‘As professor of what?’ asked Lezhnyov.
‘Professor of literature. I can tell you I never started on any work with such zest as I did on this. The thought of producing an effect upon the young inspired me. I spent three weeks over the composition of my opening lecture.’
‘Have you got it, Dmitri?’ interrupted Lezhnyov.
‘No! I lost it somewhere. It went off fairly well, and was liked. I can see now the faces of my listeners — good young faces, with an expression of pure - souled attention and sympathy, and even of amazement. I mounted the platform and read my lecture in a fever; I thought it would fill more than an hour, but I had finished it in twenty minutes. The inspector was sitting there — a dry old man in silver spectacles and a short wig — he sometimes turned his head in my direction. When I had finished, he jumped up from his seat and said to me, “Good, but rather over their heads, obscure, and too little said about the subject.” But the pupils followed me with appreciation in their looks — indeed they did. Ah, that is how youth is so precious! I gave a second written lecture, and a third. After that I began to lecture extempore.’
‘And you had success?’ asked Lezhnyov.
‘I had a great success. I gave my audience all that was in my soul. Among them were two or three really remarkable boys; the rest did not understand me much. I must confess though that even those who did understand me sometimes embarrassed me by their questions. But I did not lose heart. They all loved me; I gave them all full marks in examinations. But then an intrigue was started against me — or no! it was not an intrigue at all; it simply was, that I was not in my proper place. I was a hindrance to the others, and they were a hindrance to me. I lectured to the gymnasium pupils in a way lectures are not given every day, even to students; they carried away very little from my lectures.... I myself did not know the facts enough. Besides, I was not satisfied with the limited sphere assigned to me — you know that is always my weakness. I wanted radical reforms, and I swear to you that these reforms were both sensible and easy to carry out. I hoped to carry them through the director, a good and honest man, over whom I had at first some influence. His wife aided me. I have not, brother, met many women like her in my life. She was about forty; but she believed in goodness, and loved everything fine with the enthusiasm of a girl of fifteen, and was not afraid to give utterance to her convictions before any one whatever. I shall never forget her generous enthusiasm and goodness. By her advice I drew up a plan.... But then my influence was undermined, I was misrepresented to her. My chief enemy was the professor of mathematics, a little sour, bilious man who believed in nothing, a character like Pigasov, but far more able than he was.... By the way, how is Pigasov, is he living?’
‘Oh, yes; and only fancy, he is married to a peasant woman, who, they say, beats him.’
‘Serve him right! And Natalya Alexyevna — is she well?’
‘Yes.’
‘Is she happy?’
‘Yes.’
Rudin was silent for a little.
‘What was I talking about?... Oh yes! about the professor of mathematics. He perfectly hated me; he compared my lectures to fireworks, pounced upon every expression of mine that was not altogether clear, once even put me to confusion over some monument of the sixteenth century.... But the most important thing was, he suspected my intentions; my last soap - bubble struck on him as on a spike, and burst. The inspector, whom I had not got on with from the first, set the director against me. A scene followed. I was not ready to give in; I got hot; the matter came to the knowledge of the authorities; I was forced to resign. I did not stop there; I wanted to prove that they could not treat me like that.... But they could treat me as they liked.... Now I am forced to leave the town.’
A silence followed. Both the friends sat with bowed heads.
Rudin was the first to speak.
‘Yes, brother,’ he began, ‘I can say now, in the words of Koltsov, “Thou hast led me astray, my youth, till there is nowhere I can turn my steps.”... And yet can it be that I was fit for nothing, that for me there was, as it were, no work on earth to do? I have often put myself this question, and, however much I tried to humble myself in my own eyes, I could not but feel the existence of faculties within me which are not given to every one! Why have these faculties remained fruitless? And let me say more; you know, when I was with you abroad, Mihail, I was conceited and full of erroneous ideas.... Certainly I did not then realise clearly what I wanted; I lived upon words, and believed in phantoms. But now, I swear to you, I could speak out before all men every desire I feel. I have absolutely nothing to hide; I am absolutely, in the fullest meaning of the word, a well - intentioned man. I am humble, I am ready to adapt myself to circumstances; I want little; I want to do the good that lies nearest, to be even a little use. But no! I never succeed. What does it mean? What hinders me from living and working like others?... I am only dreaming of it now. But no sooner do I get into any definite position when fate throws the dice from me. I have come to dread it — my destiny.... Why is it so? Explain this enigma to me!’
‘An enigma!’ repeated Lezhnyov. ‘Yes, that’s true; you have always been an enigma for me. Even in our young days, when, after some trifling prank, you would suddenly speak as though you were pierced to the heart, and then you would begin again... well you know what I mean... even then I did not understand. That is why I grew apart from you.... You have so much power, such unwearying striving after the ideal.’
‘Words, all words! There was nothing done!’ Rudin broke in.
‘Nothing done! What is there to do?’
‘What is there to do! To keep an old blind woman and all her family by one’s work, as, do you remember, Mihail, Pryazhentsov did... That’s doing something.’
‘Yes, but a good word — is also something done.’
Rudin looked at Lezhnyov without speaking and faintly shook his head.
Lezhnyov wanted to say something, and he passed his hand over his face.
‘And so you are going to your country place?’ he asked at last
‘Yes.’
‘There you have some property left?’
‘Something is left me there. Two souls and a half. It is a corner to die in. You are thinking perhaps at this moment: “Even now he cannot do without fine words!” Words indeed have been my ruin; they have consumed me, and to the end I cannot be free of them. But what I have said was not mere words. These white hairs, brother, these wrinkles, these ragged elbows — they are not mere words. You have always been hard on me, Mihail, and you were right; but now is not a time to be hard, when all is over, when there’s no oil left in the lamp, and the lamp itself is broken, and the wick is just smouldering out. Death, brother, should reconcile at last...’
Lezhnyov jumped up.
‘Rudin!’ he cried, ‘why do you speak like that to me? How have I deserved it from you? Am I such a judge, and what kind of a man should I be, if at the sight of your hollow cheeks and wrinkles, “mere words” could occur to my mind? Do you want to know what I think of you, Dmitri? Well! I think: here is a man — with his abilities, what might he not have attained to, what worldly advantages might he not have possessed by now, if he had liked!... and I meet him hungry and homeless....’
‘I rouse your compassion,’ Rudin murmured in a choked voice.
‘No, you are wrong. You inspire respect in me — that is what I feel. Who prevented you from spending year after year at that landowner’s, who was your friend, and who would, I am fully persuaded, have made provision for you, if you had only been willing to humour him? Why could you not live harmoniously at the gymnasium, why have you — strange man! — with whatever ideas you have entered upon an undertaking, infallibly every time ended by sacrificing your personal interests, ever refusing to take root in any but good ground, however profitable it might be?’
‘I was born a rolling stone,’ Rudin said, with a weary smile. ‘I cannot stop myself.’
‘That is true; but you cannot stop, not because
there is a worm gnawing you, as you said to me at first.... It is not a worm, not the spirit of idle restlessness — it is the fire of the love of truth that burns in you, and clearly, in spite of your failings; it burns in you more hotly than in many who do not consider themselves egoists and dare to call you a humbug perhaps. I, for one, in your place should long ago have succeeded in silencing that worm in me, and should have given in to everything; and you have not even been embittered by it, Dmitri. You are ready, I am sure, to - day, to set to some new work again like a boy.’
‘No, brother, I am tired now,’ said Rudin. ‘I have had enough.’
‘Tired! Any other man would have been dead long ago. You say that death reconciles; but does not life, don’t you think, reconcile? A man who has lived and has not grown tolerant towards others does not deserve to meet with tolerance himself. And who can say he does not need tolerance? You have done what you could, Dmitri... you have struggled so long as you could... what more? Our paths lay apart,’...
‘You were utterly different from me,’ Rudin put in with a sigh.
‘Our paths lay apart,’ continued Lezhnyov, ‘perhaps exactly because, thanks to my position, my cool blood, and other fortunate circumstances, nothing hindered me from being a stay - at - home, and remaining a spectator with folded hands; but you had to go out into the world, to turn up your shirt - sleeves, to toil and labour. Our paths lay apart — but see how near one another we are. We speak almost the same language, with half a hint we understand one another, we grew up on the same ideas. There is little left us now, brother; we are the last of the Mohicans! We might differ and even quarrel in old days, when so much life still remained before us; but now, when the ranks are thinned about us, when the younger generation is coming upon us with other aims than ours, we ought to keep close to one another! Let us clink glasses, Dmitri, and sing as of old, Gaudeamus igitur!’
The friends clinked their glasses, and sang the old student song in strained voices, all out of tune, in the true Russian style.
‘So you are going now to your country place,’ Lezhnyov began again. ‘I don’t think you will stay there long, and I cannot imagine where and how you will end.... But remember, whatever happens to you, you have always a place, a nest where you can hide yourself. That is my home, — do you hear, old fellow? Thought, too, has its veterans; they, too, ought to have their home.’
Rudin got up.
‘Thanks, brother,’ he said, ‘thanks! I will not forget this in you. Only I do not deserve a home. I have wasted my life, and have not served thought, as I ought.’
‘Hush!’ said Lezhnyov. ‘Every man remains what Nature has made him, and one cannot ask more of him! You have called yourself the Wandering Jew.... But how do you know, — perhaps it was right for you to be ever wandering, perhaps in that way you are fulfilling a higher calling than you know; popular wisdom says truly that we are all in God’s hands. You are going, Dmitri,’ continued Lezhnyov, seeing that Rudin was taking his hat ‘You will not stop the night?’
‘Yes, I am going! Good - bye. Thanks.... I shall come to a bad end.’
‘God only knows.... You are resolved to go?’
‘Yes, I am going. Good - bye. Do not remember evil against me.’
‘Well, do not remember evil against me either, — and don’t forget what I said to you. Good - bye.’...
The friends embraced one another. Rudin went quickly away.
Lezhnyov walked up and down the room a long while, stopped before the window thinking, and murmured half aloud, ‘Poor fellow!’ Then sitting down to the table, he began to write a letter to his wife.
But outside a wind had risen, and was howling with ill - omened moans, and wrathfully shaking the rattling window - panes. The long autumn night came on. Well for the man on such a night who sits under the shelter of home, who has a warm corner in safety.... And the Lord help all homeless wanderers!
On a sultry afternoon on the 26th of July in 1848 in Paris, when the Revolution of the ateliers nationaux had already been almost suppressed, a line battalion was taking a barricade in one of the narrow alleys of the Faubourg St Antoine. A few gunshots had already broken it; its surviving defenders abandoned it, and were only thinking of their own safety, when suddenly on the very top of the barricade, on the frame of an overturned omnibus, appeared a tall man in an old overcoat, with a red sash, and a straw hat on his grey dishevelled hair. In one hand he held a red flag, in the other a blunt curved sabre, and as he scrambled up, he shouted something in a shrill strained voice, waving his flag and sabre. A Vincennes tirailleur took aim at him — fired. The tall man dropped the flag — and like a sack he toppled over face downwards, as though he were falling at some one’s feet. The bullet had passed through his heart.
‘Tiens!’ said one of the escaping revolutionists to another, ‘on vient de tuer le Polonais!
‘Bigre!’ answered the other, and both ran into the cellar of a house, the shutters of which were all closed, and its wall streaked with traces of powder and shot.
This ‘Polonais’ was Dmitri Rudin.
THE END.
A HOUSE OF GENTLEFOLK
Translated by Constance Garnett, 1894
This novel was published in 1859 in the magazine Sovremennik. Enthusiastically received by Russian society, Home of the Gentry was most of Turgenev’s most widely read novels. It tells the story of Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family’s country estate home by a severe maiden aunt, often thought to be based on Turgenev’s own mother who was known for her cruelty.
Turgenev as a young man
The 1969 Andrei Konchalovsky film adaptation of this novel
CONTENTS
LIST OF CHARACTERS
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII
Chapter XVIII
Chapter XIX
Chapter XX
Chapter XXI
Chapter XXII
Chapter XXIII
Chapter XXIV
Chapter XXV
Chapter XXVI
Chapter XXVII
Chapter XXVIII
Chapter XXIX
Chapter XXX
Chapter XXXI
Chapter XXXII
Chapter XXXIII
Chapter XXXIV
Chapter XXXV
Chapter XXXVI
Chapter XXXVII
Chapter XXXVIII
Chapter XXXIX
Chapter XL
Chapter XLI
Chapter XLII
Chapter XLIII
Chapter XLIV
Chapter XLV
Epilogue
LIST OF CHARACTERS
Marya Dmitrievna Kalitin, a widow.
Marfa Timofyevna Pestov, her aunt.
Sergei Petrovitch Gedeonovsky, a state councillor.
Fedor Ivanitch Lavretsky, kinsman of Marya.
Elisaveta Mihalovna (Lisa), daughters of Marya.
Lenotchka,
Shurotchka, an orphan girl, ward of Marfa.
Nastasya Karpovna Ogarkoff, dependent of Marfa.
Vladimir Nikolaitch Panshin, of the Ministry of the Interior.
Christopher Fedoritch Lemm, a German musician.
Piotr Andreitch Lavretsky, grandfather of Fedor.
Anna Pavlovna, grandmother of Fedor.
Ivan Petrovitch, father of Fedor.
Glafira Petrovna, aunt of Fedor.
Malanya Sergyevna, mother of Fedor.
Mihalevitch, a student frie
nd of Fedor.
Pavel Petrovitch Korobyin, father of Varvara.
Kalliopa Karlovna, mother of Varvara.
Varvara Pavlovna, wife of Fedor.
Anton,
old servants of Fedor.
Apraxya,
Agafya Vlasyevna, nurse of Lisa.
Chapter I
A bright spring day was fading into evening. High overhead in the clear heavens small rosy clouds seemed hardly to move across the sky but to be sinking into its depths of blue.
In a handsome house in one of the outlying streets of the government town of O — — (it was in the year 1842) two women were sitting at an open window; one was about fifty, the other an old lady of seventy.
The name of the former was Marya Dmitrievna Kalitin. Her husband, a shrewd determined man of obstinate bilious temperament, had been dead for ten years. He had been a provincial public prosecutor, noted in his own day as a successful man of business. He had received a fair education and had been to the university; but having been born in narrow circumstances he realized early in life the necessity of pushing his own way in the world and making money. It had been a love - match on Marya Dmitrievna’s side. He was not bad - looking, was clever and could be very agreeable when he chose. Marya Dmitrievna Pesto — that was her maiden name — had lost her parents in childhood. She spent some years in a boarding - school in Moscow, and after leaving school, lived on the family estate of Pokrovskoe, about forty miles from O — — , with her aunt and her elder brother. This brother soon after obtained a post in Petersburg, and made them a scanty allowance. He treated his aunt and sister very shabbily till his sudden death cut short his career. Marya Dmitrievna inherited Pokrovskoe, but she did not live there long. Two years after her marriage with Kalitin, who succeeded in winning her heart in a few days, Pokrovskoe was exchanged for another estate, which yielded a much larger income, but was utterly unattractive and had no house. At the same time Kalitin took a house in the town of O — — , in which he and his wife took up their permanent abode. There was a large garden round the house, which on one side looked out upon the open country away from the town.
A Sportsman's Sketches: Works of Ivan Turgenev 1 Page 16