by George Moore
“How horrible all this is,” he said to himself; “this is worse than peeping and botanizing on a mother’s grave.”
He desired supreme grief, and grief fled from his lure; and rhymes and images thronged his brain; and the poem that oftenest rose in his mind, seemingly complete in cadence and idea, was so cruel, that Lily, looking out of heaven, seemed to beg him to refrain. But though he erased the lines on the paper, he could not erase them on his brain, and baffled, he pondered over the phenomena of the antagonism of desired aspirations and intellectual instincts. He desired a poem full of the divine grace of grief; a poem beautiful, tender and pure, fresh and wild as a dove crossing in the dawn from wood to wood. He desired the picturesqueness of a young man’s grief for a dead girl, an Adonais going forth into the glittering morning, and weeping for his love that has passed out of the sun into the shadow. This is what he wrote:
A UNE POETRENAIRE.
We are alone! listen, a little while, And hear the reason why your weary smile
And lute-toned speaking is so very sweet
To me, and how my love is more complete
Than any love of any lover. They
Have only been attracted by the gray
Delicious softness of your eyes, your slim
And delicate form, or some such whimpering whim,
The simple pretexts of all lovers; — I
For other reasons. Listen whilst I try
And say. I joy to see the sunset slope
Beyond the weak hours’ hopeless horoscope,
Leaving the heavens a melancholy calm,
Of quiet colour chaunted like a psalm,
In mildly modulated phrases; thus
Your life shall fade like a voluptuous
Vision beyond the sight, and you shall die
Like some soft evening’s sad serenity …
I would possess your dying hours; indeed
My love is worthy of the gift, I plead
For them.
Although I never loved as yet,
Methinks that I might love you; I would get
From out the knowledge that the time was brief,
That tenderness whose pity grows to grief,
My dream of love, and yea, it would have charms
Beyond all other passions, for the arms
Of death are stretchéd you-ward, and he claims
You as his bride. Maybe my soul misnames
Its passion; love perhaps it is not, yet
To see you fading like a violet,
Or some sweet thought away, would be a strange
And costly pleasure, far beyond the range
Of common man’s emotion. Listen, I
Will choose a country spot where fields of rye
And wheat extend in waving yellow plains,
Broken with wooded hills and leafy lanes,
To pass our honeymoon; a cottage where
The porch and windows are festooned with fair
Green wreaths of eglantine, and look upon
A shady garden where we’ll walk alone
In the autumn sunny evenings; each will see
Our walks grow shorter, till at length to thee
The garden’s length is far, and thou wilt rest
From time to time, leaning upon my breast
Thy languid lily face. Then later still,
Unto the sofa by the window-sill
Thy wasted body I shall carry, so
That thou mays’t drink the last left lingering glow
Of even, when the air is filled with scent
Of blossoms; and my spirits shall be rent
The while with many griefs. Like some blue day
That grows more lovely as it fades away,
Gaining that calm serenity and height
Of colour wanted, as the solemn night
Steals forward thou shalt sweetly fall asleep
For ever and for ever; I shall weep
A day and night large tears upon thy face,
Laying thee then beneath a rose-red place
Where I may muse and dedicate and dream
Volumes of poesy of thee; and deem
It happiness to know that thou art far
From any base desires as that fair star
Set in the evening magnitude of heaven.
Death takes but little, yea, thy death has given
Me that deep peace and immaculate possession
Which man may never find in earthly passion.
The composition of the poem induced a period of literary passion, during which he composed much various matter, even part of his great poem, which he would have completed had he not been struck by an idea for a novel, and so imperiously, that he wrote the book straight from end to end. It was sent to a London publisher, and it raised some tumult of criticism, none of which reached the author. When it appeared he was far away, living in Arab tents, seeking pleasure at other sources. For suddenly, when the strain of the composition of his book was relaxed, civilization had grown hateful to him; a picture by Fromantin, and that painter’s book, Un été dans le Sahara, quickened the desire of primitive life; he sped away, and for nearly two years lived on the last verge of civilization, sometimes passing beyond it with the Bedouins into the interior, on slave-trading or rapacious expeditions. The frequentation of these simple people calmed the fever of ennui, which had been consuming him. Nature leads us to the remedy that the development of reason inflicts on the animal — man. And for more than a year Mike thought he had solved the problem of life; now he lived in peace — passion had ebbed almost out of hearing, and in the plain satisfaction of his instincts he found happiness.
With the wild chieftains, their lances at rest, watching from behind a sandhill, he sometimes thought that the joy he experienced was akin to that which he had known in Sussex, when his days were spent in hunting and shooting; now, as then, he found relief by surrendering himself to the hygienics of the air and earth. But his second return to animal nature had been more violent and radical; and it pleased him to think that he could desire nothing but the Arabs with whom he lived, and whose friendship he had won. But qui a bu boira, and below consciousness dead appetites were awakening, and would soon be astir.
The tribe had wandered to an encampment in the vicinity of Morocco; and one day a missionary and his wife came with a harmonium and tracts. The scene was so evocative of the civilization from which Mike had fled, that he at once was drawn by a power he could not explain towards them. He told the woman that he had adopted Arab life; explaining that the barbaric soul of some ancestor lived in him, and that he was happy with these primitive people. He too was a missionary, and had come to warn and to save them from Christianity and all its corollaries — silk hats, piano playing, newspapers, and patent medicines. The English woman argued with him plaintively; the husband pressed a bundle of tracts upon him; and this very English couple hoped he would come and see them when he returned to town. Mike thanked them, insisting, however, that he would never leave his beloved desert, or desert his friends. Next day, however, he forgot to fall on his knees at noon, and outside the encampment stood looking in the direction whither the missionaries had gone. A strange sadness seemed to have fallen upon him; he cared no more for plans for slave-trading in the interior, or plunder in the desert. The scent of the white woman’s skin and hair was in his nostrils; the nostalgia of the pavement had found him, and he knew he must leave the desert. One morning he was missed in the Sahara, and a fortnight after he was seen in the Strand, rushing towards Lubini’s.
“My dear fellow,” he said, catching hold of a friend’s arm, “I’ve been living with the Arabs for the last two years. Fancy, not to have seen a ‘tart’ or drunk a bottle of champagne for two years! Come and dine with me. We’ll go on afterwards to the Troc’.”
Mike looked round as if to assure himself that he was back again dining at Lubi’s. It was the same little white-painted gallery, filled with courtesans, music-hall singers, drunken lords, and sarcastic j
ournalists. He noticed, however, that he hardly knew a single face, and was unacquainted with the amours of any of the women. He inquired for his friends. Muchross was not expected to live, Laura was underground, and her sister was in America. Joining in the general hilarity, he learnt that as the singer declined the prize-fighter was going up in popular estimation. A young and drunken lord offered to introduce him “to a very warm member.”
He felt sure, however, that the Royal would stir in him the old enthusiasms, and his heart beat when he saw in a box Kitty Carew, looking exactly the same as the day he had left her; but she insisted on taking credit for recognizing him — so changed was he. He felt somewhat provincial, and no woman noticed him, and it was clear that Kitty was no longer interested in him. The conversation languished, he did not understand the allusions, and he was surprised and a little alarmed, indeed, to find that he did not even desire their attention.
A few weeks afterwards he received an invitation to a ball. It was from a woman of title, the address was good, and he resolved to go. It was to one of the Queen Anne houses with which Chelsea abounds, and as he drove towards it he noted the little windows aflame with light and colour in the blue summer night. On the carved cramped staircases women struck him as being more than usually interesting, and the distinguished air of the company moved him with pleasurable sensations. A thick creamy odour of white flowers gratified the nostrils; the slender backs of the girls, the shoulder-blades squeezed together by the stays, were full of delicate lines and tints. Mike saw a tall blonde girl, slight as a reed, so blonde that she was almost an albino, her figure in green gauze swaying. He saw a girl so brown that he thought of palms and cocoa-nuts; she passed him smiling, all her girlish soul awake in the enchantment of the dance. He said —
“No, I don’t want to be introduced; she’d only bore me; I know exactly all she would say.”
Studying these, he thought vaguely of dancing a quadrille, and was glad when the lady said she never danced. With a view to astonish her, he said —
“Since I became a student of Schopenhauer I have given up waltzing. Now I never indulge in anything but a square.”
For a few moments his joke amused him, and he regretted that John Norton, who would understand its humour, was not there to laugh at it. Having eaten supper he chose the deepest chair among the clustered furniture of the drawing-room, and watched in spleenic interest a woman of thirty flirting with a young man.
The panelled skirt stretched stiffly over the knees, the legs were crossed, one drawn slightly back. The young man sat awkwardly on the edge of the sofa nursing his silk foot. She looked at him over her fan, inclining her blonde head in assent from time to time. The young man was delicate — a red blonde. The wall, laden with heavy shelves, was covered with an embossed paper of a deep gold hue. A piece of silk, worked with rich flowers, concealed the volumes in a light bookcase. A lamp, set on a tall brass rod, stood behind the lady, flooding her hair with yellow light, and its silk shade was nearly the same tint as the lady’s hair. The costly furniture, the lady and her lover, the one in black and white, the other in creamy lace, the panelled skirt extended over her knees, filled the room like a picture — an enticing but somewhat vulgar picture of modern refinement and taste. Mike watched them curiously.
“Five years ago,” he thought, “I was young like he is; my soul thrilled as his is thrilling now.”
Then, seeing a woman whom he knew pass the door on her way to the ball-room, he asked her to come and sit with him. He did so remembering the tentative steps they had taken in flirtation three years ago. So by way of transition, he said —
“The last time we met we spoke of the higher education of women, and you said that nothing sharpened the wits like promiscuous flirtation. Enchanting that was, and it made poor Mrs. — Mrs. — I really can’t remember — a lady with earnest eyes — look so embarrassed.”
“I don’t believe I ever said such a thing; anyhow, if I did, I’ve entirely changed my views.”
“What a pity! but — perhaps you have finished your education?”
“Yes, that’s it; and now I must go up-stairs. I am engaged for this dance.”
“Clearly I’m out of it,” thought Mike. “Not only do people see me with new eyes, but I see them with eyes that I cannot realize as mine.”
The drawing-room was empty; all had gone up-stairs to dance, so, finding himself alone, he went to a mirror to note the changes. At first he seemed the same Mike Fletcher; but by degrees he recognized, or thought he recognized, certain remote and subtle differences. He thought that the tenderness which used to reside in his eyes was evanescent or gone. This tenderness had always been to him a subject of surprise, and he had never been able to satisfactorily explain its existence, knowing as he knew how all tenderness was in contradiction to his true character; at least, as he understood himself. This tenderness was now replaced by a lurking evil look, and he remembered that he had noted such evil look in certain old libertines. Certain lines about the face had grown harder, the hollow freckled cheeks seemed to have sunk a little, and the pump-handle chin seemed to be defining itself, even to caricature. There was still a certain air of bravoure, of truculence, which attracted, and might still charm. He turned from the mirror, went up-stairs, and danced three or four times. He remained until the last, and followed by an increasing despair he muttered, as he got into a hansom —
“If this is civilization I’d better go back to the Arabs.”
The solitude of his rooms chilled him in the roots of his mind; he looked around like a hunted animal. He threw himself into an arm-chair. Like a pure fire ennui burned in his heart.
“Oh, for rest! I’m weary of life. Oh, to slip back into the unconscious, whence we came, and pass for ever from the fitful buzzing of the midges. To feel that sharp, cruel, implacable externality of things melt, vanish, and dissolve!
“The utter stupidity of life! There never was anything so stupid; I mean the whole thing — our ideas of right and wrong, love and duty, etc. Great Scott! what folly. The strange part of it all is man’s inability to understand the folly of living. When I said to that woman to-night that I believed that the only evil is to bring children into the world, she said, ‘But then the world would come to an end.’ I said, ‘Do you not think it would be a good thing if it did?’ Her look of astonishment proved how unsuspicious she is of the truth. The ordinary run of mortals do not see into the heart of things, nor do we, except in terribly lucid moments; then, seeing life truly, seeing it in its monstrous deformity, we cry out like children in the night.
“Then why do we go to Death with terror-stricken faces and reluctant feet? We should go to Death in perfect confidence, like a bride to her husband, and with eager and smiling eyes. But he who seeks Death goes with wild eyes — upbraiding Life for having deceived him; as if Life ever did anything else! He goes to Death as a last refuge. None go to Death in deep calm and resignation, as a child goes to the kind and thoughtful nurse in whose arms he will find beautiful rest.
“It was in this very room I spoke to Lady Helen for the last time. She understood very well indeed the utter worthlessness of life. How beautiful was her death! That white still face, with darkness stealing from the closed lids, a film of light shadow, symbol of deeper shadow. The unseen but easily imagined hand grasping the pistol, the unseen but imagined red stain upon the soft texture of the chemise! I might have loved her. She saw into the heart of things, and like a reasonable being, which she was, resolved to rid herself of the burden. We discussed the whole question in the next room; and I remember I was surprised to find that she was in no wise deceived by the casual fallacy of the fools who say that the good times compensate for the bad. Ah! how little they understand! Pleasure! what is it but the correlative of pain? Nothing short of man’s incomparable stupidity could enable him to distinguish between success and failure.
“But now I remember she did not die for any profound belief in the worthlessness of life, but merely on account of a vulgar
love affair. That letter was quite conclusive. It was written from the Alexandra Hotel. It was a letter breaking it off (strange that any one should care to break off with Lady Helen!); she stopped to see him, in the hope of bringing about a reconciliation. Quite a Bank Holiday sort of incident! She did not deny life; but only that particular form in which life had come to her. Under such circumstances suicide is unjustifiable.
“There! I’m breaking into what John Norton would call my irrepressible levity. But there is little gladness in me. Ennui hunts me like a hound, loosing me for a time, but finding the scent again it follows — I struggle — escape — but the hour will come when I shall escape no more. If Lily had not died, if I had married her, I might have lived. In truth, I’m not alive, I’m really dead, for I live without hope, without belief, without desire. Ridiculous as a wife and children are when you look at them from the philosophical side, they are necessary if man is to live; if man dispenses with the family, he must embrace the cloister; John has done that; but now I know that man may not live without wife, without child, without God!”
* * * * * *
Next day, after breakfast, he lay in his arm-chair, thinking of the few hours that lay between him and the fall of night. He sought to tempt his jaded appetite with many assorted dissipations, but he turned from all in disgust, and gambling became his sole distraction. Every evening about eleven he was seen in Piccadilly, going towards Arlington Street, and every morning about four the street-sweepers saw him returning home along the Strand. Then, afraid to go to bed, he sometimes took pen and paper and attempted to write some lines of his long-projected poem. But he found that all he had to say he had said in the sketch which he found among his papers. The idea did not seem to him to want any further amplification, and he sat wondering if he could ever have written three or four thousand lines on the subject.
The casual eye and ear still recognized no difference in him. There were days when he was as good-looking as ever, and much of the old fascination remained: but to one who knew him well, as Harding did, there was no doubt that his life had passed its meridian. The day was no longer at poise, but was quietly sinking; and though the skies were full of light, the buoyancy and blitheness that the hours bear in their ascension were missing; lassitude and moodiness were aboard.