The Best Ghost Stories Ever Told

by Stephen Brennan

  ‘Ah,’ said Evleen, ‘it is you who leave me the flowers every morning? They are very sweet.’

  Muireade had sought her only for a look at her beautiful face. And now that she had seen it, as bright as the sun, and as fair as the lily, she would take up her basket and go away contented. Yet she lingered a little longer.

  ‘My lady never walk up big mountain?’ said Pexie.

  ‘No,’ said Evleen, laughing; she feared she could not walk up a mountain.

  ‘Ah yes; my lady ought to go, with more gran’ ladies an’ gentlemen, ridin’ on purty little donkeys, up the big mountains. Oh, gran’ things up big mountains for my lady to see!’

  Thus she set to work, and kept her listener enchained for an hour, while she related wonderful stories of those upper regions. And as Evleen looked up to the burly crowns of the hills, perhaps she thought there might be sense in this wild old woman’s suggestion. It ought to be a grand world up yonder.

  Be that as it may, it was not long after this when Coll Dhu got notice that a party from the grey house would explore the mountains next day; that Evleen Blake would be one of the number; and that he, Coll, must prepare to house and refresh a crowd of weary people, who in the evening should be brought, hungry and faint, to his door. The simple mushroom-gatherer should be discovered laying in her humble stock among the green places between the hills, should volunteer to act as guide to the party, should lead them far out of their way through the mountains and up and down the most toilsome ascents and across dangerous places; to escape safely from which, the servants should be told to throw away the baskets of provisions which they carried.

  Coll Dhu was not idle. Such a feast was set forth, as had never been spread so near the clouds before. We are told of wonderful dishes furnished by unwholesome agency, and from a place believed much hotter than is necessary for purposes of cookery. We are told also how Coll Dhu’s barren chambers were suddenly hung with curtains of velvet, and with fringes of gold; how the blank white walls glowed with delicate colours and gilding; how gems of pictures sprang into sight between the panels; how the tables blazed with plate and gold, and glittered with the rarest glass; how such wines flowed, as the guests had never tasted; how servants in the richest livery, amongst whom the wizen-faced old man was a mere nonentity, appeared, and stood ready to carry in the wonderful dishes, at whose extraordinary fragrance the eagles came pecking to the windows, and the foxes drew near the walls, snuffing. Sure enough, in all good time, the weary party came within sight of the Devil’s Inn, and Coll Dhu sallied forth to invite them across his lonely threshold. Colonel Blake (to whom Evleen, in her delicacy, had said no word of the solitary’s strange behaviour to herself ) hailed his appearance with delight, and the whole party sat down to Coll’s banquet in high good humour. Also, it is said, in much amazement at the magnificence of the mountain rescue.

  All went in to Coll’s feast, save Evleen Blake, who remained standing on the threshold of the outer door; weary, but unwilling to rest there; hungry, but unwilling to eat there. Her white cambric dress was gathered on her arms, crushed and sullied with the toils of the day; her bright cheek was a little sunburned; her small dark head with its braids a little tossed, was bared to the mountain air and the glory of the sinking sun; her hands were loosely tangled in the strings of her hat; and her foot sometimes tapped the threshold-stone. So she was seen.

  The peasants tell that Coll Dhu and her father came praying her to enter, and that the magnificent servants brought viands to the threshold; but no step would she move inward, no morsel would she taste.

  ‘Poison, poison!’ she murmured, and threw the food in handfuls to the foxes, who were snuffing on the heath.

  But it was different when Muireade, the kindly old woman, the simple mushroom-gatherer, with all the wicked wrinkles smoothed out of her face, came to the side of the hungry girl, and coaxingly presented a savoury mess of her own sweet mushrooms, served on a common earthen platter.

  ‘An’ darlin’, my lady, poor Muireade her cook them hersel’, an’ no thing o’ this house touch them or look at poor Muireade’s mushrooms.’

  Then Evleen took the platter and ate a delicious meal. Scarcely was it finished when a heavy drowsiness fell upon her, and, unable to sustain herself on her feet, she presently sat down upon the door-stone. Leaning her head against the framework of the door, she was soon in a deep sleep, or trance. So she was found.

  ‘Whimsical, obstinate little girl!’ said the colonel, putting his hand on the beautiful slumbering head. And taking her in his arms he carried her into a chamber which had been (say the story-tellers) nothing but a bare and sorry closet in the morning hut which was now fitted up with Oriental splendour. And here on a luxurious couch she was laid, with a crimson coverlet wrapping her feet. And here in the tempered light coming through jewelled glass, where yesterday had been a coarse rough-hung window, her father looked his last upon her lovely face.

  The colonel returned to his host and friends, and by-and-by the whole party sallied forth to see the after-glare of a fierce sunset swathing the hills in flames. It was not until they had gone some distance that Coll Dhu remembered to go back and fetch his telescope. He was not long absent. But he was absent long enough to enter that glowing chamber with a stealthy step, to throw a light chain around the neck of the sleeping girl, and to slip among the folds of her dress the hideous glittering burragh-bos.

  After he had gone away again, Pexie came stealing to the door, and, opening it a little, sat down on the mat outside, with her cloak wrapped round her. An hour passed, and Evleen Blake still slept, her breathing scarcely stirring the deadly bauble on her breast. After that, she began to murmur and moan, and Pexie pricked up her ears. Presently a sound in the room told her that the victim was awake and had risen. Then Pexie put her face to the aperture of the door and looked in, gave a howl of dismay, and fled from the house, to be seen in that country no more.

  The light was fading among the hills, and the ramblers were returning towards the Devil’s Inn, when a group of ladies who were considerably in advance of the rest, met Evleen Blake advancing towards them on the heath, with her hair disordered as by sleep, and no covering on her head. They noticed something bright, like gold, shifting and glancing with the motion of her figure. There had been some jesting among them about Evleen’s fancy for falling asleep on the door-step instead of coming in to dinner, and they advanced laughing, to rally her on the subject. But she stared at them in a strange way, as if she did not know them, and passed on. Her friends were rather offended, and commented on her fantastic humour; only one looked after her, and got laughed at by her companions for expressing uneasiness on the wilful young lady’s account.

  So they kept their way, and the solitary figure went fluttering on, the white robe blushing, and the fatal burragh-bos glittering in the reflection from the sky. A hare crossed her path, and she laughed out loudly, and clapping her hands, sprang after it. Then she stopped and asked questions of the stones, striking them with her open palm because they would not answer. (An amazed little herd sitting behind a rock, witnessed these strange proceedings.) By-and-by she began to call after the birds, in a wild shrill way startling the echoes of the hills as she went along. A party of gentlemen returning by a dangerous path, heard the unusual sound and stopped to listen.

  ‘What is that?’ asked one.

  ‘A young eagle,’ said Coll Dhu, whose face had become livid; ‘they often give such cries.’ ‘It was uncommonly like a woman’s voice!’ was the reply; and immediately another wild note rang towards them from the rocks above; a bare saw-like ridge, shelving away to some distance ahead, and projecting one hungry tooth over an abyss. A few more moments and they saw Evleen Blake’s light figure fluttering out towards this dizzy point.

  ‘My Evleen!’ cried the colonel, recognising his daughter, ‘she is mad to venture on such a spot!’

  ‘Mad!’ repeated Coll Dhu. And then dashed off to the rescue with all the might and swiftness of his powerful l
imbs.

  When he drew near her, Evleen had almost reached the verge of the terrible rock. Very cautiously he approached her, his object being to seize her in his strong arms before she was aware of his presence, and carry her many yards away from the spot of danger. But in a fatal moment Evleen turned her head and saw him. One wild ringing cry of hate and horror, which startled the very eagles and scattered a flight of curlews above her head, broke from her lips. A step backward brought her within a foot of death.

  One desperate though wary stride, and she was struggling in Coll’s embrace. One glance in her eyes, and he saw that he was striving with a mad woman. Back, back, she dragged him, and he had nothing to grasp by. The rock was slippery and his shod feet would not cling to it. Back, back! A hoarse panting, a dire swinging to and fro; and then the rock was standing naked against the sky, no one was there, and Coll Dhu and Evleen Blake lay shattered far below.

  THE HAUNTED HOUSE

  CHARLES DICKENS

  Under none of the accredited ghostly circumstances, and environed by none of the conventional ghostly surroundings, did I first make acquaintance with the house which is the subject of this Christmas piece. I saw it in the daylight, with the sun upon it. There was no wind, no rain, no lightning, no thunder, no awful or unwonted circumstance, of any kind, to heighten its effect. More than that: I had come to it direct from a railway station: it was not more than a mile distant from the railway station; and, as I stood outside the house, looking back upon the way I had come, I could see the goods train running smoothly along the embankment in the valley. I will not say that everything was utterly commonplace, because I doubt if anything can be that, except to utterly commonplace people—and there my vanity steps in; but, I will take it on myself to say that anybody might see the house as I saw it, any fine autumn morning. The manner of my lighting on it was this.

  I was travelling towards London out of the North, intending to stop by the way, to look at the house. My health required a temporary residence in the country; and a friend of mine who knew that, and who had happened to drive past the house, had written to me to suggest it as a likely place. I had got into the train at midnight, and had fallen asleep, and had woke up and had sat looking out of window at the brilliant Northern Lights in the sky, and had fallen asleep again, and had woke up again to find the night gone, with the usual discontented conviction on me that I hadn’t been to sleep at all;—upon which question, in the first imbecility of that condition, I am ashamed to believe that I would have done wager by battle with the man who sat opposite me. That opposite man had had, through the night—as that opposite man always has—several legs too many, and all of them too long. In addition to this unreasonable conduct (which was only to be expected of him), he had had a pencil and a pocket-book, and had been perpetually listening and taking notes. It had appeared to me that these aggravating notes related to the jolts and bumps of the carriage, and I should have resigned myself to his taking them, under a general supposition that he was in the civil-engineering way of life, if he had not sat staring straight over my head whenever he listened. He was a goggle-eyed gentleman of a perplexed aspect, and his demeanour became unbearable. It was a cold, dead morning (the sun not being up yet), and when I had out-watched the paling light of the fires of the iron country, and the curtain of heavy smoke that hung at once between me and the stars and between me and the day, I turned to my fellow-traveller and said:

  “I BEG your pardon, sir, but do you observe anything particular in me?” For, really, he appeared to be taking down, either my travelling-cap or my hair, with a minuteness that was a liberty.

  The goggle-eyed gentleman withdrew his eyes from behind me, as if the back of the carriage were a hundred miles off, and said, with a lofty look of compassion for my insignificance:

  “In you, sir?—B.”

  “B, sir?” said I, growing warm.

  “I have nothing to do with you, sir,” returned the gentleman; “pray let me listen—O.”

  He enunciated this vowel after a pause, and noted it down. At first I was alarmed, for an Express lunatic and no communication with the guard, is a serious position. The thought came to my relief that the gentleman might be what is popularly called a Rapper: one of a sect for (some of) whom I have the highest respect, but whom I don’t believe in. I was going to ask him the question, when he took the bread out of my mouth.

  “You will excuse me,” said the gentleman contemptuously, “if I am too much in advance of common humanity to trouble myself at all about it. I have passed the night—as indeed I pass the whole of my time now—in spiritual intercourse.” “O!” said I, somewhat snappishly.

  “The conferences of the night began,” continued the gentleman, turning several leaves of his note-book, “with this message: ‘Evil communications corrupt good manners.”‘,

  “Sound,” said I; “but, absolutely new?”

  “New from spirits,” returned the gentleman.

  I could only repeat my rather snappish “O!” and ask if I might be favoured with the last communication.

  ‘“A bird in the hand,’” said the gentleman, reading his last entry with great solemnity, ‘“is worth two in the Bosh.’”

  “Truly I am of the same opinion,” said I; “but shouldn’t it be Bush?”

  “It came to me, Bosh,” returned the gentleman. The gentleman then informed me that the spirit of Socrates had delivered this special revelation in the course of the night. “My friend, I hope you are pretty well. There are two in this railway carriage. How do you do? There are seventeen thousand four hundred and seventy-nine spirits here, but you cannot see them. Pythagoras is here. He is not at liberty to mention it, but hopes you like travelling.” Galileo likewise had dropped in, with this scientific intelligence. “I am glad to see you, AMICO. COME STA? Water will freeze when it is cold enough. ADDIO!” In the course of the night, also, the following phenomena had occurred. Bishop Butler had insisted on spelling his name, “Bubler,” for which offence against orthography and good manners he had been dismissed as out of temper. John Milton (suspected of wilful mystification) had repudiated the authorship of Paradise Lost, and had introduced, as joint authors of that poem, two Unknown gentlemen, respectively named Grungers and Scadgingtone. And Prince Arthur, nephew of King John of England, had described himself as tolerably comfortable in the seventh circle, where he was learning to paint on velvet, under the direction of Mrs. Trimmer and Mary Queen of Scots. If this should meet the eye of the gentleman who favoured me with these disclosures, I trust he will excuse my confessing that the sight of the rising sun, and the contemplation of the magnificent Order of the vast Universe, made me impatient of them. In a word, I was so impatient of them, that I was mightily glad to get out at the next station, and to exchange these clouds and vapours for the free air of Heaven.

  By that time it was a beautiful morning. As I walked away among such leaves as had already fallen from the golden, brown, and russet trees; and as I looked around me on the wonders of Creation, and thought of the steady, unchanging, and harmonious laws by which they are sustained; the gentleman’s spiritual intercourse seemed to me as poor a piece of journey-work as ever this world saw. In which heathen state of mind, I came within view of the house, and stopped to examine it attentively.

  It was a solitary house, standing in a sadly neglected garden: a pretty even square of some two acres. It was a house of about the time of George the Second; as stiff, as cold, as formal, and in as bad taste, as could possibly be desired by the most loyal admirer of the whole quartet of Georges. It was uninhabited, but had, within a year or two, been cheaply repaired to render it habitable; I say cheaply, because the work had been done in a surface manner, and was already decaying as to the paint and plaster, though the colours were fresh. A lop-sided board drooped over the garden wall, announcing that it was “to let on very reasonable terms, well furnished.” It was much too closely and heavily shadowed by trees, and, in particular, there were six tall poplars before the front windows,
which were excessively melancholy, and the site of which had been extremely ill chosen.

  It was easy to see that it was an avoided house—a house that was shunned by the village, to which my eye was guided by a church spire some half a mile off—a house that nobody would take. And the natural inference was, that it had the reputation of being a haunted house.

  No period within the four-and-twenty hours of day and night is so solemn to me, as the early morning. In the summer-time, I often rise very early, and repair to my room to do a day’s work before breakfast, and I am always on those occasions deeply impressed by the stillness and solitude around me. Besides that there is something awful in the being surrounded by familiar faces asleep—in the knowledge that those who are dearest to us and to whom we are dearest, are profoundly unconscious of us, in an impassive state, anticipative of that mysterious condition to which we are all tending—the stopped life, the broken threads of yesterday, the deserted seat, the closed book, the unfinished but abandoned occupation, all are images of Death. The tranquillity of the hour is the tranquillity of Death. The colour and the chill have the same association. Even a certain air that familiar household objects take upon them when they first emerge from the shadows of the night into the morning, of being newer, and as they used to be long ago, has its counterpart in the subsidence of the worn face of maturity or age, in death, into the old youthful look. Moreover, I once saw the apparition of my father, at this hour. He was alive and well, and nothing ever came of it, but I saw him in the daylight, sitting with his back towards me, on a seat that stood beside my bed. His head was resting on his hand, and whether he was slumbering or grieving, I could not discern. Amazed to see him there, I sat up, moved my position, leaned out of bed, and watched him. As he did not move, I spoke to him more than once. As he did not move then, I became alarmed and laid my hand upon his shoulder, as I thought—and there was no such thing.