A. Blankert, Rembrandt: A Genius and His Impact, National Gallery of Victoria, 1997.
David Bomford, Rembrandt (Art in the Making), Yale University Press, 1994.
J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, A Corpus of Rembrandt Paintings I: 1625–1631 (Rembrandt Research Project Foundation), 1st edn, Springer, 1982.
J. Bruyn, B. Haak, S.H. Levie, A Corpus of Rembrandt Paintings II: 1631– 1634 (Rembrandt Research Project Foundation), 1st edn, Springer, 1986.
J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering, A Corpus of Rembrandt Paintings III: 1635–1642 (Rembrandt Research Project Foundation), Springer, 2010.
Christopher Leslie Brown, Jan Kelch, Pieter van Thiel (eds), Rembrandt: Paintings: The Master and His Workshop, National Gallery, London, 1991.
H. Perry Chapman, Rembrandt’s self-portraits: a study of Seventeenth-Century Identity, Princeton University, 1990.
Paul Crenshaw, Rembrandt’s Bankruptcy: The Artist, his Patrons, and the Art World in Seventeenth-Century Netherlands, Cambridge University Press, 2006.
Frederick Franck, The Zen of Seeing: Seeing/Drawing as Meditation, Vintage, 1973.
Amy Golahny, Rembrandt’s Reading: The Artist’s Bookshelf of Ancient Poetry and History, Amsterdam University Press, 2014.
E. H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation, Phaidon Press, 2002.
Douglas Harding, On Having No Head: Zen and the Rediscovery of the Obvious, Inner Directions, 2002.
Julia Lloyd-Williams (ed.), Rembrandt’s Women, Prestel, 2001.
Shelley Perlove and Larry Silver, Rembrandt’s Faith, Church and Temple in the Dutch Golden Age, Penn State University Press, 2009.
Lotte van de Pol, The Burgher and the Whore: Prostitution in Early Modern Amsterdam, Oxford University Press, 2011.
Rembrandt van Rijn, Drawings of Rembrandt; With a Selection of Drawings by His Pupils and Followers, vol. 1, Dover Publications, 1965.
Rembrandt van Rijn, Drawings of Rembrandt, vol. 2, Dover Publications, 1965.
Simon Schama, Rembrandt’s Eyes, Penguin Books, London, 1999.
Carl J. Schroeder, In Quest of Pentecost: Jodocus Van Lodenstein and the Dutch Second Reformation, University Press of America, 2001.
Walter L. Strauss, Marjo van der Meulen, The Rembrandt documents, Abaris Books, 1979.
Thijs Weststeijn, The Visible World: Samuel van Hoogstraten’s Art Theory and the Legitimation of Painting in the Dutch Golden Age (Amsterdam Studies in the Dutch Golden Age), Amsterdam University Press, 2009.
Ernst van de Wetering (ed.), A Corpus of Rembrandt Paintings IV: Self Portraits (Rembrandt Research Project Foundation), 1st edn, Springer, 2005.
Ernst van de Wetering, Rembrandt: Quest of a Genius, Waanders Publishers, 2007.
Ernst van de Wetering, Rembrandt: The Painter at Work, University of California Press, 2009.
Ernst van de Wetering (ed.), A Corpus of Rembrandt Paintings V: The Small-Scale History Paintings: Small Figured History Pieces (Rembrandt Research Project Foundation), Springer, 2011.
Ernst van de Wetering, Volker Manuth, Marieke de Winkel, Rembrandt by himself, National Gallery, London, 1999.
Marike de Winkel, Fashion and Fancy, Dress and Meaning in Rembrandt’s Paintings, Amsterdam University Press, 2014.
Paul Zumthor, Daily Life in Rembrandt’s Holland, Stanford University Press, 1994.
A Note on the Author
KIM DEVEREUX is an award-winning short-film director and producer of documentaries. Kim holds an MA in History of Art and English Literature from the University of Edinburgh and an MA from Bath Spa in Creative Writing.
Rembrandt's Mirror Page 29