She gathered what few things she had and started walking, not knowing where she was going. She got to a shoe-shine stand and asked the man if he knew of anyone with rooms for rent.
He took her to the apartment of a sweet old couple. The wife sang with a gospel group, and Pat stayed there until she got on her feet.
George got back from the rails, not knowing what had happened to Pat or where she was. He didn’t intercede because Pat was Inez’s blood relative, not his. It was only some time later that she saw George and told him what had happened.
“Pat, I had no idea,” George said. “I didn’t know where you were. She told me you had just left. I had no idea that she had done that.”
Inez was her aunt, but it was George she would always be closer to, like a second daughter to him.
“The man cared more about me than she did,” Pat said. “Had he been there that day, I would have waited and told him. My pride wouldn’t let me.”
Pat’s warnings turned out to be prophetic. Gerard would only sink deeper into drugs and watch his friends die from overdoses of heroin. One of them they found dead in an elevator. Gerard would go on to steal televisions and radios and cash from his parents, anything of value that they hadn’t locked up or hidden away or could be easily carried out the door. He would bring sadness and heartbreak to Inez and especially to George, who could rarely even bring himself to talk about his son. He had come all this way from Florida, and here was something that had turned out worse in ways he couldn’t have thought possible.
Gerard would get himself together for a time but would never truly get on his feet. And during those moments of victory, his father preached at him.
“You owe God,” he’d tell Gerard. “You owe it to him to go around and tell your generation the evil of dealing in drugs and how he rescued you.”
Inez, who had adored and indulged Gerard, retreated into herself and seemed to take the sorrows out on those around her. She had a coat that Pat used to beg her to let her wear.
“A little coat that I loved,” Pat said.
Pat had come up from the country with few clothes of her own, and when it got cold she wanted to wear one of Inez’s coats, that one in particular. Pat was always talking about that coat.
“Uncle George knew I liked it,” Pat said. “Everybody knew I liked it.”
One day, after she had moved out, she saw her Uncle George.
“Pat, I got some bad news for you.”
“What is it?”
“Your aunt threw that coat you so loved in the garbage can today,” he said. “I begged her not to, but she did it anyway.”
Pat went to their house and looked in the trash can for it.
“By the time I went there, it was gone,” Pat said.
It all came back to Pat, the things the family used to say about Inez, that they could never make sense of “how when she was a little baby, how stubborn she was and how their grandmother would whip them and she refused to bow.”
Pat would eventually make peace with her aunt. She would grow up, get married, have a family of her own, and join a church, which was what all of them had been raised to do. Inez never joined a church in New York. It reminded her too much of the hard life she’d had in Eustis and of a little girl’s imaginings of how different life might have been if her mother had lived, the mother who died bringing Inez into the world.
Pat managed to convince Inez to go with her on occasion.
And every time, Pat remembered, “she would break down crying, and she’d have to leave the church.”
LOS ANGELES, MAY 1962
ROBERT JOSEPH PERSHING FOSTER
THE SONG HIT the Billboard charts in May 1962. It stayed there for seven weeks and peaked at Number 20.
The song was by a famous migrant from Albany, Georgia, Robert’s most high-maintenance patient, Ray Charles. It was about Robert or, rather, an idealized version of him in a smoke- and drug-filled world of airless recording studios, martini nightclubs, cross-country road tours, and shimmying, wig- and rouge-wearing backup-singer love triangles that was the life of Ray Charles in the sixties and which Robert entered unavoidably and not unhappily as his personal physician during the peak of both men’s careers. The song was called “Hide Nor Hair,” and the chorus went like this:
Well, I called my Dr. Foster and when the girl answered the phone,
I got a funny feeling, the way she said Dr. Foster had gone.
She said, “He left with a lady patient, about 24 hours ago.”
I added two and two, and here’s what I got: I got I’ll never see that girl no more.
I ain’t seen hide nor hair of my baby, since she went away.
If Dr. Foster has got her, then I know I’m through,
Because he’s got medicine and money, too.
I ain’t seen hide nor hair of my baby, since that day.
Robert knew Ray was working on a song about him, or about a doctor at least. Ray asked Robert’s permission to use his name before recording it. Coming as it did just months after Robert had put his hand back together and delivered his son, it was Ray’s way of thanking a man he had come to depend on. Robert, always craving approval and enamored of show business, gave him the go-ahead.
Robert wasn’t looking to be the subject of a song and really didn’t need it. Years later, he didn’t talk about it much and, the times he did, it was rather like a footnote. But when it first hit the airwaves back in 1962, his practice took off like never before. He could see the effects of the Migration in his waiting room—former sharecroppers from east Texas, schoolteachers from Baton Rouge, gamblers from Arkansas, Creoles from New Orleans. He ended up with more patients than he could handle, more than was really fair to him or to the patients, seeing as how he liked to spend so much time with each one, get to know them and their lives and desires, and seeing how much they took to that kind of attention. He had more business than he ever could have imagined back when he was dreaming of getting out of Louisiana, trying to convince himself as much as everybody else that he really could make it in California.
It reached the point where the hallway outside his office began to look like some of the train stations during the Migration. Patients started lining up hours before he got there, a reunion of Texans and Louisianans and migrants from Arkansas, spilling out of the reception room and into the outer corridor, patients sitting cross-legged on the floor, heads tilted back against the wall, all waiting to hear their names called. They knew he might still be at the racetrack or just in from Vegas. He’d step over the dangling legs and watch out for their feet as he waded through the crowd to get to his office door.
Some would end up waiting all day to see him, and somehow he made each one feel as if he or she were the only patient in the world. He would stay until ten or eleven at night or until he had seen the very last patient.
It got so crowded, like a Saturday-night rent party, that some people just couldn’t take the waiting anymore, no matter how good he was. Reatha Gray Simon, his mentor Dr. Beck’s granddaughter, had a brief falling-out with him over the fact that she practically had to block out a whole day to see him.
“I knew he was sometimes in surgery,” she said, “but sometimes he was at the track. The waiting room was like the neighborhood barbershop.”
That was just how he wanted it. Gambling and medicine were basically his life. He could lose himself in both and had a hard time walling off his professional and personal lives. He doted on his patients and sometimes went gambling with them. He didn’t look down his speculum at the cooks and mailmen he treated and made sure to invite them to the parties he gave.
“Some wouldn’t come for whatever reason,” he said. The house was practically a mansion, and Robert threw out the red carpet, literally. “Most of them probably didn’t feel comfortable. But I was gracious as I could be if they came. I’d bend over backwards to make them come.”
THE PRODIGALS
[My father], along with
thousands of other Ne
groes,
came North after 1919
and I was part of that generation
which had never seen the landscape
of what Negroes sometimes call the Old Country.162
JAMES BALDWIN, Notes of a Native Son
’Sides, they can’t run us all out.163
That land’s got more of our blood in it than theirs
Not all us s’posed to leave. Some of us got to stay,
so y’all have a place to come back to.
—A SHARECROPPER WHO STAYED IN
NORTH CAROLINA, FROM MARITA
GOLDEN, Long Distance Life
SOMEWHERE NEAR CARTERSVILLE, GEORGIA, SUMMER 1956
THE ROAD SIGNS were warning that the 1956 Pontiac with the shark-tooth grille and chrome racing stripes on the hood was drawing closer to the hill town of Rome, Georgia. My mother was driving, only it was clear from everything about her that she wouldn’t become my mother for a while. She would have been wearing a poodle skirt with a cinched waist, a scarf folded Marilyn Monroe–style atop her head and knotted breezily at the neck, pressed curls peeking out from the sides. Dark, movie star sunglasses dwarfed her face and shielded her eyes, the eyes scanning for the one thing she needed, could not put off, had to do before pulling into her old hometown of Rome.
The car was brand-new, blue, the color of the flag, as my mother would remember it, with whitewall tires and white side panel trim. But it was dusty from the drive, its windshield spotted and speckled, and not looking anywhere close to the four thousand dollars she’d paid for it. Her sister Theresa, who had followed her up north, was with her, and they couldn’t roll into town like that. No migrant could, none would dare let on that their new life was anything less than perfect; they had to prove that their decision to go north was the superior and right thing to do, that they were living the dream and everything was out of a Technicolor movie set.
Besides, the people back home would be disappointed if they didn’t put on a show, and so they did. So she would have to find a car wash before she could get so close to town that some neighbor might see her in a dusty old automobile and conclude that things weren’t nearly as swell up north as they had been claiming. If she did not find a car wash, it would be all over North Rome before she turned onto Gibbon Street to greet her mother and nieces, who, at that very moment, were praying she was running late because they weren’t finished waxing the floors and shining the windows with old pages of the Rome News Tribune, hadn’t smoothed out the chenille blankets with the cotton-ball fringe in the guest bedroom, the corn bread hadn’t risen yet, the African violets needed watering, and what if she pulled up just now?
My mother delayed her arrival and the moment she would see her own beloved mother to stop in Cartersville to get the Pontiac washed and polished. That was the most important thing, after all. She had driven to Rome before, but it was in a Chevrolet, a used one at that. She had not long before started a new job teaching school, bought herself a row house in an all-white block in Northwest Washington, and now had this new car. But it wouldn’t mean as much unless the people back home could see the manifestation of all this for themselves.
“We wanted to arrive in the daytime so people would come out looking at us,” my mother remembered of the trip she made with her sister. “We tooted the horn, and Mother came out. I don’t know why we went to Rome. To show off the car, I guess.”
The car, with its precious Washington, D.C., license plates, would cause a commotion, like a UFO from another planet, which is just what she wanted, and all the little children would look at that shiny, chrome-plated car and inspect the tags and ask, “What is a ‘District of Columbia’?”
At holidays and in summer, the migrants came home. They would leave a trail of Cadillac dust on Highway 61 in the Delta or along Route 1 through the Carolinas and Georgia. They had prepared all year for this moment of glory, and there were times when in some church parking lots in Grenada or Greenville, there were more Illinois license plates than those from Mississippi.
They had gone off to a new world but were still tied to the other. Over time, the language of geographic origin began to change; the ancestral home no longer the distant Africa of unknown forebears but the more immediate South of uncles and grandparents, where the culture they carried inside them was pure and familiar.
The homesick migrants loaded up their sleepy children in the dark hours of the morning for the long drive to the mother country when there was a death in the family or a loved one needing tending or just to show off how well they were making out up north. When they saw the cold airs of the New World seeping into their northern-bred children, they sent them south for the summer so the children would know where they came from. The migrants warned their children to be on their best behavior, especially when it came to the white people they might encounter.
But the children did not have the internalized deference of their southern cousins. They got into scrapes with the other children and couldn’t remember all the rules. One migrant’s son, Emmett Till, on a visit from Chicago to Mississippi in 1955, was killed for breaking protocol in some way that will probably never be known for sure, except that everyone agreed it involved something he had said to a white woman, which only served to remind those who left of the rightness of their decision and those who stayed how foolhardy it could be to forget for a moment where you were when you crossed into the very different country of the South.
Ida Mae did not go back often, not because she was afraid but because she had a family to tend to in Chicago. She went back for illnesses and funerals—when her mother, Miss Theenie, took ill and died, and years later, when her baby sister, Talma, got sick and died. Her husband, George, went back only once—for the funeral of the brother who had raised him, Willie. And even then he did not stay the night; he left for Chicago right away.
Robert Foster did not go back often either. His goal was to get as many of his loved ones from Monroe to move out to California, and he went back only when he had to. Alice had no interest in going, and he did not insist on Alice or the girls visiting Monroe. They would grow up knowing little of their father’s small-town Louisiana roots. When he returned home, he put on a show, as would have been expected of him, and made sure it was clear that he was now more California than Louisiana.
It would be a long time before George Starling would feel safe returning to Eustis, Florida, seeing how he had left. Southern sheriffs and planters were known to have long memories and even to go after migrants who had fled north. Some white southerners tried to convince the workers who had fled that conditions had improved. Some extradited people for whatever reason they saw fit.
“Even in the North, refugees were not always safe,” wrote Arna Bontemps and Jack Conroy in the 1945 book Anyplace but Here.164 “One hard-working migrant was astonished when a detective from Atlanta approached him and informed him that he was wanted back home for ‘spitting on the sidewalk.’ ”
So George was not inclined to linger in the vicinity of Eustis, Florida. His job on the railroad took him south, but on a line that usually veered west toward Birmingham. The times he worked a train that happened to take him through Florida, he did not leave the station or request permission to go home. The few relatives he trusted drove thirty or forty miles from Eustis or Alachua to meet him at the Wildwood station, bearing gossip, good wishes, and hams. George, in his porter’s cap and uniform, leaned out of the coach door to see them and left weighed down with homemade cakes or fresh fish they had caught for him to take back up north.
“Where they stop the train and fuel up, they had to stop there a good little while,” George’s Uncle Andrew “Jack” Johnson said. “We’d go there and meet him. And most of the time we carry him something. Give him his handout, such as we had.”
It was a measure of their pride and devotion that the uncle and his wife drove close to two hours in thunderstorms and waited for however long it took the train to get there for the few minutes they’d get to see him. “He’d
have time enough to speak and pass a few words,” the uncle remembered, “while the train was fueling up.”
One time, George was hauling luggage at the train stop at Wildwood, when up stepped the most feared man in all of Lake County and one of the most notorious sheriffs in the South, Willis V. McCall. The sheriff was just one more reason that George went no closer to his hometown of Eustis than the depot at Wildwood.
McCall was the lawman who had shot two handcuffed prisoners, killing one, as he transported them from one jail to another for an upcoming trial in the Groveland rape case back in 1949. The trial and the subsequent shootings attracted nationwide attention partly because one of the men McCall thought he had killed had actually survived to tell what happened to him. The NAACP field secretary Harry T. Moore and his wife had died from a bomb placed under Moore’s bed after Moore had accused McCall of police brutality in the case.
Over the years, McCall would be accused, implicated, or indicted in dozens of cases of prisoners dying under suspicious circumstances while in his custody. He patrolled the colored section in his ten-gallon hat, interrogating and pistol-whipping colored men for any suspicion and putting colored fruit pickers in jail if he caught them not working on a Saturday.
The colored people of Eustis and the rest of Lake County lived in fear of his patrol car crawling through their gravel streets.
“Here come the Big Hat Man,” the people would say when they saw him approaching.
People scurried from the street. They cleared the benches on McDonald Avenue and fled behind the storefronts when they saw him coming.
“That bench would be cleared in two seconds,” George said.
The sheriff had free rein and used to come into Big George’s corner store and drink his sodas without paying.
“Well, see you, George,” McCall would tell Big George, slurping on a soda to which he had helped himself.
The Warmth of Other Suns Page 43