A Life of Picasso
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NOTES
Any statements or observations by Picasso not credited in the text or the notes have been made in the presence of, or in conversation with, the author, and, on occasion, Douglas Cooper.
CHAPTER 1
Rome and the Ballets Russes
1. Jean Cocteau, (Euvres complètes, vol. IX (Lausanne: Marguerat, 1946–51), 246.
2. Letter from Cocteau to his mother, February 22, 1917, Cocteau 1989, 297.
3. Picasso sent one of these Villa Medici drawings to the dealer André Level, who wrote him on March 10, 1917 (Archives Picasso): “Merci du croquis de la villa Médicis, dont vous serez peut être un jour le Directeur.” Level goes on to say “Revenez-nous avec un tableau de Romaines, frère de celui des Hollandaises, ou, simplement avec des souvenirs agréables.”
4. Letter from Cocteau to his mother, February 20, 1917, Cocteau 1989, 296.
5. Letter from Cocteau to his mother, February 22, 1917, ibid., 297. After living with Sert since 1908, Misia was known as Madame Sert, although she was not married to him until 1920.
6. Cocteau refers to Olga in a letter to Picasso, April 13, 1917 (Archives Picasso) as “La fille du Général Koklov.”
7. The school was run by Yevgenia Pavlovna Sokolova.
8. Carandente 1998, 37.
9. Penrose presumably believed that Olga was a general’s rather than a colonel’s daughter; otherwise he would not have described her as such (Penrose, 201). In her typescript, “A tale of brief love and enternal hatred,” Natalia Semenyova, the only Russian art historian to write about Olga, likewise mistakenly claimed she was a noblewoman.
10. Rubinstein 1980, 150.
11. Menaker-Rothschild, 49 n. 8.
12. Genya Smakov in conversation with the author.
13. Baldassari 1998, 96.
14. Letter from Cocteau to “Mademoiselle Olga Koclowa” [sic], April21,1917, Archives Picasso.
15. Ernest Ansermet, Ecrits sur la musique (Neuchatel: Langages, 1971), 26.
16. MP Carnets I, cat. 19 (MP 1867).
17. Postcard from Picasso to Gullaume Apolli-naire, February 1917, Caizergues and Seckel, 144.
18. Postcard from Picasso to Apollinaire, March 10, 1917, ibid., 145.
19. According to Laurence Madeline, former Conservateur, Archives Picasso.
20. Buckle 1971, 56–7.
21. Recounted to the author by Tatiana Lieberman.
22. Sokolova 1960, 170.
23. García-Márquez, 87.
24. Picasso is quoted in Cocteau’s letter to his mother, April 6, 1917, Cocteau 1989, 315.
25. Letter from Juan Gris to Picasso, March 27, 1917 (Archives Picasso), in which Gris says to tell Diaghilev that “Rosenberg a du partir I’ex-pédier les tableaux comme c’etait convenu.”
26. Georges-Michel 1957, 80.
27. Massine quoted in Buckle 1979, 323.
28. Mark Amory, LordBerners: The Last Eccentric (London: Chatto and Windus, 1998), 59.
29. Le Carosse du Saint-Sacrement (opera, 1924) and The 30. Triumph of Neptune (ballet, 1925).
30. Z.III.24.
31. Stravinsky 1984, 141.
32. Levinson, 63.
33. Postcard from Picasso to Apollinaire, February 1917, Caizerges and Seckel
, 140, reproduced 143.
34. Postcard from Gris to Picasso, March 12, 1917, Archives Picasso.
35. Cocteau 1989, 311.
36. Postcard from Cocteau to his mother, March 7, 1917, ibid., 304.
37. See Vol. I, 132.
38. García-Márquez, 44.
39. Gilot 1964, 147–8.
40. Boris Taslitsky in conversation with the author and McCully.
41. García-Márquez, 87.
42. This drawing is mistakenly included in the Zervos catalog as Z.XXIX.280.
43. Prampolini, 13.
44. These postcards were found in the artist’s archive (see Baldassari 1988).
45. Z.III.18.
46. Z.III.23.
47. In a sketchbook drawing made of the composition, Cocteau described the painting as Picasso’s “chez d-oeuvre: L’arlequin et la femme nue,” repr. in Picasso 1917-1924 (Venice: Palazzo Grassi, 1998), 154.
48. Severini, 183.
49. Z.XXIX.224.
50. See Vol. II, 407–17.
51. Letter from Gris to Picasso, April 13, 1917, Archives Picasso.
52. See Scot D. Ryerson and Michael Orlando Vaccarino, Infinite Variety: The Life and Legend of the Marchesa Casati (New York: Viridian, 1999); also Brigitte Leal, MP Carnets I, 254 n. 11.
53. Letter from Cocteau to Igor Stravinsky, March 1917, Stravinsky 1982, 89.
54. Letter from Cocteau to his mother, March 16, 1917, Cocteau 1989, 309.
55. Otero, 159.
56. Steegmuller 1970, 175.
57. Ibid., 176.
58. Arnaud, 780 n. 29.
59. Serge Lifar, Serge Diaghilev: His Life, His Work, His Legend (London: Putnam, 1940), 299.
60. Letter from Cocteau to his mother, March 1917, Cocteau 1989, 312.
61. Letter from Cocteau to his mother, March 7, 1917, ibid., 304.
62. García-Márquez, 126.
63. Antonello Trombadori, “1949: Il secondo viaggio italiano di Picasso,” Picasso in Italia (Verona: Galleria d’Arte Moderna e Contempo-ranea Palazzo Forti, 1990). Picasso told Otero, 189–90, that Trombadori had accompanied him to the Sistine Chapel.
64. Prampolini, 13, also claimed to have accompanied Picasso to the Sistine Chapel, but his assertions are not always reliable.
65. Georges-Michel 1923, 64.