Five mustachioed warriors in armor of white quilting and seven musicians playing cymbals and pipes escorted them to the Hall of the Supreme Ultimate. There they found the full court arrayed: princes and ministers, high officials, yellow-robed monks, a swarm of imperial concubines. In a place of honor to the right of the royal thrones, which rose like gilded scaffolds high above all else, was a little group of stern-faced men in foreign costumes, the ambassadors of Rome and Byzantium, of Arabia and Syria, of Korea, Japan, Tibet, Turkestan. Incense smoldered in enameled braziers. A poet sang a delicate twanging melody, accompanying himself on a small harp. Then the Emperor and Empress entered: two tiny aged people, like waxen images, moving with infinite slowness, taking steps no greater than a child’s. There was the sound of trumpets as they ascended their thrones. When the little Emperor was seated—he looked like a doll up there, ancient, faded, shrunken, yet still somehow a figure of extraordinary power—he stretched forth both his hands, and enormous gongs began to sound. It was a scene of astonishing splendor, grand and overpowering.
These are all temporaries, Phillips realized suddenly. He saw only a handful of citizens—eight, ten, possibly as many as a dozen—scattered here and there about the vast room. He knew them by their eyes, dark, liquid, knowing. They were watching not only the imperial spectacle but also Gioia and him; and Gioia, smiling secretly, nodding almost imperceptibly to them, was acknowledging their presence and their interest. But those few were the only ones in here who were autonomous living beings. All the rest—the entire splendid court, the great mandarins and paladins, the officials, the giggling concubines, the haughty and resplendent ambassadors, the aged Emperor and Empress themselves, were simply part of the scenery. Had the world ever seen entertainment on so grand a scale before? All this pomp, all this pageantry, conjured up each night for the amusement of a dozen or so viewers?
At the banquet the little group of citizens sat together at a table apart, a round onyx slab draped with translucent green silk. There turned out to be seventeen of them in all, including Gioia; Gioia appeared to know all of them, though none, so far as he could tell, was a member of her set that he had met before. She did not attempt introductions. Nor was conversation at all possible during the meal: there was a constant astounding roaring din in the room. Three orchestras played at once and there were troupes of strolling musicians also, and a steady stream of monks and their attendants marched back and forth between the tables loudly chanting sutras and waving censers to the deafening accompaniment of drums and gongs. The Emperor did not descend from his throne to join the banquet; he seemed to be asleep, though now and then he waved his hand in time to the music. Gigantic half-naked brown slaves with broad cheekbones and mouths like gaping pockets brought forth the food, peacock tongues and breast of phoenix heaped on mounds of glowing saffron-colored rice, served on frail alabaster plates. For chopsticks they were given slender rods of dark jade. The wine, served in glistening crystal beakers, was thick and sweet, with an aftertaste of raisins, and no beaker was allowed to remain empty for more than a moment. Phillips felt himself growing dizzy: when the Persian dancers emerged he could not tell whether there were five of them or fifty, and as they performed their intricate whirling routines it seemed to him that their slender muslin-veiled forms were blurring and merging one into another. He felt frightened by their proficiency, and wanted to look away, but he could not. The Chung-nan jugglers that followed them were equally skillful, equally alarming, filling the air with scythes, flaming torches, live animals, rare porcelain vases, pink jade hatchets, silver bells, gilded cups, wagon wheels, bronze vessels, and never missing a catch. The citizens applauded politely but did not seem impressed. After the jugglers, the dancers returned, performing this time on stilts; the waiters brought platters of steaming meat of a pale lavender color, unfamiliar in taste and texture: filet of camel, perhaps, or haunch of hippopotamus, or possibly some choice chop from a young dragon. There was more wine. Feebly Phillips tried to wave it away, but the servitors were implacable. This was a drier sort, greenish-gold, austere, sharp on the tongue. With it came a silver dish, chilled to a polar coldness, that held shaved ice flavored with some potent smoky-flavored brandy. The jugglers were doing a second turn, he noticed. He thought he was going to be ill. He looked helplessly toward Gioia, who seemed sober but fiercely animated, almost manic, her eyes blazing like rubies. She touched his cheek fondly. A cool draft blew through the hall: they had opened one entire wall, revealing the garden, the night, the stars. Just outside was a colossal wheel of oiled paper stretched on wooden struts. They must have erected it in the past hour: it stood a hundred fifty feet high or even more, and on it hung lanterns by the thousands, glimmering like giant fireflies. The guests began to leave the hall. Phillips let himself be swept along into the garden, where under a yellow moon strange crook-armed trees with dense black needles loomed ominously. Gioia slipped her arm through his. They went down to a lake of bubbling crimson fluid and watched scarlet flamingolike birds ten feet tall fastidiously spearing angry-eyed turquoise eels. They stood in awe before a fat-bellied Buddha of gleaming blue tilework, seventy feet high. A horse with a golden mane came prancing by, striking showers of brilliant red sparks wherever its hooves touched the ground. In a grove of lemon trees that seemed to have the power to wave their slender limbs about, Phillips came upon the Emperor, standing by himself and rocking gently back and forth. The old man seized Phillips by the hand and pressed something into his palm, closing his fingers tight about it; when he opened his fist a few moments later he found his palm full of gray irregular pearls. Gioia took them from him and cast them into the air, and they burst like exploding firecrackers, giving off splashes of colored light. A little later, Phillips realized that he was no longer wearing his surplice or his white silken undergown. Gioia was naked, too, and she drew him gently down into a carpet of moist blue moss, where they made love until dawn, fiercely at first, then slowly, languidly, dreamily. At sunrise he looked at her tenderly and saw that something was wrong.
“Gioia?” he said doubtfully.
She smiled. “Ah, no. Gioia is with Fenimon tonight. I am Belilala.”
“With—Fenimon?”
“They are old friends. She had not seen him in years.”
“Ah. I see. And you are—?”
“Belilala,” she said again, touching her fingertips to his cheek.
It was not unusual, Belilala said. It happened all the time; the only unusual thing was that it had not happened to him before now. Couples formed, traveled together for a while, drifted apart, eventually reunited. It did not mean that Gioia had left him forever. It meant only that just now she chose to be with Fenimon. Gioia would return. In the meanwhile he would not be alone. “You and I met in New Chicago,” Belilala told him. “And then we saw each other again in Timbuctoo. Have you forgotten? Oh, yes, I see that you have forgotten!” She laughed prettily; she did not seem at all offended.
She looked enough like Gioia to be her sister. But, then, all the citizens looked more or less alike to him. And apart from their physical resemblance, so he quickly came to realize, Belilala and Gioia were not really very similar. There was a calmness, a deep reservoir of serenity, in Belilala, that Gioia, eager and volatile and ever impatient, did not seem to have. Strolling the swarming streets of Chang-an with Belilala, he did not perceive in her any of Gioia’s restless feverish need always to know what lay beyond, and beyond, and beyond even that. When they toured the Hsing-ch’ing Palace, Belilala did not after five minutes begin—as Gioia surely would have done—to seek directions to the Fountain of Hsuan-tsung or the Wild Goose Pagoda. Curiosity did not consume Belilala as it did Gioia. Plainly she believed that there would always be enough time for her to see everything she cared to see. There were some days when Belilala chose not to go out at all, but was content merely to remain at their pavilion playing a solitary game with flat porcelain counters, or viewing the flowers of the garden.
He found, oddly, that he enjoyed th
e respite from Gioia’s intense world-swallowing appetites; and yet he longed for her to return. Belilala—beautiful, gentle, tranquil, patient—was too perfect for him. She seemed unreal in her gleaming impeccability, much like one of those Sung celadon vases that appear too flawless to have been thrown and glazed by human hands. There was something a little soulless about her: an immaculate finish outside, emptiness within. Belilala might almost have been a temporary, he thought, though he knew she was not. He could explore the pavilions and palaces of Chang-an with her, he could make graceful conversation with her while they dined, he could certainly enjoy coupling with her; but he could not love her or even contemplate the possibility. It was hard to imagine Belilala worriedly studying herself in a mirror for wrinkles and gray hairs. Belilala would never be any older than she was at this moment; nor could Belilala ever have been any younger. Perfection does not move along an axis of time. But the perfection of Belilala’s glossy surface made her inner being impenetrable to him. Gioia was more vulnerable, more obviously flawed—her restlessness, her moodiness, her vanity, her fears—and therefore she was more accessible to his own highly imperfect twentieth-century sensibility.
Occasionally he saw Gioia as he roamed the city, or thought he did. He had a glimpse of her among the miracle-vendors in the Persian Bazaar, and outside the Zoroastrian temple, and again by the goldfish pond in the Serpentine Park. But he was never quite sure that the woman he saw was really Gioia, and he never could get close enough to her to be certain: she had a way of vanishing as he approached, like some mysterious Lorelei luring him onward and onward in a hopeless chase. After a while he came to realize that he was not going to find her until she was ready to be found.
He lost track of time. Weeks, months, years? He had no idea. In this city of exotic luxury, mystery, and magic all was in constant flux and transition and the days had a fitful, unstable quality. Buildings and even whole streets were torn down of an afternoon and reerected, within days, far away. Grand new pagodas sprouted like toadstools in the night. Citizens came in from Asgard, Alexandria, Timbuctoo, New Chicago, stayed for a time, disappeared, returned. There was a constant round of court receptions, banquets, theatrical events, each one much like the one before. The festivals in honor of past emperors and empresses might have given some form to the year, but they seemed to occur in a random way, the ceremony marking the death of T’ai Tsung coming around twice the same year, so it seemed to him, once in a season of snow and again in high summer, and the one honoring the ascension of the Empress Wu being held twice in a single season. Perhaps he had misunderstood something. But he knew it was no use asking anyone.
One day Belilala said unexpectedly, “Shall we go to Mohenjo-daro?”
“I didn’t know it was ready for visitors,” he replied.
“Oh, yes. For quite some time now.”
He hesitated. This had caught him unprepared. Cautiously he said, “Gioia and I were going to go there together, you know.”
Belilala smiled amiably, as though the topic under discussion were nothing more than the choice of that evening’s restaurant.
“Were you?” she asked.
“It was all arranged while we were still in Alexandria. To go with you instead—I don’t know what to tell you, Belilala.” Phillips sensed that he was growing terribly flustered. “You know that I’d like to go. With you. But on the other hand I can’t help feeling that I shouldn’t go there until I’m back with Gioia again. If I ever am.” How foolish this sounds, he thought. How clumsy, how adolescent. He found that he was having trouble looking straight at her. Uneasily he said, with a kind of desperation in his voice, “I did promise her—there was a commitment, you understand—a firm agreement that we would go to Mohenjo-daro together—”
“Oh, but Gioia’s already there!” said Belilala in the most casual way.
He gaped as though she had punched him.
“What?”
“She was one of the first to go, after it opened. Months and months ago. You didn’t know?” she asked, sounding surprised, but not very. “You really didn’t know?”
That astonished him. He felt bewildered, betrayed, furious. His cheeks grew hot, his mouth gaped. He shook his head again and again, trying to clear it of confusion. It was a moment before he could speak. “Already there?” he said at last. “Without waiting for me? After we had talked about going there together—after we had agreed—”
Belilala laughed. “But how could she resist seeing the newest city? You know how impatient Gioia is!”
“Yes. Yes.”
He was stunned. He could barely think.
“Just like all short-timers,” Belilala said. “She rushes here, she rushes there. She must have it all, now, now, right away, at once, instantly. You ought never expect her to wait for you for anything for very long: the fit seizes her, and off she goes. Surely you must know that about her by now.”
“A short-timer?” He had not heard that term before.
“Yes. You knew that. You must have known that.” Belilala flashed her sweetest smile. She showed no sign of comprehending his distress. With a brisk wave of her hand she said, “Well, then, shall we go, you and I? To Mohenjo-daro?”
“Of course,” Phillips said bleakly.
“When would you like to leave?”
“Tonight,” he said. He paused a moment. “What’s a short-timer, Belilala?”
Color came to her cheeks. “Isn’t it obvious?” she asked.
Had there ever been a more hideous place on the face of the earth than the city of Mohenjo-daro? Phillips found it difficult to imagine one. Nor could he understand why, out of all the cities that had ever been, these people had chosen to restore this one to existence. More than ever they seemed alien to him, unfathomable, incomprehensible.
From the terrace atop the many-towered citadel he peered down into grim claustrophobic Mohenjo-daro and shivered. The stark, bleak city looked like nothing so much as some prehistoric prison colony. In the manner of an uneasy tortoise it huddled, squat and compact, against the gray monotonous Indus River plain: miles of dark burnt-brick walls enclosing miles of terrifyingly orderly streets, laid out in an awesome, monstrous gridiron pattern of maniacal rigidity. The houses themselves were dismal and forbidding too, clusters of brick cells gathered about small airless courtyards. There were no windows, only small doors that opened not onto the main boulevards but onto the tiny mysterious lanes that ran between the buildings. Who had designed this horrifying metropolis? What harsh sour souls they must have had, these frightening and frightened folk, creating for themselves in the lush fertile plains of India such a Supreme Soviet of a city!
“How lovely it is,” Belilala murmured. “How fascinating!”
He stared at her in amazement.
“Fascinating? Yes,” he said. “I suppose so. The same way that the smile of a cobra is fascinating.”
“What’s a cobra?”
“Poisonous predatory serpent,” Phillips told her. “Probably extinct. Or formerly extinct, more likely. It wouldn’t surprise me if you people had recreated a few and turned them loose in Mohenjo to make things livelier.”
“You sound angry, Charles.”
“Do I? That’s not how I feel.”
“How do you feel, then?”
“I don’t know,” he said after a long moment’s pause. He shrugged. “Lost, I suppose. Very far from home.”
“Poor Charles.”
“Standing here in this ghastly barracks of a city, listening to you tell me how beautiful it is, I’ve never felt more alone in my life.”
“You miss Gioia very much, don’t you?”
He gave her another startled look.
“Gioia has nothing to do with it. She’s probably been having ecstasies over the loveliness of Mohenjo just like you. Just like all of you. I suppose I’m the only one who can’t find the beauty, the charm. I’m the only one who looks out there and sees only horror, and then wonders why nobody else sees it, why in fact people would set u
p a place like this for entertainment, for pleasure—”
Her eyes were gleaming. “Oh, you are angry! You really are!”
“Does that fascinate you, too?” he snapped. “A demonstration of genuine primitive emotion? A typical quaint twentieth-century outburst?” He paced the rampart in short quick anguished steps. “Ah. Ah. I think I understand it now, Belilala. Of course: I’m part of your circus, the star of the sideshow. I’m the first experiment in setting up the next stage of it, in fact.” Her eyes were wide. The sudden harshness and violence in his voice seemed to be alarming and exciting her at the same time. That angered him even more. Fiercely he went on, “Bringing whole cities back out of time was fun for a while, but it lacks a certain authenticity, eh? For some reason you couldn’t bring the inhabitants, too; you couldn’t just grab a few million prehistorics out of Egypt or Greece or India and dump them down in this era, I suppose because you might have too much trouble controlling them, or because you’d have the problem of disposing of them once you were bored with them. So you had to settle for creating temporaries to populate your ancient cities. But now you’ve got me. I’m something more real than a temporary, and that’s a terrific novelty for you, and novelty is the thing you people crave more than anything else: maybe the only thing you crave. And here I am, complicated, unpredictable, edgy, capable of anger, fear, sadness, love, and all those other formerly extinct things. Why settle for picturesque architecture when you can observe picturesque emotion, too? What fun I must be for all of you! And if you decide that I was really interesting, maybe you’ll ship me back where I came from and check out a few other ancient types—a Roman gladiator, maybe, or a Renaissance pope, or even a Neanderthal or two—”
“Charles,” she said tenderly. “Oh, Charles, Charles, Charles, how lonely you must be, how lost, how troubled! Will you ever forgive me? Will you ever forgive us all?”
Multiples (1983-87) Page 15