At thirty feet I climbed into the sling? on the shot line and plugged -he air hose into the demand valve on the harness, thus taking air from the big bottles at the bottom of the cenote and leaving the smaller harness bottles as a reserve. Then I looked at my watch. I would have to wait fifteen minutes at thirty feet, thirty-five minutes at twenty feet, and fifty minutes at ten feet.
Decompression is a slow and wearisome business at the best of times but this time the uncertainty of what I was about to meet when out of the water made it much worse. At the ten-foot level the suspense was awful because I knew I would be perfectly visible to anyone standing on the edge of the cenote. To make matters more nerve-racking the air gave out after only ten minutes at ten feet and I had to switch on to reserve; there had not been as much in the big cylinders as I thought and I was cutting things damned fine. And Katherine had been a little wasteful with the air from her bottles because it ran out fifteen minutes before my time was up, and I was forced to the surface.
I came up under the raft and hoped it wouldn't matter, pleased to be able to gulp in mouthfuls of sun-warmed air. I clung on to the underside of the raft with my head in the air space and listened intently. There was nothing to be beard apart from the soughing of the wind, which seemed to have dropped considerably in strength while we had been under water. I certainly heard no voices or anything human.
After a while I swam from under the raft and wearily climbed on board and shook off the scuba harness. Something clattered to the deck of the raft and I looked around in alarm for fear that it might have been heard before I bent to pick it up. It was a gold piece from the cave -- the little statue of the Mayan maiden that Vivero had cast. I thrust it into my belt and then listened again and heard nothing of consequence.
I swam ashore to the rough dock that Rudetsky had made and trudged up the steps that had been hewn in the cliff like side of the cenote. At the top I stood in shaken amazement. The camp was a total wreck -- most of the huts had disappeared completely, leaving only the foundations, and the whole area was a tangle of broken branches and even whole tree: trunks from God knows where. And there was not a man in sight.
I looked towards the hut where we had made our stand and saw it was crushed and smashed under the weight of a big tree whose roots pointed skywards incongruously. Twigs cracked underfoot as I picked my way towards it and, as I got near, a brightly coloured bird flew out of the wreckage with a nutter of wings that momentarily alarmed me.
I prowled around, then stepped inside, climbing with difficulty over branches as thick as my own body. Somewhere among this lot were the spare scuba bottles I needed to bring Katherine to surface.
And somewhere among this lot was Fallon!
I found two machetes lying crossed as though someone had laid them down for sword dancing and took one to cut away at the smaller branches near where I would expect to find Fallon. After ten minutes of chopping I disclosed a hand and an arm outflung in death, but a few more cuts revealed the blood-smeared face of Smith. I tried again a little further along the line of the wall and this time I found him.
He was pinned to the ground by the branch that had struck him down, and when I put my hand on his arm I found, to my astonishment, that he was still warm. Quickly, I felt the pulse at his wrist and detected the faintest pulsation. Fallon was still alive! He had died neither by the hand of Gatt nor of the ancient enemy, but, incredibly, was still alive in spite of the violence of nature that had crashed a whole tree on to the hut.
I swung the machete and began to chop him free, which was not too difficult because he lay in the angle between floor and wall which had protected him from the tree in the first place, and I was soon able to drag him free and to put him in better comfort out of the sun. When I had done that he was still unconscious but his colour had improved and there didn't seem much wrong with him apart from the dark bruise on the side of his head. I thought he would presently regain consciousness naturally, so I left him for more important work.
The compressor parts had been hidden in a hole near the hut and covered with earth, but the whole area was covered with torn tree branches and other debris, including whole tree trunks. I wondered momentarily where they had come from and looked across the cenote to the hillside behind, and the sight of it took my breath in sharply. The ridge had been wiped clean of vegetation as if Rudetsky's gang had worked on it with power saw and flame-thrower.
There had been a wind -- a big wind -- that had assaulted the shallow-rooted forest trees and torn them clean out. I turned to look again at the hut and saw that the tree whose roots stuck up so ridiculously into the air must have been hurled from high on the hillside to strike downwards like some strange spear. And that was why the whole camp area, as far as I could see, was a wreck of timber and leafage.
The hillside was scraped clean to reveal the bare rock that had been hidden beneath the thin soil and, on top of the ridge, the temple of Yum Chac stood proudly against the sky very much as it must have looked when Vivero first saw it. I stepped back to get a better view of the whole ridge and looked past the ruined hut, and a great feeling of awe came upon me.
Because I saw Vivero's sign written in burning gold in the side of the ridge. I am not, in any sense, a religious man, but my legs turned to water and I sank down upon my knees and tears came to my eyes. The sceptic, of course, would write it off as a mere trick of the sun, of light and shade, and would point to parallels in other parts of the world where some natural rock formations are famous and well known. But that sceptic would not have gone through what I had gone through that day.
It may have been a trick of light and shade, but it was undeniably real -- as real as if carved by a master sculptor. The setting sun, shining fitfully through scudding clouds, shed a lurid yellow light along the ridge and illuminated a great figure of Christ Crucified, The arms, spread along the ridge, showed every tortured muscle, and the nail heads in the palms of the hands cast deep shadows. The broad-chested torso shrank to a hollow stomach at the foot of the ridge, and there was a gaping hole in the side, just under the rib cage, which a sceptic would have dismissed as a mere cave. All the rib structure showed as clearly as in an anatomical drawing, as though that mighty chest was gasping for breath.
But it was the face that drew the attention. The great head lolled on one side against a shoulder and an outcrop of spiky rocks formed the crown of thorns against the darkening sky. Deep shadows drew harsh lines of pain from the nose to the corners of the mouth; the hooded eyes, crow-footed at the corners, stared across Quintana Roo; and the lips seemed about to part as though to bellow in a great voice of stone, 'Eloi! Eloi, Lama Sabacthani!'
I found my hands trembling and I could imagine what impression this miracle would have made on Vivero, a child of a simpler, yet deeper, faith than ours. No wonder he wanted his sons to take the city of Uaxuanoc; no wonder he had kept it secret and had baited his letter with gold. If this had been discovered in Vivero's time, it would have been one of the wonders of the Christian world, and the discoverer might even have been revered as a saint.
Probably this effect was not a daily occurrence and might depend on certain angles of the sun and, perhaps, times of year even. The Mayas, brought up in a different pictorial tradition and with no knowledge of Christianity, might not even have recognized it for what it was. But Vivero certainly had.
I knelt entranced in the middle of that devastated camp and looked up at this great wonder which had been hidden for so many centuries under a curtain of trees. The light changed as a cloud passed over the sun, and the expression of that huge and distant face changed from a gentle sorrow to inexpressible agony. I suddenly felt very afraid, and closed my eyes.
There was a crackle of twigs. That's right; say your prayers, Wheale,' said a grating voice.
I opened my eyes and turned my head. Gatt was standing just to one side with a revolver in his hand. He looked as though the whole forest had fallen on top of him. Gone was the neat elegance of the morning; he had l
ost his jacket, and his shirt was torn and ragged, revealing a hairy chest streaked with bloody scratches. His trousers were ripped at the knees and, as he walked around me, I saw that he had lost one shoe and was limping a little. But even so he was in better shape than I was -- he had a gun!
He rubbed his hand over one sweaty cheek, streaking it with dirt, and lifted the other which held the revolver. 'Just you stay right there -- on your knees.' He walked on a little further until he was directly in front of me. 'Have you seen what's behind you?' I asked quietly. 'Yeah, I've seen it,' he said tonelessly. 'Some effect, hey? Better than Mount Rushmore.' He grinned. 'Expecting it to do you some good, Wheale?'
I said nothing, but just looked at him. The machete was at my side and within reach of my lingers if I stooped a little. [ didn't think Gatt would let me get that far.
'So you been praying, boy? Well, you gotta right.' The cultivated accent had vanished along with the elegance of his clothes; he had gone back to his primitive beginnings. 'You got every right because I'm gonna kill you. You wanna pray some more? Go right ahead -- be my guest.'
I still kept my mouth shut, and he laughed. 'Cat got your tongue? Got nothing to say to Jack Gatt? You were pretty gabby this morning, Wheale. Now, I'll tell you something -- confidential between you and me. You got plenty time to pray because you're not going to die quick or easy. I'm going to put a hot slug right in your guts and you'll take a long, long time to join our pal over there.' He jerked his thumb over his shoulder. 'You know who I mean -- Holy Jesus up in the sky.' There was a maniac gleam in his eyes and a tic convulsed his right cheek. He was now right round the bend and beyond the reach of reason. Gone was any idea he might have had of making me dive for the treasure -- all he wanted was the violence of revenge, a booby prize for being cheated.
I looked at the gun he was holding and couldn't see any bullets in it. What I don't know about firearms would fill a library of books, but the revolver I'd used had rotated the cylinder when the trigger was pressed to bring a cartridge under the hammer, and before the gun was fired that cartridge would be visible from the front. I couldn't see any such cartridge in Gait's gun.
'You've caused me a lot of trouble,' said Gatt. 'More trouble, than any man I knew.' He laughed raucously. 'Get it? I put that in the past tense because guys who cause me any kind of trouble don't stay alive. And neither will you.' He was relaxed and enjoying his cat-and-mouse game.
I was anything but relaxed. I was about to stake my life on there not being two kinds of revolver. Slowly I stooped and curled my fingers around the handle of the machete. Gatt tensed and jerked the gun. 'Oh, no,' he said. 'Drop it!'
I didn't. Instead, I started to get to my feet. 'All right, buster,' shouted Gatt. 'Here it comes!' He squeezed the trigger and the hammer fell on an empty chamber with a dry click. He looked at it with startled eyes, and then backed away fast as he saw me coming at him with the upraised machete, turned tail and ran with me after him. He scrambled over a tree trunk and became entangled in branches. I took a swing at him and a spray of leaves and twigs flew up into the air. Gatt yelped in fear and broke free, trying to make for the open ground and the forest beyond, but I ran around the tree, cutting him off, and he backed away towards the cenote.
He was still holding the useless gun which he raised and tried to fire again, giving me another bad moment, but it clicked harmlessly. I stepped forward again, manoeuvring him backwards, and he stepped back cautiously, not daring to take his eyes off me until he stumbled over the concrete foundations of the hut.
I will say he was quick. He threw the gun at me with an unexpected movement and I ducked involuntarily, and when I recovered he also was armed with a machete, which he had picked up from the floor of the hut. He squared his shoulders and a new confidence seemed to come over him as he hefted the broad-bladed weapon. His lips parted and his mouth broke into a grin, but there was no humour in his watchful eyes.
I automatically fell into the sabre stance -- the classic 'on guard' position. As from a great distance seemed to come the ghostly voice of the maitre d'armes crying. 'Use your fingers on the cut, Wheale!' I hefted the machete. This was no light sporting sabre to be twitched about by finger action as the Hungarian masters have taught; it could be more appropriately compared with a naval cutlass.
Gatt jumped and took a swipe at me and I instinctively parried with a clash of steel, then jumped back six feet and felt the sweat start out on my chest beneath the rubber suit. I had used the wrong parry, forgetting the machete had no guard for the hand. Gatt had used a sideways slash and I had parried in second, catching his blade on mine. If I hadn't jumped back his blade would have slid along mine and chopped my hand off -- something that couldn't happen with a sabre.
I feinted at him to gain time to think and to watch his reaction to an attack. He tried to parry clumsily, missed my blade, jumped back and nearly fell. But he was agile for his age, and recovered quickly, successfully parrying again. I gave ground, well satisfied with what I had learned. Gatt was definitely no fencer. As a young mafioso he may have been an adept with a knife, but a machete is more like a sword than i an overgrown knife, and I had the advantage.
So here we were, fulfilling the hypothetical prophecy of Pat Harris -- Gatt and I alone in Quintano Roo with Gatt separated from his bodyguards. I was determined to make it as quick and as short as possible; I was going to kill Gatt as soon as I could. I didn't forget, however, that he was still highly dangerous, and advanced on him with due caution.
He had the sense to manoeuvre sideways so he would not have the wreckage of the hut behind him. That suited me because he could not retreat very far without coming to the edge of the cenote. He was sweating and breathing heavily, standing square on with his feet apart. He moved again, fast, and chopped down in a swing that would have cleaved my skull had it connected. I parried in quinte and stood my ground, which he didn't expect. For a split second he was very close and his eyes widened in fear as I released his blade and cut at his flank. It was only by a monstrous leap backwards that he avoided it, and the point of my machete ripped his shirt away.
I took advantage and pressed home the attack and he gave way slowly, his eyes looking apprehensively at my blade which is the wrong thing to watch -- he ought to have been looking at my sword hand. In desperation he attacked again and I parried, but my foot slipped on a branch which rolled under the instep and I staggered sideways. I lost contact with his blade and it sliced downwards into my side in a shallow cut.
But I recovered and engaged his blade again and drove him back with a series of feints. He parried frantically, waving the machete from side to side. I gave ground then and put my hand to my side as though tiring and he momentarily drooped his guard in relief. Then I went in for the kill -- a fleche and a lunge in the high line; he parried and I deceived the parry and chopped at his head.
The edge of the machete hit the side of his head just below me ear and I instinctively drew it back into a cut as I had been taught, and the blade sliced deep into his neck. He was dead before he knew it because I had damn near cut his head off. He twisted as he fell and rolled to the edge of the cenote, then slowly toppled over to fall with a thump on the wooden dock.
I didn't bother to look at him. I just staggered to the nearest support, which was a fallen tree, and leaned on the trunk. Then I vomited and nearly brought my heart up.
III
I must have passed out for a while because the next thing I knew was that I was lying on the ground, staring sideways at a column of industrious ants that looked as big as elephants from that angle. I picked myself up wearily and sat on the trunk of the tree. There was something nagging at the back of my head -- something I had to do. My head ached abominably and little pointless thoughts chittered about like bats in an attic.
Oh, yes; that's what I had to do. I had to make sure that Jack Edgecombe didn't make a balls-up of the farm; he wasn't too enthusiastic in the first place and a man like that could make an awful mess of all the Mayan ruin
s. There was that pillar I'd found right next to the oak tree great-grandfather had planted -- Old Cross-eyes I'd called him, and Fallon bad been very pleased, but I mustn't let Jack Edgecombe near him. Never mind, old Mr. Mount would see to everything -- he'd get a farm agent in to see to the excavation of the Temple of Yum Chac.
I put my hands to my eyes and wiped away the tears. Why the devil was I crying? There was nothing to cry about. I would go home now and Madge Edgecombe would make me tea, with scones spread thick with Devonshire cream and homemade strawberry jam. She'd use the Georgian silver set my mother had liked so much, and it would all be served on that big tray.
That big tray!
That brought it all back with a rush and my head nearly burst with the terror of it. I looked at my hand which was covered with drying blood and I wondered whose blood it was. I had killed a lot of men -- I didn't know how many -- so whose blood was this?
There and then I made a vow. That I would go back to England, to the sheltered combes of Devon, and I would never leave Hay Tree Farm again. I would stick close to the land of my people, the land that Wheales had toiled over for generations, and never again would I be such a damned fool as to look for adventure. There would be adventure enough for me in raising fat cattle and sinking a pint in the Kingsbridge Inn, and if ever again anyone called me a grey little man I would -- not in your condition,' he said, 'Some of these boys are trained swimmers -- I'll go see the teniente,'
The Vivero Letter Page 31