"Incidentally, one of my great difficulties in the case has been to act in such a way, at all times, that her suspicions would not be aroused at any point. This was essential because, as I have said, I could hope to substantiate my theory of her guilt only by making her feel sufficiently secure to do or say something which would give her away.
"Her motive was not clear at first, and, unfortunately, I thought that by Swift's death alone she had accomplished her purpose. But after my talk with Doctor Siefert this morning, I was able to understand fully her whole hideous plot. Doctor Siefert pointed out definitely her interest in Floyd Garden, although I had had hints of it before. For instance, Floyd Garden was the only person here about whom she spoke to me with admiration. Her motive was based on a colossal ambition—the desire for financial security, ease and luxury; and mixed with this over-weaning desire was a strange twisted love. These facts became clear to me only today."
Vance glanced at young Garden.
"It was you she wanted," he continued. "And I believe her self-assurance was such that she did not doubt for a minute that she would be successful in attaining her goal."
Garden sprang to his feet.
"Good God, Vance!" he exclaimed. "You're right. I see the thing now. She has been making up to me for a long time; and, to be honest with you, I may have said and done things which she could have construed as encouragement—God help me!" He sat down again in dejected embarrassment.
"No one can blame you," Vance said kindly. "She was one of the shrewdest women I have ever encountered. But the point of it all is, she did not want only you—she wanted the Garden fortune as well. That's why, having learned that Swift would share in the inheritance, she decided to eliminate him and leave you sole beneficiary. But this murder did not, by any means, constitute the whole of her scheme."
Vance again addressed us in general.
"Her whole terrible plot was clarified by some other facts that Doctor Siefert brought out this morning during my talk with him. The death, either now or later, of Mrs. Garden was also an important integer of that plot; and Mrs. Garden's physical condition had, for some time, shown certain symptoms of poisoning. Of late these symptoms have increased in intensity. Doctor Siefert informed me that Miss Beeton had been a laborat'ry assistant to Professor Garden during his experiments with radioactive sodium, and had often come to the apartment here for the purpose of typing notes and attending to other duties which could not conveniently be performed at the University. Doctor Siefert also informed me that she had actually entered the household here about two months ago, to take personal charge of Mrs. Garden's case. She had, however, continued to assist Professor Garden occasionally in his work and naturally had access to the radioactive sodium he had begun to produce; and it was since she had come here to live that Mrs. Garden's condition had grown worse—the result undoubtedly of the fact that Miss Beeton had greater and more frequent opportunities for administering the radioactive sodium to Mrs. Garden. Her decision to eliminate Mrs. Garden, so that Floyd Garden would inherit her money, undoubtedly came shortly after she had become the professor's assistant and had, through her visits to the apartment, become acquainted with Floyd Garden and familiar with the various domestic arrangements here."
Vance turned his eyes to Professor Garden.
"And you too, sir," he said, "were, as I see it, one of her intended victims. When she planned to shoot Swift I believe she planned a double murder—that is, you and Swift were to be shot at the same time. But, luckily, you had not returned to your study yesterday afternoon at the time fixed for the double shooting, and her original plan had to be revised."
"But—but," stammered the professor, "how could she have killed me and Woody too?"
"The disconnected buzzer wires gave me the answer this morning," explained Vance. "Her scheme was both simple and bold. She knew that, if she followed Swift upstairs before the big race, she would have no difficulty in enticing him into the vault on some pretext or other— especially in view of the fact that he had shown a marked interest in her. Her intention was to shoot him in the vault, just as she did, and then go into the study and shoot you. Swift's body would then have been placed in the study, with the revolver in his hand. It would appear like murder and suicide. As for the possibility of the shot in the study being heard downstairs, I imagine she had tested that out beforehand under the very conditions obtaining yesterday afternoon. Personally, I am of the opinion that a shot in the study could not be heard down here during the noise and excitement of a race broadcast, with the study door and windows shut. For the rest, her original plan would have proceeded just as her revised one did. She would merely have fired two blanks out of the bedroom window instead of one. In the event that you should have guessed her intent when she entered the study, and tried to summon help, she had previously disconnected the wires of the buzzer just behind your chair at the desk."
"But, good Lord!" exclaimed Floyd Garden in an awed tone. "It was she herself who told Sneed about the buzzer being out of order."
"Precisely. She made it a point to be the one to discover that fact, in order to draw suspicion entirely away from herself; for the natural assumption, she must have reasoned, would be that the person who had disconnected the wires for some criminal purpose would be the last one to call attention to them. It was a bold move, but it was quite in keeping with her technique throughout."
Vance paused. After a moment he went on.
"As I say, her plan had to be revised somewhat because Doctor Garden had not returned. She had chosen the Rivermont Handicap as the background for her manoeuvres, for she knew Swift was placing a large bet on the race—and if he lost, it would give credence to the theory of suicide. As for the shooting of Doctor Garden, that would, of course, be attributed to his attempt to thwart his nephew's suicide. And, in a way, Doctor Garden's absence helped her, though it required quick thinking on her part to cover up this unexpected gap in her well-laid plans. Instead of placing Swift in the study, as she originally intended, she placed him in his chair on the roof. She carefully wiped up the blood in the vault so that no trace of it remained on the floor. A nurse with operating-room experience in removing blood from sponges, instruments, operating table and floor, would have known how. Then she came down and fired a blank shell out of the bedroom window just as soon as the outcome of the race had been declared official. Substantiatin' suicide.
"Of course, one of her chief difficulties was the disposal of the second revolver—the one she fired down here. She was confronted with the necessity either of getting rid of the revolver—which was quite impossible in the circumstances—or of hiding it safely till she could remove it from the apartment; for there was always the danger that it might be discovered and the whole technique of the plot be revealed. Since she was the person apparently least under suspicion, she probably considered that placing it temporarily in the pocket of her own top-coat, would be sufficiently safe. It was not an ideal hiding-place; but I have little doubt that she was frustrated in an attempt to hide it somewhere on the roof or on the terrace upstairs, until she could take it away at her convenience without being observed. She had no opportunity to hide the revolver upstairs after we had first gone to the roof and discovered Swift's body. However, I think it was her intention to do just this when Miss Weatherby saw her on the stairs and resentfully called my attention to the fact. Naturally, Miss Beeton denied having been on the stairs at all. And the significance of the situation did not occur to me at the moment; but I believe that she had the revolver on her person at the time Miss Weatherby saw her. She evidently thought she would have sufficient time while I was in the den, to run to the roof and hide the revolver; but when she had barely started upstairs, Miss Weatherby came unexpectedly out of the drawing-room with the intention of going to the garden herself. It was immediately after that, no doubt, that she dropped the revolver into her coat pocket in the hall closet..."
"But why," asked Professor Garden, "didn't she fire the revolver upstairs in
the first place—it would certainly have made the shot sound more realistic—and then hide it in the garden before coming down?"
"My dear sir! That would have been impossible, as you can readily see. How would she have got back downstairs? We were ascending the stairs a few seconds after we heard the shot, and would have met her coming down. She could, of course, have come down by the public stairs and re-entered the apartment at the front door without being seen; but in that event she could not have established her presence down here at the time the shot was fired—and this was of utmost importance to her. When we reached the foot of the stairs, she was standing in the doorway of Mrs. Garden's bedroom, and she made it clear that she had heard the shot. It was, of course, a perfect alibi, provided the technique of the crime had not been revealed by the evidence she left in the vault...No. The shot could not have been fired upstairs. The only place she could have fired it and still have established her alibi, was out of the bedroom window."
He turned to Zalia Graem.
"Now do you see why you felt so definitely that the shot did not sound as if it came from the garden? It was because, being in the den, you were the person nearest to the shot when it was fired and could more or less accurately gauge the direction from which it came. I'm sorry I could not explain that fact to you when you mentioned it, but Miss Beeton was in the room, and it was not then the time to reveal my knowledge to her."
"Well, anyway, you were horrid about it," the girl complained. "You acted as if you believed the reason I heard the shot so distinctly was that I had fired it."
"Couldn't you read between the lines of my remarks? I was hoping you would."
She shook her head. "No, I was too worried at the time; but I'll confess that when you asked Miss Beeton to go to the roof with you, the truth dawned on me."
(The moment she made this remark I recalled that she was the only person in the room who was entirely at ease when Vance had gone upstairs.)
There was another brief silence in the room, which was broken by Floyd Garden.
"There's one point that bothers me, Vance," he said. "If Miss Beeton counted on our accepting the suicide theory, what if Equanimity had won the race?"
"That would have upset her entire calculations," answered Vance. "But she was a great gambler. And, remember, she was playing for the highest stakes. She was practically betting her life. I'll warrant it was the biggest wager ever made on Equanimity."
"Good God!" Floyd Garden murmured. "And I thought Woody's bet was a big one!"
"But, Mr. Vance," put in Doctor Siefert, frowning, "your theory of the case does not account for the attempt made on her own life."
Vance smiled faintly.
"There was no attempt on her life, doctor. When Miss Beeton left the study, a minute or so after Miss Graem, to take my message to you, she went instead into the vault, shut the door, making sure this time that the lock snapped, and gave herself a superficial blow on the back of the head. She had reason to believe, of course, that it would be but a short time before we looked for her; and she waited till she heard the key in the lock before she broke the vial of bromin. It is possible that when she went out of the study she had begun to fear that I might have some idea of the truth, and she enacted this little melodrama to throw me off the track. Her object undoubtedly was to throw suspicion on Miss Graem."
Vance looked at the girl sympathetically.
"I think when you were called from the drawing-room to the phone, Miss Graem—at just the time Miss Beeton was on her way upstairs to shoot Swift—she decided to use you, should it be necess'ry to save herself. Undoubtedly she knew of your feud with Swift, and capitalized it; and she also undoubtedly realized that you would be a suspect in the eyes of the others who were here yesterday. That is why, my dear, I sought to lead her on by seeming to regard you as the culprit. And it had its effect...I hope you can find it in your heart to forgive me for having made you suffer."
The girl did not speak—she seemed to be struggling with her emotions.
Siefert had leaned forward and was studying Vance closely.
"As a theory, that may be logical," he said with skeptical gravity. "But, after all, it is only a theory."
Vance shook his head slowly.
"Oh, no, doctor. It's more than a theory. And you should be the last person to put that name on it. Miss Beeton herself—and in your presence—gave the whole thing away. Not only did she lie to us, but she contradicted herself when you and I were on the roof and she was recovering from the effects of the bromin gas—effects, incidentally, which she was able to exaggerate correctly as the result of her knowledge of medicine."
"But I don't recall—"
Vance checked him. "Surely, doctor, you remember the story she told us. According to her voluntary account of the episode, she was struck on the head and forced into the vault; and she fainted immediately as the result of the bromin gas; then the next thing she knew was that she was lying on the settee in the garden, and you and I were standing over her."
Siefert inclined his head.
"That is quite correct," he said, frowning at Vance.
"And I am sure you also remember, doctor, that she looked up at me and thanked me for having brought her out into the garden and saved her, and also asked me how I came to find her so soon."
Siefert was still frowning intently at Vance.
"That also is correct," he admitted. "But I still don't understand wherein she gave herself away."
"Doctor," asked Vance, "if she had been unconscious, as she said, from the time she was forced into the vault to the time she spoke to us in the garden, how could she possibly have known who it was that had found her and rescued her from the vault? And how could she have known that I found her soon after she had entered the vault?...You see, doctor, she was never unconscious at all: she was taking no chances whatever of dying of bromin gas. As I have said, it was not until I had started to unlock the door that she broke the vial of bromin; and she was perfectly aware who entered the vault and carried her out to the garden. Those remarks of hers to me were a fatal error on her part."
Siefert relaxed and leaned back in his chair with a faint wry smile.
"You are perfectly right, Mr. Vance. That point escaped me entirely."
"But," Vance continued, "even had Miss Beeton not made the mistake of lying to us so obviously, there was other proof that she alone was concerned in that episode. Mr. Hammle here conclusively bore out my opinion. When she told us her story of being struck on the head and forced into the vault, she did not know that Mr. Hammle had been in the garden observing every one who came and went in the passageway. And she was alone in the corridor at the time of the supposed attack. Miss Graem, to be sure, had just passed her and gone downstairs; and the nurse counted on that fact to make her story sound plausible, hoping, of course, that it would produce the effect she was striving for—that is, to make it appear that Miss Graem had attacked her."
Vance smoked in silence for a moment.
"As for the radioactive sodium, doctor, Miss Beeton had been administering it to Mrs. Garden, content with having her die slowly of its cumulative effects. But Mrs. Garden's threat to erase her son's name from her will necessitated immediate action, and the resourceful girl decided on an overdose of the barbital last night. She foresaw, of course, that this death could easily be construed as an accident or as another suicide. As it happened, however, things were even more propitious for her, for the events of last night merely cast further suspicion on Miss Graem.
"From the first I realized how difficult, if not impossible, it would be to prove the case against Miss Beeton; and during the entire investigation I was seeking some means of trapping her. With that end in view, I mounted the parapet last night in her presence, hoping that it might suggest to her shrewd and cruel mind a possible means of removing me from her path, if she became convinced that I had guessed too much. My plan to trap her was, after all, a simple one. I asked you all to come here this evening, not as suspects, but
to fill the necess'ry roles in my grim drama."
Vance sighed deeply before continuing.
"I arranged with Sergeant Heath to equip the post at the far end of the garden with a strong steel wire such as is used in theatres for flying and levitation acts. This wire was to be just long enough to reach as far as the height of the balcony on this floor. And to it was attached the usual spring catch which fastens to the leather equipment worn by the performer. This equipment consists of a heavy cowhide vest resembling in shape and cut the old Ferris waist worn by young girls in post-Victorian days, and even later. This afternoon Sergeant Heath brought such a leather vest—or what is technically known in theatrical circles as a 'flying corset'—to my apartment, and I put it on before I came here...You might be interested in seeing it. I took it off a little while ago, for it's frightfully uncomfortable..."
He rose and went through the door into the adjoining bedroom. A few moments later he returned with the leather "corset." It was made of very heavy brown leather, with a soft velour finish, and was lined with canvas. The sides, instead of being seamed, were held together by strong leather thongs laced through brass eyelets. The closing down the middle was effected by a row of inch-wide leather straps and steel buckles by which the vest was tightened to conform to the contour of the person who wore it. There were adjustable shoulder straps of leather, and thigh straps strongly made and cushioned with thick rolls of rubber.
Vance held up this strange garment.
"Here it is," he said. "Ordinarily, the buckles and straps are in front and the attachment for the spring catch is in back. But for my purpose this had to be reversed. I needed the rings in front because the wire had to be attached at this point when my back was turned to Miss Beeton." He pointed to two heavy overlapping iron rings, about two inches in diameter, held in place by nuts and bolts in a strip of canvas, several layers in thickness, in the front of the corset.
Philo Vance Omnibus Vol 2 Page 62