Such is Bramall—such Moreton, and many another we might instance; the former of these houses may, perhaps, be instanced as the best specimen of its class (and its class, in our opinion, is the best) to be met with in Cheshire, considered with reference either to the finished decoration of its exterior, rich in the chequered colouring we have alluded to, preserved with a care and neatness almost Dutch, or to the consistent taste exhibited by its possessor in the restoration and maintenance of all its original beauty within doors. As an illustration of old English hospitality (that real, hearty hospitality for which the squirearchy of this country was once so famous—ah! why have they bartered it for other customs less substantially English?) it may be mentioned, that a road conducted the passenger directly through the great hall of this house, literally "of entertainment," where, if he listed, strong ale, and other refreshments awaited his acceptance, and courted his stay. Well might old King, the Cheshire historian, in the pride of his honest heart, exclaim, "I know divers men, who are but farmers, that in their housekeeping may compare with a lord or baron, in some countries beyond the seas;—yea, although I named a higher degree, I were able to justify it." We have no such "golden farmers" in these degenerate days!
The mansion was originally built by Sir Ranulph de Rookwood (or, as it was then written, Rokewode), the first of the name, a stout Yorkist, who flourished in the reign of Edward IV, and received the fair domain and broad lands upon which the edifice was raised, from his sovereign, in reward for good service; retiring thither in the decline of life, at the close of the Wars of the Roses, to sequestrate himself from scenes of strife, and to consult his spiritual weal in the erection and endowment of the neighbouring church. It was of mixed architecture, and combined the peculiarities of each successive era. Retaining some of the sterner features of earlier days, the period ere yet the embattled manor-house peculiar to the reigns of the later Henries had been merged in the graceful and peaceable hall, the residence of the Rookwoods had early anticipated the gentler characteristics of a later day, though it could boast little of that exuberance of external ornament, luxuriance of design, and prodigality of beauty, which, under the sway of the Virgin Queen, distinguished the residence of the wealthier English landowner; and rendered the hall of Elizabeth, properly so called, the pride and boast of our domestic architecture.
The site selected by Sir Ranulph for his habitation had been already occupied by a vast fabric of oak, which he in part removed, though some vestiges might still be traced of that ancient pile. A massive edifice succeeded with gate and tower, court and moat complete, substantial enough one would have thought to have endured for centuries. But even this ponderous structure grew into disuse, and Sir Ranulph's successors, remodelling, repairing, almost rebuilding the whole mansion, in in the end so metamorphosed its aspect, that at last little of its original and distinctive character remained. Still, as we said before, it was a fine old house; though some changes had taken place for the worse, which could not be readily pardoned by the eye of taste; as, for instance, the deep embayed windows had dwindled into modernised casements, of lighter construction; the wide porch, with its flight of steps leading to the great hall of entrance, had yielded to a narrow door; and the broad, quadrangular court was succeeded by a gravel drive. Yet despite of all these changes, the house of the Rookwoods, for an old house (and, after all, what is like an old house?), was no undesirable, or uncongenial abode for any worshipful country gentleman "who had a great estate."
The hall was situated near the base of a gently declining hill, terminating a noble avenue of limes, and partially embosomed in an immemorial wood of the same timber, which had given its name to the family that dwelt among its rook-haunted shades. Descending the avenue, at the point of access afforded by a road that wound down the hillside towards a village distant about half a mile, as you advanced, the eye was first arrested by a singular octagonal turret of brick, of more recent construction than the house; and in all probability occupying the place where the bartizan'd gateway stood of yore. This tower rose to a height corresponding with the roof of the mansion; and was embellished on the side facing the house with a flamingly gilt dial, peering, like an impudent observer, at all that passed within doors. Two apartments, which it contained, were appropriated to the house-porter. Despoiled of its martial honours, the gateway still displayed the achievements of the family—the rook and the fatal branch—carved in granite, which had resisted the storms of two centuries, though stained green with moss, and mapped over with lichens. To the left, overgrown with ivy, and peeping from out a tuft of trees, appeared the hoary summit of a dovecot indicating the near neighbourhood of an ancient barn, contemporary with the earliest dwelling-house; and of a little world of offices and out-buildings buried in the thickness of the foliage. To the right was the garden—the pleasaunce of the place—formal, precise, old-fashioned, artificial, yet exquisite!
This was a garden! There might be seen the stately terraces such as Watteau, and our own Wilson, in his earlier works, painted—the trim alleys exhibiting all the triumphs of Topiarian art, the gayest of parterres and greenest of lawns, with its admonitory sun-dial, its marble basin in—the centre, its fountain, and conched water-god, the quaint summer-house, surmounted with its gilt vane, the statue, glimmering from out its covert of leaves, the cool cascade, the urns, the bowers, and a hundred luxuries beside, suggested and contrived by Art to render Nature most enjoyable, and to enhance the recreative delights of home-out-of-doors (for such a garden should be), with least sacrifice of in-door comfort and convenience.
All these delights might once have been enjoyed. But at the time of which we write, this fair garden was for the most part a waste. Ill kept, and unregarded, the gay parterres were disfigured with weeds; the grass grew on the gravel walk; several of the urns were overthrown; the hour upon the dial was untold; the fountain was choked up, and the smooth-shaven lawn only rescued, it would seem, from the general fate, that it might answer the purpose of a bowling-green, as the implements of that game, scattered about, plainly testified.
Diverging from the garden to the house, we have before remarked that the more ancient and characteristic features of the place had been, for the most part, destroyed; less by the hand of time than to suit the tastes of different proprietors. This, however, was not so observable in the eastern wing, which overlooked the garden. Here might be discerned many indications of its antiquity. The strength and solidity of the walls, which had not been, as elsewhere, masked with brickwork; the low, Tudor arches; the mullioned bars of the windows—all attested its age.
This wing was occupied by an upper and lower gallery, communicating with suits of chambers, for the most part deserted, excepting one or two, which were used as dormitories; and another little room on the ground-floor, with an oriel window opening upon the lawn, and commanding the prospect beyond—a favourite resort of the late Sir Piers. The interior was curious for its honeycomb ceiling, deeply moulded in plaster, with the arms and alliances of the Rookwoods. In the centre was the royal blazon of Elizabeth, who had once honoured the hall with a visit during a progress, and whose cipher E. R. was also displayed upon the immense plate of iron which formed the fire-grate.
To return, for a moment, to the garden, which we linger about as a bee around a flower. Below the lawn there was another terrace, edged by a low balustrade of stone, commanding a lovely view of park, water, and woodland. High-hanging woods waved in the foreground, and an extensive sweep of flat champaign country, stretched out to meet a line of blue, hazy hills bounding the distant horizon.
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CHAPTER V
SIR REGINALD ROOKWOOD
FROM the house to its inhabitants, the transition is natural. Besides the connection between them, there were many points of resemblance; many family features in common; there was the same melancholy grandeur, the same character of romance, the same fantastical display. Nor were the secret passages, peculiar to the one, wanting to the history of the other. Both had
their mysteries. One blot there was in the otherwise proud escutcheon of the Rookwoods, that dimmed its splendour, and made pale its pretensions: their sun was eclipsed in blood from its rising to its meridian; and so it seemed would be its setting. This foul reproach attached to all the race; none escaped it. Traditional rumours were handed down from father to son, throughout the county, and, like all other rumours, had taken to themselves wings, and flown abroad: their crimes became a by-word. How was it they escaped punishment? How came they to evade the hand of justice? Proof was ever wanting; justice was ever baffled. They were a stern and stiff-necked people, of indomitable pride and resolution, with, for the most part, force of character sufficient to enable them to breast difficulties and dangers that would have overwhelmed ordinary individuals. No quality is so advantageous to its possessor as firmness; and the determined energy of the Rookwoods bore them harmless through a sea of troubles. Besides, they were wealthy; lavish even to profusion; and gold will do much, if skilfully administered. Yet, despite all this, a dark ominous cloud settled over their house, and men wondered when the vengeance of Heaven, so long delayed, would fall, and consume it.
Possessed of considerable landed property, once extending over nearly half the West Riding of Yorkshire, the family increased in power and importance for an uninterrupted series of years, until the outbreak of that intestine discord which ended in the civil wars, when the espousal of the royalist party, with sword and substance, by Sir Ralph Rookwood, the then lord of the mansion (a dissolute, depraved personage, who, however, had been made a Knight of the Bath at the coronation of Charles I), ended in his own destruction at Naseby, and the wreck of much of his property; a loss, which the gratitude of Charles II, on his restoration, did not fail to make good to Sir Ralph's youthful heir, Reginald.
Sir Ranulph Rookwood left two sons, Reginald and Alan. The fate of the latter was buried in obscurity. It was even a mystery to his family. He was, it was said, a youth of much promise, and of gentle manners; who, having made an imprudent match, from jealousy, or some other motive, deserted his wife, and fled his country. Various reasons were assigned for his conduct. Amongst others, it was stated that the object of Alan's jealous suspicions was his elder brother, Reginald; and that it was the discovery of his wife's infidelity in this quarter, which occasioned his sudden disappearance with his infant daughter. Some said he died abroad. Others, that he had appeared again for a brief space at the hall. But all now concurred in a belief of his decease. Of his child nothing was known. His inconstant wife, after enduring for some years the agonies of remorse, abandoned by Sir Reginald, and neglected by her own relatives, put an end to her existence by poison. This is all that could be gathered of the story, or the misfortunes of Alan Rookwood.
The young Sir Reginald had attended Charles, in the character of page, during his exile; and if he could not requite the devotion of the son, by absolutely reinstating the fallen fortunes of the father, the monarch could at least accord him the fostering influence of his favour and countenance; and bestow upon him certain lucrative situations in his household, as an earnest of his good-will. And thus much he did. Remarkable for his personal attractions in youth, it is not to be wondered at, that we should find the name of Reginald Rookwood recorded in the scandalous chronicles of the day, as belonging to a cavalier of infinite address and discretion, matchless wit, and marvellous pleasantry; and eminent beyond his peers for his successes with some of the most distinguished beauties who ornamented that brilliant and voluptuous Court.
A career of elegant dissipation ended in matrimony. His first match was unpropitious. Foiled in his attempts upon the chastity of a lady of great beauty and high honour, he was rash enough to marry her; rash, we say, for from that fatal hour all became as darkness; the curtain fell upon the comedy of his life, to rise to tragic horrors. When passion subsided, repentance awoke, and he became anxious for deliverance from the fetters he had so heedlessly imposed on himself, and on his unfortunate dame.
The hapless lady of Sir Reginald was a fair and fragile creature, floating in the eddying current of existence, and hurried to destruction as the summer gossamer is swept away by the rude breeze, and lost for ever. So beautiful, so gentle was she, that if,
Sorrow had not made
Sorrow more beautiful than Beauty's self,
it would have been difficult to say whether the charm of softness, and sweetness, was more to be admired than her faultless personal attractions. But when a tinge of melancholy came saddening and shading the once smooth and smiling brow; when tears dimmed the blue beauty of those deep and tender eyes; when hot, hectic flushes supplied the place of healthful bloom, and despair took possession of her heart, then was it seen what was the charm of Lady Rookwood, if charm that could be called, which was a saddening sight to see, and melted the beholder's soul within him. All acknowledged, that exquisite as she had been before, the sad, sweet lady was now more exquisite still.
Seven moons had waned and flown—seven bitter, tearful moons—and each day Lady Rookwood's situation claimed more soothing attention at the hand of her lord. About this time his wife's brother, whom he hated, returned from the Dutch wars. Struck with his sister's altered appearance, he readily divined the cause; indeed, all tongues were eager to proclaim it to him. Passionately attached to her, Lionel Vavasour implored an explanation of the cause of his sister's griefs. The bewildered lady answered evasively, attributing her woebegone looks to any other cause than her husband's cruelty; and pressing her brother, as he valued her peace, her affection, never to allude to the subject again. The fiery youth departed. He next sought out his brother-in-law and taxed him sharply with his inhumanity, adding threats to his upbraidings. Sir Reginald listened silently and calmly. When the other had finished, with a sarcastic obeisance, he replied, "Sir, I am much beholden for the trouble you have taken in your sister's behalf. But when she entrusted herself to my keeping, she relinquished, I conceive, all claim on your guardianship: however, I thank you, for the trouble you have taken; but, for your own sake, I would venture to caution you against a repetition of interference like the present."
"And I, sir, caution you. See that you give heed to my words, or, by the Heaven above us, I will enforce attention to them."
"You will find me, sir, as prompt at all times to defend my conduct, as I am unalterable in my purposes. Your sister is my wife. What more would you have? Were she a harlot, you should have her back and welcome. The fool is virtuous. Devise some scheme, and take her with you hence—so you rid me of her I am content."
"Rookwood, you are a villain." And Vavasour spat upon his brother's cheek.
Sir Reginald's eyes blazed. His sword started from its scabbard. "Defend yourself," he exclaimed, furiously attacking Vavasour. Pass after pass was exchanged. Fierce thrusts were made and parried. Feint and appeal, the most desperate and dexterous, were resorted to. Their swords glanced like lightning flashes. In the struggle, the blades became entangled. There was a moment's cessation. Each glanced at the other with deadly, inextinguishable hate. Both were admirable masters of the art of defence. Both were so brimful of wrath as to be regardless of consequences. They tore back their weapons. Vavasour's blade shivered. He was at the mercy of his adversary—an adversary who knew no mercy. Sir Reginald passed his rapier through his brother's body. The hilt struck against his ribs.
Sir Reginald's ire was kindled, not extinguished, by the deed he had done. Like the tiger, he had tasted blood—like the tiger he thirsted for more. He sought his home. He was greeted by his wife. Terrified by his looks, she yet summoned courage sufficient to approach him. She embraced his arm—she clasped his hand. Sir Reginald smiled. His smile was cutting as his dagger's edge.
"What ails you, sweetheart?" said he.
"I know not; your smile frightens me."
"My smile frightens you—fool! be thankful that I frown not."
"Oh! do not frown. Be gentle, my Reginald, as you were when first I knew you. Smile not so coldly, but as you did then, th
at I may, for one instant, dream you love me."
"Silly wench! There—I do smile."
"That smile chills me—freezes me. Oh, Reginald! could you but know what I have endured this morning on your account. My brother Lionel has been here."
"Indeed!"
"Nay, look not so. He insisted on knowing the reason of my altered appearance."
"And no doubt you made him acquainted with the cause. You told him your version of the story."
"Not a word, as I hope to live."
"A lie!"
"By my truth, no."
"A lie, I say. He avouched it to me himself."
"Impossible! He could not—would not disobey me.
Sir Reginald laughed bitterly.
"He would not, I am sure, give utterance to any scandal," continued Lady Rookwood. "You say this but to try me, do you not?—ha! what is this? Your hand is bloody. You have not harmed him? He is safe? Whose blood is this?"
"Your brother spat upon my cheek. I have washed out the stain," replied Sir Reginald, coldly.
"Then it is his," shrieked Lady Rookwood, pressing her hands shudderingly before her eyes. "Is he dead—dead?"
Sir Reginald turned away.
"Stay," she cried, exerting her feeble strength to retain him, and becoming white as ashes, "abide and hear me. You have killed me, I feel, by your unkindness. I have striven against it, but it would not avail. I am sinking fast—dying. I, who loved you, only you; yea, one beside—my brother, and you have slain him. Your hands are dripping in his blood, and I have kissed them—have clasped them. And now," continued she, with an energy that shook Sir Reginald, "I hate you—I abhor you—I renounce you—for ever! May my dying words ring in your ears on your deathbed, for that hour will come. You cannot shun that. Then think of him! think of me!"
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