. His history is but the record of crime; his existence is but a disgraceful episode in the life of one of the meanest of the planets.
We cannot desire what we possess, and so we progress from illusion to illusion. But when we cease to distinguish between ourself and others, when our thoughts are no longer set on the consideration of our own embarrassed condition, when we see into the heart of things, which is one, then disappointment and suffering cease to have any meaning, and we attain that true serenity and peace which we sometimes see reflected in a seraph’s face by Raphael.
As Mike’s thoughts floated in the boundless atmosphere of Schopenhauer’s poem, of the denial of the will to live, he felt creeping upon him, like sleep upon tired eyelids, all the sweet and suasive fascination of death. “How little,” he thought, “does any man know of any other man’s soul. Who among my friends would believe that I, in all my intense joys and desire of life, am perhaps, at heart, the saddest man, and perhaps sigh for death more ardently, and am tempted to cull the dark fruit which hangs so temptingly over the wall of the garden of life more ardently than any one?”
A few days after, his neighbour, Lord Spennymoor, called, and his visit was followed by an invitation to dinner. The invitation was accepted. Mike was on his best behaviour. During dinner he displayed as much reserve as his nature allowed him to, but afterwards, yielding to the solicitations of the women, he abandoned himself, and when twelve o’clock struck they were still gathered round him, listening to him with rapt expression, as if in hearing of delightful music. Awaking suddenly to a sense of the hour and his indiscretion, he bade Lord Spennymoor, who had sat talking all night with his brother in a far corner, good-night.
When the sound of the wheels of his trap died away, when the ladies had retired, Lord Spennymoor returned to the smoking-room, and at the end of a long silence asked his brother, who sat smoking opposite him, what he thought of Fletcher.
“He is one of those men who attract women, who attract nine people out of ten…. Call it magnetism, electro-biology, give it what name you will. The natural sciences — —”
“Never mind the natural sciences. Do you think that either of my girls were — Victoria, for instance, was attracted by him? I don’t believe for a moment his story of having saved Lady Seeley from drowning in Italy, but I’m bound to say he told it very well. I can see the girls sitting round him listening. Poor Mrs. Dickens, her eyes were — —”
“I shan’t ask her here again…. But tell me, do you think he’ll marry?”
“It would be very hard to say what will become of him. He may suddenly weary of women and become a woman-hater, or perhaps he may develop into a sort of Baron Hulot. He spoke about his writings — he may become ambitious, and spend his life writing epics…. He may go mad! He seemed interested in politics, he may go into Parliament; I fancy he would do very well in Parliament. A sudden loathing of civilization may come upon him and send him to Africa or the Arctic Regions. A man’s end is always infinitely more in accordance with his true character than any conclusion we could invent. No writer, even if he have genius, is so extravagantly logical as nature.”
During the winter months Mike was extensively occupied with the construction of the mausoleum in red granite, which he was raising in memory of Helen; and this interest remained paramount. He took many journeys to London on its account, and studied all the architecture on the subject, and with great books on his knees, he sat in the library making drawings or composing epitaphs and memorial poems.
Belthorpe Park was often full of visitors, and when walking with them on the terraces, his thoughts ran on Mount Rorke Castle, his own success, and Frank’s failure; and when he awoke in the sweet, luxurious rooms, in the houses where he was staying, his brain filled with febrile sensations of triumph, and fitful belief that he was above any caprice of destiny.
It pleased him to write letters with Belthorpe Park printed on the top of the first page, and he wrote many for this reason. Quick with affectionate remembrances, he thought of friends he had not thought of for years, and the sadnesses of these separations touched him deeply; and the mutability of things moved him in his very entrails, and he thought that perhaps no one had felt these things as he felt them. He remembered the women who had passed out of his life, and looking out on his English park, soaking with rain and dim with mist, he remembered those whom he had loved, and the peak whence he viewed the desert district of his amours — Lily Young. She haunted in his life.
He saw himself a knight in the tourney, and her eyes fixed on him, while he calmed his fiery dexter and tilted for her; he saw her in the silk comfort of the brougham, by his side, their bodies rocked gently together; he saw her in the South when reading Mrs. Byril’s descriptions of rocky coast and olive fields.
The English park lay deep in snow, and the familiar word roses then took magical significance, and the imagined Southern air was full of Lily.
“There’s a sweet girl here, and I’m sure you would like her; she is so slender, so blithe and winsome, and so wayward. She has been sent abroad for her health, and is forbidden to go out after sunset, but will not obey. I am afraid she is dying of consumption…. She has taken a great fancy to me. There is no one in our hotel but a few old maids, who discuss the peerage, and she runs after me to talk about men. I fancy she must have carried on pretty well with some one, for she loves talking about him, and is full of mysterious allusions.”
The romance of the sudden introduction of this girl into the landscape took him by the throat. He saw himself walking with this dying girl in the beauty of blue mountains toppling into blue skies, and reflected in bluer seas; he sat with her beneath the palm-trees; palms spread their fan-like leaves upon sky and sea, and in the rich green of their leaves oranges grew to deep, and lemons to paler, gold; and he dreamed that the knowledge that the object of his love was transitory, would make his love perfect and pure. Now in his solitude, with no object to break it, this desire for love in death haunted in his mind. It rose unbidden, like a melody, stealing forth and surprising him in unexpected moments. Often he asked himself why he did not pack up his portmanteau and rush away; and he was only deterred by the apparent senselessness of the thought. “What slaves we are of habit! Why more stupid to go than to remain?”
Soon after, he received another letter from Mrs. Byril. He glanced through it eagerly for some mention of the girl. Whatever there was of sweetness and goodness in Mike’s nature was reflected in his eyes (soft violet eyes, in which tenderness dwelt), whatever there was of evil was written in the lips and chin (puckered lips and goat-like chin), the long neck and tiny hea
d accentuating the resemblance.
Now his being was concentrated in the eyes as a landscape is sometimes in a piece of sky. He read: “She told me that she had been once to see her lover in the Temple.” It was then Lily. He turned to Mrs. Byril’s first letter, and saw Lily in every line of the description. Should he go to her? Of course … When? At once! Should it not prove to be Lily? … He did not care … He must go, and in half an hour he touched the swiftly trotting mare with the whip and glanced at his watch. “I shall just do it.” The hedges passed behind, and the wintry prospects were unfolded and folded away. But as he approached the station, a rumble and then a rattle came out of the valley, and though he lashed the mare into a gallop, he arrived only in time to see a vanishing cloud of steam.
The next train did not reach London till long after the mail had left Charing Cross.
It froze hard during the night, and next morning his feet chilled in his thin shoes, as he walked to and fro, seeking a carriage holding a conversational-looking person. At Dover the wind was hard as the ice-bound steps which he descended, and the sea rolled in dolefully about the tall cliffs, melting far away into the bleak grayness of the sky. But more doleful than the bleak sea was sullen Picardy. Mike could not sleep, and his eyes fed upon the bleak black of swampy plains, utterly mournful, strangely different from green and gladsome England. And two margins of this doleful land remained impressed upon his mind; the first, a low grange, discoloured, crouching on the plain, and curtained by seven lamentable poplars, and Mike thought of the human beings that came from it, to see only a void landscape, and to labour in bleak fields. He remembered also a marsh with osier-beds and pools of water; and in the largest of these there was a black and broken boat. Thin sterile hills stretched their starved forms in the distance, and in the raw wintry light this landscape seemed like a page of the primitive world, and the strange creature striving with an oar recalled our ancestors.