This is a work of fiction. Any names, characters, places, and incidents are products of the author's imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons--living or dead--is entirely coincidental.
Taken copyright @ 2016 by Sophia Hampton and Kara Parker. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embedded in critical articles or reviews.
SUBSCRIBE TO MY MAILING LIST
To receive a FREE copy of an EXCLUSIVE short, join my mailing list here or by clicking on the banner below: http://eepurl.com/b65K5r
TABLE OF CONTENTS
TAKEN: A DARK HITMAN ROMANCE
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Epilogue
ABOUT THE AUTHOR
RENEGADE by KARA PARKER
Chapter 1: Cash
Chapter 2: Escape Routes
Chapter 3: Bad Decisions
Chapter 4: In the Daylight
Chapter 5: Letting Go
Chapter 6: Get-togethers
Chapter 7: Behind the Scenes
Chapter 8: The Code Writer
Chapter 9: The Sun Sets
Chapter 10: In Action
Chapter 11: The Women
Chapter 12: Need to Be
Chapter 13: False Hope
Chapter 14: Friends in High Places
Chapter 15: On the Fly
Chapter 16: The Knight Watch
Chapter 17: Flight or Fight
Chapter 18: The Next Episode
Chapter 19: Positive Signs
Chapter 20: News Alerts
Chapter 21: Off and Away
Chapter 22: Solitude
Chapter 23: Crack in the Façade
Chapter 24: Blurred Lines
Chapter 25: Knife’s Edge
Chapter 26: Ticking Time Bomb
Chapter 27:Serendipity
Chapter 28: Razor Edge
Chapter 29: Dead End
Epilogue: Together
ABOUT THE AUTHOR
TAKEN: A DARK HITMAN ROMANCE
Chapter 1
There are about two hundred people milling around where we’re standing - guys in long coats, families with kids, squads of teenage couples, and dozens of girls who look exactly like Mimi. Their hair is the color of a Hawaiian beach and they’re wearing enough expensive jewelry to buy a private island in the South Pacific. Most of the girls are slightly taller than Mimi, but that’s not saying much. You could fit Mimi inside a straw or purse, and she’s light enough that you’d think the first strong breeze would send her flying. Hummingbird-light. Fragile as a China doll. Those were her old man’s words. Not exactly a comforting thought when this whole city’s just bursting with guys with big guns who’d do anything to get their hands on her.
I’ve got my eye trained on her alright. She’s the one chatting up the shop assistant outside the Yves Sainte-Laurent dressing room, talking so fast that you’d think she was afraid someone would steal her words before she got them out. The guy she’s talking to is telling her he gets his hair cut every three days by a barber named C—honest to God, C—who Mimi knows, surprise surprise. She’s the one who set him up with his boyfriend, a designer for Dior. No danger here. She and this shop assistant are as peachy as a brother and sister.
But this guy wasn’t the one I was worried about. It’s this army of shop assistants she’s got working like camels that are making me nervous. It would be so easy to stash an Item beneath those designer pants or coats or whatever else she’s got the minions bringing her.
One crack of a weapon and the head don of the Mob Family would be minus a daughter, which means Leon Bosch would be minus a job, and in a few days, out feeding fish beneath the waters at Kingston Pier.
I set my copy of People magazine down on the chair next to me, and took out my carton, popping three Tic Tacs before crunching them with my teeth. This is right about the time I’d have a cigarette if I hadn’t given them up when I was seventeen. Worst decision of my life, and that’s coming from a guy who’s done a lot of dumb things. Things like agreeing to look after Mimi Randall.
It’s only my second day on the job, but I’m wondering how in the hell I’m ever going to last if I’m sweating bullets just sitting in a department store. You’d think I’m crazy if I said I’d prefer just throwing punches. Or even taking them. I’ve gotten my face opened so many times it’s like one of those old books that you open and it flips automatically to the page where the binding’s been smashed down. The only difference is that I doubt anyone looks at my face and thinks “library book.”
Whatever Mimi was looking for either she’s found it or she ain’t. She gives this guy C a little hug with a pat on the back. He has to bend down for her even though she’s got her heels propped up by six inches of heels.
“Having a ball, honey-cake?” she quips, hips swinging like a snake in a basket. I say nothing and take the four bags she’s got draped over her palm. “Such a gentleman.”
She puts so much stress on every word that I can’t ever tell when she’s being sarcastic, which is why my default is just to say nothing. Her daddy’s paying me to be her bodyguard. Not one of her girlfriends.
Someone ought to tell her that, but I can hardly ever get a word in edgewise when she’s yapping on like this. So I shut up instead and do what I’m being paid five grand a day to do.
“Guy in the blue navy coat. Nine o’clock. He’s done nothing but stare at you since you came in.”
“Is the guy in the blue navy coat cute?” She cranes her neck above the shoppers pouring out of Gucci.
“Bald guy. Mid-forties.”
“Bald can be sexy if you wear it well. Ever seen early Phil Collins?” She gives up the search, turns back to the hall, and ignores me.
The bald guy’s got a black beard with little silver hairs in it like Christmas lights and a don’t-fuck-with-me-face. I try but have difficulty putting that face on an eighties Phil Collins. We exchange looks, and he breaks first to take a right into Ted Baker. Bald. Peacoat.
Mimi stamps left into Nieman Marcus and takes the place by storm, all glittering smiles and greetings. Shopping malls and designer outlets are the same to this girl as sports bars. Everyone knows her, and she knows everyone, and from the sounds of it, everyone really is everyone. She asks about Darius’s cousin and Anton’s mother’s good friend, who just had a showing in Paris, and Mark’s recent breakup, which she was so sorry to hear about although she’d been wanting to say, ever since they’d all gone out with Lex, that she’d thought he was a total bitch.
She doesn’t say a word to them about me, and they don’t acknowledge me, which is nice. Never cared much for small talk. It doesn’t help that I’ve gotten pretty good at shutting the other p
erson down without saying a whole lot.
The thing is, in my business, if you’re a Stitch or Brother or Cuchulainn—whatever the hell you are—the less you say, the better. Treat words the way you treat an Item. Assume they’re loaded and only fire if you’re sure of hitting the mark.
It’s the same dog and pony show as the last place. Even the haircuts are the same. C must have a thing here. One of these guys directs me to a lounge chair by the dressing room and points to a basket filled with an identical batch of mags as the last store. I grab the same edition of People and flip to page sixty-four, where I left off to finish the article about Justin Bieber’s latest arrest, when something catches the corner of my eye. I don’t even need to turn to see who it is. Peacoat guy is keeping his ground outside the store, looking in. Right at my Mimi. Two thoughts hit me as loud as pennies down a well. One is coincidence. Two is that this guy is insane. Meaning blood. Meaning mob.
There’s a tingle in my hands, and they get stiff. Stiff enough that the thumb and finger holding the corner of Justin Bieber’s bearded face tears it in two. I almost don’t notice. That’s the thing about adrenaline. You sink all your thoughts and energy into just one direction, and suddenly there’s no divided or undivided attention, no distraction and no caution. Just the question yapping through your brain: “If it comes to it, are you going to do what you have to do?”
The guy in the peacoat hesitates before entering the store—I still haven’t seen him full on, but I can make out his reflection in the polished, wooden closets near the front. I grip the magazine firmer to keep my hands steady and try not to smile. That’s just something I do before a fight. I can’t help it either. Even if I try forcing the muscles down with my fingers, they just pop back up again, and my face just stays that way—as wide as Chloe the clown. It’s been doing that since my first real fight when I was twelve. Doesn’t mean a thing about how I’m feeling, though it’s scared the hell out of guys in the past who’d been thinking of starting something.
But everybody’s got a tick like that. Maybe not smiling, but some weird shit their body does when they go into fighting mode. One of my boys in the Stitches—guy we call Glass ‘cause of what his fist can do to another guy’s face—starts up with this hyena laugh any time shit’s about to go down, but only when it’s a physical fight. Give the guy an Item, and he’s cool as a cucumber. Another one of our guys slaps his cheeks like he’s stuck in a dream and trying to wake himself up.
So here I am smiling while Mimi is being thronged, doted on, brushed, and coddled like a new kitten into a dressing room, and peacoat guy hasn’t moved a muscle since he stepped into the store. The girl at the counter asks him if she can do anything to help him and you can tell by the way she says it that even she’s wary. She’s thinking: this guy clearly isn’t here to shop.
I set the mag down and turn.
His eyes are glued to the dressing room, and he doesn’t see me at first. That means I’ve got a second to size this bastard up properly before deciding what’s gonna be done. Six feet, three inches. Arms like thighs. And this motherfucker’s clearly got something beneath his coat otherwise he would’ve stopped fishing around in his pocket.
I stand up.
Cashier girl twists to look at me—this hulking, smiling giant— and presses something on her desk before flying into the back dressing room, her heel’s clattering like skittles.
The guy notices me finally, and he starts coming forward. We’re both sizing each other up, doing this wordless, eye-to-eye dance with each other, like I was Wyatt Earp and he was the guy who tried to shoot Wyatt Earp.
It’s a bit of a stretch, but I figure if I’m fast enough I can take this guy from the left side and drive him into one of those big closets. If he trips on the woodwork like I’m planning for him to do, then I can maybe get in a couple of solid body kicks before he gets up again. Everything after that will depend on the Item and how long it takes Security. No use planning in advance what you can’t guess.
“Hey,” he says. The hand beneath his coat stops moving. “You got a problem, friend?”
I don’t say anything. Most of the guys who know their business don’t say anything to shit-talk. Plus with this stupid smile, it’s hard to get in a word.
The first thing you want to do with a guy with an Item is to get him by the arm. That’s just plain common sense although I’ve seen plenty of guys try to go for the neck first and get knifed in the belly. Two steps and I close the distance between us. I get his left wrist and start to bend, and this guy drops to his knees. He tries to cry but can’t, and I’m still bending when I hear Mimi’s voice from the dressing room.
I let go of the guy’s wrist. He flops out on the floor, wincing and shaking his hand out though I’ve put in enough finger pressure that he’ll be feeling it at least until the end of the week. And then, in swoops Mimi with her cavalcade, one of which has already gotten the guy water and another of which has got his hand on the guy’s back and is whispering that it’s going to be fine, just fine.
All this is going on while I’m still wearing this dumb smile, which really isn’t helping my image. Mimi’s got eyes that could freeze fire. I shrug.
“Mimi Randall,” the guy says weakly. You’d think he’d been shot, not had his elbow twisted around a little.
“David, I’m so sorry.”
He puts his right hand into his coat and takes out an envelope. There’s a card inside, with glitter on it. “Happy birthday.”
Chapter 2
Flashback two days. Here’s the situation. I’m standing in the middle of Randall’s quarter-billion dollar mansion, and the first thing I notice is the heat. Just thinking about it now puts me back in his living room, feeling each drop of sweat come down my ears. My legs. My back. My forehead.
“You guys cooking omelets in here or what?” I ask the two bodyguards—these big Slavic types with fingers wrapped in gold and necks like bulls. They don’t look at me. One of them pokes the other in the side and points to me and says a whole string of words that sounds like there’s not a vowel in the mix.
I roll up both sleeves to hide the sweat stains, take my seat on the ivory staircase, palm two Tic Tacs, and crunch slowly. They’re orange-colored and taste like nothing, not even mint, but I chew them all the same just to have something to do. I’ve been wandering around this room for an hour, at least, and Stefan Randall still hasn’t called me in.
Usually, I don’t stand for shit like this, and I’ve been thinking plenty about just walking out and telling the old guy to screw himself, but it’s more wishful thinking than anything. No one tells Stefan Randall to go screw himself. Maybe his guards—these asshole Slavs with their flat faces and gorilla-like upper bodies. But as far as I know, Stefan Randall’s never told anything less than ‘yes sir’ and ‘no sir,’ even from his enemies.
My shirt’s a dishrag that I’ve left tucked in for some reason and consider untucking, but then do nothing with it. My tie’s also hanging on the balustrade like a noose. Some blue and black-checkered thing I bought for a wedding I didn’t end up going to. It’s the first time I’ve brought it anywhere that wasn’t home from the store.
One of the Slavs—I get the name Egor from his nametag and ignore just how fucking hilarious it is these guys gotta wear nametags—takes out a tiny black pouch you’d think he’s got heroin stored in and proceeds to pack, roll, and light a cigarette all with two fingers. It’s like watching a magic trick.
I pop my last Tic Tac and crunch again. Must’ve been louder than I thought because Egor stares at me. His partner Vlad—the same in every way minus the mop of black he’s got on his head—clears his thick Russian throat.
I stare back, and we continue on like this for a minute or two like total idiots. Then Stefan’s door opens; a sickly, hunched-over kid totters out like he’s just gotten out of the hospital, and a green and blue streak of feathers goes flying overhead, squawking ‘pussy, pussy.’
I get a snapshot of the interior. Black and
white tiled floors, big oaken desk, a couple of what look like Corinthian pillars behind it, some strains from an opera, a squeal—
The door slams shut. It’s just us again, plus the kid and this parrot. He’s easily the biggest and the most beautiful parrot I’ve ever seen - red like blood, green like spring, grass, blue like water, and yellow like the sun. I sound like a goddam poet just describing the thing. Part of me wants to know how much the old boss paid for the creature, while the other part says don’t bother: even if you worked for the Brothers full-time there ain’t a chance you’d see anywhere near that money in your lifetime.
The Brothers. Sometimes it’s the Family. If you wanna get fancy, it’s the Fratelli, but if you’re like the rest of us you just call it the mob. That’s Stefan’s crew. Old Sicilian mob types. They came here about two hundred years ago right around the time of the Irish, and the two fought like devils in New York. Then they came a little bit more north and became friends, though by “friends” I mean in the sense when the other person isn’t constantly trying to put a jagged hunk of steel in your belly, or strap a bomb to the underside of your Mercedes.
All things considered, it’s still pretty crazy to think of the changes these guys have made recently. Take that guy who just walked out of Stefan’s office - wormy, thin, and pale with so many freckles on his cheeks they look like a swarm of fire ants. Irish through and through.
Taken: A Dark Hitman Romance Page 1